There is a groaning in the Earth. In every corner of the globe, we hear the daily rumble of seven billion footsteps, raising dust in the desert, and pounding the concrete of city streets back into the rubble from which they came.

Earth Day is Saturday. It’s a beautiful idea, and ecological consciousness is long overdue, but all our good deeds matter little in the face of seven billion hungry souls. The band plays, but the Titanic still sinks.

Still, it is not in our nature to lose hope. We do what we can here at home, and dream of new frontiers. Like Cyan, where a minor character is about to bring a small dream to fulfillment.

***

As he walked down toward the fence that kept predators out of the settlement, Mitchell was torn between feeling excited and feeling foolish. He had been raised in a midwestern town on the Kansas-Nebraska border. It should have been an outdoor life, but every field was owned, and every farmer was ready to shoot on sight anyone entering his land. The crops of wheat that grew around the little town gave broad vistas, but there was nowhere to walk.

The town had been Mitchell’s prison and the wheat fields his prison walls.  Within the town were only a few tired locust trees, and across one corner an ancient creek bed cut a path. It had never held much water, and now it had only a sluggish flow of muddy outwash from field irrigation. When he was very young, Mitchell had tried to fish there, but the water was empty.

Mitchell’s body had lived in the town, but his imagination lived in the fishing books he checked out from the local library. Funds were low, so there were few modern books, but that suited Mitchell. His interest was in books from the last century; books about fishing in clear mountain streams for trout, grayling, or small mouth bass. 

Eventually, Mitchell grew up, moved away, went to college, got a job, and had as good a life as anyone could hope to find on overcrowded Earth. When Cyan opened up for colonization, his childhood dreams led him to apply. Now he worked as a chemist, stared through the fence that protected this new town from the wilderness beyond, and still dreamed. Until today.

Mitchell passed through the fence and closed the gate behind him. He walked down to the bridge over the Crowley and paused to admire the glint of globewombs far overhead. Then he crossed over and moved downstream. He had picked his place already, a sand bar just within sight of the bridge. Delacroix had told him that the pharagals could leap upward and shoreward, but that if he stayed at least three meters back from the water, he should be safe. But no guarantees; about Cyan, Delacroix never gave guarantees.

Now Mitchell opened a plastic jar and took out a fly. The hook had come from Earth as part of the precious ten kilograms of personal equipment each colonist had been allotted. He had tied it using cloth frayed from his jeans. He attached it to a Cyan-spun kevlar leader and tied that to his precious only fly line, just removed from its original package last night. The reel was also from Earth. It was an antique he had bought before he ever heard of Cyan because it was from a twentieth century company called Mitchell. Like him.

Carefully but unskillfully, he began to cast. He had never used a fly rod before, but he had read and re-read every book on technique. Eventually, he was able to get the fly out over the water and let it drop. It floated in the sluggish current, a wad of cloth trailing a snarl of frayed cloth legs. Probably no more pitiful excuse for a fly had been tied in a hundred years.

But on Cyan, no fly had ever been used. A dimple appeared in the water and the fly was gone. Mitchell pulled back on the rod, and something exploded into motion.

Five minutes later, Mitchell dragged his catch across the sand bar to a point where he could safely examine it. It was slim and bright blue, with a blunt head and twin tails that reminded him of pictures he had seen of seals. Down each side of the Pseudopisces was a row of interlocking cream and maroon triangles. It was gaudy and ungainly, but to Mitchell, it was the most beautiful thing he had ever seen.

He unhooked the fly and put it away carefully, reverently rewound the line onto his reel, and picked up the . . .

Trout! The Cyanian blue trout. It didn’t matter what this species had been called by the scientists. To Mitchell it was a trout, and to the tens of thousands who would read his fishing books over the next four generations, a trout it would remain.

This is a continuation of yesterday’s post. The writing of Cyan began about the time Jandrax was published. Why it took so long is a tale for another time, or maybe never, but the mechanics of bringing it into the twenty-first century will be of interest.

I followed the rise of OCR (optical character recognition) technology as it became available, but didn’t have a functioning system until about 2008. By that time I had two novels in published form, a novella in Galaxy, and five novels in typescript. I also had two other novels which were born on the computer. About half of Cyan was still in typescript and half was digital.

OCR is wonderful. It scans in text, flyspecks, pencil corrections, stray pencil marks,  coffee stains, the shadows from clumps of white-out, the shadows of paper creases, and an assortment of self-generated fantasy marks. Afterward, you have to read the result side by side with the original and make lots of changes.

Actually, scanning dismembered paperback books and magazines is relatively accurate. When I scanned To Go Not Gently before including it in Serial, OCR only made about a dozen mistakes per page. But when it scanned old typescripts . . . well, it took months to undo the curse of the typewriter. Then I was ready for final correction and polishing before Cyan could go out into the world.

Publication in the age of Cyan (2016)

Writer’s Digest and all its daughter publications used to be the bible for authors. Now they are only a place to begin generating lists. You have to go to the publishers’ and agents’ websites for details, or you’ll be lost from the outset.

The digital age has empowered publishers and agents – to be picky. They used to be happy if you typed double-space in pica instead of elite. Now they specify, and nobody specifies the same thing. Some want Times, some want Verdana, some want Courier – or was that Courier New. Some want .rtf, some want .doc, and some want .pdf.  Some still want paper, believe it or not. If they want paper, they don’t want return postage. It’s cheaper to shred at their end and print fresh at yours.

So, let’s say magic happens. Your novel is accepted. Now things really become different from the old ways.

Early in your search for an agent or publisher you were not allowed to send attachments to your emails. That will probably change now, and you will send your ms. formatted in the manner they prefer, as an email attachment. Just like the bad old days, you can pretty much count on months of no contact. Email makes it easier for them to contact you, if they need to, but it also makes it easier for everyone else to contact them. For agents and publishers, being too busy never seems to go away.

In the old days, you would spend this time writing your next novel. That is still true, but it is also the time in which you start preparing to promote your novel when it comes out. Once upon a time you didn’t promote your own novel because you couldn’t. Now you can, so you have to.

How? I can’t fully tell you because I’m still learning, but you can find a thousand people on the internet who think they know. Be careful; some of them charge money. For me, the main thing was to start this website. It has been going for eight months now. You are reading post 134 on this blog, with even more on the sister blog Serial. That’s a day job in itself.

You can get a business page for your Facebook account. I did, but it didn’t work for me. I was already saying everything I needed to say here, so Facebook was redundant. I am getting ready to tweak my author pages on Goodreads and Amazon. I may even try Twitter, but I’m not sure. I don’t think I could clear my throat in 140 characters.

Cyan is coming out from EDGE, a Canadian publisher specializing in science fiction and fantasy, as an e-book. It has been sixteen months since it was accepted, which I understand is not a particularly long wait. Since I’m writing at the end of March, I will probably know the release date by the time this goes online.

In mid-March I got the proofread manuscript back from EDGE and had to learn a whole new set of skills. Change tracking is a function shared by Pages (the word processor I use on my Mac) and Microsoft Word (used by the business world, including publishers) which allows an editor to make changes which are tracked and identified as hers in a sidebar, and allows her to make boxed entries in which she can ask questions, make suggestions, and share concerns. As author, I can then either accept or reject her changes. I can also recognize good criticism, but rewrite a segment in my style instead of accepting her changes. I can make notes in the sidebar for her attention, especially since format changes are better made by her than me. I can even explain the reasoning behind some decisions that might seem arbitrary.

Change tracking is one more reason why these are the good old days. Thanks, Michelle at EDGE, for a great job of proofreading.

About the first of March, I received a questionnaire for the publicity department which asked for such things as an imaginary interview with me, and imaginary interview with one of the characters in the book, three blog-entry style pieces, and the story behind Cyan. They also asked for a one paragraph, a two paragraph, and a four paragraph excerpt from the book, and for a 10 word, a 25 word, and a 75 word statement that might be used for cover blurb. I also received a questionnaire on cover design which asked for a physical description of the main characters, and gave me a chance to suggest a scene for the front cover.

They are still free to make any decisions they choose, but I am hopeful. EDGE seems to want to do things right.

Keir and his friends travelled eleven light years to get to Cyan. I sometimes feel as if my journey has been longer. I first wrote down the names of the ten explorers, carefully chosen to represent ten different countries, in 1978. That was about the time my first novel, Jandrax, was accepted by Del Rey.

Cyan will be released in e-book form from Edge, probably in the next month or two. As of today (Mar 30) I don’t know the exact date.

A lot has changed between the two releases. Since many of you are here primarily to find out how to get your own novels published, I’ll give you a rundown on the old and the new of it.

Publication in the age of Jandrax (1979)
(You can skip this until part 2, tomorrow,
or you can stick around and laugh at the bad old days.)

When I sent Jandrax around, most publishers accepted queries, then often asked for samples or full novels. You never sent the original. Once a typed and corrected manuscript was complete, it was precious. A coffee spill could destroy weeks of work and you couldn’t just push print to get another one. You sent a photocopy, and you included postage for its return. After a few publishers had seen your novel, the ms. copy started looking pretty ratty.

All this was expensive for a would-be writer, since photocopying cost a dime per page, coin fed, one page at a time, at the local library. There were hard learned tricks to this process, as well. Without computers, there was no headers function. Typing your name, address, phone number,  book title, page count, and page number on each page was out of the question. I typed all this once (with the word page, but no number), trimmed the copy close, and taped it face down on the platen of the xerox machine when no one was looking. After copying all the pages, I filled in each page number by hand.

I’m sure Heinlein had people for this.

In August of 1978, Del Rey bought Jandrax. It was published in April of 1979, which is a pretty quick turnaround. I didn’t have much to do with the process, and certainly had no say in decisions made. I didn’t see the cover until I got my 20 free copies in the mail. It’s a great cover, even though the “reviewer” at Locus mocked it instead of reading the book.  The back blurb was another story:

JAN ANDRAX
As a scout he’d tamed
four planets — and more women than
most men ever see . . .

Well, not really. I wasn’t too embarrassed though, because every reader knows that back blurbs are made up by sex crazed maniacs who haven’t read the book.

My only input between purchase and publication was to review the galley proofs. Galleys don’t exist anymore, but before computers, the typeset version of the book was run off in long sheets, about four inches wide and eighteen inches long, and sent back to the author for approval.

From the obsolete word file — stet. Not stat, that’s doctor talk for right away. Stet means “No, no, no. Put back that sentence you red-lined out. That was exactly what I meant to say, and I don’t want it changed!”

Truthfully, despite horror stories you might have heard, all the proofreaders I’ve encountered have been good at their job.

Jandrax came out and sold some copies, but never paid back its modest advance. That was normal for a first novel, back when first novels got any advance at all. There was an article in the local newspaper, I had a book signing at a local bookstore, and my wife bought me a T-shirt with Jandrax printed on it. That was the publicity campaign.

Things are different today, as I will explain tomorrow.