Tag Archives: fantasy fiction

284. Menhir, a winter’s tale 5

This is one installment of a twelve part excerpt from Valley of the Menhir. Check December 29 for an introduction to the novel.

When she was ready, Baralia let herself be fully seen. She was sitting at the high table when Marquart entered the great hall. He stopped, scowling at her presence; then he realized she was his phantom. He crossed to her and saw that the chair was quite visible through her body. He did not call her ghost. That word is not found in Lankhara, nor Renthian, nor in the language of the Inner Kingdom. Nor is the concept.

On Marquart’s world the souls of the dead are either enreithed or fade into nothingness within days. His world knows neither heaven nor hell, nor any other form of afterlife except the one that all men aspire to, the joining together at death through enreithment into a besh. Disembodied souls are abahara. An abahara that does not fade away cannot exist, so there is no word for such a creature.

Marquart said, “What are you and where do you come from?”

He took for granted that she was not of his world. There were other worlds, and menhirs were the gates to reach them; this Marquart knew. The Comanyi had come through the menhir on the top of Mount Comai to rule as Gods for a thousand years, and his world’s more recent Gods, Rem Ossilo and Hea Santala, had come in through the very menhir for which the Valley was named. Shapeshifters had come from Lorric; kakais and tichan had come in with the Comanyi. Marquart’s world had no concept of ghosts or heaven, but other worlds were well known to them.

There were even reputed to be dziais, men of power from Marquart’s world, who could tap the power of the menhirs and travel through them to other worlds.

Then, as Marquart looked closer, he realized that this apparition could be of his world, could even be from this region. Her dark hair, broad cheekbones and copper face could belong to the daughter of one of his own serfs.

Baralia saw that recognition, and answered, “I am of this place. This is my world.”

“How can this be?”

Hea’s geas had placed many constraints on Baralia, but telling the truth was not one of them. However, Baralia chose to simplify her lies by staying close to the truth. She said, “I died, and Hea Santala took me before I was enreithed and made me her servant.”

“To what end?”

“Ours is the menhir of her entry into our world, and she holds it precious. The worshippers of Rem Ossilo had it for a time, but Hea took it back so that the priests of our menhir now worship only the Damesept.”

Marquart nodded. This was common knowledge.

“Now there has been a change in the Remsept, and she felt the need for another, unseen watcher over that which is Hers.”

So close to the truth, as all good lies are.

“If unseen, then why do I see you?”

“Because I choose to let you see me.”

“Again, why me?”

“The menhir is Hers, the land is yours. It may be that to serve Her, I must first aid you.”

And she faded, leaving Marquart to stare at an empty chair and ponder how to deal with this supposed messenger from the Damesept. continued tomorrow

283. Menhir, a winter’s tale 4

This is one installment of a twelve part excerpt from Valley of the Menhir. Check December 29 for an introduction to the novel.

It was hard into midwinter when Marquart first caught sight of Baralia. To carry out the geas that had been laid upon her, Hea Santala had given the abahara the power to make herself seen and heard by Marquart, but she did not use this power until she knew him well.

When he first saw her, she was down a hall from him and she moved quickly around a corner. He rounded the corner after her, and saw no one. A day later she let him see her out of the corner of his eye at evenmeal, and disappeared as quickly. When Marquart inquired, none of the servants knew of anyone who matched her description.

She called Marquart’s name, standing invisible at his side as he watched the sunset. 

She let him see her reflection clearly in a polished breastplate as he worked at swordplay with his men, but when he turned, she was not there.

Later, when he had become attuned to her, she let him feel her presence without letting herself be seen. At night, as she stood at his bedside, staring malignantly down at Dael, he would waken and light a candle in the apparently empty room.

She went everywhere in the manorhouse. She saw every deed of malice, every slacking of work when no one else was looking, every thing that was stolen, every quick thumping of furtive loins when it was supposed to be worktime.

She watched Marquart undress at night, aching to touch his body, but unable. Sometimes when he woke in the morning, with a stiffened rod of flesh, she closed her translucent hands about it and felt nothing, as he remained unaware. She hated him. She lusted for him. She wanted to fly around the manorhouse and report to him everything she saw, and make him omniscient. She wanted to tell just the right lies, to send him to his death. He was the reason she was hung half way between death and life; and he was the only contact she had with the living.

She watched Dael when she sat naked on the bedside. She watched her breasts and longed to touch them, as she longed to have human hands caress her own transparent nipples. She watched when Dael lay back and spread her legs to reveal her secret place to her husband, and knew that no man would ever plumb her own depths again. As the weeks passed, she watched the slow thickening of Dael’s waist, and the rounding beneath her navel, and knew that this child would grow and be born, and that Dael would live to hold and nurse him. And she hated. Perhaps more fully than anyone had ever hated before. And could do nothing. When she ripped her fingers, clawlike, through Dael’s eyes, Dael never knew. continued Monday

282. Menhir, a winter’s tale 3

This is one installment of a twelve part excerpt from Valley of the Menhir. Check December 29 for an introduction to the novel.

“Clevis said that I should confide in you. That’s hard for me, but I will try, if you want me to.”

Dael was silent as she watched him, hunched over, rubbing his hands together. She had observed him closely this last month, as only a woman who has cast her entire fate and future into the hands of a stranger can watch. She knew how hard this speech had been for him, and she recognized it for the gift it was. 

She said, “I pledged you my loyalty, and you have it. I pledged you my body, and you have it. I pledged you children, and you will have them. I gave you all that when I did not know you, because you asked me, and because my brother’s letter assured me you were good and honorable. But if we could become more than just allies and bedmates, that would be wonderful!”

#             #             #

They moved to the bed quickly then, tearing at each other’s clothing. They were not alone. Baralia watched, as she watched every hour. When they fell together, Baralia gasped. When Dael cried out, Baralia groaned. Her hand moved to touch herself, but to no avail. She could no more touch herself than she could touch others. She screamed in the agony of her loneliness, and no one heard.

#             #             #

Marquart had arrived at Instadt two months earlier, carrying a bundle of letters from Reece s’Imbric. He had just left Limiakos’ service to take up lordship of the Valley, and Reece’s home was along the way. Imbric had given a warm welcome to his son’s friend and ex-commander, and it was there Marquart had met, courted, and married Dael.

Reece had told his family all he knew, but there was much Reece did not know. So that when Dael asked Marquart, out of the darkness of their shared bed, “What happened between you and the High King?”, he was not surprised that she wondered.

He gathered her hands between his and said, “I took Port Cantor in my own way, carefully, with much planning, so that both death and loss of property were kept small.”

Her hand, caught in his, pressed fingers against his palm, and she said, “Yes, I can see that that would be your way.”

“When the High King called me to an accounting, he was not impressed. He had wanted blood and slaughter.”

“But . . . why?”

“So that he could wander the battlefields where my troops had gone, feeding on the ai of the newly dead.”

“I have heard those rumors,” Dael said, “but surely . . .”

“They are not rumors. Limiakos told me himself, and threatened to have me killed so he could feast on my ai.”

Dael tore her hands loose from Marquart’s and threw her arms around him. He patted her shoulder and went on, “Instead, he said he had another job for me. Not as a commander in his armies – I wasn’t bloody enough – but as the lord of a small but troublesome demesne. This one.”

Dael asked, “Are we in danger?”

“No. Limiakos would have killed me and fed, right there in Port Cantor if the mood had struck him. When he said that I could still be of some small use to him here, he meant exactly that. He had no reason to lie. By now he has forgotten that I ever existed.”

For a time, Dael listened to Marquart’s breathing. Then she said, “This can be a good life here. A really good life.”

“Aye,” he grunted. “Lord of the Valley of the Menhir. Jor would kill to have that title and those prerogatives. But I was large in the world, and becoming larger. Now, this is as great as I will ever be.” continued tomorrow

281. Menhir, a winter’s tale 2

This is one installment of a twelve part excerpt from Valley of the Menhir. Check December 29 for an introduction to the novel.

Late in the afternoon of the fifth day, the storm abated, and by evening, it was gone. Marquart went out to the rimwall surrounding the top of the manorhouse to watch the sunset and try to guess how long the lull would last. He wanted to visit each of his wardens in his own house before the deep snow made travel more difficult.

The snow had stopped, but the sky was of low, unbroken clouds. The sun was setting red-bronze toward the western hills, painting the mounded snow in blue-gray and mauve.

Marquart leaned on the rimwall and smiled contentedly. Then he heard the cook’s cry; it was time for the evening meal. As he turned away, he realized that a part of his contentment came from anticipation. He was looking forward to seeing Dael. That he was looking forward to seeing her, was both a pleasure and a relief.

There had been plenty of women in Marquart’s life, but he had rarely spent more than a few days with any one of them. Fighting his way up through the ranks, he had always intended to marry, once he reached the station that required a wife. He had never particularly looked forward to marriage, nor was he prepared for the actuality of it, but here it was. And he was finding that he liked it.

In their chambers later, Dael shed her woolens for a light silk robe that clung to her lovely young body. He embraced her, kissed her deeply, and pulled her down beside him on the bed. He said, “What do you think of Clevis?”

Dael had not expected conversation. She said, “He is attentive and respectful to me, and he seems loyal to you. I like him better than the other two you brought with you.”

Marquart smiled. “Yes. Conger, and especially Hein, are a bit rough. They came with me out of loyalty, and that is worth a great deal, but they really don’t fit in here. Clevis is different. Clevis is like your brother Reece. They each came under my command when they were young, and as I trained them in my way of handling men, they became friends.”

“I’m glad you have a friend.’

“Dael, why did you agree to marry me?”

She wanted to give a stock answer, something out of a troubadour’s tale of romance, but she correctly judged that this was a time for honesty. She said, “Because you asked me.”

“I’m glad I did.”

She smiled and laid her head on his shoulder. “Thank you for that.”

“Did you know that Clevis was once married?”

“Clevis again!” she laughed, then sobered at once. “I am sorry,” she said, “Go on.”

“He said that I should confide in you; that I should tell you things I don’t even tell him. That’s hard for me. I almost never confide anything in anyone, but I will try, if you want me to.” continued tomorrow

280. Menhir, a winter’s tale 1

This is one installment of a twelve part excerpt from Valley of the Menhir. Check December 29 for an introduction to the novel.

The first blizzard of winter moved in, and for a week Marquart stayed close to home, studying maps, records and journals. He had a banner made with the sign of the striking hawk in black on a field of blue, and set it flying above the manorhouse. It was the first time his kladak had been used for anything but marking his personal goods, and it gave him pleasure. The Valley of the Menhir might be small, backward, and forgotten, but it was his.

The Valley was roughly round, roughly forty miles across. The River Gull divided it in two, flowing in through a gap in the western hills, picking up half a dozen minor tributaries and debouching through a wide, low gap on the east.  It was navigable only for nine miles, from the sea to the place where the menhir lay. On the coast was a small seaport, Port of the Gull, through which the valley’s exports passed, when there were exports.

The Weathermistress must have been in a nasty mood the day the Valley was created. When protracted winds from the west brought in hot, dry air from the Dzikakai plains, there was drought. When spring rains rode the seawinds from the south or east, there were floods. In all seasons, there was uncertainty.

On the north side of the Gull were Marquart’s direct holdings. To his east was Jor’s land. Technically, it was Marquart’s; if he ever chose to give it to another warden, it would be his right. But Jor had lived there all his life, and had the use of the land from his father, who had it from his father, who had originally been granted wardency by some lord whose name Marquart did not even know. So Marquart had decided to leave him in place, at least for now, and see if he had learned a lesson. Marquart’s soldier’s instinct said that Jor had not, but there was nothing to gain in precipitate action.

There were four other wardens, each with land and a fortified house. Wardency was a normal and reasonable way of distributing responsibility for the valley, but there was a catch. Like Jor, they had all lived for generations on lands they thought of as theirs. After generations of peace, every warden’s family was bloated with useless uncles and aunts and nephews and cousins. The serfs could not produce enough to feed them all.

“What this place needs,” Marquart said to himself, “is a good war to weed out the warrior class.” But he didn’t mean it. He had seen too much of war to want it visited on his new home. continued tomorrow

279. Introduction to A Winter’s Tale

My novel Valley of the Menhir starts with the coming of the Gods. An abbreviated version of this appears in 239. Morning of the Gods. Rem and Hea separate upon arrival. Rem begins to raise an army and sires a son, the Shambler, who will be the bane of his new world – and of Rem, himself. Hea, with the best of intentions, sets into motion forces she underestimates and soon cannot control.

In the world of the menhir, a soul, at death, is joined (enreithed) to a menhir, where it finds  both peace and a dissolution of individuality. The souls of those who die alone, or far from a menhir, shortly dissipate, dissolve, and cease to be. Every soul faces one fate or the other; there is no half-way state. There are no ghosts in the world of the menhir.

Yet.

Hea has a problem. She has placed a geas of infertility on Rem’s rampant son and has hidden his only child from him, both without the Shambler’s knowledge. That hidden child has grown and sired two sons of his own. Hea has seen that the offspring of the next generation will be a force to save or destroy the world of the menhir. She does not know which. The unborn’s power clouds the runeboard, leaving her uncertain of what path to take.

The Shambler is driven out by his father, then returns to kill him and take control of the army he has raised. Now Hea has to act, but without a clear knowledge of what will result from her actions.

Hea does know that she cannot let the Shambler find out about his offspring. But to watch over them herself would, by her own presence, bring them to the Shambler’s attention. She makes a fatal compromise. She chooses to stand between the soul of a newly dead, Baralia, and her enreithment. Hea makes Baralia a tortured ghost — a soul hung half way between death and her final rest — and forces her to watch over Marquart, who will be the father of the coming nexus of power. It is a fatal error.

If Baralia cannot know peace while Marquart lives, then he will not live long.

            *             *

That’s a lot of narrative to densepack into the first eighteen pages of a manuscript. Marquart will be our main character until Tidac, his son, eclipses him in our affection.

We meet Marquart as he enters the Valley of the Menhir. The High King has given him lordship over the Valley, but he isn’t happy about it. He has been dismissed from service, and given this troublesome valley to rule. You’ll get the details over the next two weeks.

Marquart finds that another has taken his place as Lord of the Valley, subdues him handily, and makes a life-long enemy. No matter; he is quite capable of dealing with human enemies. The ghostly figure of Baralia, who will attach herself to him like his personal Iago, is another matter.

The story of Marquart’s first months in the Valley of the Menhir is A Winter Tale, driven by hunger for power, hunger for importance, and the sheer hunger of starvation. Marquart has inherited a land where there are not enough serfs to provide for the mass of useless nobles, and still have enough food for themselves. This is the first problem Marquart sets out to solve.

Normally all this would be presented in Serial, but Raven’s Run will have that side of the double blog tied of for some time yet. A Winter Tale will appear in A Writing Life through the first three weeks of January. 

Enjoy.

278. The Veil is Thin

Christmas, the most beloved holiday, has passed. Five days ago, the sun ended its southing and began its return, but still the days of darkness are upon us. The veil is thin between the worlds, and for a time, the order of things is turned upside down.

Now the calendar year is ending and there are festivals, but sometimes they don’t make sense because they have migrated beyond their origins. They grew up in one place, and are now celebrated in another. Christmas in Europe and America means snowmen and a roaring fire in the fireplace. Christmas in Australia means sunbathing, surfing, and a barbie on the beach. (That’s barbecue, not the excessively-skinny doll.)

Thanksgiving is an American holiday, full of New England foods like pumpkin pie, cranberries, and turkey. Right? Maybe. Under the microscope, it is exactly that. Looked at from a greater distance, it is one of a hemisphere-wide set of harvest festivals. This is not a global phenomenon, however. These festivals are tied to the temperate zone, where the cycle of the seasons rules all human life.

My interest in all this began with Christmas, but I came to realize that Thanksgiving, Halloween, Christmas, New Year, St. Nicholas Day, Boxing Day, and a host of other holidays are all variations on the same theme.

There are three facets which these holidays share, in varying degrees. First is food, precious, and only temporarily abundant. Before Santa Claus and Walmart made Christmas a lynchpin of the economic system, gifts were small, and often consisted of food: apples, oranges, and cookies or other sweets.

You might remember from any of the movie versions of A Christmas Carol, that Bob Cratchit buys apples for his brood, while Tiny Tim wishes he could have oranges. Oranges were imported from the tropical realms of the British Empire and would only be found on the tables of the rich. In agricultural Europe, the harvest season filled the larders of the rich, but not so much the larders of the poor. With the onset of industrialization – the world of Bob Cratchit – this disparity became even more pronounced.

This is the second facet of these holidays, that those below beg or demand their share from those above — wassailing, often riotous, in the past — trick-or-treat today.

The third facet is the thinning of the veil between the worlds, with visitations from the dead. We don’t usually think of Christmas that way, but wait. The sub-title of A Christmas Carol is A Ghost Story of Christmas. And there are the four ghosts. Yes, four — don’t forget Marley, who says:

“It is required of every man . . . that the spirit within him should walk abroad among his fellow-men, and travel far and wide; and if that spirit goes not forth in life, it is condemned to do so after death. It is doomed to wander through the world – oh, woe is me! – and witness what it cannot share, but might have shared on earth, and turned to happiness!’’

So mix and match to suit yourself, and you will see that all these holidays of fall and winter are defined by the same three facets.

          *           *

I polished my understanding of the interrelationship of the holidays during this last decade, but much earlier I understood to role of food and the onset of winter. Early in my writing career, I began the Menhir series, set in a realistic fantasy world where the hand of hunger lies heavy.

Midwinterfest was in a time of plenty. The tichan and cattle who were least valuable to the herds had been slaughtered as soon as the cold had set in reliably. Frozen carcasses hung in meatsheds all over the Valley – indeed, all over the Inner Kingdom. Hunger would come in late winter, as it always did.

The hardest months of winter are not the first, nor are the deepest the most cruel. As spring approaches, and the days lengthen, winter hangs on, well schooled in snow and ice and cold, and unwilling to relinquish its hold. Then, when the first green of spring is only a month away, comes the dying time.

An excerpt from that series, called Menhir: a winter’s tale, begins tomorrow.

263. Andre Norton’s Beast Master

Not every draft post actually gets posted. I started one a year ago in which I asked “What science fiction or fantasy world would you most like to live in?” That’s not the same as which one do you like to read about. I love the Dorsai books, but I wouldn’t be caught dead in any of them. Or, if I were caught in one, I probably would end up dead.

The question never reached the website, but in the draft I answered, “Arzor”, which is the planet in Andre Norton’s Beast Master novels.

In many ways, The Beast Master is the ultimate early Norton. Many of her protagonists are orphans, and Hosteen Storm is a hyper-orphan. He has lost not only his family, but his whole world. He is haunted not only by painful memories, but by an oath sworn during his childhood. He has to choose between the angers of the past and the promise of the future, and in choosing, eventually finds a new family.

Hosteen begins the novel as a man apart, loyal only to his team of mutated animals, with whom he communicates telepathically. This kind of communication is a trope that Norton has used liberally, at least since 1952 with Star Man’s Son. (Incidentally, the first novel I checked out on my first visit to a library.)

Hosteen, half Navaho, half Sioux, chose to enter the Beast Master Corps, where he was teamed with a dune cat, an African eagle, and a pair of meerkats,. This was decades before Timon brought meerkats to everyone’s attention. They trained together, then spent the Xix war engaged in reconnaissance and sabotage missions. Now Earth has been destroyed, and the team is all that Hosteen has left.

He musters out on Arzor, a frontier planet much like his native Arizona. It is exactly what he would have chosen, but in fact he is impelled to go there in pursuit of revenge on a man he has never met. Hosteen will wrestle with himself throughout the book, torn between his oath and his growing respect and liking for the would-be victim and his son Logan.

Arzor is a transmogrified Arizona, with modernized cowboys on variform horses. Frawns look a lot like bighorn sheep; the yoris is clearly a distant relative of a kimodo dragon; the norbies are really, really tall Indians with horns. If you are inclined to cynicism (as I normally am) this could come across as a crude mashup. I have to fall back on my favorite phrase, “Somehow, Norton makes it work.”

For my taste, the trick is to come just close enough to the familiar, while keeping just the right admixture of the outré. It’s a tricky, narrow path, and nobody does it better than Norton.

When Hosteen first meets the man he has sworn to kill, he turns aside from the confrontation for reasons he does not understand himself. He subsequently becomes involved in an expedition to the Arzorean back country, which postpones his confrontation, but becomes a deadly adventure in itself. He and his team, with the aid of his would-be victim’s son, overcome an old and deadly enemy.

Finally, Hosteen’s oath can no longer ignored . . . but, even though the novel is nearing sixty years old, I won’t spoil the ending for anyone who hasn’t read it yet.

Three years later, Norton wrote Lord of Thunder, a beast master sequel. which was quite good, though not up to the original. Four decades later, she wrote three more in the series in conjunction with Lyn McConchie: Beast Master’s Ark, Beast Master’s Circus, and Beast Master’s Quest. It seems that Norton liked Arzor as well.

The Beastmaster films are unrelated to the original, although the title is ripped off and the animal characters (two ferrets, an eagle and a panther vs. Norton’s two meerkats, an eagle and a dune cat) certainly looks suspicious. Caveat view-or.

262. Andre Norton’s Star Gate

When I say Star Gate, I don’t mean the TV series. I also don’t mean the movie it was based on. I mean the original, from decades earlier, a novel by Andre Norton.

Andre Norton’s Star Gate came out in 1958 but It didn’t make it to any library I frequented. It didn’t enter my life until a decade later when cheap SF and fantasy paperbacks became generally available. Someone has an original edition for sale on the internet for $299, but at that price, I’ll never see the hardback.

Kincar s’Rud is called to the deathbed of the chief and kinsman he expects to succeed, only to find that it is not to be. He is told that he is only half Gorthian. His father was one of the Star Lords from Earth. To avoid bringing a bloody division to his clan, Kincar must leave succession to a hated cousin.

After generations on Gorth, the people of Earth have departed, but Kincar is told that a few remain, preparing to work out a separate destiny. Among these are his half-kinsmen, whom he must join. On his way he examines the few things given him as heritage and finds a Tie, a green stone amulet that is a tie to the three gods who rule his world.

Kincar is awed to be in the presence of Star Lords, and it takes him some time to adapt to their presence. This remnant consists of those who have formed so deep a bond with Gorth that they cannot bear to leave, even though all other Earth men have gone. Despite the good that Earth men have done on Gorth over the years, they eventually became convinced that their presence was warping the culture of the native Gorthians, and that they must, from conscience, depart. The few who did not take the ships out are also planning to leave, but by a different route.

They are pursued by native Gorthians as they try to find a place of temporary refuge, where they can construct a gate which will take them to an alternate Gorth where the native population never evolved; a place where they can remain in the land they love without doing harm. The gate is constructed hurriedly while under attack. All pass through, but Kincar is struck down harshly. The Tie he wears has reacted badly with the off world technology of the gate.

Here is classic Norton, with a medieval culture in conflict with an advanced technological one, and with real magic residing uneasily alongside real science. Star Gate is truly science fiction, but the fantasy touches that made the Witch World novels so appealing are already in place. (Aside: in the first Witch World novel, Simon Tregarth enters that world through a gate, which may be magical or alien technology. Norton never says which, but it’s probably magical, considering where he ends up.)

Kincar and his kinsmen emerge from the gate in a Gorth, but which Gorth? They have to explore to find out, and it quickly becomes obvious that they are not in the one they wanted. In this new Gorth, the Star Lords never departed. Worse, these Star Lords are cruel tyrants who have enslaved the native population.

Kincar’s group decides to delay building another gate to pursue their dream world. Since Star Lords have so tainted this Gorth, they feel obligated to set things right. This brings Kincar into conflict with his evil alternate father and into an alliance with his hunted alternate self.

*****

A decade after I first read Star Gate, I ripped Norton off for one useful bit. On our Earth, if you had an ancestor named David who’s father was named John, he would be David Johnson or David Johnsen or David Jensen or David Johns. On Gorth, he would be David s’John. I liked that so well that I made it the basis for kinship terminology on the World of the Menhir. Thanks, Andre.

261. Andre Nortonʼs Sword Trilogy

This post and yesterday’s are about the Sword Trilogy, Andre Norton’s first multi-book story. You can read the posts in either order.

Some of Andre Nortonʼs earliest work came during and just after World War II, and today is called the Sword Trilogy. I reviewed the last and best of the three books yesterday. A few are available today in paperback reprints, but the original hardbacks mostly ended up in libraries and command high prices today. Fortunately, all three are available as e-books, if you can tolerate a boat load of typos.

The Sword is Drawn came first in 1944, and was one of Norton’s earliest books; the fifth, if bibliographies can be trusted. My library rescue copy was printed by Oxford University Press, London, 1946, presumably under wartime austerities. It is a slender, ragged volume that needs to be read with a delicate touch.

In a forward to the book, Norton praises the World Friends’ Club for their work in establishing “pen friend” relations between youths of various countries before 1939, and adds:

Now again letters are finding their way by sea and air all round the world. It is possible that in these friendships lies the hope of lasting peace and the vision of a new world.

The four sections of the novel are set off by letters from the young protagonist Lorens van Norries to his American friend Lawrence Kane. Lorens is the grandson of Joris van Norries, head of the House of Norries, renowned jewelers and bankers, but he has been raised as an outcast. In the opening paragraphs, Lorens visits his grandfather’s deathbed and finds that he has been raised away from the family for a reason. His grandfather has foreseen the coming of the Nazis and now entrusts Lorens with the location of the family treasure which he is to dedicate to regaining the Netherland’s freedom. Unfortunately, the Nazi’s are not fooled, and Lorens has to run for his life. He is transported to England by Dutch smugglers, turned underground fighters.

Lorens ends up in Java, still a Dutch possession with a House of Norries presence, and there the war catches up to him again as the Japanese invade. He fights his way through the jungle and ends up fleeing by air toward Australia, where his plane is shot down and he is crippled. Heroes who are physically or emotionally crippled, and fight through anyway seems to be a Norton specialty.

Healed, but unable to fight in the traditional manner, Lorens has an interlude in America where he enlists an underground organization to transport him back into occupied Holland. There he recovers the treasure entrusted to him and uses it to advance the Allied cause.

The Sword is Drawn is a disjointed book, a round-the-world stumble back to where it started. This may be a problem for some readers; I find it a strength, as it mimics the chaos of war. The Sword is Drawn is a moody book, informed by the vision of a people who have been ground down and are still fighting back.

And then the war was over. The second book of the Sword Trilogy, Sword in Sheath,  came out in 1949 and has a mood in stark contrast to the first. Lawrence Kane – sometimes called Kane, sometimes Dutch, but never Larry – and Sam Marusaki, are back from service in WWII which included OSS work. They are called in unofficially, ostensibly to find a missing airman but actually to look for Naziʼs who had gone to earth in the East Indies after the war. Kane is the pen-pal to whom Lorens van Norreys sent all those letters and, sure enough, van Norreys shows up by chapter three, where he and Kane meet face-to-face for the first time. At this meeting we find out that, after the close of the first book, van Norreys spent the remainder of the war in the Dutch underground.

Every verbal exchange between Kane and Sam is couched in light banter, which somehow, unbelievably, still sounds like Norton. Lorens, Kane, and Sam set out on a Dutch tramp steamer to explore the area around the Celebes, where they fall in with Abdul Hakroun, a pirate who is willing to fight Nazis if there is a profit in it for him. Several mysteries entangle them until they find a lost civilization, a missing treasure, and a stranded Nazi sub. All this sounds very predictable for an espionage novel, but Norton’s touch saves it. Still, it is the weakest of the three books.