Tag Archives: writing

Symphony 16

Carmen tapped the folder and said, “This is a typical pattern for a Mexican child who has been in this country for two or three years and is doing well. If she is nurtured, she will probably make it. Her language could improve very quickly if she gets the kind of stern but understanding attention she needs.”

Carmen looked at Neil as she said, “Please don’t think I’m lecturing you, but this is critical. Rosa — all the Rosa’s out there — will not sound intelligent. She won’t be able to think clearly because she won’t have the internal language skills necessary for clear thought. But she is potentially intelligent.

“If you lose her this year, you will have lost her forever. Right now, she could catch up if you push her hard without breaking her spirit. But if she slides through this year it will probably be too late.”

Carmen thumbed through the file and withdrew another folder. This student’s picture showed a skinny blonde with a cocky grin. “This is Rosa’s competition,” Carmen said. “This is the kind of student that will take all your time if you let yourself be seduced by success.”

“Please understand, I don’t know these children. I have met Rosa through her older brothers and sisters, but I don’t know her personally and I don’t know Stephanie at all. I’m just trying to show you the general patterns to look for while you are really getting to know them.

“Stephanie is a top student. That 12.+ means that she got every question right on that particular test. The point is, Stephanie will sound smart because she had mastered her language far beyond what we expect of an eleven year old. Rosa will sound stupid,” Carmen made a face as if the word were distasteful, “because she has not mastered English. The Stephanies of the world always get more than their fair share of attention.”

Neil glanced quickly at Carmen, and caught her face in such an intensity of expression that he could almost see back into her own childhood to the time when she had learned how the “Stephanies” stole attention away from the dark, quiet ones.

Carmen returned to the file and pulled out a third folder. The girl’s name was Rita. She was skinny and smiling from behind a huge pair of glasses.

Neil looked at her test scores and just shook his head. “Why is she in sixth grade?” he asked. “She can’t do the work if she is scoring at a second grade level. Why wasn’t she retained?”

“I know this one,” Carmen replied. “I had her when I taught third grade. She is almost fourteen. Her family moves back and forth from Mexico even more than most. She went to first grade here. Then she disappeared for a couple of years, and came back for third grade, but she only stayed until Christmas and then we didn’t see her until the middle of fourth grade. She went to three other American schools during that time, for a few months here and a few months there. Who knows what she did in Mexico. Even when she was enrolled in school here, she seldom came. She has seven younger brothers and sisters, and her mother keeps her home to baby sit.

“She hardly speaks English at all. I’ve tried talking to her in Spanish, and her Spanish is terrible, too. Just when I thought I was going to get close to her and make a difference in her life, she went back to Mexico again.” more tomorrow

Symphony 15

“Two years ago a team from the state told us we had to go to a middle school arrangement. It’s the latest thing, putting sixth grade up with seventh and eighth. Never mind how poorly it works! That’s when we put in the portables and built a fence between the two halves of the campus. That’s when we worked out this schedule.”

Neil was surprised at the bitterness in her voice. He guessed that she had fought against the change. The schedule looked beautifully logical and balanced, but he had an idea that it would not work out in practice as well as it did on paper.

He remembered the three brown faces in the road ditch. “What about those students who don’t speak English?” he asked.

“Hopefully, there will only be a few, but some of your students may not read or write.”

“You mean they may not read and write well.”

“I mean they may not read or write at all. In English or in Spanish. That happens when they shuttle back and forth to Mexico every year.”

Neil caught Carmen studying him with a look of puzzled curiosity that she tried to hide. “Have you studied your cumulative folders yet?” she asked quickly.

“I don’t know what they are.”

She led him to the teacher’s lounge and showed him the file cabinet where the folders were kept. The folders for each group of students filled a fat cardboard box. They took the two sixth grade boxes back to Carmen’s room where she took a folder and laid it in front of Neil. It was for Rosa Alvarez. Along the top edge of the folder was a row of six small photographs — Rosa’s pictures in every grade from kindergarten to fifth. She was dark haired and brown eyed with a round face and a solemn expression.

Covering the front outside of the folder were strips of computer printed labels with esoteric columns of numbers. Like the pictures, there was one label for each grade. Carmen tapped the labels with her forefinger and said, “These are test results. You will find them most useful for getting to know your kids quickly. Every year all of our students are given a comprehensive battery of standardized tests. They can be very useful, but you should remember that they aren’t always accurate.”

Carmen smiled for the first time. “You can also use them if you have a weakness for soulful brown eyes. I sometimes develop such an affection for my students that I stop pushing as hard as I should. Lately I’ve made it a practice to come back to these test scores at least once a quarter to remind myself of where each child really is.”

Neil studied her. She was beautifully proportioned. Her hair and coloring were pure Chicano. Her facial features were quite small. She kept her feelings hidden behind the smooth perfection of her face. Neil wondered how much Bill Campbell had told her.

The computer label was covered with data. Carmen said, “Look under the name. You see the 5.7? That is the base of comparison for the other scores. It means fifth grade, seventh month. That is when they took the test. A student who was exactly dead average would score a 5.7 across the board. Now look at Rosa.”

“Rosa’s reading scores show her reading almost a year below grade level. That isn’t as bad as it seems. That kind of variation is still fairly close to the norm. Her language score, though, is nearly two years below grade level — she scored at a high third grade level when she took this test. Her math score is above grade level, which puts her total somewhere near normal.” more Monday

416. Steampunk I II III

If you go to Amazon, select books, and type in Steampunk, you will get a supposed 100 pages of 16 entries each. No, I didn’t tap through all of them.

In the novel I am presently working on, I had cause to quote Samuel Johnson’s A man who is tired of London, is tired of life. I think I could paraphrase that as a man who is tired of steampunk is tired of reading. Steampunk seems to encompass everything, which makes it a little hard to throw a rope around.

I have been reading proto-steampunk all my life, but the genre (if it is a genre) has only been identified as such since about 1980. What is it, other than everything? I feel a little like a wild kid in a permissive household; how can I be a rebel if I can’t find any boundaries?

Following that train of thought, I recently got hold of the 2008 anthology Steampunk by Ann and Jeff Vandermeer. There are also a Steampunk II and a Steampunk III, hence the post title, but I haven’t seen them. Let me start by quoting from their preface:

In this anthology, we’ve tried to provide a blend of the traditional and idiosyncratic, the new and the old, while remaining true to the idea of steampunk as dark pseudo-Victorian fun. You’ll find stories about mechanistic golems, infernal machines, the characters of Jules Verne, and, of course, airships

The anthology Steampunk consist of thirteen excerpts and short stories, and three essays tackling history and definition of steampunk. I read only bits and pieces of the thirteen, and that needs explaining. I generally don’t like short fiction. I read tons of it when I was growing up and some of it was superb, but generally it is long on the clever and short on humanity.

Perhaps if someone had held my feet to the fire and required that I finish them, I would have found more to like in these short stories. Probably not. I skipped Moorcock because I had read the novel from which the excerpt was taken. I skipped Blaylock because I am reading one of his novels now. Both authors are excellent.

Many of the other stories left me cold. They were strings of events happening to people I could not care about. Also, the stories seemed universally dark. That is a valid anthologist’s choice, but I don’t care for horror and I outgrew dystopias thirty years ago. Life is a mixture of light and dark, and literature has to mirror that if it is going to hold my attention.

Mind you, most of what I sampled was reasonably well written. It didn’t fail for lack of skill, but there did seem to be a lot of throwing ideas around without linking them together. Short stories can sometimes get away with that. The steampunk novels I am presently reading all seem far better structured.

However, there was one shining light. Jess Nevins’ introduction: The 19th-Century Roots of Steampunk was a superb explanation of steampunk’s precursors. I learned a lot from Nevins.

Symphony 14

He opened all the windows and propped the door open with a chair but it didn’t help much. Then he surveyed the room. He opened the doors under the counter that ran the length of the window wall and found it mostly filled with sealed cardboard boxes belonging to Gina Wyatt. It was just as well; he had nothing to store. All of the paraphernalia he had accumulated during his years of teaching were stored in his mother’s garage in Oregon. They would be of no use to him at this grade level.

The west wall of the room had a generous blackboard. There was a battered metal teacher’s desk jammed against the wall, a row of coat hooks at the back of the room, and some empty bulletin boards on the walls. The walls were of faded blue plaster. The acoustic tile ceiling was discolored where the roof had leaked.

Jammed into one corner, beneath the blackboard and against the counter, was a battered bookcase. Neil sat cross legged to examine it. It contained a dozen dictionaries, an ancient set of encylopedias, and about fifty books. They were a mixture of rescued cast-offs and modern but much worn children’s paperbacks. There was a note taped to the shelf that said, “Don’t let the kids steal too many of these. Good luck, Gina.”

Neil smiled. The note made him feel less alone.

That note was the only piece of paper in the room, so Neil went to the office and filled out a requisition form. An hour later the janitor delivered a cart load of materials: reams of newsprint, binder paper, drawing paper, construction paper in assorted colors, crayons, tape, paper clips, and staples. But there was much missing. There were no colored markers, no stapler, no pencils, no pens, no binders, and no spiral notebooks.

At the bottom of the requisition form was a note saying, “The school doesn’t supply everything you asked for.” Then it went on in parentheses: (Sorry. Low budget. You’ll get used to it. Ask Pearl for help — she’s our best scrounger. Evelyn.)

Neil didn’t know whether to laugh or cry.

Enough. He was spinning his wheels here. He still didn’t have a clear picture of what he was supposed to teach, so he crossed to Carmen de la Vega’s room.

The air conditioning wrapped him up in a rush of cool air. Carmen looked up with a distant, measuring coolness of her own. He reminded her that she was supposed to show him the ropes.

She began by sketching a grid on paper. “The students have seven periods of classes. We teach six and have one period off for preparation. You’ll need that to grade papers. In order to make it all work, our preps are staggered. Yours is fourth period, mine is seventh, Pearl’s is first, and so on. 

“We have about sixty-five students in the sixth grade.  They will be divided into two groups, and they will stay in those groups all day, moving from teacher to teacher as a unit. They will have one period each of math, history, science, and P.E., except that Tom teaches P.E. four days a week and art one day a week. The rest of the day they will spend with you.”

Carmen had sketched in the schedule as she explained, and it was clear enough. She said, “That means that you will actually teach only two classes a day, but each class will be three periods long.”

“Isn’t this a bit of a strange schedule?” Neil asked. more tomorrow

415. Life-long Day Job

After twenty some years of teaching
science, I finally got a lab.  SL

Continuing from Monday’s post — Jandrax came out and I went back to writing full time. Those were the years of A Fond Farewell to Dying, Todesgesanga (FFTD translated to German) Valley of the Menhir, Scourge of Heaven, Who Once Were Kin, and the first iteration of Cyan. I know you’ve never seen half of those books, but you will. I promise.

There is no better feeing than sitting down every day and writing, when the results are good. And they were. However, there are few more frustrating feelings than writing good books that don’t sell. After most of a decade of full time writing, it was clear that I couldn’t go on that way, and equally clear that I couldn’t quit. I needed a day job that would leave me some time for writing.

My wife suggested that I substitute teach. The pay was good (compared to minimum wage) and I didn’t have to look for jobs. I signed up, and the jobs came to me. It worked as a stopgap.

I couldn’t do it again, after being an actual teacher. Substitute teaching is to teaching, as going to the dentist is to being a dentist. The best one word description is probably painful.

However, I didn’t feel that way at the time. Yes, the job was boring, and yes, it was glorified babysitting, but I had made a shocking discovery.

I liked the kids. A lot.

You have to understand, I was an only child, raised on a farm, having little contact with other kids. I never had children of my own — by choice. To me, babies are just pre-humans. Kids under ten bore the hell out of me. But these kids were interesting and fun to be around.

I had discovered that middle school kids are more fun than a bucket of puppies. I realize that I am a minority in that opinion, and I also realize that part of my feeling comes from not having to take them home with me, but there it is.

Most teachers want to teach high school or fourth grade. Not me. My days as a substitute teacher in high school were dismal. My days teaching kindergarten were horrific. But middle school was my Goldilocks age — not too young, not too old.

By that time I had two masters degrees, so it didn’t take long to tack on a teaching credential. I took a job in one of the schools where I had substituted and I was still there twenty-seven years later.

In my mind, it was a day job. I continued writing. I continued working on the novels which weren’t quite right, and I wrote Raven’s Run. Years went by. I wrote a novel about teaching, Symphony in a Minor Key, which is running over in Serial right now.

I could tell you all about my first years, describe my first room, and give you insights into the joys and pains of teaching — except that I already have, in Symphony.

After about ten years, it was obvious that I wan’t going to get back to full time writing any time soon. After another decade, I admitted to myself that I wasn’t just a writer who was teaching. I was a teacher. It took me that long to be able to say it without having it sound like a defeat. I never stopped being a writer. I just became a teacher as well. I had two careers, parallel and simultaneous, and there was nothing wrong with that.

I was a writer, and a good one. I was a teacher, and a good one. Nothing wrong with that. After about twenty five years, I could even call myself a teacher out loud.

Now I am a retired teacher, and a full time writer again, with a new book out and another working its way through the computer. But I wouldn’t trade those years of teaching for anything.

Symphony 13

When he got back to his apartment, Neil dug around in his still packed boxes to find the few books he had kept as personal treasures from his childhood. The formula books had not worn well; they held little that the adult Neil McCrae could find worthwhile. But there were others that had kept their value, and he spent the next four hours accompanying the young Hunt brothers as they continued the expedition their father had had to abandon, collecting zoo animals while floating downriver on their Amazon Adventure.

# # #

On Monday morning, Neil arrived at work five minutes late in order to avoid meeting his colleagues before Campbell had a chance to introduce him. They were laughing and joking as old friends will when they have not seen each other for months. Neil was the only newcomer; their responses to him were quick and friendly.

Pearl Richardson was broad and heavy, with short white hair and a mouth full of laughter. Fiona Kelly sat beside her, sharing a joke, with a dry chuckle to Pearl’s hearty guffaw. Fiona was slender and pale with hair that might have been red even before her hairdresser got hold of it, and was absolutely red now.

Donna Clementi was petite and quiet. Neil thought it would take a long time to get to know her. Delores Zavala sat a little removed from the rest of the group as if she were not quite sure of her place there.

Tom Wright was well formed but slender. He had straw colored hair and a runner’s body; sitting there in gym shorts and a tee shirt he looked precisely like a P.E. teacher. Glen Ulrich looked old, tired, and ill. His eyes had the look of repressed physical pain.

“Finally,” Campbell said, completing the introductions, “is Carmen de la Vega. Her room is just across from yours, and she is teaching core to seventh graders. She will be the one to go to when you don’t understand something.”

Neil felt something like a shock run through him. It was not recognition — he did not know her and she did not remind him of anyone he knew — but it was a spark. A recognition of possibilities. It took him completely by surprise. It went straight through his smiling, guarded mask and gripped his heart in with both hands. 

But when she raised her eyes to his, there was no answering spark in them. They were cool and hooded. She smiled and said hello, but it was a distant, formal smile that brought no feeling to her eyes.

# # #

The morning was devoted to discussion of the changes in the language and social science frameworks. Neil was barely aware that such things existed and had never read one. He followed the discussion as best he could and offered no comments.

After lunch, they were free to work, so Neil went to his room. The walls were bare. It would remain a place without personality until he put his stamp on it. The student desks were a mixture of styles and colors. Some were new, but most were battle scarred veterans made of dark, much carved wood. He compared their number to the list of students he had been given and made a note to ask for two more.

It was one o’clock and the temperature outside was in the high nineties. In only a few days, Neil had come to know Modesto’s end-of-summer weather pattern. It would continue to grow hotter until four or five, and hold that heat until after sundown. The room was an oven. more tomorrow

414. Day Jobs

I  have had a lot of jobs in my life. The shortest lasted one day. I took a job as a rough carpenter, and spent a day putting blocking between rafters. I had a rough time of it. I had just spent four years indoors working in a naval hospital followed by a year in grad school, and I was out of shape by the standards of the farm boy I had once been. It was a hot summer day in California and I probably wasn’t worth my wages that day, but I would have gotten better. I had the skills for the job, but it was a physical challenge and I was up for it. Unfortunately, at the end of the day, the boss said that tomorrow I was to go to a site in Sonora to work. That was a town fifty miles away, not the state in Mexico. I realized that if I had to drive my dying car that far every day to get to work, it would cost me more in gasoline and repairs than I would make at minimum wage.

If you end the day with less money than you started, that isn’t a day job. That’s a mistake. However, when you write your first about the author for your first book or for your website, having worked at a lot of day jobs is an asset. It makes you look worldly and interesting.

Farm worker. That’s a job I didn’t get paid for at all. I started at age eleven and continued until I escaped to college.

Trim carpenter. That sounds skilled, and I am that skilled now. I wasn’t when I did the job, one summer between college terms. I was hired because the wages were so low that people who had the skills wouldn’t apply. I took the job because I was newly married and needed money to carry me through my last year of college.

Horticultural agent, peace corps. That’s a job I applied for, was accepted to, and really wanted, until Nixon did away with the deferment and I had to face my low draft number. I can’t count that one, since I never made it to India, to my eternal disappointment.

Cabinet maker. Another minimum wage job in a local shop to keep body and soul together while waiting for the Navy.

Surgical technician. Yes, really. I spent my naval career in the dental service of a naval hospital, stateside during the Viet Nam war, and happy not to be shot at. Since I was the only enlisted man with a college degree (the recruiter said, “College man? We’ll make you an officer.” Riiiiight!), I became head surgical tech. That meant standing across from the oral surgeon during about 2000 extractions of wisdom teeth.

Surgical nurse. I never count that one, because no one would believe me. The person who stands next to the doctor and hands him his instruments during an operation in the main OR is written down on the report as surgical nurse, whether they are a nurse or just have OJT. I did that maybe two hundred times while I was in the navy, usually on broken jaws, but occasionally on some pretty sophisticated maxillofacial reconstructions. Fascinating, but it didn’t make me a real nurse.

Writer. Nope, not a day job. A lifetime job, but you don’t make minimum wage.

County Red Cross Director. I earned that job. I had become a full time unpublished writer when I started as a Red Cross volunteer. I became a first aid and CPR instructor and taught hundreds of students, then became a member of the board of directors, and finally went full time for fifteen months. There weren’t a lot of applicants, since the job didn’t pay much above minimum wage. Non-profits are like that; they have to get money from donors, and it goes mostly to providing services, not cushy salaries — and that’s as it should be.

I was proud to work for the Red Cross and considered making it a career, but the bureaucracy is brutal. Besides, my first novel came out from Ballantine and I thought I was going to make a living at writing.

Stop laughing. It seemed possible in 1978. more on Wednesday

Symphony 12

Neil woke up stiff and disoriented. The breeze from the air conditioner had finally conquered the heat of the apartment and had gone on to chill him while he slept. He was sticky and clammy with half-dried sweat.

For a minute, he did not know where he was. He was caught up in the tag end of a dream. It had not been pleasant, but he could not remember enough details to understand his discomfort, and so he couldn’t let it go. Finally he shook his head and staggered up, forcing the remnants of sleep away by action. He turned on the lights in the kitchenette, drank deeply from the tap, and looked at the clock. He had slept six hours, and he knew the rest of his night would be sleepless.

He showered, ate, and watched the ten o’clock news. It had been 106 degrees. He rubbed his gritty eyes and thought longingly of the coastal fogs of his native Oregon.

He picked up the reading textbook again, then surprised himself by throwing it against the wall in disgust. It was trash — unfit to inflict on children — and it would get no better if he read it from cover to cover. He kicked on his shoes and went out.

The night was a pleasant shock. The heat of the day had miraculously disappeared and the evening breeze was deliciously cool as it coiled about him. He crossed the parking lot, then changed his mind, and pocketed the car keys he had been carrying. The only places that would be open at this time of night were bars, and alcohol would have no part in solving any of his problems. He walked down Sylvan and turned off onto the first residential street he crossed.

The night air was perfect, and the moon was almost full. Even between the widely spaced street lights, the lawns were well visible. It was a middle class neighborhood of twenty year old houses, neatly kept. Each lawn was well clipped, the sidewalk edges were meticulously neat, and the street trees were beginning to come into maturity. There was an air of respectability and prosperity about the place; not the snobbery of the wealthy houses in his home town, nor the poverty of the barrio apartments, but a California style embodiment of the American dream. They reminded him of the neighborhood where he had grown up, and he let the half dark houses around him fade into memories of the houses and people he had known.

Even in the midst of nostalgia, Neil was trying to solve the problems that would face him in the weeks to come. He tried to remember how he had learned to read, and found that he could not remember a single textbook. Had they been as insipid as the ones he had been given today? It was hard to believe that he would not remember such books — with loathing.

All he could remember were the books he had owned and loved, read and re-read. Many of them were trash, too, but of a different kind. They were written to a formula by anonymous authors and published under a company owned pseudonym. He had not know that at the time, of course. He had even written the “author” a fan letter, and had received a form thank-you in reply. But whatever they lacked in style, skill, and grace, they had had a plot. Someone young whom Neil had liked had gone somewhere interesting and had done something exciting while overcoming dangers without the help of an adult. That was more than he could say about the stories in the reading text. more tomorrow

413. Wherefore Art Thou Steampunk

As they teach us in high school, when Juliet says, “Wherefore art thou Romeo?”, she means why are you called Romeo, and then goes into a long bit about identity. This post will do the same thing.

I have been writing a steampunk novel since July, and it is going quite well. I am roughly half way through the first draft, and doing my world building as I write. I am also researching what it means to be steampunk.

My justification for writing in an unknown genre is that it really isn’t all that unknown. It is a first cousin to science fiction, to fantasy, to horror, to the novels of Verne, to alternate history when limited to the near-Victorian, to Edisonade (a new name to me for a sub-genre I’ve been reading all my life — think Tom Swift), and to the old west with neo-mechanical devices (a genre that existed long before the Wild Wild West). I’ve been reading all of these, all my life.

The name steampunk was proposed by K. W. Jeter in a letter to Locus. Jetter, James P. Blaylock, and Tim Powers are three big names in early steampunk, but the genre has come a long way since then.

You would be surprised how much research into obscure subjects lies untapped in college libraries in the form of Ph.D. dissertations. I have learned to use the internet to seek them out, since so many of the things I am interested in are quite obscure.

Mike Perschon’s 2012 dissertation The Steampunk Aesthetic can be accessed at https://era.library.ualberta.ca/files/m039k6078#.WbA9kcdllBw. On that page, click Download the full-sized PDF if you want to follow me down that rabbit hole. If not, you could just try Perschon’s website http://steampunkscholar.blogspot.com.

No? Neither? I don’t blame you. Not many people have that much itch, so hang on and I will quote a few of Perschon’s conclusions.

Accordingly, this is not a study of Victorians or Victorianism, but rather a study of steampunk’s hodge-podge appropriation of elements from the Victorian period.

Non-speculative neo-Victorian writing is characterized by an adherence to realism that steampunk rarely cleaves to.

Steampunk (is) not . . . historical fiction per se, but . . .  speculative fiction— science fiction, fantasy, and horror, all mixed into one—that uses history as its playground, not classroom.

The most useful thing Perschon said, from my perspective, is that steampunk is not a genre, but an aesthetic. I had largely come to the same conclusion. The question for me has become not, “is it steampunk,” but rather, “does it taste like steampunk”.

I found that the more carefully I researched the Victorian past, both historically and technologically, the more I was attempting to make my novel fit a set of limitations. I was approaching it the same way I approached Cyan, where I first created a world with certain characteristics, then worked my story around it.

Steampunk doesn’t seem to work that way. In steampunk, an author has an idea of what his world looks like, then comes up with some quasi-magical dingus to make it work. Do you want your airship to be able to lift more and go faster? Invent a gas that never existed. In science fiction terms, it’s more Star Wars than Heinlein. There is nothing wrong with that, but I’m having a hard time wrapping my head around it.

In addition to academia. I am also half-way through a half-dozen recent steampunk novels. I would be further along, but I’ve been a bit busy writing my own. I’ll clue you in on those novels as I finish them.

Symphony 11

Near the tracks, where the dirt road left the tarmac, there was a cluster of tiny houses. Once they had been painted white, but they were repaired with raw wood, some new, some old, giving them a patchwork appearance of gray, tan, and dirty white. Some of the roofs were of corrugated iron, others were of tattered shingles. The few trees that sheltered the little houses from the August sun were unwatered and sparsely leafed. Over everything there was a patina of dust.

Neil slowed down and turned back east once more. Those little houses were typical of the kind of housing provided by farmers for their migrant help, but Gina had said that these had been bought up by a Modesto attorney and were being rented out. They had no formal name, but everyone called them the Johnson Road apartments because the farm had once been owned by the Johnson family.

As Neil cruised by one last time, three small brown children popped up out of the weeds in the road ditch and stared impassively at him as he passed. He waved, but got no response.

He had considered driving up the tarmac road past the small houses, but it had seemed too condescending; too much like slumming. Now he was glad that he had not.  In about a week some of those faces he had seen in the road ditch would be in his classroom, and he didn’t want to start his work here by offending anyone.

# # #

Back in his own apartment, Neil turned the air conditioner up, stripped to his shorts, and sat directly in front of the thin stream of cool air. His drapes were pulled against the afternoon sunlight, so that the room was a cool refuge against the heat. He turned on one small lamp and looked again at the textbooks. Despite the poverty of the barrio apartments, he had been rejuvenated by the sight of the three children. If they were his to teach, then he had to take a closer look at the tools he had been given to teach with.

They were awful. The grammar book was so confused and overdone that he could hardly read it. Every page was overprinted with colorful drawings and pictures. When it was new, that had probably caught some administrator’s eye. It was hard to imagine a working teacher being impressed.

In New York, Neil had learned how to lead a reader’s eye across a page by the manner in which the text was laid out. It could be done subtly by column spacing, choice of typefaces, and the judicious use of headings and simple drawings.

There was nothing subtle in this textbook. Everything was in glaring reds and blues, and the eye paths spiraled and folded back on themselves in total confusion. It was like listening to rock music written by an untalented garage band. It was visual noise.

The spelling workbook was merely dull. There were twenty words per lesson to be memorized, and four or five pages of insipid fill-in-the-blank exercises.

The reading textbook was the worst. It looked good; the pictures were varied, colorful, skillful, and the page layout did not distract the eye. But the stories were so dull and pointless that it would be a wonder if any child could bring himself to read them.

Neil read the first story and shook his head. The second left him feeling hopeless all over again. The third story put him to sleep. more Monday