Category Archives: Serial

Symphony 67

“It’s not fair.”

“Why do I have to be fair?”

Tony Caraveli was probably the only one enjoying the exercise. He had a pile of candy and he liked confusion. He shouted out, “Because the school board will get you for it.”

Neil had to grin. “Tony, you have a beautiful sense of how things really work. You are right. The school board would get mad at me. But what if I chose to ignore them?”

“You won’t.”

That part of the conversation wasn’t going where Neil wanted it to go, so he turned back to Stephanie who was still standing in the aisle looking like Liberty Leading the People. He asked, “Why do I have to be fair? Is life fair?”

“Yes,” she said defiantly.

He raised his eyebrows and invited the rest of the class to comment. They all but shouted Stephanie down, and the essence of their opinion was that life was not fair. “All right,” he said, “I want you to think of one time when life was not fair to you.”

Almost every hand went up. Neil waved his arms and said, “Wait! Just wait. I want you to take three minutes to think of the very worst way life has been unfair to you. Now think!”

They couldn’t wait. They couldn’t stand it. They twitched; they seethed; they bubbled. It was like watching a pressure cooker. Finally Neil said, “Okay.”

This time, every hand went up, but Neil simply got to his feet and began distributing paper. “I want you to write down what you just thought of,” he said, and a collective sigh rolled through the room. 

“Mr. McCrae,” Bob Thorkelson whined, “can’t we just tell you? Please.”

Neil shook his head.

“Please!”

“Write it.”

They knew from long experience that there was no appeal to the command to write. They took up their pencils and within seconds the room was silent except for the scratching of graphite on paper.

Meanwhile, Neil got his tape deck out from under the desk and put the Garfunkle tape in it. He had already cued it to the second cut on the back side. When most of the students had laid their pencils aside and raised their hands again, Neil said, “Since it’s a party, I thought we’d have some music.”

“Mr. McCrae,” Tanya wanted to know, “don’t we get to read our papers?”

“Later.”

The class couldn’t decide whether to be upset at having to wait or happy at the thought of getting music instead of work. The last few students put down their pencils and Neil started the tape. Garfunkle sang with sweet melancholy.  Without the music, the words would have meant little. With the music, it became a lament for loneliness and abandonment that even eleven year olds could understand.

Mary was an only child,
Nobody held her, nobody smiled . . .

After the last chord had died away, Neil shut off the machine and began to rewind. Laura Diaz said in a small voice, “Mr. McCrae, can we hear it again?”

A dozen of the students added their appeals to hers.

“Sure,” Neil agreed. “First let me give you these. I typed up the words and ran them off so you could understand them better.”

This time through about half of the children followed the printed sheets as the music played.

“That was neat!”

“Yeah, but sad.”

“Neat but sad is exactly what I think of it,” Neil agreed. “Does anybody want to hear it one more time?”

They did, and it carried them to the break. more Monday

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ASIDE: I have too much respect for other writers to print the lyrics of Mary Was an Only Child without permission, but you can find them on line. Better still, you can hear it on YouTube.

Symphony 66

Daddy said that what money we have will go to buy toys for the little kids. That’s OK, I don’t mind.

Neil lay back on his couch and wiped his eyes.

He remembered Carmen’s voice the first day they had looked at his students’ folders. Carmen had told him about Rosa. Then she had passed him Stephanie’s folder, and had said, “This is Rosa’s competition. She will take all your time if you let yourself be seduced by success. Stephanie will sound smart because she had mastered English; Rosa will sound stupid because she has not.

“The Stephanies of this world always get more than their fair share.”

He thought about them for a long time. He loved them both, not merely in a vague way as he did all his students, but intensely and personally because they had both come early to his attention and he knew them well. Stephanie knew her own worth; her parents had taught it to her early. But Rosa was one of the meek ones. She desperately needed for someone to hold her, and tell her she was good and pure and valuable.

He could not.

Even if the shadow of Alice Hamilton’s accusation had not hung over him, he still could not have touched Rosa, or any of his girls. Carmen could and did, Fiona did when she was so inclined, Pearl mothered them all, and students came from everywhere to be hugged by Donna Clementi. But no student ventured near Glen Ulrich; and Tom Wright, young and friendly as he was, kept them at arm’s length.

Women teachers can hug and touch. It is expected of them. It is “motherly”. But let a man teacher touch his girls and he is a lecher; let him touch his boys and he is a homosexual.

It isn’t fair, but it is the way of the world.

After a while, Neil went to his tape collection and put on Art Garfunkle’s first solo album. He juggled the fast forward until he found the cut he wanted, then listened to it twice through. Then he took pencil and paper and ran it through until he had the words copied down, then typed them on a ditto master. 

# # #

On his way to school the next morning, Neil stopped to buy a bag of Christmas candies. The first hour, the students read, and when they returned from their break to start the second period, Neil announced that they were going to have an early Christmas party.

That met with uniform approval, and none of it was silent. He added, “Just stay in your seats. Rafael, please give everyone a paper towel to use as a plate. I have some Christmas candy I’ll distribute as soon as Rafael has finished.”

Rafael worked quickly and a festive atmosphere filled the room. Neil waited until the boy had taken his seat again, then went around giving out candy.

He gave Duarte one piece, Sean one piece, Rafael five pieces, Laura Diaz eight pieces, Raul Fuentes six pieces, Stephanie one piece, and Oscar no candy at all; and so on, around the room.

As soon as they noticed, the fireworks began.

“Hey, you got more than I did.”

“Mr. McCrae, I only got one piece!” (This Neil ignored.)

“Get your hand out of my pile.” — “But you got more than I did.” — “So what? Its mine now.”

“Mr. McCrae . . .?”

“Hey, what’s going on?”

“That’s no fair!”

“That’s cheap!”

“Mr. McCrae,” Stephanie Hagstrom demanded, standing bolt upright beside her seat in surprise and dismay, “what are you doing? You can’t give some people more candy than others. You just can’t.”

All the children were looking at him now. He nodded sagely and said, “Why can’t I?”

“It’s not fair.” more tomorrow

Symphony 65

Probably all of them had; a third of them remembered it well enough to raise their hands.

“Who can tell me what their previous teacher told them at evaluation time?”

Tony Caraveli thought he could remember. Neil distrusted the devilish look in his eye, but told him to go ahead.

“Make me look good!” Tony said.

The children all laughed, but it had a nervous and restrained sound. Bill Campbell did not react, which made them more nervous. Neil said, “Whoever told you that was probably joking. Who else can tell me?”

Sabrina said, “Ms. Thompson told us to just be ourselves and act like there wasn’t anyone in the room.”

“Good. That is just what I want you to do. Ignore Mr. Campbell; it won’t hurt his feelings.”

This time the children’s laughter was more relaxed, and Bill acknowledged it with a wave of his hand.

Neil read to his class for twenty minutes from The House Without a Christmas Tree. He led a discussion about the story, and from that drew the children into talking about how their families celebrated the season. Neil made notes from their discussion on the chalkboard, then told them to write a paper on Christmas in their homes.

Bill left at the end of the hour. The instant he was gone, Greg Ellis’ hand shot up. “Mr. McCrae,” he demanded in honest concern, “how can you stand that?”

Neil had to grin. “Greg, I stand that for exactly the same reason you take math tests. Because I have to. But, believe me, it’s no fun!”

When he checked his mailbox at noon, there was a neatly hand written summary of Bill Campbell’s evaluation. At the bottom, he had written, “Generally a good lesson. Next time, I want to hear the children read!”

Neil thought, You just think you do!

# # #

Neil’s lesson plan had been worthwhile but unexceptional. He had not intended for it to be earth shaking, but when he sat at home that night reading the papers, he found that he had cut close to the bone.

Casey Kruger wrote:

We don’t hav Christmas at our house.  My parents say that it is a peagan rittul.  Jesus was born in a stabul and din’t have any presents, so we don’t have any present either.  I wish we did.

I would really like to have a real Christmas this year.

Lauren Turner wrote:

Every year we go to my granmas house for christmas.  she has a great big living room where we all put our presents.  I get presents from my mom and dad but nobody else gives them to me.  I mean I get presents, but my brother always gets twice as many and they are always neater than mine and i don’t think its fair ! ! ! !

Oscar Teixeira wrote:

My Dad gets me chemistry sets and sport shirts and ties and last year he got me a calculator.  What I really want is a baseball mitt and a football.

Stephanie Hagstrom’s paper was well written, in beautiful handwriting, and decorated with candy canes in all four corners.  She detailed what presents she got last year, told how happy she was to have Christmas with her parents, and told what she expected to get this year.

Rosa Alvarez’s paper was not so well written, although it showed great progress for her. It said:

This year I don’t think we will have much of a Chirstmas because my Daddy has lost his job and Mommy’s job at the bank doesn’t give us much money. My Oldest brother has gone back to Mexico, but Daddy said that what money we have will go to buy toys for the little kids. That’s OK, I don’t mind.

more tomorrow

Symphony 64

Evaluation

Things rolled smoothly through November. Once Carmen decided that she did not hate Neil on sight, their relationship blossomed. They saw a good deal of each other after school, and at least once a week they went dancing or to a movie. Neil still felt the same fire he had felt at their first meeting, and she clearly had some of the same feelings, but there was something missing. They were physically attracted to each other, but not intimate; they were friendly, but not yet friends. Some barrier still stood between them. Neil had no idea what it was, and if Carmen knew, she was not telling.

Tony Caraveli got in trouble in Glen Ulrich’s class and was suspended for three days. Duarte Zavala and Sean Kelly lived in a constant state of non-violent cold war. Neil’s other minor trouble makers got warnings and an occasional detention, but, overall, things had settled down for the winter. They all knew each other now. Everyone knew where the boundaries were and accepted them. Spring would shake things up again, but for now there was a season of peace.

November was a prime month. Everything had settled into a routine, and the children did their work more willingly than they ever had; or ever would again.

They were growing fast. Even in the few months he had been there, Neil had seen a change in their bodies and in their behavior. A few of them had lost the baby-fat look that had characterized them at the beginning of the year. Hormones were beginning to kick in. By the end of the year, they would be a whole new breed, with new interests, a new outlook, and new problems.

# # #

Near the end of November, Neil found a letter in his school mailbox. It informed him that since he was a first year teacher, a formal evaluation of his teaching techniques would take place during December. He was invited to submit the two dates he preferred to be evaluated, and was informed that there would be an additional three unannounced visits.

Carmen was standing beside him when he read it. He passed it to her and made a face. “I hate evaluations,” he said.

She smiled in commiseration. “We all do.”

“Yes, but we aren’t all leveling our students behind the superintendent’s back.”

“True.”

There are few things more nerve racking to teachers than evaluations. First of all, they are subjective. If the teacher shares the same philosophy as the evaluator, it is hard to get a bad rating; if they are at odds over what should be taking place in the classroom, a bad rating is almost guaranteed. Second, much of any day’s teaching depends on luck. If the children are in a good mood, motivated, and if the day’s lesson happens to be interesting, they will make the teacher look good. But if the day’s lesson is inherently dull — and not everything worth learning is necessarily fun to learn — then they will make the teacher look bad no matter how well he prepares and delivers his lesson.

Neil wanted to get the evaluations over with, so he invited Bill Campbell in for the morning of the first of December.

On the appointed day Bill came earlier than Neil had expected and sat down before the tardy bell had rung. The more mature students tried to look at him without seeming to do so. The others just stared. Neil rapped the desk for attention and took roll. Then he said, “I had intended to tell you today that Mr. Campbell would be coming by for evaluations, but he has gotten here sooner than I had expected. How many of you have been through these teacher evaluations before?” more tomorrow

Symphony 63

It was depressing, and the other papers were worse. Much worse.

The grammar and spelling was bad enough, but the images were horrid. Neil had expected ghoulies and ghosties and things that go bump in the night. What he got was torture and dismemberment. Given the movies that kids watch, it should not have shocked him, but it did. Neil carried the same images of violence in his own head. Television assured that. But in Neil, that violence lay over a bedrock foundation of images of kindness and decency, the heritage of his own youth. These violent images were all today’s children had to think and feel with.

He drove home, deeply depressed, and nothing would have pleased him more than to lock his door against the world. But evening was coming on and the pack was out, moving from house to house to sweetly extort their bags of loot.

Neil arranged the bowl of candies near the door and turned on the shower. Before he could undress, the first of night’s legions arrived. He fed a pirate and a sheeted ghost, then went back toward the shower. He never made it; the doorbell stopped him short. Three tries later, he managed to get far enough to turn the shower off, and for an hour he fed the ghoulies. By eight-thirty, the crowd had tapered off and Neil was almost out of candy. He turned out all the lights and sat in the darkened room, hoping the world would just go away. It did not. Ten minutes later, there was a ringing at his doorbell. He ignored it, but it rang again. And again.

Finally, he went to the door. Again he was confronted by masked faces, that shouted, “Trick or treat!” He fished out the last of his candy and distributed it, trying to smile, and then said, “That’s it. I’m out of goodies.”

The crew giggled and nudged each other. Spiderman said, “Don’t you know who we are?”

He had not expected to know any of his callers. He was too many miles from Kiernan School for any of his students to come to his apartment, and he didn’t know any of the local kids. Then Cinderella slipped off her domino mask and Linda Muir stared up at him, laughing. The other masks came off of Shelly Gibson, Stephanie Hagstrom, and Larry Whitlock. Neil leaned down to look closely at the Incredible Hulk’s green painted face and saw that it was Sean Kelly.

Fiona Kelly was waving from the parking lot. Her station wagon was standing with all its doors open. Neil grinned and waved back.

“It wouldn’t have been Halloween if we hadn’t come to see you,” Stephanie said.

Linda added, “That was a great story today. Bump, BUMP.  Bump, BUMP!” She grabbed her chest as if to stop her heart from pounding so loudly.

They filed down the steps, pushing at each other and giggling. Neil waved one last time to Fiona after she had herded them back into the car, then turned to his delayed shower feeling quite human again. more Monday

Symphony 62

Neil smiled a wooden smile as story after story followed the same pattern. The children did not know how to come to an ending. They wrote themselves into corners. Half of the stories ended when someone woke up. The rest of the students used Hemingway’s habitual solution and killed off their main character. The stories all seemed to come from the horror movies the kids watched. Neil could not quite be sure, since he did not watch those kind of movies himself, but the kids seemed to recognize movie scenes as they were repeated in the stories. 

All in all, they were a sad batch of tales. Oscar’s was by far the best. Elanor Romero’s was more typical.

It was Halloween night. Elanor and Lauren went out to trick and treat, and they were going down the street, and it was dark, and they suddenly came to an old house. It was dark inside and they went to the door and Frankenstein opened the door. They screamed and ran home.

When the bell finally rang, it was more of a relief to Neil than to the kids who had feared to read.

# # #

Afternoon was a repeat of morning. His afternoon class had already heard that he was going to read a scary story to them, so it did not have quite the effect that it had had in the morning. The kids complained less about having to read aloud. They had already heard about that, too.

None of the stories were up to Oscar Teixeira’s standards. Most of them were more like Elanor Romero’s. One in particular story sent cold chills up Neil’s spine. Lisa Cobb had written:

One night three girls went out trick-or-treating and two of them got lost. The other one went to this old house and went in. It was dark and she was all alone. She walked down this long hallway to a room and it was a bedroom. She was all alone there when someone came out of the closet and pushed her down. She tried to scream, but he had his hand over her mouth and she couldn’t do anything.

Then she woke up.

Neil thought, Please, God, let her be remembering a movie, and not a scene from her own life.

# # #

Neil stayed after school to correct the Halloween stories. He took Oscar’s first. It had sounded good when Oscar read it, but on paper it was a mess.

It was Hlloween night.  Three boys named Oscar, Richard, and Rafael were going out trick-or-treating.  The had costumes on.  Oscar was dressedlike Dracula.  Richard was dressed lik gostbusters.  rafael had on a Freddie Kruger mask  He also had popsickle sticks taped to his fingers to look like long claws.

they went to this first haouse and got candy.  Then they went to thi second haouse and got more candy  And some gum.  they went to this thrd house and nobody was home, so Rafaelsaid, “Let’s eg it.”  “We dont’ hive any egs, dummy,’; Richard said,  Well maybe their are som chickens in that little house oaut back,” Oscar said

they all went out to the back weher there ws this old shack.  Ricard said he could heer chikens, but Rafeael said he was Nuts.  The Oscar found a nest with 3 egs in it undder a rose bush. 

“You can’t eg a house with only three egs, Richard said,.  But Rafael threw his anyway.  It smashed against the front door and ran down the front door like slime.  Richard yelled, “I’ve been slimed and held his throat.  Rafeal thought that was pretty funny.  Then richard threw his eg and it ran down th front the same way.  Then Oscar decided to throw his eg againt the window, but the window broke and the boys decided to runaway.  But before they could turn around a big tall dark guy said, What do you think youre doing.

What’s it to you Oscar yealled, and they all ran away. more tomorrow

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ASIDE: If you think I’m making up the quality of a good paper in a low performing sixth grade, in California, in the late eighties — I wish I were. SL

Symphony 61

Neil’s eyes swept the room. Duarte, Oscar, Sean, Stephanie, even Tanya. Those students he knew fairly well. He knew Tasmeen’s history and she had done nothing out of character for the person he assumed her to be, but she was too quiet, too enclosed, for him to honestly say he knew her.

Casey, Larry, Lauren, and Linda. They were all transparently easy to know. Olivia, Rafael, and Flavio were more restrained, but he had made the effort to reach out to them, and could say that he knew them. Tony he knew well, though they had an antagonistic relationship.

If they are smart or friendly, I know them. If they are notably ill behaved or stupid, I know them. But if they are ordinary, they remain strangers to me.

That was a problem to be worked on.

Oscar raised his hand and said, “I’m done.”

“Fine. Find something to read or draw quietly until everyone else is finished.”

“Can I read mine now?”

“When everyone is finished, Oscar.”

That took a while. For most of the students, most of the time, writing was a weary, difficult business. When the bell rang at the end of the second period, Neil announced that they would have no more time. Students would begin reading as soon as they came back.

As he walked out, Tony muttered, “Maybe I just won’t come back.”

Of course, he did.

When the children returned, Neil let them volunteer to read, knowing that he would not get to them all that hour. It was a trick, but not an unkind one. Those who most hated the idea of reading to the class would have to sweat out a sure knowledge that they had to read, only to be given a reprieve when Neil ran out of time. The next time, he would call on them first, before they had time to sweat.

Six hands went up immediately. Neil let Oscar read first since he had been the first to finish. He carried his paper to the front of the room and leaned back against the chalkboard. Richard Lujan, who was Oscar’s friend, whispered, “This will be good.”

It was Halloween night. Three boys named Oscar, Richard, and Rafael were going out trick-or-treating. They had costumes on. Oscar was dressed like Dracula. Richard was dressed like Ghostbusters. Rafael had on a Freddie Kruger mask. He also had popsickle sticks taped to his fingers to look like long claws.

They went to this first house and got candy. Then they went to this second house and got more candy and some gum. They went to this third house and nobody was home, so Rafael said, “Let’s egg it.”

“We don’t have any eggs, Dummy,” Richard said.

“Well, maybe there are some chickens in that little house out back,” Oscar said.

They all went out to the back where there was this old shack. Richard said he could hear chickens, but Rafael said he was nuts. Then Oscar found a nest with three eggs in it under a rose bush. 

“You can’t egg a house with only three eggs,” Richard said. But Rafael threw his anyway. It smashed against the front door and ran down the front door like slime. Richard yelled, “I’ve been slimed,” and held his throat. Rafael thought that was pretty funny. Then Richard threw his egg and it ran down the front door the same way.

Then Oscar decided to throw his egg against the window, but the window broke and the boys decided to run away. But before they could turn around a big, tall, dark guy said, “What do you think you’re doing?”

“What’s it to you?” Oscar yelled, and they all ran away.

All the kids thought that was great. Rafael wanted to go next. He had taken Neil’s advice about making up his own Freddie Kruger — sort of. His villain was named Sammy Kruger. Otherwise, Neil could see no difference from the original. more tomorrow

Symphony 60

Rafael asked, “Mr. McCrae, can mine star Freddie Kruger?”

“Use some imagination. Make up your own Freddie Kruger.”

Sabrina Palmer came up to his desk and whispered, “Can I say this . . .” and started to read her first sentence.

Neil cut her off and whispered, “Save it until you have finished. Then I’ll want to hear it.”

“Do I have to read it out loud?” she whispered. Neil nodded. She said, “But Mr. McCrae, it’s not any good.”

Knowing Sabrina, he was sure that it would not be any good, but he said, “It will be just fine. You go write it and be ready to read it.” She went back to her seat, looking worried.

Neil looked across the classroom to see how his class was getting along. For the first time in a long while, Oscar Teixeira was fascinated with an assignment. His head was down and his pencil was flying. He already had half a page done while the rest of the class was struggling with first sentences.

Tim Galloway raised his hand and said, “Listen to this!”

He started to read and Neil said, “Tim,” then again, a little louder, “Tim! Save it until you have finished.” Tim ground to a halt with a look of comical frustration on his face. Neil motioned to Tim’s desk and silently mouthed the word, “Write.” After Tim had begun to write again, Neil said softly to the class as a whole, “Don’t waste your energy and imagination on reading something that is half done. While you are hot, write! There will always be time to change things and to share after you are done. Don’t waste the creative moment.”

Larry Whitlock said, “Mr. McCrae can I say . . .”  eil just stared him down, looking patient and perplexed. Larry gave a sheepish grin and said, “I know. Write it, don’t talk it.”

Write it, don’t talk it was a phrase Neil had been drumming into their heads for two months. They all knew it perfectly well, but practicing it was foreign to their volatile natures. Like Larry, each one of them would have liked to shout out the equivalent of, “Tell me. Talk to me personally, and make me the center of your attention.” If they had been first graders, each one of them would have done exactly that.

School is about reading, writing, and math; but even more, school is about learning that you aren’t the center of the universe.

By now, they were all underway; even those who had absolutely nothing to say had their heads down faking it. Neil had at least three minutes of peace before the first student would announce, loudly, that he or she was done. He used the time to study them. It had taken him a couple of weeks to fit names with faces; now he was able to fit personalities to faces for many of them.

Some of them were still mysteries to him. Martin Christoffersen was a puzzle. Big for a sixth grader, tall, athletic, quick with his hands, friendly, at ease with the other students. At back to school night, his parents had seemed bright enough, and their language had been perfectly normal. Probably his family had been in the United States for generations. Neil could find no reason why the boy couldn’t read, except that he was as dense as granite,.

Pedro Velasquez, on the other hand, spoke only the most broken English and his parents spoke none. It was tempting to presume that that was his only problem, but after a couple of months of observation, Neil was not sure. He had just about concluded that Pedro’s inabilities would have been just as great if he had been named Johnny Smith, with ancestors who came over on the Mayflower. It was really unfortunate that he was at a small district like Kiernan; like Brandy Runyon, he needed the kind of special setting only a larger district could provide. All Neil could do was to treat Pedro humanely so that he would continue to consider himself a valuable human being; he could teach the boy nothing. more tomorrow

Symphony 59

Neil sent Greg and Rosa to close the drapes and a hush of expectancy came upon the classroom. This was good stuff. They had expected to have to work; at best, they had expected free time. They had never expected this.

The drapes let in only a little light, certainly not enough to read by. Neil opened his desk drawer and took out a pair of candles on matching brass candlesticks that he had borrowed from Pearl. He lit them. He moved them so that they threw his face into harsh relief and projected his shadow, huge and menacing, on the wall behind him. He opened another book and read:

True! — nervous — very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses — not destroyed — not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am I mad? Hearken!  and observe how healthily — how calmly I can tell you the whole story.

He read The Tell-Tale Heart through to its grisly conclusion, timing himself by the clock on the back wall so that he reached the denouncement when the narrator cried, “. . . tear up the planks! here, here — it is the beating of his hideous heart!”, just half a minute before the period ended. For those long seconds after he had finished, the classroom was tomb silent.

Then the bell rang.

Half the students leaped to their feet screaming, then broke into laughter, and went out for their break repeating juicy bits of the story to one another. Neil sat back with a feeling of satisfaction, mixed with amusement at his own self-indulgence. There was a lot of theater in Neil McCrae, but he kept it on a tight leash. He had no respect for teachers who used their classes as captive audiences to gratify their own egos.

Once in a while, though! Just once in a while it felt good to cut loose.

# # #

When the children returned, Neil said, “Now it’s your turn. I want each of you to write a Halloween story for me. It can be about ghosts and goblins or it can be about kids like you going out trick-or-treating. It can be realistic, or funny, or scary. I want you to fill at least one page, and when you are finished, you are going to read your stories to the class.”

Bob Thorkelson said, “Do we have to?”

“Yes. This is a real assignment, just like any other day.”

Laura Dias wanted to know, “Do we have to read them in front of the class?”

“Yes. I’ve been telling you for weeks now that sooner or later you had to start reading what you wrote in front of the class. This is the day.”

“Do we have to?” This was a cry of genuine distress from at least three students.

Neil nodded slowly. Tony slammed his desk top down and muttered, “That’s cheap!” Neil ignored him.

By now at least half of the class had taken out paper and begun to write. By reading a scary story to them first, he had given them both a model and an incentive. One by one, the rest of them got out paper and began, but Olivia made one last try at getting out of reading her story aloud by asking, “Mr. McCrae, will you read our stories for us?”

Neil just smiled at her and shook his head. Olivia said, “Rats!” but there was a secret smile on her face that made Neil think she would have been disappointed if he had said yes.

By this time, those who had started at once were getting into their stories. Tanya Michelson said, “Mr. McCrae, can my story take place around here?”

“Of course.”

Rafael asked, “Mr. McCrae, can mine star Freddie Kruger?” more Monday

Symphony 58

                On October 30, 2015, I excerpted this part of Neil’s story for a post. Today it seems awkward to have a Halloween story coming at Christmas, but there was no way to coordinate what happens in Symphony with what is happening in 2017.
                I also made a ten post excerpt of the Christmas section of Symphony in December of 2015. Few people reading now were with me then, so when it comes up in late January, it should be new to most of you.
                I’ve said it before — writing a blog has many of the same paradoxes as time travel.

=========================

Halloween 1988

“What is Frankenstein’s favorite food?”  Lisa Cobb asked.

Neil looked up from his desk to see that she was in tutu, tights, and dancing shoes. She was taller than the average sixth grader with more maturity in her face but still flat chested, so she looked the part of a ballerina. For the last several weeks she had been coming in to spend the time before school in Neil’s room, but she rarely approached him. She just hung around with her friends Sabrina and Elanor.

Neil said, “I don’t know, what is Frankenstein’s favorite food?”

“Hallo-weenies.”

Neil grinned and she ran off, pleased with herself.

Not since May, when Neil had first come onto the campus, had it seemed so different from a high school. Most of the sixth graders were in Halloween costume, and the rest were carrying around paper sacks with costumes inside. Half of the seventh graders, and even a few of the eighth graders had followed suit. All of the periods had been shortened five minutes to allow for a half hour assembly at the end of the day when the children would vote on who had the best costumes.

All the preceding week, the children had been in a state of high and rising excitement.  It was the teachers’ misfortune that Halloween fell on a Monday this year. Little productive work would be done today, and for the rest of the week the children would be excitable and irritable until their hoards of candy ran out.

Neil didn’t care. He was high with the excitement of it himself. These children were alive to every moment.

He found that he did not miss the feigned world-weariness of his high school students at all.  He missed their conversations, and he missed the sense of camaraderie that came of teaching near-adults, but they were too staid. In their own way, following their own values, high school kids were as puritanical as any Pilgrim that ever rode on the Mayflower. Peer pressure was like the rule of the church patriarchs, looking over every shoulder, examining every action by the yardstick of current fashion. Everything not required is prohibited.

These children were in a different kind of transition. Their teachers encouraged them toward maturity, and most of the time they conformed. But on Halloween, they were all seven years old.

When the bell rang, the students came in reluctantly, and Neil chose to overlook their tardiness. He also raised his voice and spoke over their conversations while taking roll, rather than try to quiet them. Then, without announcing his intentions, he opened the book he had brought from home and began reading in rolling, sonorous cadences:

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore . . .

He carried The Raven through to the end, letting his voice rise and fall with the storyline, now harsh, now fearful, and falling away to near silence on the last nevermore. When he had finished, the class was silent for a moment, then broke into conversation.

The gist of the conversation was that they liked it. more tomorrow