Tag Archives: literature

425. Goodreads as Textbook

I bought The Key of Time several years ago from E. R. Hamilton’s, my favorite purveyor of remaindered books. It looked and sounded good, but so did the half dozen others that came in the same order. I put Key aside and it stayed in my to-read pile until I became immersed in Steampunk. It seemed to ooze Steampunk, so I dove in.

I planned to review it in this blog. You saw the results on Monday in post 423. 85 Pages: a review, so named because I couldn’t get past page 85.

That got me thinking about Goodreads. I’ve only been involved with Goodreads for about a year and a half, but I am impressed by the intelligence of most of the reviews. Since I discovered it, I have treated Goodreads almost like a textbook on what intelligent readers want.

Here are Goodreads’ stats on The Key of Time by Felix J. Palma, translated by Nick Caisto:

10289 ratings                2127 reviews                rating 3.37 out of  5

That’s a lot of ratings and reviews. Many Goodreads books have almost none. The 3.37 rating is fairly normal. It’s hard to find a book on Goodreads that doesn’t garner mixed reactions.

I decided to pick a few Goodreads reviewers who agreed and disagreed with my take. Here are some examples — or rather excerpts, for the sake of space and so I don’t step on anybody’s copyright.

Traci said, It was amazing.

. . . Do you enjoy magic tricks even though it’s all sleight of hand? . . . I loved every moment I spent with this new and talented author.  . . . one of my favorites, of the year. Beautifully written.

Did Palma get his act together after page 86? Were the last 524 pages better than what I read?Did I miss something?

Frances seemed to think so, with some reservations.

Frances said, (I) really liked it.

. . . I was beginning to wonder if I wanted to continue. At times I groaned (but it). . . . soon became compelling enough to finish. When I finally read the last page . . . I (was) . . .  pleased to have read such a creative and unique book.

I have to admit that I also felt compelled to continue as well, despite the insipid “hero” and glacial pace. It reminded me of all the times I’ve tried to read Dickens’ longer books. But this isn’t Dickens. It’s more like pretend-Dickens. For me it was finally more irritating than intriguing.

Velma said, (I) did not like it. and recommended the book for “someone willing to edit it, heavily.”

Time travel! Jack the Ripper! Automatons! What’s not to love?!? Well, as it turns out, almost everything. . . . it took every ounce of stick-to-it-iveness I could muster to get through this convoluted, interminable literary maze. WHERE, I ask you, was the EDITOR in this hot mess? . . . (Palma is) a decent, if grandiose, storyteller and he mimics to perfection the florid style of the period he set this novel in . . . But come on, Félix, enough with the meandering, the inconsistencies, the convenient last-minute reprieves . . . I was all set to love this book, what with it being about the re-writing of the history of the earliest science fiction and all, but it wasn’t to be . . .

Velma pretty much sums up my reaction. If you look at her whole review on Goodreads, she is even angrier than this excerpt shows.

What is the takeaway? About Goodreads, that is. I’ve had my say on Palma.

Goodreads won’t tell you if a book is good. It will tell you all the different things readers think about it. And that is its value — many looks from many directions. I will continue to check it out, after I read something. Whether I love a book or hate it, I always learn something from Goodreads reviews, even it is is just public taste.

Symphony 26

Finally, he circled back. The sun was hanging low above the mountains when he came back into town, but the heat had not relented. He stopped at a mini-mart, bought a liter of Seven-Up and a pint of Seagrams, and returned to his apartment.

Still, he would not face the source of his feelings. He mixed a stiff drink and turned the air conditioning on high. He wandered into his bedroom to the rickety bookcase and made a selection, went to his casette collection and made another. While Eric Clapton sang and played on the stereo, Neil drank and lay back on his couch.  He opened the book and read:

Napoleon I., whose career had the quality of a duel against the whole of Europe, disliked duelling between the officers of his army. The great military emperor was not a swashbuckler, and had little respect for tradition.

Two songs later his drink was empty, so he laid the book aside and made another. Last year he had introduced The Duel into his class for the first time. What would a sixth grader make of Joseph Conrad? Nothing! From Conrad to the insipidity of a sixth grade reader. The thought was bitter gall in his mind.

His drink was empty again and he smiled at that, almost as if he were cherishing his weakness. He had not gotten drunk one time since the whole affair began. He would feel wretched in the morning. Good enough; he was in the mood to feel wretched.

In the months since this all began, he had not allowed himself the luxury of self-pity, but he was ready for it now.

The tempo of the music had changed. Clapton was singing softly about his shy, sweet lady, and how she looked “Wonderful Tonight”. The song brought Carmen to mind. He remembered the liveliness in her face when she was with her students, and the dead stillness when she was with him. He wondered again what Campbell had told her.

Back beyond Carmen’s image was another face, and that face was the source of all his melancholy. For it was not Alice Hamilton who had betrayed him the most. She was just a foolish young woman who had owed him nothing.

But there had been betrayal. When the accusations had come, there had been one he should have been able to turn to. Lynn; a tall girl with wild hair and soulful brown eyes, who had shared his dreams, shared his bed, and who had planned to share his life.

She would share those things, but she would not share his troubles. She was a teacher, too, and she could not afford to be associated with someone accused of sexual misconduct. That was what she said, but it was a thin excuse. Now that alcohol had loosened the iron fist of his self-control, he remembered once again the look in her eyes when he had told her about Alice Hamilton. She had hesitated. She had doubted.

How could she have doubted? Was it some fault in her that prevented belief. Or was there some secret weakness in him that only she had seen.

How could he be the man he wanted to be — the man he had thought he was — if his lover could look at him in the moment of his accusation and have such doubts? more tomorrow

424. Arthur C. Clarke and Russia

(Written last Thursday) This morning’s news brings new revelations about what Russia is doing to America through the internet. Or are they new? Didn’t Arthur C. Clarke warn us all that this was coming back in 1960 in his short story I Remember Babylon? Of course he did; Arthur has always been ahead of the curve.

I Remember Babylon? is actually dated and struck me as a bit naive when I first read it, but you might want to check out Arthur’s prescience as he gives you today’s headlines 57 years before they happened. After its original appearance in Playboy, the story was reprinted in Tales of Ten Worlds, available in your local used bookstore or on Amazon.

Symphony 25

“On a day like this,” Neil went on, “it would be easy to think that anything is better than heat . . .”

“Right,” Jason Parmalee chimed in.

“. . . but in fact people who live where it is cold dream about heat just like you are dreaming about cold now.”

“Impossible!” was Lee Boyd’s opinion.

“True, though. Take the miners in the Klondike gold rush, for instance. Do you know what that was?” They didn’t, of course, so he told them a bit of that tale, then said, “One of the men who went to the gold rush was a poet named Robert Service, and he wrote about a man who couldn’t stand the cold. This man wanted so much to get warm that when he died he wouldn’t let his partner bury him. His name was Sam McGee.” And Neil began to read:

There are strange things done in the midnight sun
     By the men who moil for gold;
The Arctic trails have their secret tales
     That would make you blood run cold . . .

He had them for a solid eleven minutes, and the discussion that followed lasted until the final bell rang.

# # #

Neil gathered up the student’s papers and stuffed them into his briefcase. As he locked the door and headed for his car, he ran into Glen Ulrich. Glen was looking pale and ill, but he was polite enough to say, “How was your first day?”

“Hot! How do you stand these classrooms?”

Glen looked sour. “Well, we don’t have much choice, do we? Not everyone can get an air conditioned room. It all depends on who you are.”

Neil was taken aback. He made a conventional reply and broke off the conversation. In the parking lot he saw Carmen but she paid no attention to him. Pearl Richardson was getting into her station wagon. She waved, smiled, and said, “How was it?”

“Okay.”

“How did it feel, having little hooligans instead of big hooligans?”

Neil was in no mood for banter, but he managed to say, “A hooligan is a hooligan, I guess.” Then he waved and got into his car.

He was low. Rock bottom depressed, and it had sneaked up on him. When he had been reading to the children he had felt some of the old excitement of teaching for the first time since Alice Hamilton had made her false accusation. When the children left for the evening, two of them had said good-bye and at least a half dozen had looked friendly. It was all any strange teacher could hope for on the first day. He had done very well, really.

So why did he feel like dog droppings?

He drove east on Kiernan, but he couldn’t face his apartment, so he turned right on McHenry and drove down between the filling stations, the department stores, and the tire stores. It was like prodding a wound. He hated the tabletop flatness, the heat, the traffic, and the enervating blandness of Modesto. To Neil, it was a town without character. He drove downtown, past the modern ugliness of the new civic center and headed aimlessly southwestward. Down Crows Landing Road he found Modesto’s equivalent of a slum, rolled past the boiled meat stench of the rendering plant, and southward past a tractor dealer with a showroom so big and grand that it was like a temple of agriculture. Still further south he went, out of the city and across the flat valley. The heat wrapped itself around him, carried in by a wind that did not cool. Off to his right, the coast range stretched north and south, burned to pale gold by the pitiless sun. He passed palm trees and farm houses, drove through the butter thick smell of feed lots. He no longer knew where he was, and he did not care. As long as he could just drive, he did not have to think. more tomorrow

423. 85 Pages: a review

This was supposed to be a review of The Map of Time, by Felix J.  Palma, a book of 609 pages. Instead, it is a review of the first 85 pages because I am going to bail, give up, leave; because life is short and Time is precious.

Mind you, there is some quality in this book. If it were irremediably terrible, I wouldn’t waste a post on it.

Heinlein did time travel, often and occasionally well. Let me retrodict (retrodict: neologism, the opposite of predict) how Heinlein would have written the first 85 pages of this story in, say, 1955.

A___ stood over the torn body of his lover, heartbroken, feeling that his life was over. Then C___, his cousin said, “You can fix this. Just go back in time and kill her killer before he can kill her.

That, folks, is the entire thrust of the fist 85 pages of The Map of Time.

And that’s not all. We already knew exactly what was going to happen by the second or third page. How? Because Palma spends most of his pages foreshadowing events. And, since he calls in every cliché known to Victorian England — Jack the Ripper, ruthless rich father, cowardly wimp of an heir, H. G . Wells and his Time Machine, a hero who thinks he is sensitive but is actually just a clod chasing whores in Whitechapel — we know from the start where this story is going.

The only surprise along the way is that there wasn’t one single surprise along the way.

The writing style is Victorian appropriate. The “hero” never becomes quite so bad that we don’t think he might be salvaged. The “Dear Reader” asides are cleverly handled. The description of London carries the story well. These are all the reasons I stayed around as long as I did. I thought it might get better. I thought something would eventually reward me for my perseverance.

No luck. I’m out of here.

Did I leave just before the story got good? I’ll never know.

If you stuck with The Map of Time all the way through, and you think I’m wrong, tell me. But, spoiler alert, I’ll be hard to convince.

Symphony 24

After lunch, Neil’s second class arrived. The temperature had passed eighty-five outside; it was hotter still in the classroom. The children were tired and cranky from a long first day at school. The bloom was off, and they were not half so eager and mild as his morning class.

This group had P. E. first hour, so Tom Wright had done all the housekeeping chores that the district required. Neil only had to explain his own rules, pass out books, and they were ready to work a full hour sooner than his morning class had been.

They read the same story the morning class had read, but this time Neil listened more carefully to their performance. The ones he had chosen by watching for readers-by-choice were quite good for their age. He dreaded finding out how the others read. When he assigned them the same writing exercise, there was a perceptible psychic flinch. They had probably done that assignment or one just like it the first day of every school year since they had been able to write. Neil realized that he would have to be more imaginative in his assignments or sheer boredom would stop their voices.

He tried to study them as they wrote, but it was hard to concentrate with sweat running down his face. The children were suffering and whining. He didn’t blame them, but it irritated him nonetheless. What they think he could do about the heat?

Aaron Garcia snarled at Mickey Kerr, and Neil snarled at both of them.

When the last break bell rang at 2:15, the children did not run out. They walked out slowly and threw themselves down on the grass in the shade of the trees.

Neil watched them. Most of them were too hot and miserable to even play. He sighed and said, “The hell with it.” He had no desire to take his class outside before they were housebroken, but in this heat anything else would be cruel. He tucked a book under his arm, followed them out, and locked the door behind him. That got him some curious stares.

The bell rang to return to class, but Neil waved the other students over and sat among them with his back against a tree trunk. He said, “Who’s hot?”

They all were and they were vehement in saying so.

“Me, too. You know, we live on a funny planet. Even though people have been on Earth for three or four million years, we still can’t find a place that suits us. Every place on Earth is either too hot or too cold, at least part of the year.”

“What about Hawaii?”

“Or Tahiti?”

“Well, most of the planet is either too hot or too cold most of the time. Right now, I would like to be back home in Oregon, surf fishing in the ocean, in the fog. Where would you rather be?”

That question opened the floodgates. Everyone had someplace they wanted to be, and all of them were cold places. In Alaska, in the refrigerator at home, in a boxcar full of chocolate ice cream, or at the North Pole with Santa Claus; everyone had a preference. It took twenty minutes to hear them all. Lorraine Dixon had written two sentences about who she was, but she spent five minutes and a hundred sentences describing how much she liked ice skating. more tomorrow

Symphony 23

“Who are you?”

“I’m Dixie.”

Neil nodded and smiled. “I know your name, Dixie. Now tell me some more. What are your parents’ like? Where do you live? Do you have brothers and sisters? What do you like to do? Tell me some of those things.”

“Oh.”

The other hands had gone down, so Neil turned to some papers on his desk and pretended to study them. In fact, he was studying the class as they “worked”, and he found that most of them didn’t work. They stared at their papers or stared out the window or chewed on their pencils. Two of the readers-by-choice sneaked their reading texts open, looking up from time to time to see if Neil was watching. Sabrina Palmer tried to get Tasmeen Kumar’s attention, but Tasmeen was one of the few who was trying hard to write. Lauren Turner and Lydia Ruiz carried on a quiet conversation. Pedro Velasquez flipped a paper wad at Brandy Runyon and she shot him a look that could have killed.

The bell rang. Neil told the students to leave their papers on his desk, and as Pedro came by he said, “Wait.” The other students trooped by, putting their papers on the pile and watching a very uncomfortable Pedro as he waited to one side. When the last one had left, Neil asked, “What did I tell you this morning?”

Pedro shrugged. Neil waited. Finally, Pedro said, “You told me to leave Brandy alone.”

“And did you?”

“Well, she’s always bugging me.”

“And I suppose you never bug her? Pedro, in my class, every student has the right to learn. It doesn’t matter if that student makes As or Ds, he or she still has the right to learn as much as she can. Do you understand?”

“Yeah, sure.”

“I’m sure Brandy didn’t find it easy to write the paper I assigned today. Do you think you made it any easier by throwing paper wads at her?”

Pedro scuffed his feet and said, “No.”

“Pedro, if you bug people and keep them from working, you are going to be in big trouble with me. Do you understand?”

Pedro nodded.

“Okay, scoot.”

Pedro was gone like a shot.

Neil sorted out the papers of the students he had observed. On Lauren’s and Lydia’s he wrote in red, “You would have written more if you hadn’t spent all your time talking!” He made similar comments on half a dozen other papers, including, “I appreciate the way you ignored interruptions,” on Tasmeen’s paper.

When he actually started to read the papers, a chill went through him. Five of the sheets were completely blank. Another seven had no more than one misspelled and unpunctuated sentence. He counted the papers and checked them against his class list. Five students had sneaked out without turning in papers. Only thirteen students had actually tried to do the assignment, and their work started at very bad and ranged downward from there.

Richard Lujan had written: “My nam is Richrd Lujan    I am twelve years   I hav two brothers and a cat”

Rosa Alvarez had written: “My name is Rosa    My mother works for a bank and my Father works in the fields     I hav  two sisters younger than me and i don’t hav no brothers”

Oscar Teixeira, the boy who had made five years of  excellent scores and one year of zero on his yearly test, simply said: “I am Oscar Teixeira and I am very smart” 

Well, maybe. more Monday

422. Little Bitty White Hunters

When he got back to his apartment, Neil dug around in his still packed boxes to find the few books he had kept as personal treasures from his childhood. The formula books had not worn well; they held little that the adult Neil McCrae could find worthwhile. But there were others that had kept their value, and he spent the next four hours accompanying the young Hunt brothers as they continued the expedition their father had had to abandon, collecting zoo animals while floating downriver on their Amazon Adventure.

That is a quote from Symphony In a Minor Key. It was the opening paragraph of Symphony 13, over in Serial.

Neil McCrae and I have a lot in common — duh — but I also kept him as a separate person. He has more patience than I do, for example. Another thing I did was give him an English class, while I was teaching science. This lets him read to kids and read their papers, and that gives me — through him — the chance to tease out what is going on in their minds.

More than any other subject, literature is about involvement and about demonstrating that involvement by writing. But please! Sixth grade papers are awful. You’ll see when you have to read some of them with Neil. I’ll be over here with my bunsen burner; call me when you are through.

I’ve done my share of teaching reading and literature, which aren’t quite the same thing. Neil encounters a ton of difficulties, and solves them, more or less. I encountered all the same problems in my first fifteen years of teaching, and the same good, bad, and ugly solutions, before science largely pushed reading out of my curriculum.

Teaching reading is tough in a school where the children have widely ranging skill levels. Teaching literature is relatively easy, if you have good literature to teach. Accepted literature is not the same as good literature. I don’t have the guts to teach Where The Red Fern Grows. If you had that piece of pornography of violence foisted on you as a child, you’ll get the pun. On the other hand, I loved teaching Fog Magic.

Truthfully, most of the children’s literature I know, I read as a teacher. There were no bookstores which featured children’s books where I grew up, and besides, most of the children’s books I read when I was a teacher hadn’t been written yet when I was a child.

Like most children who are given the choice, I read books for children, books for young adults, and books for adults, indiscriminately. I still do. Just a couple of years ago I made it half way through my childhood set of Rick Brant books before I ran out of time and steam. Any time I see a Howard Pease juvenile, I snatch it up. His popularity has waned and they are getting scarce.

So Neil looks back at his childhood (which was my childhood — Neil was born full grown on the Ides of March) and remembers the books he read. Willard Price wrote the “___ Adventure” books starting with Amazon Adventure in 1949, and continuing for an additional thirteen books, ending in 1980. I only read the first four; by the time he wrote the rest, I had outgrown them. They all followed the pattern Neil later recounts, someone young went somewhere interesting and did something exciting, without adult supervision. That isn’t much, but that is all it takes.

In some cursory research today, I ran across an interesting phenomenon. I don’t want to make too much stew out of one oyster, but the critics in the day when the “___ Adventure” books were written, said that they were full of cruelty to non-Western people and animals. That is a problem in anything written before books were sanitized in the name of political correctness. If I were a cynic, I could say that this makes the eligible to join the rest of Western literature. Fortunately, I’m not a cynic, but I did note that comments written recently by men who grew up reading the “___ Adventure” books, then became adult writers of today, praised those books. Hmmm.

The truth is, when I wrote Symphony originally, I wasn’t thinking of Amazon Adventure at all. I was thinking of Zane Grey’s Ken Ward in the Jungle, but I didn’t have a copy, and had no way to get one to cross-check my memory. Amazon Adventure was in the local library, so it was the one to be immortalized.

Today things are different. I went to the other Amazon and ordered an eBook containing all three Ken Ward stories. Kindle is my new favorite word beginning with a K. It lets me romp through my out-of-print childhood at a buck a pop, without ever leaving the chair in front of my computer.

The world has changed, and my tastes have changed as well, so I don’t have much hope, but I’m going to give Ken Ward another try.

Symphony 22

Since physical punishment had been outlawed, Kiernan, like most school, had gone to a step system. First came verbal warnings, then more formal verbal warnings, and finally, if a student persisted in rule breaking, a detention. If a child got so many detentions, a letter went home to his parents. So many more detentions and the parents had to come in for a conference. So many more and he would be suspended. So many more and he would be suspended for a longer time. So many more and he was expelled from school for the remainder of the year.

It was a fairly effective system. Most students never got to step one, and very few were ever suspended. But every year there were a few who moved through the system to the bitter end, not caring, or pretending not to care.

Explaining the discipline system was easy. The hard part was teaching the children the rules.

One would think that a few general rules like, be kind, don’t take anything that isn’t yours, and do your own work, would be enough.  For children, it never is. Rules for eleven year olds have to be numerous and specific.

Can you chew gum? (On the playground, yes; in class, no.)

Can you go to the bathroom? (Go during the breaks unless you have an emergency. Then ask.)

Do you have to raise your hand to talk? (Yes.)

Can I get out of my seat? (To get a kleenex or a drink of water, get up quietly and don’t bother me with asking. If I am talking to the class, don’t get up. If you are working at your seats, you may get up for books or paper or to sharpen your pencil. But not to visit.)

And so forth.

The rules had to be taught over time. Within a week, the children would know most of them, but they would forget, and Neil would still be reminding them of some of the rules in June.

By the time Neil had added the names of the new students to his roll and talked about discipline and rules, the second hour was over. The children headed for recess and Neil headed for the teacher’s  lounge.

# # #

Twenty minutes later, they were together again. All of the eagerness had gone out of the students’ faces. The housekeeping chores had been no fun. He distributed the language, spelling, and reading textbooks and gave them some time to look them over. It gave him a chance to observe them. Within five minutes he had moved Duarte Zavala into an empty seat far away from Sean Kelly. Their dislike for one another was plain to see. No other deadly combinations were immediately apparent.

After ten minutes about a third of the class was still content to explore the books, another third had settled down to read, and the others had become restless. Neil did not want his non-readers to be embarrassed on the first day of school, so he had quietly noted the names of those who read by choice. When the class read a short story together, he only called on them. That made things go smoothly.

Then he distributed paper and told the class, “I want two things now. I want to see how well you write, and I want to begin to get to know you individually, so write a paragraph or two telling me who you are.”

Four hands went up. He chose one. “I don’t understand,” Dixie Margaret Trujillo said. more tomorrow

Symphony 21

There was a diffuse groan at the mention of Ulrich’s name. It sounded genuine, so Neil pretended that he did not hear it. Then Brandy Runyon yelled, “Stop that,” and slapped the boy beside her.

Neil snapped, “Brandy!”

“Well, he’s bothering me!” Brandy’s face was red with anger and humiliation, and her eyes were wild.

Neil kept his face calm, but he was cursing fluently inside. This was something he had not had to face in high school. By that time the students with real learning disabilities had been weeded out. Until Brandy was moved out of his classroom, he had to use the same discipline on her that he did on everyone else, yet she probably would not respond as they did. It was a no-win situation for both of them. He said, “What is he doing?”

“He’s making fun of me!”

The boy, Pedro Velasquez, spread his hands and said, “I didn’t say nothing.”

Neil had no idea who was telling the truth, so he said firmly, “Pedro, if you were making fun of her, or anyone else in my classroom, I want you to stop it right now. I won’t put up with it. And Brandy, you will learn to keep control of yourself.”

Brandy muttered something unintelligible under her breath and Pedro gave a wry shrug. Neil let it go, and got another surprise. The class had ignored the whole incident. They had not waited to see what would come of it, as they had with Tony’s boundary testing. They were used to Brandy’s interruptions, and took them in stride.

They neither approved nor disapproved; they simply accepted Brandy for what she was, because she was one of them. It was a lesson in the difference between a large and a small school.

Neil had lost the thread of his thought, but Linda Muir brought it back to him with a question. “Do you mean that we all be together all day?”

“That’s right.”

“Then we will never get a chance to be in the same class with any of our friends.”

Neil smiled. “Don’t you have friends in this class?”

Linda twisted her hands together and squirmed in her seat. All of the students were getting restless. “Sure, I have friends in here,” she said, “but my very best friend is in the other section. I won’t see her all year!”

Neil tried to look sympathetic, because it was clearly a tragedy for Linda. He explained that they  would have recess, breaks, noon time, and after school together. That didn’t help. Linda said, “But that’s just not the same!”

Privately, Neil agreed, but he wasn’t about to criticize the school’s schedule in front of his class. He was saved by the bell for the end of the first period.

# # #

The children left the room like water poured out of a bucket. The echoes of the bell had not died before Neil found himself alone, and he was thankful to be alone. He could have used an hour to collect himself. Instead he had five minutes to rush to the bathroom and back.

Next came the distasteful task of explaining the school’s discipline system. Most of the students had lived under that system for years, but there are always new students, and children forget. Since physical punishment had been outlawed, Kiernan, like most school, had gone to a step system. more tomorrow