Tag Archives: fantasy fiction

Re-introduction to Serial

This is the post from August 29, 2015, which was the
last working day of August that year, and the first post
in Serial. I’ve basically done what I said I would do.

Starting September first, this space will be home to serial fiction. It will be posted five days a week. (About half way through the year, that became four times a week, matching A Writing Life.)

Serial fiction has a long history. Going back at least to Dickens, it has been used to serve the needs of the publisher. How long each serial installment was, how many installments there were, and how long a time fell between each installment was calculated to fill issues of periodicals and bring readers back. For science fiction novelists, serialization has always been a way build an audience before a book is published, and earn a few extra dollars at the same time.

So what’s in it for you?

Free reads, for one thing.

When I first began to consider website serial publication of the works which will be presented here, I had a particular kind of reader in mind. I envisioned a train or bus commuter, or a bored backseater in a car pool, surrounded by distractions. (Not a driver. If you’re driving right now, turn off your damned smart phone!) I thought that kind of a reader would appreciate a short presentation, half a satisfying read and half a tease for tomorrow’s installment.

When I began to sort each story into episodes, it became apparent that each has a natural rhythm which has to be honored. Some stories have larger blocks of text between natural breaks, and this rhythm varies within each story as well. One size episode does not fit all, but there will still be five (later, four) episodes each week, of somewhat varying length.

Each story will carry a “5 of 12” style notation indicating which episode out of how many, so you can keep track of where you are. (This eventually became tedious, so I shifted to a simpler numbering system.) As in a blog, you can back up to previous posts to pick up any episodes you might have missed.

Shortly after each story concludes, it will be permanently archived on the Backfile page. If you prefer to read a story all at once, just wait. That is, if you can avert your eyes from the daily presentation.

I dare you to try.

Tomorrow, I will list the contents of the first year of Serial.

208. The Cost of Research

I grew up on science fiction, but that wasn’t all I read. I read about the westward movement, pioneer days, cowboys, and Indians (as opposed to cowboys and Indians). When I discovered adult books, I read a lot of Costain. He was about all we had in the closet sized abandoned library in our elementary school.

I found a set of cheaply bound classics in a stationary store in a nearby town. They were two-ups, with Moby Dick and Two Years Before the Mast in one volume. I loved them both, along with Ivanhoe, Robin Hood, and a half dozen others. I eventually learned that my Moby Dick was an abridged version. When I tried to tackle the original as an adult, I figured out why they abridged it. Damn, that book is long; maybe I’ll finish it next year, when I’m not so busy.

Everything I read, outside of The Scarlet Letter, was an adventure of some sort. Navel gazing literature never crossed my path until I was an adult. I still like my fiction to be doing something, even while the protagonist reflects on life and its meaning. After all, we mix up action and reflection in real life.

That was the way I approached my writing from the beginning. Plenty of action; plenty of things to consider along the way and, hopefully to consider again after closing the book for the last time.

By the time I was ready to write, I could have written in any of a number of genres. I chose science fiction and fantasy for two reasons. First, they are my favorites. I had been reading both for decades and I knew their possibilities and the readers’ expectations. They weren’t all I wanted to write, but they were a place to start.

The other reason was money. Re$earch co$ts dollar$ – and time, which is a form of money. I could create whole worlds out of my imagination, but if I wanted to write about the area west of Philadelphia in 1789, or West Virginia in 1865, or the Mississippi River in 1845 – to name the settings of three novels on my to-write list – it would have taken years of library research and trips to those places. I couldn’t afford that, so half of the things I was ready to write were out of reach.

I was a pleasure to write what I could afford to write, but still frustrating not to be able to crawl out of that box.

Eventually I started teaching, made a few bucks, and had the chance to travel. That opened things up. I‘ll tell you a bit about that over the next two posts, then acquaint you with one of the novels that came out of those travels. more tomorrow

197. Alternatives to History

I am not always a fan of science fiction based on alternative timelines. They can be superb, but they are often pedestrian, and too often deeply dumb.

I’ll give you two examples – best and worst. Pavane by Keith Roberts is a powerfully written novel set in a fully realized alternate world. It’s premise, spelled out in a prolog, is that Queen Elizabeth was assassinated, leading to a conquest of England by Catholic Spain. That shows a lot more imagination than the typical, “What if Lee Harvey Oswald had been hit by a bus on the way to Dallas?” setup, but the story didn’t need the premise. If the prolog had been left out and the story had been marketed as fantasy, it would have been just as good.

My candidate for worst alternative timeline story is Mirror, Mirror from the original Star Trek. While it is fun to see an alternative Spock, the notion that the entire course of human history had gone down a different and dystopian path, yet still the Enterprise was the Enterprise and all its main characters were still there doing the same jobs is too silly to even laugh at.

Actually, scientific accuracy is rarely invoked. Most alternate timeline stories are just an excuse to explore a situation contrary to fact, and there is nothing wrong with that. It has obviously excused Mirror, Mirror to its many fans. There is a sub-genre of historical novels called alternate history which doesn’t claim to be science fiction at all.

All this is a tortuous route to Heinlein and the novel fragment I posted yesterday. Heinlein’s short stories from the thirties and forties build up a future history that I would have loved to be a part of, or at least to write stories in. Time, however, eventually caught up to them. In our world, Leslie LeCroix was not the first man on the moon. As Heinlein continued to mine his old works, he eventually cast what had been his future history as an alternate timeline. He added more timelines, and eventually let them all blend together into a view of multiple universes. This was great fun for me as a reader, but it held nothing for me as a writer. I was interested in writing about a robust exploration of the solar system in the near future, informed by astronomical information Heinlein did not have.

I asked myself how the world Heinlein wrote about was different from the world we live in. The answer was simple; his culture developed nuclear powered spaceships, and ours didn’t. That begged the question, “Why not?”. We developed nuclear submarines and aircraft carriers, so why not nuclear spacecraft?

Not denying the technical difficulties involved, the answer seemed to be fear. Somewhere on the road to the cold war, nuclear power became the enemy. Nukes took out Hiroshima; nukes gave us Godzilla. Nukes gave us fear, and fear does not deal with reason; it has a logic of its own.

What if that fear had not developed, or had developed differently. It would be easy to envision a timeline in which they developed nuclear space propulsion technology, so we had to follow suit, and to hell with the consequences.

So when and where could we tweak reality, and how should it be done? Should we simply present the chosen future as fait accompli, or should we create a character from the present who would go back in history and cause the change?

Heinlein came to the rescue again. In one of his late novels, in a throwaway line, he mentioned an attempt to change history by sending an agent back, not to kill a horrid dictator, but to give a condom to his father, an acne-faced teenager, on the night the dictator had been accidentally conceived. Beautiful!

I decided to save Franklin Roosevelt’s life, or at least prolong it for an additional several years, to make things come out differently in a different timeline. opening chapters Wednesday and Thursday

104. Mud 3

Here are the last two of six installments of the novel Mud.

Could I walk away from Renth a thousand miles, and become fully a man? And if I died trying, how much worse could that be? There was nothing to tie me to Renth. My last sibling had died of the cough, I never knew my father, and my mother was a walking skeleton who would not last much longer.

I would become a warrior, secretly. I would train my body. I would find a hiding place in the swamp where no one would see me and practice at arms as I has seen the warrors do.

It was not easy, and it did not procede quickly. At twelve, I was responsible for a full day of work every day, in the streets night and morning, in the fields most days, and cleaning out my master’s cesspit every third day. Chamarana are not slaves, exactly, but the difference from a slave’s point of view, or a Chamarana’s point of view, would be too small to notice. It took weeks of time snatched from sleep to find a clearing in the swamp that was far enough away to be hidden but close enough to reach quickly when I could find a free hour.

My body responded slowly. I was young and strong, but to become stronger requires effort, and effort requires food. A hungry warrior is a weak warrior, and I was hungry all the time. I could not steal food from non-Chamaranas – for a Chamarana to touch food that has been blessed by a priest after leaving the fields where the Chamarana grew it would pollute the food. That affront to the dignity of non-Chamaranas was punishable by death.

I was too proud to steal from my fellow slaves.

——————–

I learned to hold a wooden sword as I had seen warriors in the common. I learned to swing it; then I weighted it, to be more like a sword of steel. My forearms screamed in pain. I sweated, and panted for breath, and at times fell to my knees too exhausted to rise.

I vented my anger on unoffending reeds and on the knotted limbs of the rybhal tree. I learned of the shock to the joints that comes with every blow. Then I would stagger back to my sleeping rags under a tree on the Renthian side of the Renal. The next morning I would force myself awake and go through my day’s work with gritted teeth, unwilling to show any sign exhaustion.

Three years passed and I had gained some skill when I was discovered.

*****

Here the story ends, for now. Unlike Voices in the Wall, over in Serial, I can’t tell you what will happen next because I don’t know.

Some stories come from the head, some from the heart. This one came from the gut. I only feel what will happen, I do not know. I have ten single spaced pages of notes which may become an outline, but I don’t know yet which of several paths the novel will take.

If that seems strange to you, so be it. It is part of the reason it takes me so long to write a novel.
Monday, some silliness after six weeks of serious posts.

103. Mud 2

Here are the second two of six installments of the novel Mud.

Merchants never came to the common; the diversions of that place were beneath their station, but their soldiers, herdsmen, clerks, and servants flocked there every evening to take their crude and colorful pleasures. A grown Chamarana would be beaten if found there, except after midnight when they went to clean the grounds, but Chamarana children hung from the trees and hid in the bushes to watch the excitement.

Mostly, I watched the women.

I could always look at Chamarana women, working, always working, in their thin, torn clothing, washing themselves naked in the Renal, or relieving themselves in the bushes. There was no part of a woman’s body that was not familiar to me.

This was different. These women were soft and rounded. Their breasts were not flat. They were clean, powdered, and perfumed. They were beautiful; more important, they knew they were beautiful, and showed that knowledge in every graceful movement. They walked across the common, swaying their hips with a half-smile that said, “I know you are looking. Go ahead. Enjoy.” It was a pleasure to watch them walk. It was a burning torch in the heart to watch from concealment as they shed their clothing and opened their legs to their lovers.

As a child, I could look. If one of the men caught me they would kick me and laugh and let me run away. But in a year or so, when I was just a little older, they would beat me unconscious for daring to look at a woman who was not a Chamarana. So I looked, and looked, and then looked again.

——————–

When I was surfeit with watching the women, I would watch the warriors at play. It was practice, of course, with blunted weapons. Often enough it left them bruised and bloodied, but they enjoyed themseves so hugely, that it looked like play to me. And why not? They were powerful men, with bulging thighs and masses of muscle in their arms and shoulders. Their bodies spoke of plenty of exercise, plenty of food, and plenty of rest. Our lean, slat-like Chamarana bodies spoke of little food, unending work, and rest that rarely came.

If I had a body like that, I thought, I could have women like that. But it wasn’t true, because I was Chamarana.

If I weren’t Chamarana . . . but that was a dream that couldn’t even be dreamed.

3

In the summer of my twelfth year I quit going to the common. I had been beaten twice in one month, and the second beating had left me unable to move for three days. Clearly, I had grown too old to be tolerated there.

Never again to look upon a beautiful woman – it was too much to bear.

The world is wide, and only Renth has Chamarana. I had heard this from the mouths of foreign sailors in the common, when I was young enough to listen from hiding. If I were a sailor, I could sail away. If I were a warrior, I could ride away. But I was Chamarana, and all I could do was carry away the waste too foul for a man to touch, grow food for others to eat, become leaner every year, and die.

102. Mud 1

Here are the first two of six installments of the novel Mud.

1

They call me Mud, but don’t be fooled. It is a greater insult than it seems.

The word is Wauk and its symbol is embossed on one of the counters of the runeboard. As it is from the Godtongue, it has entered every language. In the Inner Kingdom, so a traveler once told me, it means the basic stuff from which all the world is made. Not so in my city.

In Renth, mud is that stuff into which all foul things come to rest. Blood and feces, urine and menses, all come back to the earth at last. A Renthian merchant will not say the words for those things – he hardly admits that his body produces them – and so he says wauk, thus staining a good word.

My people are Renthian, but outcasts. We are the Chamarana, who live in the swamp, and carry away those unpleasant things that the nobles will not speak of. I was born in the mud and of the mud. The smell of the mud was the first thing in my nostrils. My mother smelled of mud; most of my siblings died of the mud’s contagion.

The Chamarana breed freely and die early. It is a joke to the merchants. But those of us who survive, grow strong. And angry.

——————–

2

The river Renal curves sharply just as it nears the Inner Sea. Renth is built on the high right bank between the river and the sea. Overflowing waters in spring cover the lowlands off the left bank, forming a vast inland swamp. We Chamarana live at the edge of the swamp, and enter Renth only to do our work.

Every morning the tichan are driven out of their pens down the main avenue of the town to the swamp to graze. Every night they return to the safety of the pens, and twice a day we Chamarana with our crusted buckets and wooden scoops go out to clean the road after their passing. Dumped onto the fields at the edge of the swamp, and composted carefully into the stronger waste from the merchants cesspools, it fertilizes the crops we raise to feed Chamrana and merchant alike.

When I was five years old, I was given a scooop and put to work alongside my mother. When I was eight, and could lift a bucket, I began to work alone. But no one works the day round, not even a Chamarana. My mother had only enough energy for her work and to care for my little sister. She had none left for me, so I was free when my work ended to head for the common.

The land which stood above the highest floods was packed tight with warehouses, dwellings, barracks, and shops belonging to the merchants. On the land which flooded yearly, we planted our crops. Above the fields, we built our temporary huts, and rebuilt them every time the Renal rose higher than ususal. Between merchant’s houses and Chamarana huts lay the common.
more tomorrow

101. Mud, prolog

“A foolish consistency is the hobgoblin of little minds.” Ralph Waldo Emerson

I don’t claim to be an Emerson, but I am going to shake things up. When I began this website, I intended Serial to be a presentation of my writings and A Writing Life to be mini-essays. This will be my largest deviation from that intention, because Serial is tied up with the fragment Voices in the Walls.

For five weeks I have been writing posts on issues that began with race in America and morphed into a consideration of world wide hierarchies based on race, gender and caste. I’ve written enough essays on that subject, but I have some more fiction to share.

I spent five years studying caste in India and overseas Indian colonies, and wrote my first master’s thesis on the subject. That is the kind of deep knowledge that informs everything I write, even when the subject seems to be something else. While writing a dragon short story (The Best of Lies), I needed a description of the city of Renth. Renth was part of the back-story of three novels I have written, but had never been fleshed out. This is what fell out of my keyboard.

As we went on up the mountain, I thought of Renth. I remembered how she spread out on both sides of River Renal from the crowded waterfront to the first fingers of the great inland swamp. I remembered how herdsmen drove in their herds of tichan every evening to keep them from the night predators. All of the sidewalk vendors would close up shop and congregate on the rooftops until the sound of passing-bells carried by the herdsmen proclaimed the streets safe again. Then the chamarana would come out with their crusted baskets to clean the streets and haul the manure to fertilize their rich gardens.

There are temples in Renth where Encaritremanta is still worshipped instead of the bloodless Septs, and where the ritual dancers proclaim to the world that the Fern of the Deep Forest is still fertile and ripe. There is Bread Street where the bakers from the whole city congregate and the smells are sweet beyond description.

In the morning, the sun falls slantwise on the whitewashed houses, catching the sleepy merchants in their rooftop boudoirs. The boys from the waterfront crowd onto the high roofed warehouses to look across the city at first light when the women take their baths. And some of them look back, insolent and insulated by their station, posturing and laughing and waving.

The chamarana in this bit were Chamars, borrowed whole from India. Later, when I needed a long story to flesh out a too-short novel, and needed it to be set in Renth, I began to consider writing from the viewpoint of one of these outcastes.

This was just before I began this website, when everything was fluid. I considered writing the story and publishing it in short segments as they were written, in Serial. It was a foolish idea, completely out of step with my writing style. I wrote the first six short segments, fell in love with the story, and decided to write it in a more normal fashion. It is on my short list of what-to-write-next.

Here are those segments, to be presented two per day for the rest of the week. It isn’t Black History, but you’ll find that it tastes a little like black history. The novel is tentatively titled Mud.

Prince of Exile, 12

5.

A brazier stood on iron legs at the foot of the King’s bed. Croayl the priest sprinkled sandalwood on the coals. As the scent spread through the room the King opened his milky eyes and said, “Do not bury me while I am still breathing.”

Croyal moved closer to the King, touched his dry cheek, and laid his hand on the King’s hand. Both hands were long and bony, darkened and weakened now with age, but they had both been strong hands in their youths. Croyal said, “For weeks I have asked you, as your priest, to repent. I fear for your soul if you do not. Now I ask as your brother. Do not go into that cold night unclean.”

“Can you?”

The King’s voice was hoarse and weak. Croyal leaned closer and asked, “Can I what?”

“Can you, for one hour, be my brother again, and not a priest?”

“I cannot stop being what I am. Either part of what I am.”

“Nor can I. As my brother, I have loved you even when it was not easy. As a priest, I would spit in your face if I had the strength.”

“I know.”

“I, too, can only be what I am. I repent of nothing. I abjure nothing. I have lived my life with all my heart and I only regret leaving it. I regret no part of it.”

“Is there nothing you would change?”

The King was silent for a while. The numbness had reached his stomach, and within minutes it would no longer matter that the brother he loved was also a priest who ranted at him. His hand tightened on Croyal’s and he said, “I would give anything to see my wife’s face again.”

*****

We were unseen as Croyal held the King’s dead hand. Greyleaf stood a little apart. That which was corruptible lay cooling on the bed. We watched as the incorruptible and timeless essence of the King rose up and looked around bemused. He beheld Greyleaf; there was shock in his eyes, then tears. She moved forward into his arms. I could not hear what was said, but I could see their faces. I would gladly die to feel the happiness I saw there – if the dead could die again.

Their bodies were melting together; going smoky; gone.

I turned to the Prince and caught a look of longing on his face. I said, “I thought . . .”

The Prince replied, “The King’s exile was ending, not beginning. It started the day she died. He will never be one of us, and Greyleaf will no longer be tortured and half complete. They have found their peace in one another – again.”

“And you? And the rest of us?”

For a moment I glimpsed broad vistas of eternity and deep valleys of pain in his lean, handsome face. Then he restored his customary look of calm and said, “For each of you, your exiles will end. But I am the Prince of Exile.” finis

Prince of Exile, 11

In the morning, he was gone. And she was pregnant, although it took her a month to discover it.

“Any sensible girl would have been frightened or furious, but Mara had lost the capacity for facing life in its raw state of truth. She decided she was not pregnant; she had merely miscounted the days.

“By the time three more months had passed, even her capacity for invention could not explain away the thickening of her belly. But there were other inventions. Her man had been called away on a dangerous mission, or kidnapped by bandits. As the stories grew, she grew; and her parents grew angry with her fantasies. Now, too late, they demanded that she face the truth.

“As the months moved by, her parents turned away from her. The people of the village had been weary of her voice long before her downfall, and would have nothing to do with her fabrications. She withdrew into her room and into herself. There she stayed through the hot month of August, swollen huge with child and without one human soul who was willing to listen to her.

“She sought out the memory of her lover, but she could not recall his face. The man had faded, displaced by the fantasy she had made of him. Now that fantasy faded as well, displaced by a still greater fantasy.

“She had lain with God himself.

“All that burning August, she sprawled in misery on her narrow bed and told herself the story again and again until it blotted out her shame, blotted out her pain, blotted out the heat, blotted out her parents screaming disbelief, blotted out the disgust of the villagers.

“She bore a son and raised him alone in a small hut behind her father’s inn. All day long she rocked him in her arms, crooned to him, and told him of his impending greatness. She called him Isus, and she raised him to believe that the world would love him and believe in him.

“Isus went out to tell the world of his divinity, but the world was impatient. It turned on Isus and killed him. Mara stood at the foot of the scaffold where they hanged him, and the last words she heard him say were, ‘You foolish men, I have brought you a vision, and you have turned it aside.’

“Mara’s spirit was shattered — for a little while. Then she turned from the village where she had been born, and went out to raise up a religion in her Son’s name.”

*****

The Prince leaned back against a rock, content for the moment. He said, “An ugly story. Disjointed; lacking in balance.”

“The true ones often are.”

“Yes. I saw Mara recently, still up to her old tricks.”

The ragged stranger laughed and said, “Mother never learns.” more tomorrow

Prince of Exile, 10

We rode through the afternoon, ever higher, and at the crest of the mountain range, in a little sheltered space beside the pass, we found another traveler sitting beside his campfire. The Prince rode up to him and asked, “What is the ultimate truth?”

“Damned if I know, Prince. Get down and eat.”

The Prince grinned at the apparition who sat so casually beside the fire. He was skinny and ragged with a body much scarred, but insouciant humor danced in his eyes.

The Prince stepped down and walked up to the fire, extending his hands to the warmth, and said, “If you have no wisdom, how will you pay for my company?”

“I’ll tell you a story.”

“Good,” the Prince said, seating himself and reaching for the stewpot. “Stories are better than wisdom, and sometimes better than food.”

“But never,” the stranger suggested, “better than women or wine.”

The Prince shook his head, unconvinced, and said, “That would depend on the woman.”

“You have already heard my story!”

“I have heard all the stories, but never mind. Tell me again.”

*****

“This is the story,” the stranger said, “of Mara and Isus . . .

“There once was a young woman who could not tell truth from fantasy. She was loved by her parents, but no one could love her half so much as she loved herself. She felt that she was beautiful. She felt that she was a princess, stolen away in her infancy and given to peasants to raise. She felt that a fine knight would come to take her away. She felt that somewhere in the wide world there was one man – but only one man – fit to be her mate and that when he came into her life, he would fall passionately in love at the mere sight of her beauty.

“I do not know if she was beautiful. Had she been truly stunning, she could not have matched the visions she had of herself.

“She spun tales of glory about herself and told them to her parents. Surely she knew at first that they were fantasy.  But her parents indulged her, laughed with her, praised her imagination, and never forced her to see what was true and what was false.

“Ultimately, she met a young man who was passing through her village. She fell in love with him, not truly knowing what love was. She took passing affection and a bit of lust and built, on that foundation, huge cathedrals of imaginings of what their love would be.

“The man was not a liar, but he was no more truthful than any other man. When he spoke of love in those moments while their bodies were locked together, he did not expect to be taken so seriously. But Mara had no judgment, only illusions. To her, their passion was like the first man and woman. He was too kind to voice his disappointment that she was a clumsy virgin, and in the kindness with which he held his tongue, she saw a love so deep that it struck him dumb.

“In the morning, he was gone. And she was pregnant, although it took her a month to discover it. more tomorrow