Tag Archives: ecology

656. Angle of Repose

As a point of accuracy, angle of repose is a civil engineering term referring to how steep a slope is possible without slumping due to gravity. The angle varies according to the material under consideration.

I am completely misusing the term here in reference to axial tilt because it sounds so good. So sue me.

Today is December 30; the year is near it’s end. The solstice was December 22 this year, so the days have been getting longer for eight days now. What we call the first day of winter is actually winter’s mid-point, judged by the inclination of the Earth. The “incorrect” way we measure winter actually works pretty well though, because there is a delay effect between tilt and the weather that depends on it.

“The Earth tilts south in the winter and tilts back north in the summer.” Easy to say and easy to understand, just like saying that the Earth is flat, but of course it’s wrong. I remember teaching the matter to my school kids every year. I would designate a student sitting in the center of the room as the Sun and walk around the classroom with the globe tilted roughly 23 degrees toward the bank of windows to demonstrate that the angle of inclination doesn’t change, only the position of the Earth in relation to the Sun. I’m sure they all forgot it by the next day.

The seasons as we know them are due to the degree of tilt. Tilt further, and the seasons would be more extreme. Tilt less and they would be less extreme. I’ve made a career of writing about that.

My first novel, Jandrax, was set on a world circling a cool sun, with a tilt of something like 32 degrees. That made for seasons like those on Earth, but more extreme. It worked out well for my intentions, stranding a bunch of religious extremists and watching them adapt in two different ways, as a static civilization in changing weather, and as nomads who followed the good season.

The unharmonious planet Harmony was in the middle of an ice age, with the only livable real estate flanking the equator, and of course they had two summers and two winters each year.

No, I know it isn’t obvious, but it is real. I explained the phenomenon in 14. Axial Tilt. Check if you doubt me.

Cyan came later. I set it up as a planet with virtually no tilt, resulting in unlivable cold, miserable cold, too cold for comfort, Goldilocks perfect, too hot for comfort, miserably hot, and too hot to live, all depending on your latitude. That would have made for a perfect climate somewhere (a boring thought for a writer) except that I threw in a 40 hour day so even at the “perfect” latitude you could count on burning your brain and frosting your buns every overlong day of the seemingly endless year.

It also resulted in two virtually independent super-biomes, separated by a dead torrid zone, as Keir lamented when Tasmeen, Beryl, Debra, and Viki . . .; no, sorry, you’ll have to read that yourself.

Okay, what’s opposite of the unchanging, tilt-less Cyan? A planet of Uranian orientation, of course. Stormking becomes the third of the trilogy, lying on its back in orbit, presenting first one pole and then the other to its star. Such a planet would probably not be viable for a human civilization, but as a place for an orbiting civilization to dump its exiles, it’s perfect.

Dome cities could survive on a Uranian planet, but why would they want to? Any people, like our exiles, who actually interact with the environment would have to keep continually on the run. That’s a little like the nomads of Jandrax, but where those were a people whose march kept them on the leading edge of a moving paradise, the exiles of Stormking live in an endless hell-storm. All of the water of that planet spends half of the year locked up in north polar ice caps while the south pole is desert. Then all that water has to move from north pole to south to freeze again while the north pole becomes desert. All this will have to happen twice a year.

You can’t imagine the storms. Actually, you don’t have to. I do, and then I have to write them.

This is going to be fun.

646. Stinky Boy and his Cousin

Attribution of pictures is below.

I’ve met a couple of new friends lately.

(Actually this post is a month out of date. It was originally scheduled for October 16, but was displaced by a tribute to Alexi Leonov.)

This has nothing to do with writing, just with the life of a writer up here in the foothills. Over the years I’ve had plenty of wild visitors. By visitors I don’t mean the nuthatches, jays, and woodpeckers who live here all the time; nor the northern flickers (we call them 747 birds because of their size) and rufous-sided towhees who winter over. I also don’t include the turkey vultures who are always overhead.

I do count the great blue heron who came walking by one day. There’s nothing like a six foot blue bird slurping down a gopher to get your attention.

We’ve had coyotes running through our property many times. On two occasions they crawled under bushes in the yard to die. One was a youngster, probably hit by a car. The other was a ragged oldster at the end of his days. Those are the events that bring a settling of dozens of the vultures.

I don’t blame the oldster for picking our place as his last rest. We don’t have dogs to harass, we have lots of shade, and we keep basins of water available through the yearly seven month drought. We can’t stand the thought of a thirsty animal.

We have raccoons, although we rarely see them. Some mornings one of the water basins will be solid mud, and we know they’ve been by to drink and wash their food. Three times we’ve been visited by the neighborhood bobcat, but our elevation is a bit low for mountain lions. I’m all right with that. Bobcats don’t eat people; mountain lions occasionally do.

We have ducks and geese flying by and small hawks and owls living in our trees. Big red-tailed hawks and an occasional bald eagle cruise overhead with the ubiquitous vultures. And of course, bats come out by night.

Deer come by from time to time and eat our tomato crop. We were even visited once by the Christmas Pig. That was a 300 pound escaped porker who passed by one December 25th.

We have a flock of turkeys who come by two or three times a week in winter. I haven’t seen them for months, but they are about due to return. (And here they are, a week after I wrote that.)

I’ve mentioned most of our normal visitors before. Recently we’ve had two new ones. The first announced his presence several nights a week for a month or so, sending us an odoriferous wake-up call through the open window. We knew we had him before we saw him. I was walking back to the house at dusk one evening when I almost stepped on him. He looked up quizzically and I retreated.

Then for a few weeks, he showed up in the daytime. Who knew that a skunk is one of nature’s most beautiful creatures? I haven’t seen him for a while now and I miss him, odor notwithstanding.

Then, on the last day of September, Stinky Boy’s cousin showed up.

Now I know a badger is not a biological cousin of a skunk, but they share a striped face and that’s close enough for me.

In the interest of full disclosure, my wife saw him for full-faced positive identification. By the time I got there, all I saw was wide brown, furry butt disappearing at high speed into the distance.

So close, and yet so far.

The skunk photo is in public domain, the badger photo is via GNU. Both critters avoided my camera when they came to visit. Actually the skunk was in plain sight, but I didn’t dare get close enough for a good shot. You know, friendly fire.

634.1 Critter Count

I have a post about two new critters who came to visit, called Stinky Boy and his Cousin. It was supposed to be posted yesterday, but the tribute to Alexi Leonov pushed it forward to the Monday before Thanksgiving.

As I was writing that post, I was a little uneasy. It ended up mentioning a large cadre of critters. Even though I made it clear that many only came by once in more than a decade, I still wondered if some readers would imagine that I live in a virtual zoo, instead of normal foothills full of sweet but ordinary creatures, and more rarely visited by the exotic.

Then today happened.

We went out early by car to watch a cattle drive which happens twice a year, going to the high country in spring and back down to the foothills in the fall. The critter count included cows, horses, dogs, and cowboys, but they don’t really count because they are all domesticated. Except the cowboys.

Driving back to my house, I had to brake for quail flying across the road. Driving on down toward the valley afterward, we had to dodge a tarantula crossing the road —

“Why did the tarantula cross the road? Mating season.”

— then passed a flock of turkeys in a neighbor’s yard. Still less than two miles from home I saw an egret standing at the edge of the lake waiting for a fish. Yesterday at the same spot I saw a flock of geese floating on the water.

A moment later a vulture swooped down. For a moment we were bracing for a collision but he was only interested in a piece of road kill in the ditch.

Okay, you’re right. I do live in a zoo.

Weird Season

I grew up on a farm, spent my adult life in a city, and returned to a few acres in the Sierra foothills when I retired. That means that the passing of the seasons means more to me than it would to someone living in a city.

This year was strange. We had lots of rain early in the rainy season, none for a critical month, and then lots more at the end. It meant that there was close to normal rainfall,  but the timing was all off.

Usually our rainy season gives us a sequence of wildflowers, but this year they all came at once, giving us a brief look at a beautiful world. I thought I would show you a bit of it.

Within a month, the rattlesnakes will be carrying canteens again.

421. Gobbles Returns

Those who have been with me for a while know that I often give you a glimpse of the life going on outside my door. It’s time for a new installment, because Gobbles came back recently, and I had missed him.

Gobbles is a wild turkey. As I’ve mentioned before, there is a flock of about thirty wild turkeys who come through our acreage about every three days and usually spend an afternoon. A little over a month ago, one of them stayed behind. He was crippled. He carried his left leg bent so that it never touched the ground. When we became aware of him, we were careful not to approach to closely and scare him into leaving.

He took up residence, primarily in our fenced back yard. At first I tried to keep a gate open so he would not be trapped, but then I saw him fly and there was nothing wrong with his wings. After that, we left him alone, talked softly when we were near him, and enjoyed his company.

We wondered where he slept, concerned that he would be vulnerable. We needn’t have worried. After about a week, we happened to be looking the right direction at sundown and saw him fly up into the giant oak tree above our garden. It took him two tries, first to a lower limb and then to a limb near the top. And he had to land carefully with only one functioning leg. Once there, he was as safe as any in the flock he had had to leave.

After a couple of weeks, he started putting his left foot on the ground, but without weight. Then he began to hobble and eventually he hobbled fairly well. Every few days, the flock would come back and he would be with them for a few hours until they left and he had to stay behind.

Then he disappeared. Three or four days later, the flock was back in our yard and one of the turkeys was limping. That pattern still continues. Later, we saw a flock in a neighbor’s yard a mile away, and one of them was limping. No doubt, it was Gobbles.

I grew up on a farm. I know all about animals as food, and animals as economic units. When we raised a new crop of heifers for the dairy herd, typically one of them would fail to get pregnant. No calf means no milk, and that means no money from that heifer. She would end up in the freezer as steaks and hamburger. That’s life on the farm.

I also know the flip side. I don’t want to tell you how many abandoned kittens I have bottle fed to save them. Both relationships are legitimate. Gobbles was somewhere in between. I never touched him, never fed him, never got closer than twenty feet from him. He remained a wild creature, but he came to trust me slightly, and I came to enjoy having him around. I miss him, but I am glad he is out in the wild, back with his flock, doing what wild turkeys are supposed to do.

And if, in a few months, the flock no longer has a turkey among them who limps, there will be two possible interpretations. Either he will have healed so completely that he can no longer be distinguished, or the coyotes will have gotten him. If that happens, my head will say coyotes, and my heart will say healed.

386. Chief Seattle

Beware, I occasionally rant. Like today.

If this post had a descriptive sub-title in the nineteenth century style, the full spread would be:

Chief Seattle: White Man’s Indian
or, how a movie took a fine old man and turned him
into a puppet and a joke

How’s that for laying out a political agenda for all to see?

Yesterday and today I presented an ersatz Miwuk legend. Ersatz is a fancy word for “I just made it up”. I don’t apologize for that. Spirit Deer is a work of fiction, and I used Miwuk Indians as the basis for Tim’s knowledge because they were the resident Native American’s in the places he finds himself. (When I wrote the book in 1975, it wasn’t yet a crime to say Indian instead of Native American.) Later, I will also have a “family story” about his grandfather’s grandfather. That is also made up, to meet the needs of the novel. Again, no apologies. Fiction is fiction. Historical fiction has some responsibility for maintaining accuracy, but Spirit Deer isn’t even subject to that.

I wrote this novel, all of it, including the legends and family stories. It’s fiction, okay. If it were ever to be published, I would make sure that those facts were clearly stated.

Actually, that’s what I’m doing here.

There is a point to all this, beyond simply taking responsibility for what I have written. When I was a teacher, I came across a book called Brother Eagle, Sister Sky: A Message From Chief Seattle and also the supposed text of Chief Seattle’s speech. This took place decades ago, and I can’t remember which I saw first, but my Hemingway style “writer’s shit detector” went off like a siren. I was sure that this was another white guy putting words in an Indian’s (excuse me, Native American’s) mouth, after he was long dead and couldn’t set the record straight.

It turns out, I was right. The version of Chief Seattle’s speech in question, which comes complete with the statement, “I have seen a thousand rotting buffaloes on the prairies left by the white man who shot them from a passing train,” was written by screenwriter Ted Perry for the 1971 film Home. Those buffaloes were killed and rotted decades after Chief Seattle made his speech, and half a continent away. To be fair to Perry, he tried for years to claim credit for the speech and counter its false historicity, to no avail.

Actually, as fiction, or as a soupy environmental statement, it is a powerful piece of writing. But it has nothing to do with Chief Seattle.

The publication of Brother Eagle, Sister Sky led to a 1992 Newsweek article that named Perry as the author of the speech. In researching for this post, I also found a more complete article from the New York Times. You can check them out for yourself.

All this slapped me in the face four ways.

As a writer, I work hard to keep my fiction from telling lies, either morally or factually. I am a long time student of ecology, and I abhor the way a hard-edged science gets turned into a set of slogans. As an anthropologist (B.S., M.A., and two summers on archaeology digs), I hate the way Native Americans are rarely seen for themselves, but as savages or saints, according to whatever is the current fashion. I am a student of history as well, and . . . you get the picture.

You might have guessed by now that I can be irritated by lies, and seeing a screenwriter’s version of “Chief Seattle’s” speech accepted as history grinds all my gears.

364. The Core Story

photo by David Mayer

For the last month, these posts have been coming later in the day, in hopes of finding new readership in other time zones. I haven’t been happy with the results, so today I am reverting to the old posting schedule.

Over in Serial today, I begin presenting the novel Spirit Deer. I had some hesitation about this.

As it stands, Spirit Deer is a juvenile, not a YA. It would be suitable for most of the kids I taught in middle school, but too young for teenagers. It would stand with Island of the Blue Dolphins, not with Twilight.

It didn’t start out that way. When I originally wrote it, as an experiment to see if I could I write a complete novel, Spirit Deer was a book for adults. Tim had a last name, a wife, a job, a backstory, and other adult considerations. When he got lost in the woods and had to find his own way out, it was a catalyst for changing his life.

It was only 45,000 words however. That was too short for a western or a science fiction novel, even in the seventies, and way too short for a regular novel. And while the lost-and-found part of the story was fine, the relationships part wasn’t ready for prime time. It didn’t deserve to be published, and it wasn’t.

I moved on and my second novel,  Jandrax, and it was published. Fair trade; Spirit Deer had done its job by teaching me to write. It could be put away with no regrets.

But it wouldn’t die. The problem was, once you strip away the wife and the job and the friend and the adult concerns, the core story of how to keep alive when nature is trying to kill you was still powerful.

After a lot of years, and several other novels, I went back to Spirit Deer and stripped it down to it’s essence. At that level, Spirit Deer could have been about any male above the age of thirteen, all the way up to senility. To be fair, a woman could have endured what Tim endured, but I don’t think a woman would want to read a book about it. At least not in the eighties and nineties when the core story was tapping me on the shoulder and saying, “Don’t give up on me.”

Spirit Deer became a juvenile because of its length. When the wife and friend and backstory went away, there were only about 25,000 words left.

Consider this:

Man against nature, other men, or himself, is a story.
Man against nature, other men, or himself, plus gunfights, is a western.
Man against nature, other men, or himself, plus thugs, is a thriller.
Man against nature, other men, or himself, plus spies, is James Bond.
Man against nature, other men, or himself, plus sweet sex, is a romance.
Man against nature, other men, or himself, plus rough sex, is men’s action — a genre which has all but disappeared.
Man against nature, other men, or himself, plus sex, catching a big fish, and death on the last page, is Hemingway.

I didn’t want to add any of those plusses, and I didn’t want to make Spirit Deer artificially longer, so it became a juvenile. It’s still a good story, it taught me a lot, and it provides a lot for us to talk about as writers.

That is, I assume you are or want to be a writer, or I would have lost you in the second paragraph.

Spirit Deer will be presented in forty posts over in Serial, and there will be posts over here on A Writing Life expanding on the story, on being a beginning writer, and on how many ways a writer can present a core story.

Alien Autopsy (4)

In Jandrax, I was happy to use modified mammals and birds. That was all the story needed. When I wrote Cyan, I faced a different situation. My crew was set down on an alien planet for one year, with the task of coming to understand its weather, geology, and ecology in order to prepare for colonization. They were all scientists, so their actions and conversations called for a deeper understanding of their new world than any other kind of science fiction novel would have required. That challenge was half the fun.

When I began Cyan, I had been studying ecology for about twenty years, starting back when I had to explain what the word meant. I later came to understand the essence of Earth’s taxonomy in the most rigorous possible way — I had had to condense it to a level which middle school students could understand without dying of boredom.

Terrestrial taxonomy looks something like this:taxon

Drop a salmon egg on the gunwale of your canoe and it will dry out in minutes. A chicken or turtle egg would survive the same treatment. This is the meaning of amniote egg (although there are other, competing meanings). Creatures who lack them, must lay their eggs in water. The rest of the chart should be clear, although simplified. For example, birds have scales on their legs as well as feathers elsewhere, and I skipped Dinosauria altogether.

I built up Cyan from the taxonomic level. If I had hadn’t been showing the planet through the eyes of a team of scientists, I would never have started out there.

It had to be weird but recognizable — that’s the key to all science fiction invention. It also required restraint. You can only explain so much to your reader without losing them, and beyond a certain point, your backstory is wasted effort.

I took grasses and weeds for granted. I gave my trees multiple trunks bound together, like a strangler fig without its victim. For something like insects, I made Chitropods – chitro sounds like chitin, and pod means foot, so the reader can be expected to infer an exoskeleton. Continuing the idea of inference, if we call the flying creatures who eat the chitropods pouchbats, the reader will draw a better picture in his mind that we could on paper.

The number of legs is important to Terrestrial arthropods, but I bypassed that by giving all chitropods many legs, but with only one joint each where each meets the body. This gave them a rolling gait “like caterpillars on crutches”.

These are throw-away inventions. They could have been applied to any ecosystem and they are not systemically related to each other. They alone would be good enough for most science fiction novels, but not for one about scientists teasing out the essence of their planet.

Here we need a key differentiation, from early in evolution, from which a thousand lesser differences can be derived. I decided that on Cyan, early in the development of chordate life, the vertebral column doubled at the posterior, giving Cyanian sea life twin tails. That changed everything. Earth fishes evolved legs from their fins. Cyanian “fishes” evolved legs from their split tails, so every Cyanian land creature is a tail-less hopper, fundamentally different from anything on Earth.

On Cyan, the classes are Pseudo-pisces, Amphibia, and Inturbia. No reptiles, no birds, no mammals, no dinosaurs. The Amphibia are cold blooded. Inturbia are inefficiently warm blooded. The term Inturbia should imply “internal body temperature un-perturbed by external changes”. Not every reader will get that, but writers should reward their best readers by not spelling everything out.

There are a thousand other details, but for that, you will just have to download Cyan.

All this is not to say that I didn’t invent interesting alien creatures. Kavines are incredibly fierce. Dropels, especially after they became domesticated, are cute and tasty. In the southern part of the upper continent, the Cyl developed something close to sapience, leading Viki to . . . nope, sorry, that’s a spoiler. I just started with taxonomy so they would all fit together.

Of course, too much consistency without outliers would be boring, so I added the globe wombs. The explorers see them shining in the treetops from their first minutes on the planet, and it takes a while for them to figure out what they mean.

Inturbia have live birth. Cyanian amphibs have to return to water to lay their eggs, except for one group, the Sphaeralvids, who produce globewombs. When a Sphaeralvid mother comes to term, she moves to a sunny spot in the treetops and exudes a transparent, leathery sac filled with a clear fluid like seawater. Into this she deposits fertile ova, then defecates. Algae from the Sphaeralvid mother’s bowels convert the feces into biomass and the Sphaeralvid nymphs fed off the algae.  When the feces are gone, the globewomb walls break down, leaving the now sizable nymphs free to face Cyan on their own.

Neat, huh? That is entirely too much detail for most books, but Cyan was written to show, realistically, what exploration of a new world might be like. This is just the kind of detail a crew of scientists would be recording.

Aside:      Shortly after posting this, I received a digital copy of the print-on-demand version of Cyan to proof. I spent May 29 and 30 in close reading of all 315 pages. The taxonomy and ecology of Cyan are backstory, dribbled out in bits here and there, but what the reader sees up front and in their faces are the individual alien beings. I realized that I need a fifth Alien Autopsy post to devote to the Cyl (the cover critter), but there is no space for it here. You will find it next Thursday over on the A Writing Life side of this website.

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I began Cyan a few years after I wrote Jandrax, and set it in the same universe but hundreds of years earlier.

I also have in mind a third novel set in the same universe, but very different. It will take place on Stormking, a prison planet with a Uranian inclination to the ecliptic. The people who make up its population are not scientists, but outcasts. They have no interest in taxonomy. They meet the creatures native to their world one by one, and all they care about are which ones can they eat and which ones want to eat them. This time I’ll stop worrying about how these alien creatures make up a logical system, and just weird them up big time. That ought to be fun, too.

Alien Autopsy (3)

Imagined alien life forms can range from nearly human to outrageously strange. They can be imagined to meet story needs, or imagined first, with stories arising from their peculiarities.

Actually we can do even more. We can imagine whole ecologies. And again, we can go from minimalist to extreme. Arzor from Norton’s Beast Master is suspiciously like the American southwest, but Dune is a desert with an ecology quite a bit developed beyond any desert on Earth.

My first science fiction novel Jandrax [see note at the bottom of the page] is set on a deeply frozen planet, with only the equatorial region ice free. The only area I developed was a plain roughly a thousand miles across, centering on a massive freshwater lake. I stranded a starship with a load of fundamentalist passengers and a relatively unreligious crew, and watched the fireworks as they found two quite different ways of coping with the local ecology.

The area in question never sees rain, but during the cold season, snow and sleet falls, then melts during the (slightly) warm season. Viewed locally, this results in a dead season of snow, a brief season of wild plant growth during which massive migratory herds move through, and then a long season of dry, warm aftermath until the churned and destroyed vegetation is covered with new snow, where it and its seeds will wait for the next melt.

Viewed from the starship stranded in orbit, there is a moving line of green, eating up a mass of white, and followed by a growing gray, brown temporary desert.

I won’t tell you what happens to the people. That would be a spoiler to a book I’m hoping you will still read. Instead, let’s look at the alien creatures, starting with the herbivores.

Herbies are burrow bodied, tapir headed, fleet and harmless. Humpox don’t get much description, but don’t need it, with that name. Trihorns are as deadly as they sound. All are mammals, as are the carnivorous longnecks and krats. There are also huge carnivorous toothed birds called leers. They ended up on the cover.

These are the deliberately realistic creatures, all mammals and birds, devised in an era when warm blooded dinosaurs had not yet reached public awareness. In another part of the book, there is an interlude on an island which may be a hallucination or perhaps an encounter with the local version of God. Here the rules of realism don’t fully apply, and we find winged people who would never stand up to the laws of aerodynamics, and an insufferably cute, seal-faced, plump flying mammal called a dilwildi.

The example of Jandrax goes straight to the notion of purpose. Weird critters for the sake of weird critters is entirely valid. I love a weird critter novel. But Jandrax was my first full fledged novel, designed to show human interaction in a harsh, ice-age environment. It contains an entire religion, devised for the purpose of providing conflict. The ecology of the world was central to the story, and it was developed, but the individual alien creatures just needed to look right in an ice age environment. Nortonian minimalism is at work here.

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I was in high school when I  first read Richard McKenna ’s novella Hunter, Come Home. It was a deeply moving, human story of manhood, honor, and love. It also had a second dimension, the description of an entire sentient ecosystem in peril and fighting back.

Here is a brief summary. Mordinmen were descendants of a lost Earth colony which had fought a generations long war against the dinosaur-like creatures which inhabited their planet. Manhood had become symbolized by the killing of a dino, but now the dinos were scarce and poor families, like Roy Craig’s, could no longer afford a hunt.

Mordinmen had now claimed another planet and were setting about to destroy its native ecosystem, in order to rebuild it in the image of their home planet. Red dots (successful hunters) were running the show, assisted by blankies like Roy who was working toward the time he could make his kill on the new planet. Hired as specialists, the Belconti biologists were providing the virus-like Thanasis used to destroy the native life.

When the story begins, the fight to transform this new planet has been going on for decades, and it is failing. Now the Mordinmen, against warnings by the Belacaonti, are about to unleash newer, harsher, more dangerous plague on the planet.

That’s about as far as I can summarize without a spoiler alert. Roy Craig wants more than anything to be a full fledged member of his machismo society, but his blanky status leaves him marginalized and frustrated. At the same time, he is drawn to the relatively gentle society of the Belaconti with whom is is working, symbolized for him by the woman Midori Blake.

Other than the dinosaur like creatures imported by the Mordinmen, there is only one other alien species — the entire planet they are all on. The native life of the planet is totally interconnected, essentially a one-world-tree (shades of Gaia).

There is a three way contrast in Hunter, Come Home. The Mordinmen, from a macho society built on killing are placed in contrast to the Belaconti, scientists who understand and treasure the ecosystem they are trying to destroy, and they in turn are contrasted to the interlocked, semi-sentient native life of the planet. Roy and Midori are each caught in conflicting loyalties as the planned apocalypse moves forward.

This is one of those cases where world building, culture building, and alien species building work together seamlessly. more tomorrow

Click here for next post.

[You can find Jandrax in used book stores. It is also available on this website, in an annotated form. Eventually it will be placed in Backfile, but I’ve been busy. I you want to read it here and now, your best bet for navigation is to begin by clicking the March 2016 archive and find Jandrax 2, then read and slide up, skipping every other post — archives alternates posts from the two blogs on this site. It is a bit of a pain. You can get Jandrax most days through Amazon’s cadre of used book stores. If you want the annotated version, in which I explain the various foibles of a young author, I plan to put it into an easily accessed form in Backfile, as soon after Westercon as I can find the time.]

354. Cattle Junkies

This morning (May 3rd) they moved the cattle toward their high pastures. Where I live, that movement normally happens twice a year.

Here in the foothills of the Sierras, we are coming to the end of the green season, in a year that was unseasonably wet. For five or six months every year the hills are covered with lush grass and cattle. The rest of the year is dry, burned brown, and mostly free of livestock. Most of the cattle that disappear in May migrate directly to your local grocery store meat counter. Some of the mothers and calves which will provide next spring’s herds move up the mountain to summer pasture.

Mostly, this is by trucks hauling specialized trailers. You see them everywhere on the roads and in the fields during this season. But one local rancher still holds a biannual cattle drive. I get the impression that some the herders are paid hands, but most are volunteers. After all, if you were a cowboy, or worked cattle from your pickup truck and wished you were a cowboy, wouldn’t you jump at a chance to join a cattle drive? Even if it only lasted three days?

They pass only a short distance from my house, and my wife and I never miss an opportunity to watch.

I grew up on a dairy farm in Oklahoma. Twice a day from age eleven until I left for college I was in the close company of cows, and I miss them. My wife just loves animals of any kind.

What does this have to do with A Writing Life? If you were Truman Capote, probably nothing. If you were Gore Vidal — well maybe. After all, Vidal worked for a time for his grandfather who was Senator from Oklahoma. But probably nothing; Vidal, like so many writers, was an urban type.

I’m quite the opposite, and the natural world permeates my writing. While I will never write an Andre Norton pastiche about herding frawns across Arzor (a statement Norton aficionados will instantly recognize), watching the cattle go by is likely to inspire me to rush to the keyboard. Like I just did.

I took these pictures, and picked those which would leave place and people unidentifiable. We all like some privacy.

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“Post”script, May 17: By coincidence, the second herd of the spring drive went by about six hours ago.