Monthly Archives: December 2016

264. Last Christmas

DSCN1839Welcome to my favorite season.

Last Christmas, this blog was only a few months old, but I still enjoyed writing Christmas themed posts. I would have enjoyed it more if I had thought anyone was listening.

I could recycle, but that seems like cheating, and besides, I have new things to say. How about a compromise? Here are tags which will take you to six of last year’s posts, then tomorrow we will move on into the future.

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62. A Christmas Booklist – plenty of Christmas reading.

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63. ‘Twas the Season (post 1) – Christmas in Oklahoma during the fifties.  

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  64. ‘Twas the Season (post 2) – Christmas in Oklahoma during the fifties.

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66. Five by Dickens – Dickens wrote more than A Christmas Carol.

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67. ‘Twas the Night . . .  – the story of The Night Before Christmas, extended  version.

Dec 25th

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68. Nostalgia – some personal reflections on what Christmas means to me. 

Raven’s Run 54

Chapter Fifteen

The old clichés are the best ones; that’s how they got to be clichés.

It was dusk when we emerged from the gare. In the shelter of the overhanging roof in front of the open courtyard, a street musician with a saxophone was leaning against the wall, playing sweet and sad. A lonely saxophone playing in the night is a magical thing, and this kid was good. Honey sweet melody poured out of him, filling up the space around him, driving back the street noises and transforming the garish lights and the tawdry shops into something exotic and exciting. We were arrested by the music, hesitating between the bright lights and the dimness of the coming evening beyond.

Then thunder came down and walked about on the rooftops until it seemed as if the pavement shook. The rain came quickly, and there was an audible, collective gasp from the hundreds of pedestrians on the streets and in the square. Like runners at the opening gun, they sprinted for shelter in the gare, and under the overhanging eaves of surrounding shops. The light was lambent and flawless; every tiny detail was clear in those first moments before the rain haze dulled the details. A hundred thousand droplets danced on the street, as water moved in sheets ahead of the sudden wind.

The thunder sounded again, more distant now, and the hiss of rain played a background harmony for the sax. There were twenty of us waiting in the doorway of the gare. Some had been drawn from within by the excitement. Some had taken shelter; they were shaking the rain from their clothing and wiping sudden moisture from their faces. Raven moved closer still, until we touched from ankle to cheek. Her breath was warm against my breath as we spoke softly. She was trembling with excitement, and something more; so was I.

She put her hand on my cheek and turned my face to hers. She leaned up to kiss me, sliding her fingers around behind my head. Her lips squirmed, her tongue came in, and I felt an electric shock from head to heels. When we broke, she whispered, “I can’t wait.”

Sweet Jesus!

Primeval rains were still falling. Across the square, people were sheltered beneath the arches of the Hotel Concorde-St. Lazare. Raven grabbed my hand and we ran. We were wet through in an instant. Her laughter rang out. She kicked the puddled water up in drenching sheets, caught me around the waist and dragged me to a stop in the middle of the square. With the rain driving against our heads we locked together.

In the lobby of the hotel, Raven held center stage. She marched up to the desk and demanded a room. Her cloud of hair had come down around her shoulders in one wet mass. The thin, light material of her tied off blouse had turned to cellophane. The old clerk smiled in appreciation. Two young men in jeans made no pretense of savoire faire. Their heads swiveled right around as Raven passed, and their girlfriends’ faces turned dark with envy.

In the room, she stood back from me, to see me and be seen by me. The rain was beaded on her face, and made twisted runnels on her long, lean legs and her bare arms. Her blouse was wet to absolute transparency – stirring memory. She said, “I was this wet when you first rescued me?”

I nodded.

“But not so much clothed.” She raised her arms and locked her hands behind her head. She said, “Untie me.” more tomorrow

263. Andre Norton’s Beast Master

Not every draft post actually gets posted. I started one a year ago in which I asked “What science fiction or fantasy world would you most like to live in?” That’s not the same as which one do you like to read about. I love the Dorsai books, but I wouldn’t be caught dead in any of them. Or, if I were caught in one, I probably would end up dead.

The question never reached the website, but in the draft I answered, “Arzor”, which is the planet in Andre Norton’s Beast Master novels.

In many ways, The Beast Master is the ultimate early Norton. Many of her protagonists are orphans, and Hosteen Storm is a hyper-orphan. He has lost not only his family, but his whole world. He is haunted not only by painful memories, but by an oath sworn during his childhood. He has to choose between the angers of the past and the promise of the future, and in choosing, eventually finds a new family.

Hosteen begins the novel as a man apart, loyal only to his team of mutated animals, with whom he communicates telepathically. This kind of communication is a trope that Norton has used liberally, at least since 1952 with Star Man’s Son. (Incidentally, the first novel I checked out on my first visit to a library.)

Hosteen, half Navaho, half Sioux, chose to enter the Beast Master Corps, where he was teamed with a dune cat, an African eagle, and a pair of meerkats,. This was decades before Timon brought meerkats to everyone’s attention. They trained together, then spent the Xix war engaged in reconnaissance and sabotage missions. Now Earth has been destroyed, and the team is all that Hosteen has left.

He musters out on Arzor, a frontier planet much like his native Arizona. It is exactly what he would have chosen, but in fact he is impelled to go there in pursuit of revenge on a man he has never met. Hosteen will wrestle with himself throughout the book, torn between his oath and his growing respect and liking for the would-be victim and his son Logan.

Arzor is a transmogrified Arizona, with modernized cowboys on variform horses. Frawns look a lot like bighorn sheep; the yoris is clearly a distant relative of a kimodo dragon; the norbies are really, really tall Indians with horns. If you are inclined to cynicism (as I normally am) this could come across as a crude mashup. I have to fall back on my favorite phrase, “Somehow, Norton makes it work.”

For my taste, the trick is to come just close enough to the familiar, while keeping just the right admixture of the outré. It’s a tricky, narrow path, and nobody does it better than Norton.

When Hosteen first meets the man he has sworn to kill, he turns aside from the confrontation for reasons he does not understand himself. He subsequently becomes involved in an expedition to the Arzorean back country, which postpones his confrontation, but becomes a deadly adventure in itself. He and his team, with the aid of his would-be victim’s son, overcome an old and deadly enemy.

Finally, Hosteen’s oath can no longer ignored . . . but, even though the novel is nearing sixty years old, I won’t spoil the ending for anyone who hasn’t read it yet.

Three years later, Norton wrote Lord of Thunder, a beast master sequel. which was quite good, though not up to the original. Four decades later, she wrote three more in the series in conjunction with Lyn McConchie: Beast Master’s Ark, Beast Master’s Circus, and Beast Master’s Quest. It seems that Norton liked Arzor as well.

The Beastmaster films are unrelated to the original, although the title is ripped off and the animal characters (two ferrets, an eagle and a panther vs. Norton’s two meerkats, an eagle and a dune cat) certainly looks suspicious. Caveat view-or.

Raven’s Run 53

In the cold, damp air of morning, the sleeping bags’ warmth was too comfortable to leave. We dozed and woke and dozed again until the morning was half gone, then dashed through the rain to the shower block. An hour later, we were on the bus back into Paris, wearing plastic ponchos and sharing a fruit and bread brunch out of a paper sack.

Raven called American Express from a public phone. She had called her father twice since we got to Paris, but there had been no answer. Finally, she had called her sister to have money sent. The Amex people said it was in, so we took the metro to Place de la Concorde and walked up to the 9th arrondissement. Twenty minutes later, Raven came out holding up a new credit card and wearing a grin a mile wide. “Now!” she said. “First clothes, then food, then a room that doesn’t leak.”

“You don’t like my lifestyle?”

“I like you. Your lifestyle is for bag ladies.”

Raven would never make a bag lady. That soon became clear. I followed her around Paris for three hours while clouds played tag with the sun. The streets were wet and shining, the rain came in brief showers, then retreated before brilliant sunlight. The clouds above the buildings were piled high and menacing. The leaves of the sycamores sagged with dampness, and sent quick showers out of a clear sky every time a breeze disturbed them. It was a Paris for lovers, and a day I would never forget. 

Despite her threats, Raven bought sparingly. When I pointed out that she could only carry one back pack, she said, “I know, silly, but don’t spoil my fun.” Her fun consisted of trying on two dozen blouses in order to buy one. My fun came from watching her model them. She bought ugly, chic, mannish suits and frilly dresses, and had them shipped to America. She bought a pleated miniskirt that let her navel peek over and barely covered her rump, along with a blouse that she left unbuttoned, rolled up from the hem, and knotted beneath her breasts. That outfit took the place of her jeans early on, and made my day infinitely more stimulating.

We dodged rain showers, moving from store to store. She vowed that she was going to treat us to a dry room tonight. Late in the afternoon, Raven bought us a meal in a sidewalk cafe. We made a ceremony of it, laughing and flirting for two hours while we people-watched. At the end, she said, “Now, isn’t this better than a burger at MacDonalds?”

“Sure.”

She cocked her head to one side and said, “Do I detect a bit of hedging.”

“It was delicious.”

“Then why the hesitation?”

I didn’t quite know how to explain. I was afraid that talking about it would make it more important that it really was. “The food was wonderful, the company was delightful, the conversation was sparkling. It’s just that being in Paris with you was equally wonderful this morning when we were eating bread and fruit out of a paper sack.”

“Equally . . .?  Oh, come on, Ian!”

“Look,” I said, “I heard a woman talking to her friend today while you were trying on dresses. She had just been to the Louvre, and all she could talk about was what she had eaten in that little cafe that overlooks the bookstore. When I remember the Louvre, I will think of the paintings, not what I had for lunch. When I remember today, I will think of you and the way the rain felt, and the sunshine, not the food we ate.”

“Ian, you’re deeply deranged.”

We went out to walk around in the fading sunlight, holding hands.

We talked about the weeks to come. I told her about Rouen with its cathedrals, half-timbered buildings, and monuments to the passing of Joan of Arc. Raven agreed to a day trip, so we walked up to Gare St-Lazare to get tickets for tomorrow. She walked so close beside me that the swinging of her hips was sweet music against my thigh.

The train station was a huge, crowded, echoing barn filled with overpriced fast food booths and sleazy magazine stores. We bought tickets, and headed back toward the street. Over the crowd noises, I could hear the sound of distant thunder. Raven was squeezed close to my side and I was as happy as I had ever been. I could see no end to that happiness.

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I spoke of foreshadowing in 230. Blackie Ryan. The end of this post is a subtler form of foreshadowing. I didn’t say, “If I had only known!” or something equally cliche, but the reader can still sense that all is not going to work out well for our lovers. more tomorrow