Tag Archives: science fiction

Jandrax 37

Marcel Dumezil, colonist, organizer, leader, a man of immense talents, immense potential for good in his community – he was so like old Daniel Andrax.

Daniel Andrax had never been captured. He would be over fifty now – no, nearly sixty. About the same age as the patriarch. For all Jan knew he might still be hiding in the mountains of Hallam, planning raids, killing or sending out younger men to kill, still secure in his beliefs.

Jan looked down at Marcel and saw his father and, seeing him, saw himself had the roads of his life branched differently.

***

Lucien Dubois was guarding the house that Helene and Valikili had shared. He had one of the double rifles in his hands and was settled in the shadows a dozen meters away with a clear field of fire. He was a very unhappy man. Though he liked Valikili well enough and had known Helene since her childhood, he could not say the same for Andrax. Lucien Dubois was not a subtle man; he understood himself well enough, for his motives were simple. He wanted Angi Dumezil; he had asked her repeatedly to marry him, but she always refused. It was clear that she wanted Andrax, but he would not have her. Why that was, Dubois had never understood.

Now he waited with orders to kill anyone who might try to rescue Helene. Normally that would have been Valikili, but Val, if he lived, was sorely wounded. The rescuer would be Jan Andrax, for no other member of the renegade party was better equipped for stealth.

Lucien wanted Angi and Andrax stood in his way; yet, he did not want to kill the scout. Dubois remembered too well his own actions in the forest above the first colony when aiding young Dumezil to cover the evidence of the murder he had committed. His hand still shook at the thought, at the guilt he had felt, at the uncertainty thereafter. Dubois would never forget the look on Andrax’s face as the scout examined Jason’s body, nor would he forget the thoughtful way he examined the bits of moss embedded in the wound.

For Angi and for his own peace of mind he wanted Andrax out of the way, yet he respected the scout. If Andrax came to rescue Helene it would be up to Lucien to kill him, but would he? Could he? Should he? Lucien loved God as much as the next man, but that didn’t make the patriarch infallible.

Dubois was still debating what he might do when Jan garroted him. His uncertainty disappeared with his consciousness.

Jan did not kill Dubois; he merely choked him into insensibility, then bound and gagged him. The scout had already done this with the other two hidden guards, men he had hunted with, had worked and built with. Together they had raised the walls that barred the herds and made human life viable on the inhospitable planet. Andrax wished them no harm.

Still, with this last one it had been harder to release the garrote in time to let him live. Jan remembered too well Jason D’Angelo’s death and was more than half convinced that Dubois, Chambard, and the dead Dumezil boy were equally responsible.

He left the rifle where it had fallen as he had the others. He could have taken them, but to do so would have jeopardized the survival of the colony. Besides, his express pistol was worth twenty rifles.

Jandrax 36

He had not been surprised to find Helene’s door unguarded. He had seen the same tactics used on Hallam for the same holy ends.

The guards at the patriarch’s door were more obvious but harder to circumvent. Marcel Dumezil’s apartment was in the second story of the town hall, with guards lounging on the catwalk before it. The two windows were shuttered and each was five meters from the ground. They would be impossible to enter – or so the guards thought.

Jan reached the roof from the rear of the building and looped a line around the chimney, then rappelled to the level of the window. He was in shadow and around the corner from the guards. As long as he remained silent, he would go undetected. He listened and was reassured by the patriarch’s heavy breathing.

The shutters were latched from within but the hinges were leather and yielded instantly to his knife. He slipped inside.

Had the patriarch been a normal man, Jan could have awakened him and threatened him for the key, but the patriarch was a man of God and therefore unpredictable. He might cry out, either thinking himself invincible or valuing his life too lightly.

However, such threats would be unnecessary. On the table beside the patriarch’s head was a ring of keys. In a settlement with fewer than a half-dozen locks, there was no doubt that the key he sought was on it. The task was proving too easy and Jan hesitated, then realized that he was giving his enemy credit for too much sophistication.

The patriarch slept on. Jan’s knife was near at hand. It would only take one move, that yawning mouth covered to silence any outcry, and the zealot would be dead. With effective leadership gone, the purge might be ended.

A shaft of light from one of Harmony’s three moons fell across old Marcel’s face. Even in sleep his features showed no relaxation. A mystery Jan had all but forgotten flashed in his mind – who had thrown the grenade? Who had killed Tom Dennison, the navigator Jan had never seen in life? Who had ordered Jason D’Angelo’s death; who had ordered the attack on Valikili when he kept liaison with Helene? Whose actions had prompted this situation, their flight, Helene’s imprisonment, Valikili’s wound?

The patriarch – Marcel Dumezil. Even those crimes he had neither committed nor ordered could be laid at his feet because of his influence.

Jan raised his knife, running his finger along the edge. He had sharpened it before the night’s mission and the leather hinges had not dulled it at all. The blade would do whatever he set it to – silently and efficiently.

A vagrant breeze stirred the old man’s hair, sending a wisp to tickle his nose. He snorted, stirred, then subsided.

Marcel Dumezil, colonist, organizer, leader, a man of immense talents, immense potential for good in his community – what drove him to this purge?

He was so like old Daniel Andrax.

*****

This scene recurs in others of my novels, as well. The man (and once, the woman) who has a genuine grievance stands over his/her tormentor, and cannot drive the blade home. Sometimes it works out well; sometimes that forbearance leads to disaster. The issue is not morality, but a genuine incapacity to do the deed.

In the novel Cyan, in its first draft, Keir does drive the knife home – but it was all wrong, and deeply anticlimactic. It took me years to find Keir’s solution to the conundrum.

Jandrax 35

Two days passed. The river gate was crudely patched. The ten offworld rifles were charged and distributed and twenty men ten rifle-armed, ten armed with bows – stood atop the palisade.

For two days there had been no sign of the renegades, but they would return. It would be months before the melt and in all the barren desert outside the palisade there was no food. Armed parties had gone upriver, then along the shore of the lake in both directions without finding either the renegades or any trace of their presence. Of course the colonists knew that Andrax was a master of his trade; he would have covered the fugitives’ tracks and there was no reason for the band to stay near water; they had merely to come down once or twice a day to drink.

But they had to have food and in all that barren waste there was none. So the colonists thought.

In fact the seven renegades were eating well enough on the dried meat that Valikili had stored against such an eventuality, nor would they have starved in any case. Along the river grew a thin fringe of siskal and lal which would have provided a meager fare; and the small, rodentlike miliks – creatures which live on the dried seedpods left behind by the herds – were available. There were few enough of these, but Jan could have trapped or shot them. In all there was enough to eat if one remained within reach of the river and stayed on the move, never exhausting the supplies of a given piece of ground.

It was fortunate for Valikili that this was not necessary, for his arrow wound, though well treated, gave him much pain. Jan had abandoned his Scout’s leathers in favor of furs in order to better blend into the community, but he had not left the uniform in his quarters. He had buried it with a bow, quiver, three knives, a twenty-liter water container, some dried siskal fruit, and medical supplies judiciously stolen from the community infirmary.

Helene remained locked in her quarters, the window now sealed shut and a newly attached padlock and hasp securing the door. The patriarch had met with his closest advisors to decide her fate, but as yet they were content to use her as bait.

Two more days passed and the colonists began to wonder what would happen. No carnivores nosed about at that time of year, and only one of the renegades seemed to have been injured. Where could they be? Surely their hunger would have driven them to some desperate move by now?

What if they had decided to abandon Helene Dumezil? What if Valikili had died and the others had gone upstream toward the mountains? There they would find game throughout the year, though it was never plentiful. Of course they would never make it to the mountains; they would starve on the journey.

***

On the fifth night Jan slipped past the sentries and found Helene. She was unhurt, she assured him through the wall, and safe enough for the moment. The patriarch had bragged to her that she was being used as bait.

Jan considered the situation. He could destroy the padlock with two shots but that would alert the guards who manned the palisade. Could he and Helene win free with the guards alerted? It was a chance he chose not to take, so he faded back into the night.

Where there was a lock, there was a key; and in a colony where one man ruled with the voice of God, that man would have the key. Jan slipped his express pistol back into its holster and drew his knife.

He had not been surprised to find Helene’s door unguarded, for he had already spotted the three hidden sentries who waited to pounce on anyone who came to rescue her. He had seen the same tactics used on Hallam for the same holy ends.

Jandrax 34

What would they do to Valikili?

Horrified, Henri shrank back into the shadows. Something had to be done, but his wits had deserted him and he could think of no plan.

He could only think of one thing – that the madness might pass. He should have tried to help Valikili, and would have but for Marie; his first duty was to his wife. He took her trembling arm and led her away from the crowd toward the south gate. They would flee to the wilderness. They could remain away from the colony and the stored food supply only so long, but in the next few days the madness might pass.

He hoped that it would, but he did not fully believe it.

Valikili was frightened for Henry Staal and cursed him for running after the colonists. Together they might have a chance to survive; divided they were in dire straits. At least Marcel Damle had remained, and Helene was close by where he could protect her.

Valikili had accepted Monism but he had not been so foolish as to assume that the Monists accepted him. He and Nur Mohammet were racially different as well as crew members. Unlike Jan he had not been schooled in small-group dynamics, but he could smell the danger in his position.

He led Marcel and Helene to his house, but paused only long enough to pick up the bundle he had prepared against such an eventuality and his bow, quiver, and blade. The rifles and ammunition were stored in “the armory,” a locked closet in the town hall. If they could get them, they could hold them for a ransom of food, for without the ten offworld rifles and Jan’s express pistol the colonists would be unable to hunt effectively during the coming melt. Levi-Stuer was working on a muzzle-loader Andrax had designed, but so far had completed only one unreliable prototype.

Marcel had shrugged off his shock and stolen a bow and quiver from the house next to Valikili’s, while Valikili had stolen a third bow and quiver for Helene. They made their way to the armory and Valikili went to work on the door with the axe he had brought for that purpose.

The colonists had also thought of the armory and a knot of them came charging around the town hall. Valikili spun around and faced them with his axe as Marcel and Helene released their arrows. Two arrows and the crowd was upon them. Valikili laid about him with the axe, his massive arms swinging in short, vicious arcs. For a moment the colonists fell back, then an arrow from the crowd struck Valikili in the thigh and he went down. Marcel stood over him with the axe he had dropped as they closed in again.

Suddenly he heard cries of fear from the colonists and they were falling back. Marcel spun to meet the new challenge behind him and found Andrax there, firing methodically. Nur, Adrian Dumezil, Henri, and Marie were behind the scout, unarmed.

Valikili felt himself lifted and carried. Through the haze of his pain he saw Nur, Henri, and Marcel. Beyond them Jan Andrax stood, pistol upraised but not firing, and Marie and Adrian Dumezil were gathering blades and bows from the blood soaked ground. Helene was nowhere in sight.

Andrax had circled around the palisade with Nur and Adrian Dumezil at his heels, intending to enter the south gate to search for the rest of the crew. There they had met Henri and Marie and the quintet had gone in search of their missing companions. Slipping from house to house toward Valikili’s quarters, they had heard the fight at the armory and arrived just in time to see Helene being dragged back into the crowd while Marcel tried to stem what would have been a final rush. Only the superior firepower afforded by the express pistol had saved them.

Jandrax 33

“Who will take a hand to purify God’s community?”

Jan looked left and right while rising to his feet with the congregation. There were two persons between him and the aisle and somewhere outside Nur Mohammet sat in ignorance, not knowing that he was marked for death.

“Who will stand with God? Who will cast out the wicked?”

Jan moved, shouting, “I will!” He shoved past the two on his left and reached the aisle. Dumezil was dumbfounded by Jan’s action; he stopped in midsentence.

Then Jan bolted for the door.

Two burly colonists had been posted to stop him.

Jan had refused the patriarch’s order to surrender his express pistol to the colony’s armory and was never without it. He wore it now, but strapped to his thigh inside his trousers. He had not dared to wear it openly to the services.

Still he was a Scout, and therefore a master of weaponless combat. He caught one colonist’s outstretched arm and hurled him down the aisle, then downed the second with a blow to the throat. A hand fell on his shoulder and spun him around. The whole congregation was on its feet and coming for him. Someone dodged past him, trying to get behind him. Jan recognized him as Adrian Dumezil, but could not reach him for fighting off those before him.

But Adrian did not attack him from behind; instead he threw open the door of the meeting house and Jan spun in instant retreat. Adrian pounded at his side.

Damle, Staal, and Valikili were in desperate danger but there was nothing Jan could do for them now. Nur would be in his own house, reading the Koran as was his custom.

As he ran, Jan ripped open his trousers and fished out his express pistol. The colonists were on his heels as he rounded the comer of Nur’s street. He fired a maximum charge at the wall of Nur’s dwelling, aiming high. It struck a log and exploded in a burst of bark and splinters. Jan and Adrian ran side by side, the colonists behind them, as Nur burst out of his house to see what was wrong.

More than anyone, Nur was prepared for what had happened. He took it all in at a glance and ran.

The main gate was closed and barred. Jan fired over Nur’s head repeatedly, each shot a maximum charge, until the gate gave way, falling outward in a cloud of debris. The trio ran through the gap and down toward the river where Jan threw himself behind a slight rise along the bank and dialed the power down. The colonists were streaming out the gate and he shot repeatedly into their packed mass. They broke ranks and retreated behind the palisade.

***

Valikili drew Helene to one side as the crowd ran after Jan and Adrian. Marcel Damle stood just outside the town hall shaking his head in shock, muttering over and over, “They did it; they really did it.” Henri Staal had run with the crowd; Valikili could not believe that he intended to join in the persecution of his shipmates and hoped that the man would not be lynched if he tried to calm the crowd.

Henri was near the back of the crowd when they poured through the palisade gate and was thrown back when they reversed themselves in the face of Jan’s fire. He pulled Marie into the shadows of a nearby hut, trying to decide a course of action. The colonists were milling about while the patriarch attempted to restore order. Some had armed themselves with clubs; others had retreated to get bows and rifles. A few of the colonists were running about trying to calm their neighbors, vainly attempting to stem the madness the patriarch had started. Levi-Stuer was running from man to man, shouting for reason, tears streaming down his face, but none would hear him.

Henri started forward, then hesitated. If they would not listen to Levi-Stuer, a colonist whom they respected, what would they do to a crewman, even if he were a Monist?

What would they do to Valikili?

148. Novella 3, Lost Legacy

Heinlein was not a hero to me when I read him as a youth, just one of many science fiction writers that filled up my head with stories. We are talking about the sixties, but I was reading old library books that went back to the thirties and forties, so there was a lot to choose from. For ideas, I went to Clarke – who else? For adventure, Andre Norton every time. Reading Heinlein was like listening to stories told by one of my uncles.

Clarke’s people lived in cities and on spaceships. Norton’s lived in the wilderness – alien, but still wilderness. Heinlein’s people all carried Missouri in their blood, and Missouri was only forty miles away from where I lived. Heinlein’s characters were like goofy, distant members of the family.

I see Heinlein’s star fading, and I think his down-home characters won’t stand him in good stead in the future. He’s going out of style in the squeaky clean, politically correct present. It’s too bad; I liked his people, warts and all.

Of all Heinlein’s work I read when I was young, the story that took my breath away was his novella Lost Legacy. I see that Heinlein had three novellas in the running for this year’s retro Hugo for 1941. Lost Legacy should have been one of them.

If you are a writer, or want to be, seek out Lost Legacy, because Heinlein puts on a clinic in how things ought to be done. It begins with badinage between a surgeon (Coburn) and a psychologist (Huxley) is the local club. Using his favorite schtick, joking conversation between competent professionals, Heinlein gives a a thumbnail introduction to para-psychology. Then comes a phone call, and Coburn has to rush off to tend to an accident victim. He invites Huxley to watch. The description of the prep and surgery is spot on for the era, and rises to poetry near the end.

The accident victim was one of the psychologist’s subjects, a man who could “see around corners”. After Coburn has to excise part of his brain, his clairvoyance is gone. Huxley feels that esp must reside in that part of the brain and sets out, with his girlfriend, to prove his hypothesis.

Incidentally, to enjoy Lost Legacy, you have to keep reminding yourself that in 1941 the functions of various parts of the brain were unknown and that our relatively full complement of pre-human ancestors had not yet been dug up. You also have to resist a too-easy accusation of sexism. The teasing is sexist – or, by 1941 standards, normal – but Joan Freeman is fully a part of the team.

Once they have mastered clairvoyance, their difficulties really start. No one believes them, they are fired from their respective jobs, they set off to think things over, and they fall into the company of a group of adepts. They discover that they are part of a multi-millennial war for the soul of man, and fight in its last battle.

That’s seventy five pages squeezed into three sentences, and it’s all I’m going to give you. Read the original. Copies of Assignment in Eternity, which contains it, are not hard to find in used bookstores.

***

Okay, fair warning! If you aren’t a word nerd, or a fan of both Heinlein and E. E. Smith, you may want to stop reading right now. From here on, it gets pretty obscure, pretty fast.

Near the end of Lost Legacy, Moulton says, “We come.” This is present tense, actually used to mean the present moment, something it almost never means in ordinary speech. “Present tense” means usually, or habitually, or from time to time. It never really means now. “I go to the market” doesn’t mean right now, this moment, as we speak. It would be used something like, “I go to the market every Tuesday.” If we meant right now, this moment, we would say, “I’m going to the market right now.” Note the addition of am.

When I read Lost Legacy, in high school, during the sixties, I had never seen present tense used to actually mean present tense. It jumped off the page at me, a little, polished gem of wordcraft that I never forgot. I didn’t see anything like it again for a decade, until I read Children of the Lens, where E. E. Smith put the words, “I come, at speed,” into the mouth of one of his characters.

Pardon a digression. Past tense isn’t about the past. We don’t write historical novels in past tense, contemporary romances in present tense, and science fiction in future tense. Past tense is story tense. It says to the reader, “The events in this story, the sequencing, the cause and effect, are of this story only. They do not relate to your world. When you enter here, you become a part of the story’s space-time. If it is four o’clock on page nine when you read this as a child, it will still be four o’clock on page nine when you read it again as an old man.”

The ubiquitous use of present tense as story tense in modern writing offends me. It is clumsy, ugly, and there is no longer any novelty in it.

More decades passed before I discovered that Heinlein and E. E. Smith were close friends. I would love to know more about how much they bounced ideas back and forth.

The original magazine version of Smith’s Lensman series was published between 1937 and 1948. Lost Legacy was published in 1941. It seems like half the characters in Heinlein’s universe were named Smith, although that could as well be an “everyman” reference. There is no question that Lensman Ted Smith who has a cameo in The Number of the Beast is a shout-out to Heinlein’s old friend.

I would love to have been a fly on the wall of Doc Smith’s kitchen when the Heinlein’s came to visit.

Now, reading Lost Legacy again after many years, I am struck by its similarity to Smith’s work. It seems to capture the whole mojo of the Lensman series in seventy-five pages.

Jandrax 32

Jan had warned them, but they would not listen.

Only Nur, whose difference was even more outstanding than Jan’s, truly believed that the crew members were in danger. Henri flatly refused to listen, pointing out that he had been fully accepted and had married. Valikili echoed his sentiments, though Jan thought he detected more than a trace of hidden worry. Valikili remembered the night he had been attacked, but that was a year past. Marcel Darmle had not found a girl to marry, nor was he likely to do so. Still, Marcel had made many friends, including Marcel Dumezil, the patriarch’s eldest son.

Angi remained unmarried. Her relationship with Jan had cooled only slightly, though she was impatient with his refusal to marry her. He did not understand why she did not marry; certainly there were at least two dozen eligible bachelors and she could have had any one or two of them for the asking.

Sabine Conners had not revealed his identity to anyone but Angi. He was not convinced that Jan was imagining things; he, too, remembered Hallam’s World.

***

Jan made his warnings and remained ready for what he feared to be inevitable, but the day it came he was caught unprepared. The entire colony, save Nur Mohammet, had gathered for the Sabbath service in the town hall and the patriarch rose to deliver his message. He eyed the crowd in silence for a moment, then said, “We are not all present.

“There is one among us who does not bow his head to the will of God. He openly defies the Maker by refusing to attend His services and persists in praying to a false God.

“We cannot tolerate his presence any longer.

“Nor can we tolerate those who sit among us, but are not with us in the spirit . . . ”

Jan felt Dumezil’s eyes on him. His muscles tightened, readying for any action that might be needed. His eyes flitted here and there, weighing possibilities. Marcel Damle looked scared but was trying to remain inconspicuous. Henri was holding Marie’s hand possessively, as if unwilling to let anything separate them. Sweat stood out on Valikili’s dark face.

“The time has come for a reckoning. God saw fit to separate us from the rest of the human race, to bring us here to this place, to let us make what we will of it. It is a cold world, and harsh. Was it God’s will to hurl us into torment? No! It was a testing. We have stood firm in our faith and we have conquered. Yet that is not enough. Did God cast us into this place for no purpose? You know He did not. He separated us from the heathen portion of our race to purify us and make us whole before him. We have an entire planet set before us, a barren, inhospitable planet which we can make over into a new Eden. And God will show the way toward the making of a new Eden. He will be with us.

“But only . . . only . . .

“Only if we first purify ourselves in His sight. Who is with God?”

They shouted in unison. Jan tried to shout, for self-preservation, but the cry stuck in his throat.

“Who is with Him?” They shouted again.

“Who will purify themselves before Him?”

Jan knew what was coming.

“Who will take a hand to purify God’s community?”

147. Novella 2, Hunter, Come Home

I was in high school when I read Hunter, Come Home for the first time and found it deeply moving. Richard McKenna was a force in the science fiction world, but only for a sadly short time. I had to search the internet and my local interlibrary loan to find a copy to re-read. I found it in Casey Agonistes and Other Science Fiction and Fantasy Stories by Richard McKenna, Harper & Row, 1973.

McKenna is famous outside the science fiction community for his one best seller The Sand Pebbles. He was born in Montana in 1913, joined the Navy in 1931 at the height of the depression and served in WWII and Korea. After retirement, he used the GI Bill to finished the education that had been cut short decades before. He became a writer, but of only a few stories and one novel. He had only six years between his first publication and his death.

If you get the book, you will certainly read the other stories and be glad you did, but my focus is Hunter, Come Home.

Here is a brief, spoiler-free summary. Mordinmen were descendants of a lost Earth colony which had fought a generations long war against the dinosaur like creatures which inhabited their planet. Manhood had become symbolized by the killing of a dino, but now the dinos were scarce and poor families, like Roy Craig’s, could no longer afford a hunt.

Mordinmen had now claimed another planet and were setting about to destroy its native ecosystem, in order to rebuild it in the image of their home planet. Red dots (successful hunters) were running the show, assisted by blankies like Roy who was working toward the time he could make his kill on the new planet. Hired as specialists, the Belconti biologists were providing the virus-like Thanasis used to destroy the native life.

When the story begins, the fight to transform this new planet has been going on for decades, and it is failing. Now the Mordinmen, against warnings by the Belacaonti, are about to unleash newer, harsher, more dangerous plague on the planet.

That’s about as far as I can summarize without a spoiler alert. Roy Craig wants more than anything to be a full fledged member of his machismo society, but his blanky status leaves him marginalized and frustrated. At the same time, he is drawn to the relatively gentle society of the Belaconti with whom is is working, symbolized for him by the woman Midori Blake.

The native life of the planet is totally interconnected, essentially a one-world-tree (shades of Gaia). It does not so much fight back against the invaders as simply refuse to die

There is a three way contrast in Hunter, Come Home. The Mordinmen, from a macho society built on killing are placed in contrast to the Belaconti, scientists who understand and treasure the ecosystem they are trying to destroy, and they in turn are contrasted to the interlocked, almost self-aware native life of the planet. Roy and Midori are each caught in conflicting loyalties as the planned apocalypse moves forward.

Hunter, Come Home is beautifully written, full of human passions, and insights into cultures in conflict. On publication, it was far ahead of its time in its appreciation of the importance of ecology.

Jandrax 31

Chapter 7

When the third melt came, the colonists moved to the lake. It had taken all of the patriarch’s powers of persuasion to force the move and still they were reluctant. Four barges had been built and several huge rafts of logs. The women and belongings went in the former with a portion of the men while the remainder of the men guided the rafts down and beached them near the palisade. All this was done early in the melt, and when the herds came in earnest the men had already dragged the now empty barges back upstream to hunt the year’s meat supply.

Three weeks later the hunt was completed and the meat stored away in a new permafrost cellar. Then one group of the colonists began to construct permanent dwellings within the stockade from the timber rafts, while another began the back-breaking excavation of irrigation canals for a farm. Seeds were ready at hand, lying dormant in the desiccated soil, waiting for the next melt. River water rushed in some weeks later to provide an artificial melt. With Jan’s point proved, the colonists worked in earnest digging irrigation ditches against the next melt.

The snow came, bringing a halt to the digging, and the entire colony turned to the production of shelters. Like the upper colony’s, the first shelters at the lake were crude, but one substantial building was erected, a combination city hall and worship house. In the coming years the crude shelters would be replaced with solid homes.

Three months after the melt, Jan, Henri Staal, and Nur Mohammet hiked to the upper colony with a timber-cutting crew, then took the landing boat up to the Lydia.

Captain Childe met them with tears in his eyes. He had not seen another human face for more than a year, but he refused their entreaties that he descend to the planet. They toured the ship with him, marveling at the hydroponic setup he had built to sustain his life and noted the futile efforts he still made to repair the computer.

“You see,” he said, “I have rebuilt the logic unit of the navigation section. We may not know where we are, since the memory banks were destroyed, but we can leave here now to search out a better planet or merely to explore.”

Jan could not answer the captain, not having known him well, so it was Henri Staal who convinced the man that the colonists would never leave their new home.

They stayed a week, though their mission could have been accomplished in half that time. When they left, they carried makeshift nuclear devices jury rigged from the by-products of the Lydia’s drive unit. They landed at the passes north of the lower colony and blasted them shut, cutting off the herds from the plains near the lake where the colonists would establish their farms. Then they lifted off one last time in a shallow flight that landed them near the lower colony.

That night Henri Staal radioed to the Lydia and told Captain Childe of their success.

“Henri,” Childe asked, “are you content to stay there? If you had the choice of going with me in the Lydia to explore would you do so or would you stay where you are?”

“Why, stay, of course. What is the point of exploration now. We could not relay what we found to the Federation and it will be many generations before we even explore and populate this planet.”

“Don’t you feel the need to explore for its own sake?”

“Perhaps I did once, but no more.

After they had signed off, Henri stepped out of the landing boat and looked up to where the Lydia hung in orbit. Sudden fire lanced the heavens. Staal stood transfixed, then ran back up the ramp and tried to raise the Lydia, but there was no response.

When he went outside again the heavens were empty. Lydia had gone exploring; Captain Childe had returned to his life’s work. Someday he would die and the Lydia would continue on whatever course he had set for her, endlessly seeking in the loneliness of space.

146. Novella 1

I have concluded that every piece of writing has its natural length. Take Flowers for Algernon, surely one of the great pieces of science fiction, or any other kind of fiction. When it was published as a short story, it was superb. When it was expanded to novel length, it was still a fine work, but it lost some of its impact. Charly, the Academy Award winning movie made from it, was clearly excellent, but not up the the quality of the short story.

That is, in my opinion – but what else matters in choosing the best of the best.

As a youth, I started off devouring short stories like candy. Over the years, my taste moved to novels, but throughout my life I have had a weakness for the novella length. It seems to bring out the best in writers.

Take Hemingway, for example. I love reading his work but I have never been convinced of his mastery. He seems more like the greatest writer of novels in which a man fights a war, makes love to a woman, lands a fish, and dies on the final page. Nevetheless, I don’t argue with his Nobel prize, because he won it for his one true masterpiece The Old Man and the Sea. A novella, you will note, even though it is sold as a novel.

Even people who don’t read Dickens love A Christmas Carol, which is a novella. Conan Doyle’s four long Sherlock Holmes stories, including Hound of the Baskervilles, are novellas.

Even two of the stories I hate most in science fiction are novellas: The Persistence of Vision (it won a Hugo and a Nebula) and A Boy and His Dog (it won a Nebula and was nominated for a Hugo) There is no accounting for taste.

I wanted to write appreciations of two of my favorite novellas (tomorrow and Thursday), so I decided to do a little background research. What a morass! No one agrees on anything, except that novellas are a hard length to sell.

In the science fiction world, the word of the SFWA is final for nebula award nominees. They set these lengths:

short story    under 7,500 words
novelette       7,500 -17,500 words
novella         17,500-40,000 words
novel            40,000 words and up

Anything outside of science fiction doesn’t have to follow these rules, and very few outside the field have ever heard of a novelette.

Chuck Sambuchino of Writer’s Digest says, “Novellas generally run 20,000 to 50,000 words. About 30,000 words is average.” That may be true in 2016, but when I started writing in the 1970’s the typical paperback mystery, western, or science fiction novel came in at about 50,000 words.

A good cynic’s rule would be, “It’s hard to sell a novella, so stretch your story into a novel. If it won’t stretch, pretend it’s a novel anyway.”

Next, I went to Goodreads. I only recently got high-speed internet because I live in a dead zone in the Sierra foothills, so I am just now learning to use what is clearly a fine resource. I find their reviews surprisingly sensible, so I went to Listopia: World’s Greatest Novellas. It’s a nice list, well introduced, but if you want entertainment, slide down to the comments. I give these people credit for trying to make sensible choices in an under-defined situation, but it also looks like seven blind Hindus describing an elephant. Not that I could do any better.

Let me add one more bit. Here are some of the stories that, according to Wikipedia, are traditionally presented as novels, but still short enough to fall into the novella category — The Call of the Wild, Breakfast at Tiffany’s, Heart of Darkness, The Stepford Wives, A River Runs Through It, Billy Budd, Animal Farm, Of Mice and Men, The Pearl, The Strange Case of Dr Jekyll and Mr Hyde, The Time Machine, and The Picture of Dorian Gray.

There are a lot of familiar faces here. One would almost think that our teachers and professors picked out books for their curricula because they were short; but that can’t be, can it?.
tomorrow, Hunter, Come Home