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714. The Soul of the Menhir

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Religion fascinates me. I had it, I lost it, and I have told that story too many times to repeat it here, but the fascination remains.

I invented a master religion in Jandrax, where Louis Dumezil wrote a compilation of all the things which religions have in common and called it the Monomythos. It was meant to end religious wars. It went through many revisions, after which religious wars were fought over which version was the correct one.

In A Fond Farewell to Dying Ram David Singh found his research impeded by those who believed in the Christian concept of a soul and by those who believed in the Hindu concept of atman.

That is the way I exercise my fascination. Whatever my personal opinion, I write about characters working out their destinies, guided by their own beliefs.

Of course, I nudge.

In the menhir series, menhirs are gates between worlds. (See post 710, January 28, 2026) How they are powered in the rest of the multiverse is not explained, but in the world of the menhir they are repositories of souls, and are fed by the ai (power) of the souls which are bound (enreithed) to them.

I’ll let my favorite priest, Dymal, explain further:

— <<  >> —

From Morning of the Gods . . .

Dymal paused outside the hedge and shook his head.

“Most improper,” he said and, looking at the direction the late afternoon shadows fell. He walked around to the eastern side of the thorngall hedge and pushed through. As Tidac and Cinnabar followed him, he said, “One always approaches a menhir from the direction of the rising sun.”

“We didn’t know.”

“Of course not. No harm was done. It’s just that you came in the window when you should have entered by the front door.”

Dymal stopped to survey the besh. It was rounded and lichen covered, a boulder perhaps a little under man height. He raised his hands and spoke a word, listened to the echo of his voice, then said, “Not a menhir, but certainly a stone of enreithment.”

Tidac was puzzled. His education should have included the details of menhir worship, but it had been cut short by Marquart’s death. Cinnabar knew even less, and said so.

Dymal accepted their ignorance with good grace and fell into a didactic mode of speech. “When one dies,” he said, “where does the soul go?”

“It is enreithed,” Tidac said.

“It hoovers above the body for a time,” Cinnabar said. “Then it sometimes goes into some object, or it just fades away.”

Dymal smiled as if his pupils had said something profound. A dozen years of teaching priest candidates had given him the skill of setting young ones at ease, and making the ignorant feel smarter than they were. “You are both half right and half wrong.” he said.

“No one knows where souls come from; the last great mystery is who you were before you were born. But once installed in a physical body, our soul, our essence, clings with such tenacity that not age, nor weakness, nor sorrow, nor torture can drive it out. Only death can free a soul, and in that terrible last moment it becomes abahara — bodiless. The word means disconnected, and there is no greater torment than that state.

“Thousands upon thousands of years ago, wise men discovered a way to attach those bodiless souls to inanimate stone, and give them rest. Over the millennia, as soul after soul comes to find rest in a single stone, those souls form a commingled whole — a gestalt soul, if you will. Thus a mere stone becomes a besh, as this one is.”

“But not a menhir?” Tidac asked.

“All menhirs are beshes, but not all beshes are menhirs. This one will never be more than it is. It is too far from where men now live. But in other places, as more and more souls are enreithed, the power of each soul — each soul’s ai — contributes to the ai of the besh. If this goes on long enough, the besh becomes a menhir gate, through which the powerful can pass from world to world.”

— <<  >> —

Thank you, Dymal. I’ll take over now.

Menhirs are gates between the worlds, but only in the world of the menhir are men so attached to them. They are every man’s or woman’s desired ending. Death is not particularly feared, if it is followed by enreithment and a commingling with all the souls who have gone before. However, it is much feared by travelers and soldiers, whose deaths may come too far from a menhir. They truly die. Their souls arise out of their bodies and hover in fear and agony. Over a few days they dissipate. It is the ultimate in loneliness, and those who endure it are called abahara.

But not ghosts. Once these abaharas are gone, they are gone. They do not return.

There is passage between living worlds by way of the menhirs, for those who have the personal power to compel them. There is passage into the menhirs, once and forever at death. The eternal loneliness is averted, but individual identity is lost.

There is no land of the dead for the abaharas to return from. The unenreithed are simply dead, irrevocably and eternally.

It’s a tough world. I wrote it, I enjoy visiting and watching my word-people working out their destinies, but I wouldn’t want to live there.

— <<  >> —

BACK IN POST 695 BIRTH OF A SERIES I gave my best estimate of publication dates for the Menhir series. That has been revised to:

The Morning of the Gods

May 27, 2026

Firedrake

July 15, 2026

The Lost Get

September 2, 2027

Whitethorn

October 21, 2026

The Scourge of Heaven

December 9, 2026

713. You and Me

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About sixty-eight years ago I was sitting in a fourth or fifth grade classroom, learning that I should always say, “You and I,” and that I was never supposed to say “Me and you”. I didn’t know that right there in small town Oklahoma I was being given a double-whammy of British imperialism and English politeness.

I did know that every child was going to continue saying “me and you” outside the classroom, and I suspected that the teacher probably would too. Adults were always full of advice they didn’t follow themselves.

I also knew that the adults in my little town didn’t talk like the people on television, and certainly didn’t speak the same English that I was finding in all those books from the county library.

I’m not talking about accent. Books are silent. Whatever was written in them, echoed in my head in the same Okie accent that I spoke. Even the local newsman on KTUL Tulsa, who used different words in different places than the people in my town, did so in the same Okie accent.

The teacher said, “Never say me and you. Always say you and I.” The implication was, memorize it and don’t ask any questions.

It wasn’t even grammatical. Let’s assume that we keep the other person first and ourselves second — it is “you and I” if we are using it as subject, and “you and me” if we are using it as an object. They didn’t teach us that.

Putting the person spoken to before the speaker didn’t really have anything to do with grammar. It existed because America grew out of British culture, before the rest of the world arrived. Britain was a stratified society in which you kept your head down unless you were top dog.

Don’t step in front of your betters. Don’t complain if they cut in line. Don’t speak until spoken to. And put your betters first in the sentence.

Any stratified society is dangerous, because your place in the system is never permanent or safe. If you work hard enough, you can rise — but if you slack off, you will fall.

That’s for the upper strata. If you are too far down, you had better plan to stay there, or your “betters” will make you wish you had. We are referring to Brits in Britain, high caste Hindus interacting with low caste Hindus in India, or anybody White in the era of my childhood, anywhere near the South, talking to anybody Black.

Until recently, and maybe still, that also included women trying to interact with men.

The English politeness — you and me, but never me and you — is not a matter of Mary Poppins sweetness and light. It is a word to the wise. Never assert your own value in a stratified society. Never put yourself first. Those above you will slap you down if you do.

— << >> —

In that class, I was actually being taught that grammar (in the larger sense of rules of language, both acknowledged and hidden) is what language is all about. It would be years later that I realized that an equally compelling case could be made for the idea that usage is what language is all about. Finally I came to realize that it is, and probably always will be, a struggle between those two positions.

To be short and snarky, usage is what people say, and grammar is what intellectuals tell people that they should have said.

So who cares? You do, probably, if you are or want to be a writer.

Language is always changing, and one advantage of being seventy-eight and being a writer is that I have lived long enough to see it happen. A disadvantage (from the same viewpoint) is that language always seems to move toward the more simple, at the expense of the measured, the stately, and the beautiful.

I hate it. I throw metaphorical bricks at my TV screen every evening because of the way the characters are talking.

Nevertheless, the changes are real. They reflect the language people actually speak. They make up the language you readers will expect to read.

— << >> —

When I was about fourteen, I knew I wanted to go to college, and I knew that the people there were not going to speak small town Okie. I got an authoritative book of grammar, Strunk and White, and made it part of my thinking. (It didn’t help my accent, but that’s another post.)

Even then, I didn’t buy into S&W as if it were the word of God, and over the years I have found that much of their advice was not helpful. No problem. I have never read a book without muttering, “Yeah, maybe?”, from time to time under my breath.

I know now that sentence fragments are as legitimate as sentences, and are frequently a great deal more expressive. Strunk or White would slap my knuckles for that, but who cares.

Are you a writer, or a would-be writer? I can’t imagine you coming this far into this post if you aren’t. There is a great variety of English out there. Pick and choose. Make it your own. Decide who your audience is, and how far you want to go toward sounding like them.

Especially,  be prepared for more changes in the future. Like it or not, change is coming.

711. Backstory, Cyan

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Backstory — these are the things a writer has to know about his fictional universe, most of which will have happened before his actual story begins. Some is dribbled out to the reader as the story progresses. Much is never known to the reader, but remains essential nonetheless.

The novel Cyan takes place in the late twenty-first century, but it was written during the last decades of the twentieth and first decades of the twenty-first century. A lot of things changed during those decades, and so did the backstory.

When I started Cyan, the expedition to Procyon was to be mounted by an international body as a cooperative effort. As the story matured in my mind, the notion of cooperation that was so important to the creation of the International Space Station began to fade in the real world. Things got grittier on Real Earth and also on the Earth of the novel.

In that changing backstory, some joker nuked Washington, which ushered in an America First period worse than the Trump era. That wasn’t a prediction. It’s just that the Open Hand and the Closed Fist have alternated throughout American history, and I needed a dystopian, overcrowded Earth to motivate extra-solar exploration.

Cooperation was no longer an option in Cyan; an all-American crew was required. Well, almost all-American, since the new America had gobbled up some of its neighbors as I watched the backstory change.

Due in large part to a disastrous economic downturn in the mid twenty-first century, Canada allowed itself to be swallowed up by the U.S.. Mexico and most of the Caribbean were given no choice. The result was the U.S.N.A., the United States of North America, twice as big with its new capital in Chicago.

Was the downturn due to tariffs? Beats me; all this reorganization of the backstory was finished long before I had ever heard of Trump, and I thought tariffs were a dead issue. After all, they had almost destroyed the American economy during the Jefferson administration, and that was a long time ago,

If this makes Cyan sound depressing, don’t worry. All this has already happened by the time the novel opens. Our ten explorers are half way to Procyon, where none of their problems will be political — at least until their year of exploration is over and they return to Earth.

— << >> —

In the beginning, when the explorers were to be from many countries, I chose their names accordingly. By the time I started reorganizing the backstory, they had already become people to me. I wasn’t going to give up anyone, and I wasn’t going to rename anyone.

Originally Stephan Andrax was Danish, Debra Bruner was American, Petra Crowley was Greek, Keir Delacroix was French, Viki Johanssen was Swedish, Gus Leinhoff was German, Leia Polanyi was from somewhere in the South Pacific, Ramananda and Tasmeen Rao were from India, and Uke Tomiki was Japanese.

Once they all had to be citizens of the U.S.N.A., this might have posed a problem. However, we are a nation of immigrants. Even in 2026, every one of them could have reasonably come from Topeka.

Just for fun — just because I could — and just because it was one of the places I had studied, I chose to let Tasmeen and Ramananda come from Trinidad, the newly admitted seventy-first state.

Yes this is an ongoing advertisement for Cyan,

available from Amazon.

710. Star Gates and Menhirs

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Stonehenge: the most famous menhir.

Star gates have been around a long time, often under other names. They have given us passage to elsewhere in science fiction and in fantasy for decades. They seem to work equally well in either genre.

Is a star gate science fiction or fantasy? The term seems to imply science fiction and looks a bit like a wormhole. The concept of a gate to elsewhere, however, could be either or both.

The first time I saw the term was in the title of Andre Norton’s 1958 novel called Star Gate. It was science fiction, but with some magic thrown in. I saw it next as the title of a theatrical movie Stargate in 1994, which had nothing in common with the Norton novel but the title. That movie spun off the television series which everybody remembers. It ran from 1997 to 2007, then spawned numerous additional spinoffs. You can find it on re-run channels any week.

I can’t speak authoritatively of the TV series. Military fiction isn’t in my wheelhouse so I rarely watched it, but I assume the places they were sent to were in our physical universe. That would make it science fiction.

Let’s drop the prefix star and continue.

Heinlein used a teleportation gate to other planets as the basis for his novel Tunnel in the Sky. Gordon Dickson used such a gate in Time to Teleport (a pretty good novel with a lousy title). It’s a fairly common device for authors who don’t feel like inventing a faster than light drive to get their characters to some extrasolar planet.

Also still within science fiction are alternate universes. Sometimes a whole novel takes place in one such alternate without any travel between them. More often, characters from one universe travel to one or more other alternate universes. Sometimes they go in time-space vehicles (example: Heinlein’s Number of the Beast). Sometimes they travel via a gate-like device that sends them directly to their destination.

Andre Norton used such a device in her 1963 novel Witch World to get Simon Tregarth from prosaic Earth to a magical world. Norton would preside over her Witch World as she and a few others spun off novels and short stories for forty years. She referred to the device that transported Tregarth as the Siege Perilous, referring to Arthurian legend, but essentially it was just another gate.

Was Norton’s Siege Perilous scientific or magical? Who knows? Who cares? If you are going in a book to a wonderful place, what difference if you get there by a space ship or you step through a magical wardrobe?

— << >> —

Now, a slight detour. Some time in the mid-sixties I stumbled upon a book. I can’t tell you the title or the author, but if you are a reader you will understand why I can’t remember them all. It explained that for thousands of years there was a culture of menhir builders who left megalithic monuments across Europe and the Middle East. No one knows why these menhirs were built. We now have some notion of by whom, but that wasn’t known when the book was written. It was all a big mystery.

I was intrigued by what I had read. I fantasized about the menhir builders. I wrote an unremarkable short story, then tossed it. Then I more or less forgot about menhirs for a decade, but they didn’t go away.

Years later, I dreamed up this medieval kid whose father was killed, but who didn’t want to seek revenge. I told you about his origin last October fifth.

In 1976 I began to tell his story, and that led me to build a world for him to occupy. Those fascinating menhirs came crawling up from memory and insisted that they become the center of his world. In fact, his world came to be called the World of the Menhir, and I plan to publish the first five novels this year.

The boy’s name was Tidac. I already knew that five minutes after he crawled into my brain in 1972. He had been introduced to me during a seance with a Ouija board in Oklahoma City in 1965. The board (or the lovely and imaginative young lady who seemed to be the one manipulating it) said that I was reincarnated from a Norman prince named Tidac. Who was I to argue with a lovely young lady?

When Tidac crawled out of Beowulf in 1972, I knew him immediately and I knew why he didn’t want to take revenge for his father’s death. He wanted freedom from his father’s shadow. I had wanted my freedom for similar reasons, only a few years earlier.

That’s not coincidence; that’s how a writer’s mind works.

709. Redneck Granny

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Here is my redneck Granny, who died long before the original of this was posted. I’m sure she would hate everything I have said here, but I love her anyway.

Redneck Granny

I started this blog late in 2015. When Black History Month rolled around in 2016, I had a lot to say — enough to fill the month with posts. This, somewhat modified, was one of them.

— << >> —

The first African slaves arrived in America about 400 years ago. If we count twenty-five years as a generation, that’s 16 generations.

Let’s look at the typical American today. He or she had two parents and they had four parents between them, and their parents had eight parents between them. And so forth. Up the line sixteen generations, that’s 32,768 direct ancestors. If you don’t believe me, do the math.

All those ancestors sent DNA down the line to make our average American. What are the chances that not one packet of DNA was out of Africa? What are the chances that there weren’t a lot more than one out of Africa in his/her lineage?

You might think whites didn’t mix with blacks in the olden days, but are you sure? Are you counting all the times when a white man was in charge, and a black woman didn’t have any say in the matter? They wouldn’t even have called it rape in 1619. Nor 1719. Nor 1819. In a lot of places they wouldn’t have called it rape in 1919. 2019 — maybe.

So much for black purity, but that isn’t any big secret. What about white purity?

How white do you have to look to pass for white? Three quarters? Seven eighths? How many generations does that take? Not many.

Now what are the chances that a whitish, black female would claim to be white if she could? Or a whitish, black male? Forget the twenty-first century when African-Americans are proud of what they are. Project your thinking back to when being white meant being free, and being black meant being a slave. Wouldn’t you pass for white, if you could get away with it?

I would. Some of my (and your) ancestors probably did.

More math. Lets say that by 1700 (eighty years into the era of American slavery, thirteen generations ago), one hundred partially negro girls could and did pass for white. That’s not a big number to surmise. In fact, it’s ridiculously small.

Let’s give doubters no excuse for their doubts. Let’s say that these passing girls only averaged two children who went on to have children. That’s certainly a minimal estimation. Their descendants are boys and girls who would disappear into the white gene pool.

That’s 408,000 offspring after 13 generations. Which is to say, in 2025.

Wow. And after a couple of generations, if Mom kept her mouth shut, none of them would know they were passing. They would believe they were white.

That doesn’t cover all the other blacks, male and female, who passed in the last four hundred years. That is only one hundred, starting in 1700. But there weren’t just a hundred, they didn’t start in 1700, and they haven’t stopped to this day.

There is one big change in the twenty-first century. People who are light skinned and could call themselves white, now often identify as black. It’s probably confusing for “white” folks who haven’t thought it through.

I don’t think it confuses “black” folks at all.

If math doesn’t impress you, if you think numbers lie, then let’s make it personal.

Rhett Butler was partly black. Scarlet O’Hara was partly black. Simon Legree was partly black.

You’re partly black. I’m partly black. And my Oklahoma relatives just disowned me.

That’s mighty white of them.

— << >> —

This was a modified version of a post from February 3, 2016. If you are wondering why this old “white” guy is so concerned with black identity, it is all a matter of upbringing. In my case, that means being raised on the edge of the South in the fifties in a culture that didn’t exactly hate blacks, but didn’t much like them either. My people fully believed in the separation of the races; the only good black was somebody who lived someplace else.

The problem with the community viewpoint was television. On the six o’clock news I saw black people being washed down the sidewalk by firehoses because they were marching for the right to be human.

They were right. We were wrong. Hardly anybody in my town got that message, but I did.

I escaped to college, where I studied Anthropology and got an extended view of what British imperialism had done to the black and brown people of the world.

Then I studied History, where I found out that English imperialism had been just as harmful to the ruddy-faced and red-haired poor in Scotland and Ireland. I also found out what white America had done to the Native Americans, the Chinese and Japanese immigrants, and even the Irish.

In California, where I now live, white incomers from the east now discriminate against the Latinos, who owned California after they took it away from the California Indians, and before the white east-coast Americans took it away from them.

Over the years I wrote about all of those displaced and disadvantage peoples in my blog and now that has all been gathered together for publication.

Originally I planned to call the book . . .

Your Redneck Granny is a Black Woman, and she doesn’t even know it

I had kept that provocative phrase in my back pocket for years, but when it came to reality, the title . . .

Your Redneck Granny has a secret

. . . seemed more likely to make a prospective reader curious enough to pick up the book.

I originally wanted to publish it early in 2026, but the five novels of the Menhir Series will take the whole year to release. Instead Redneck Granny is planned for release on January 20, 2027, just about a year from today. Keep it in mind and tell your friends.

707. A New Start

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A New Start

It is already January fourteenth, but the year is still new and the re-start of A Writing Life is still fairly new. It’s time to present something special.

On April 17, 2019 I was trying to write a review of a novel. I remembered the book clearly but didn’t remember enough details, and I needed to explain why I was going to postpone writing about it. What I wrote then does more to tell why I created this blog than anything else I have written.

— << >> —

I have written quite a few books over the years, but it is never enough. Writing books is just too much fun.

The fact is, reading a book is ten times better than watching a movie, but writing a book is fifty times better than reading one. And takes fifty times as long.

Besides the hundred thousand words a modern novel demands, there are the other hundreds of thousands of words you have to go through while getting to the right ones. And there are all those books you have to burrow through looking for just the right bit of information or inspiration to help you understand how that next chapter is supposed to come out.

Just reading a book for fun gets lost somewhere. I read the things I need to read, and late in the evening I read comfort books, like the thirtieth Nero Wolfe, which isn’t that different from the other twenty-nine.

It wasn’t always that way.

— << >> —

I was an only child on a farm in the fifties. We had one black and white TV that got two channels, which my parents watched in the evenings while I read. Of course I became a reader; what else was there to do? From the time I discovered the county library, there was no time I didn’t have a stack of books waiting for my attention.

But I didn’t talk about it.

My mother read occasional romance novels but she didn’t talk about it. My dad read the Bible, but he didn’t talk about it. The habit started early.

I read books about hunting and outdoor life. I already lived outdoors, but on a tractor. I never hunted, barely fished, and I had never seen a tent. My outdoors wasn’t for play, it was for work, and that wasn’t enough to satisfy me.

Looking back, I know that the place I lived as a boy was rather lovely, in a muted sort of way. It was farm country, lightly populated by humans, but with plenty of birds, and occasional coyotes and possums.

Nevertheless, every patch of ground was either under the plow or turned into grazing land. There was nothing wild. I wanted forests and streams, fish and game, and real snow, along with the freedom to wander through them.

That was all available in books, along with a thousand other adventures to be found all over the globe.

My fellow students in my little school read what they had to read — but nobody talked about it. Nobody read science fiction. Nobody wanted to know any more about science than they were required to know. I was reading and studying continuously, preparing to head for college to be a scientist — but I didn’t talk about it, because no one wanted to know.

When I got to college, one of my roommates was a science fiction fan. We talked about it, but only a little. By then, my habit of silence was pretty well set.

A lifetime later I started this blog. For the first time I got to really talk about the books I love and why I love them. Like right here, right now, talking to you, telling you why I had to postpone a review.

Hi. You see, there was this book called The Road to Corlay . . .

— << >> —

I began A Writing Life in support of an upcoming novel, but it quickly evolved into something larger. It became a how-to, and a “How I did it”, and a “What I’ve learned about how others did it.”

Many of those posts, somewhat modified, are gathered together now in a pair of books for writers called Learning from the Masters (that would be Heinlein, Clarke, et al, not me bragging about myself) and So You Want to Write Science Fiction. Because 2026 will be fully occupied with the Menhir series, they are scheduled for release in 2027. Tentative dates are:

Learning from the Masters

March 17, 2027

and

So You Want to Write Science Fiction

July 7, 2027

700. Double Lives

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Double Lives

By 1984, I had published and perished (see the post from November 12th), but I wasn’t about to give up writing. Nevertheless, things were getting tight and something had to change.

I hadn’t left academia because I hated it. I just couldn’t find my place. I missed out on the popularity of ecological studies by just a few years, but that turned out to be a blessing in disguise. I had wanted to study the beautiful symmetry of animal interactions in the wild, but today ecologists study how fast Earth is going down the toilet.

There was one field I had an interest in, but had never studied, and that was History. I was about to change that, for three reasons.

First, I was writing every day, and making progress slowly, but it wasn’t making me any money.

Second, I was able to make a full day’s progress in a few hours. At that point, the well was dry. I had tried to push on past my limits, and that didn’t work. If I forced twice as many pages as came naturally in a day, the next day I was empty. I could write nothing until the well of imagination refilled.

Third, I really missed college. I had always planned on a Ph. D. and I felt empty sitting alone in a room with a typewriter.

And I still had most of my GI Bill.

The original GI Bill was generous. I had used some of it getting my first masters at University of Chicago, but if I worked things right, there was enough left to get a second MA in History. There was a school in easy driving distance, California State College, Stanislaus. A few years later it became California State University, Stanislaus. I was a California resident, so tuition was low. If I took just enough classes to be a full time student, it would take longer to get my new degree, but that was part of the plan. There would be enough GI Bill money left over after books and tuition to fill in some of the blanks in my personal economy, and I could work all day again — half on novels, half on getting my History degree.

The plan worked for several years. I had something new for my brain to chew on in those dead half days when my novel writing had run dry, yet I was still able to make progress on my novels. I wrote fiction all but the few months near the end when I was writing my thesis.

That thesis would be The Crisis in American Shipping and Shipbuilding, 1862 – 1914. Yes, I started out as a dry land Oklahoma boy, but my grandfather in Florida was in the Coast Guard auxiliary. From him I inherited a fascination with all things maritime.

Plan B worked for about three years, and now I had a second MA. But to twist the words of the old country song, even though I wasn’t completely broke, I was still badly bent.

Plan C was more permanent.

I had worked as a substitute teacher and found I really liked middle school kids. No one else seemed to, so there were plenty of jobs available. I went back to school again at the University of the Pacific — my fourth college — for a summer session, took a one year internship, and worked my way into teaching by the back door.

For a while, there was no more writing, but there was money. Teachers don’t make much, but writers often make nothing, so my salary seemed like a fortune.

Most of my effort in the first few years went to learning my trade. You see, what they teach you in Biology is useful, what they teach you in Anthropology will broaden your mind, what they teach you in Social Science is enlightening, what they teach you in History is wonderful. I know. I’ve been through all of them.

What they teach you in teachers school is pure BS, so the first thing I had to learn was how to teach. Fortunately there were plenty of people to help me, experienced teachers who had learned it just like I was, in the classroom.

There was also a lot of delayed life to be lived. Being a writer is a lot like being a monk, and the pay is a lot like being unemployed. When I was a writer, I couldn’t afford a computer. Now that I wasn’t a writer, I could.

After a few years, I was writing again, now part time. My wife and I finally made it to Europe, and that brought about the novel Raven’s Run. Then I wrote a novel about teaching called Symphony in a Minor Key. The Menhir Series kept limping along, slowly growing, book by book. Before it was completely finished, I wrote a sequel in the same world with a different main character called Who Once Were Kin.

I finally solved the conundrum of Cyan, and the second half became a pleasure to write. When Cyan was finished, it sold to EDGE of Canada.

In support of its release, I started this blog.

More about that next Wednesday.

695. The Birth of a Series

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We interrupt this post . . .

     Today’s post is still here, a few paragraphs down. However, last night Prop 50 passed in California, and I have to address that first.

     Most Trump haters and most Democrats are celebrating. I am not, even though I am as anti-Trump as anybody. I understand the logic of the proposition. I understand why so many supported it. If it helps move Trump out of power, great. But . . .

     Proposition 50 is a blatant gerrymandering of California. It is Trump’s evil, perpetrated by his opponents. It disenfranchises about one-third of California voters.

     When those who oppose Trump look for moral leaders in the days to come, where will they find them? Not among California Democrats.

Now back to the post in progress…

This is a rune board, a device for divination in the World of the Menhir.

The Birth of a Series

For me, the road to becoming a writer was convoluted, largely because becoming a writer was never my goal.

I wrote well, including snatches of fiction that never went anywhere. I wrote college papers by the dozen and my first masters thesis, without ever considering being a novelist. That would take five more years. I’ll have to zip through those years quickly to avoid boring you.

In 1969 I was a senior in college. In the first draft lottery my number was 41. That would mean a letter from Uncle Sam saying, “Greetings, Boy, you are now in the Army.” That notice would come five minutes after I graduated, so I joined the Navy on a delay program.

I spent the next four years as head surgical tech in the dental service of the Camp Pendleton Naval Hospital. I became head tech almost immediately on arrival because I was the only enlisted man with a college education.

I stood across from the oral surgeon handling the suction and handing him instruments as we extracted about a thousand impacted wisdom teeth. (That’s a calculation, but not an exaggeration.) We were getting Camp Pendleton marine recruits ready to go to Viet Nam, where wisdom teeth would be the least of their worries.

After nearly four years of that, the Navy let me go three months early so I could go back to school for a masters degree. The war was winding down and the military was cutting back, so they were happy to see me go.

One thing happened during those four Navy years that would change my life. I just didn’t know it at the time.

My wife worked at the base library, and early on she took a reference librarian class at a local college. It was a night class, so I went along with her when I could. One night in the stacks, with nothing to do but watch her do her homework, I took down a copy of Beowulf and thumbed through it. One short phrase jumped out at me . . .

— all that lonely winter —

. . . and I had a vision of a young boy, sitting at an open wind hole, high in a stone tower. It was quite visual, and it came with a full understanding of his plight. The vision had nothing to do with Beowulf, beyond being vaguely medieval. Beowulf was just the trigger.

The boy was an orphan. His father was a knight who had been killed in battle. The tower was part of the castle belonging to the uncle who had taken him in, and the boy was destined to become a pawn to his uncle’s plans. He would to be raised as a warrior with only one task, to kill the knight who had killed his father.

That man was his uncle’s primary enemy. The boy was a means to remove him, with no repercussions against his uncle. But the boy didn’t want to kill anyone. He only wanted to live his life in his own way, and that wasn’t going to happen.

The next day I went to work as usual. In the afternoon, we had a patient cancellation, so I took that hour to write the opening chapter of a novel that would tell the boy’s story.

That was nothing new for me. I had written many first chapters of novels to nowhere when I was younger, but this one felt different. I wasn’t a writer then, and had no plans to become one, but this felt like the start of real story. The year was probably early 1972.

Three years later I sat down and actually wrote a novel. It went unpublished, as it should have. I a wrote another one — Jandrax — that was published. Then I pulled out the twenty hand written pages about the boy in the tower, typed them fresh, and kept going. By the time I had written a manuscript as long as Jandrax, the story was just getting started. I knew I wasn’t ready yet to write the rest, so I wrote another science fiction novel instead, A Fond Farewell to Dying, which was published in 1981.

Time passed. Lots and lots of time.

On Jun 9, 2021, I finished the boy’s story. Actually, he turned out to be a great deal more than just a boy. I made a note to myself that said, “Finally, after 49 years, I am satisfied.”

The result was one very large novel, or a series of five moderately short ones. It would work either way. I plan to release it through most of next year. Overall, it will be called The Menhir Series. Tentative dates are:

Let me interrupt. This was posted on November 5, 2025. The dates then given will not be met and have been removed. As I said at that time, things are fluid.

My new best estimate of publication dates, as of Dec. 3, 2025, are:

The Morning of the Gods

May 27, 2026

Firedrake

July 15, 2026

The Lost Get

September 2, 2027

Whitethorn

October 21, 2026

The Scourge of Heaven

December 9, 2026

Caveat — everything is still fluid in this relaunch of A Writing Life. These are the new projected dates, but much of what I will have to do to make them happen is new to me. Stick with me and I will explain things as I learn them, just like I did while Cyan was being prepared for publication.

693. New Wave, New Frontier

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New Wave, New Frontier

We choose to go to the Moon in this decade and do the other things, not because they are easy, but because they are hard . . .

John F. Kennedy, September 12, 1962

Eisenhower, Kennedy, Johnson, Nixon.  Eisenhower began the space program, Johnson saw it through, and Nixon got to be the president who placed a phone call to the first man on the moon. Nevertheless, it is Kennedy we most closely associate with space, largely due to the speech above.

Kennedy’s presidency was short — January 20, 1961 to November 22, 1963 — two years and ten months.

He began by creating the Peace Corps, then failed to provide air support for the Bay of Pigs fiasco. He saw the USSR build the Berlin Wall, faced Khrushchev in the Cuban Missile Crisis, and gave support to Civil Rights activists — but not enough support in the eyes of many.

Kennedy was a young man undergoing extreme on-the-job training. He was beloved by many and hated by many — nothing unusual in that — but a full and balanced evaluation of his Presidency is not possible because it was cut short.

What we can say for certain is that he was a modern President in all senses, and it was his charisma that set us on a path to the moon.

And then he was gone.

— << >> —

Meanwhile, regarding science fiction . . .

In 1961 Arthur C. Clarke’s A Fall of Moondust became the first SF novel selected to be a Readers Digest condensed book. That seems about right, since Moondust was Clarke at his most bland.

A Clockwork Orange, The Man in the High Castle, Cat’s Cradle, Dune, and Planet of the Apes also came out during the Kennedy years, and they were not bland.

About that same time a movement occurred inside SF which became known as the New Wave. That’s a problematical name, like Roosevelt’s New Deal. The New Deal isn’t so new 93 years later. The New Wave isn’t so new 60-some years later either. Still, if felt new while it was happening.

If a young SF fan today were to read something from the New Wave for the first time, they would be likely to say, “But didn’t people always write like this?” No, they didn’t. Before the New Wave, SF writing covered new and exciting concepts, but the style was generally pretty stodgy.

The New Wave was the era of Harlan Ellison, Ursula K. Le Guin, J.G. Ballard, and Roger Zelazny. And many others, but I am mentioning my favorites. I had loved SF before these folks came along, but the fact is, they just wrote better than those who came before them.

By the time the New Wave had been digested and made the norm, science fiction had generally reached it’s present stage. It was, and still is, a genre loved by a few, read by many, and avoided by even larger numbers. It’s style and tenor is no longer particularly distinguishable from the mainstream. There are a few best-sellers and a lot of stories that appear briefly then disappear into the ooze of indifference.

There were still a few changes to come before we would reach 2025. Computers would make writing — and especially revising — easier, so books got longer. Much longer. In the seventies, SF novels often ran 50,000 words. Today you would have a hard time selling one unless it was twice that long.

No agent or editor in the seventies would have even opened a Neal Stephenson manuscript.

Computers were at the heart of the other main change since the Kennedy/Johnson era. Special effects made it possible to create believable futuristic movies and television programs. While I offer no comments on the variable quality of story and acting, modern SF movies look beautiful. It is no wonder the center of SF attention has moved from books toward video.

I object to that, but who cares what I think.

— << >> —

When Kennedy was inaugurated, there were about 3000 Americans in Viet Nam. They were not called troops; they were called advisors. By the time Kennedy was assassinated, that number had grown to about 16,000.

Then Lyndon Johnson took over. He lied to the American people. He lied to Congress. He posted weekly kill-counts that were entirely imaginary. He promised victory. He expanded American military activities to adjacent countries. It gained him reelection in 1964, and cost him the chance to run again in 1968.

Nixon won and — in my opinion, since no one will ever know what really went on in that man’s mind — rode the war and the faltering peace talks to reelection in 1972. The he declared victory and pulled out.

Viet Nam fell.

Nixon could have pulled out four years earlier, with the same result. Johnson could have pulled out eight years earlier, with the same result. There would have been one difference, however.

Fifty some thousand Americans died in Viet Nam. According to Encyclopedia Britannica, an estimated two million counting all countries died due to the Viet Nam war. They didn’t need to die.

I occasionally meet Viet Nam vets who wear caps reminding us of their service. I have no quarrel with them. They were sent, they went, they did what their country told them to do. And there but for the grace of God go I.

I was also in that draft, and I enlisted. I spent my four years stateside, but that was nothing but luck. I could have gone over like the ones wearing the Vietnam Vet caps. And if I had, I could now be sixty years in the grave.

Tens of thousands of us knew Viet Nam was a mistake and said so. No one listened. I’m still angry, and I make no apologies for that.

— << >> —

Bouncing back to science fiction again — to the SF of alternate realities — here is the question all this poses. What would Kennedy have done, if he had lived?

We can’t know the answer; we can only speculate. Kennedy made big mistakes, then stood tall against Khrushchev. He learned. Would he have learned enough? Maybe not — but maybe he would have.

Folks, we are living in our very own alternate reality, initiated by Lee Harvey Oswald on November 22. 1963.

I also have a question for Oswald himself. Why did you shoot Kennedy that day in Dallas? Did you think you were going to make the world a better place?

What were you thinking?

The discussion concludes next week.

692. The Space Age Begins

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The Space Age Begins

Britain measures eras by the reign of its Kings and Queens. America measures eras by Presidents. In our look at the beginnings of science fiction, we are about to enter the Truman/Eisenhower era, even though neither man will be our focus.

— << >> —

Hiroshima changed everything.

Science fiction people had read Einstein, or had tried to, so they knew about nuclear fission. They knew that an atom bomb could be built, and were expecting it. A few even got in trouble because they used atom bombs in stories, when the FBI was convinced they had it locked into secrecy.

For the rest of the country, Hiroshima was a shock to the heart.

It didn’t take long for the Russians to get the A bomb. Then we got the H bomb. Then the Russians got the H bomb. Welcome to my childhood.

Suddenly the future had become the present. Everybody was still driving ancient looking cars (no cars had been produced during WW II) and dressing like people in the old movies, but their world had been ripped open by futuristic perils.

Literature reacted to the situation. The Saturday Evening Post, that bastion of American norms, broke tradition and published a science fiction short story, The Green Hills of Earth by Robert Heinlein. Colliers Weekly published Wernher von Braun’s article Man Will Conquer Space Soon.

Von Braun also partnered with Disney to produce three episodes of Disneyland (as the Disney TV program was then called). The first, in March of 1955, was called Man in Space. This was followed by Man and the Moon and Mars and Beyond is later seasons. These were humorous and relied heavily on cartoon animation, but they showed American youth what the future held in store.

Eisenhower’s presidency saw a worsening of the Cold War, the rise of ICBM’s to deliver H bombs, and the development of satellites. The push for space flight had been properly begun. NASA was formed in 1958.

Space flight is key to science fiction, but it is by no means the whole of the genre. SF, by its nature, is always out ahead of contemporary science, and the giants of science fiction were producing major works during this period. The main difference from the golden age was that there were more novels, fewer short stories, and people had stopped laughing at the genre.

This was the era of Arthur C. Clarke’s Childhood’s End and Issac Asimov’s Foundation trilogy, while Robert Heinlein revised his novella Methuselah’s Children into a full novel.

This era also saw the rise of near future “science fiction”. The quotation marks are there to point out that this wasn’t really science fiction at all, because it was reacting, not predicting. Atomic power, atom bombs, jets, and rockets had been the stock in trade of science fiction fifty years earlier when they did not exist. Now they were the stock in trade of mainstream writers because they did exist.

Fail Safe was probably the most notable of these near future science fiction novels. It began as a short story in 1959 and was revised into a novel that appeared in 1962. In it, an American bomber is mistakenly on route to destroy Moscow with nuclear bombs. The American President, who cannot call back the bomber, must sacrifice millions of American lives to avert a world destroying all out nuclear war.

On the Beach was even more somber.  Years after a nuclear war, people of Melbourne, Australia wait for inevitable death as fallout from the northern hemisphere drifts down upon them.

No fun novels for a no fun time.

There were many others. Philip Wylie, who was already an established science fiction writer, turned out Tomorrow and Triumph. I read both in high school.

This new sub-genre of science fiction continued to gain readers who might never have read Clarke or Heinlein. In 1984 it reached apotheosis when Tom Clancy published The Hunt for Red October.

— << >> —

Over the course of this blog, fifty year anniversaries of events from the early space program kept happening, and I kept writing about them. By the time of my covid hiatus, those posts had grown into a book to be called Brief but Glorious.

Of all the books I plan to e-publish, it is the most dubious. Not the text — that’s fine — but I want to illustrate it heavily with NASA photos, and I don’t know what kind of technical problems that will cause. I have tentatively scheduled it for October 2027, but that could change. I’ll keep you posted.

The discussion continues next week.