Tag Archives: writing

Raven’s Run 107

I parked three blocks away. The ground level entrance to Jacks’ office was a door to a steep stairway. At the top was a long hall. No one was in sight. Down the hall I could hear the hum of voices and light from an open doorway laid a yellow rectangle against the grimy opposite wall. Jacks’ office was behind the first door, with windows on the street. The door itself was charred but sturdy, and the frosted glass window had been nailed up with plywood. The next door down was also boarded. Presumably the fire had spread that far before the fire department had put it out. The only other door in the hallway was the open one down and on the opposite side. I moved quietly down to see what it was. There was a hand lettered cardboard sign in the window advertising acupuncture. Hot needles off a sleazy hallway sounded about as appetizing as a back alley abortion, but the poor have pain as well as the rich.

The padlock on Jacks’ door was impressive, and so was the hasp. But whoever put it up hadn’t turned the screw plate back under the arm of the hasp. The screws holding it to the door frame were exposed.

I walked down to the hardware store and bought a screwdriver and a roll of masking tape. Five minutes later I had unscrewed the hasp. It was still attached to the door with the lock in place. I stuck the masking tape to the back of the screw plate to hold it in place and stepped inside, closing the door behind me. To a casual passer-by the door would look undisturbed.

Jacks office had been completely destroyed. The fire department must have come quickly to save the building, but this space was reduced to charred stubs of wall studding.  You could still tell that there had been two rooms. I was standing in a reception area and the far side of the burned out shell had been Jacks’ office, but the wall that had separated them was mostly gone. You could step through it any place.

Jacks had used a metal desk, the kind you buy as industrial surplus. It had survived the fire, barely. The ceiling was gone and the fire had cut through to daylight. There was a jagged, ten foot hole in the roof, which was fortunate since I hadn’t brought a flashlight and all the windows were boarded up.

I circled the room briefly, getting my bearings, then got down to business. I had to work quietly; beyond that, I was not worried about being disturbed. If my shadow enemy had an interest in this place, they would have searched it right after it burned. And if there had been anything worth finding, it was probably already gone.

On the floor behind the desk was a scattering of charred papers. I went through that first. The desk itself was empty, of course. I pulled the drawers and upended the carcass, looking for hideaways, and found nothing.

I was reasonably sure there was nothing to find, but I kept after it. Two hours later, I had turned over every spongy, black piece of debris twice, when I heard footsteps in the hallway. more tomorrow

312. Popular Science

full-futurecars-4When I was twelve or thirteen, my great grandfather said to me, “I used to read Popular Mechanics. You should, too.” And he handed me a quarter. It was the best piece of advice any relative ever gave me.

I bought my first popular science magazine, and I was hooked. I was soon buying three a month every month, and occasionally a fourth. Science and Mechanics, no longer published, was the best. Popular Science came next, then Popular Mechanics. Mechanix Illustrated was a lame imitation, but I always looked and occasionally bought, if there was a particularly interesting article.

In school, I usually devoured my science textbooks by the end of the first month of the school year. They provided an important, basic, bare bones understanding. But the popular science magazines put exciting flesh and blood on those bones. I learned more science from those three popular science magazines than I ever learned from a textbook.

Those were the days when GEMs were new. Ground effect machines, that is. There were articles that explained how they worked (what shape plenum chamber do you prefer?) but better still, there were articles that showed guys who had built their own out of plywood and a lawn mower engine, flying down the street of their suburban neighborhoods, six inches off the ground.

When I sent ten scientists to explore Cyan, they used skimmers, which were clearly ground effect machines.

There were always articles on how to take care of your car, and there was the new car issue every fall. You didn’t have to be a science nut to like cars.

There were always stories about the newest, hottest jet plane, including a story about a new safety device that gave pre-recorded error messages into the earphones of a pilot. The Air Force had discovered that the pilot never missed the message if the recording was a sultry female voice. Any thirteen year old boy in America could have told them that. The illustration of that article was a realistic drawing of a helmeted pilot with a tiny, bikini-clad femme whispering into his ear the words that would save him.

These guys knew their target audience.

Not everything between those covers would be politically correct today. I remember the pistol crossbow, a powerful hand-held weapon that shot sharpened six-inch pieces of quarter inch rod. Try making that in your seventh grade shop class. Maybe you could get a merit badge in Boy Scouts?

Probably not.

There were always articles on how to build something in your shop, about the latest tools, or about how to build the tools you couldn’t afford. I was hooked on that, too. My father was a farmer, not a craftsman. If a nail in a board would do the job, he was satisfied, and moved on to the next of an unending set of chores. I wanted more. I wanted to be a craftsman. Today I am, and these are the magazines that got me started on that path.

Eventually, I stopped reading popular science magazines. You can only read so many thousand articles at that level until you have absorbed enough. I moved on, but I didn’t forget how powerfully they ignite young imaginations.

When I became a teacher in a small middle school, all the other teachers were happy to load science onto me, and I was glad to accept. I taught all subjects the first year, but after that it was “science-and”. Every year I taught more science and less “and”.

The first year I subscribed to Popular Mechanics and Popular Science (Science and Mechanics was long dead), and soon I added Smithsonian Air and Space. I bought a magazine rack at a garage sale and put it up in my room. I never threw a magazine away until it was too tattered to read, and after a few years there were a hundred magazines in the rack.

Occasionally, at the end of an hour, there would be a few minutes to spare and I would say, “You can either do homework for another class, or read one of the science magazines.” It was the best advice I ever gave them.

And nobody chose homework.

Raven’s Run 106

“Here is the report on the Jacks investigation. There isn’t much more than I told you on the phone. He was killed execution style and dumped into the Bay. I know you think it was done by the same people you have been up against, but don’t count on that. Harvey was mean spirited, dishonest, and clumsy. I don’t know how he kept alive as long as he did. There must be three or four dozen people who would have happily put a bullet in his head. It may not have anything to do with your investigation at all.”

“For now, I’ll have to assume that it did. I told you he was investigating someone in Senator Cabral’s office. I now know that it was Alice Susyn Johnson, maiden name Davis.”

“Then you know more than I do. Jacks’ wife claimed to know no details of the investigation, although she knew it was going on. Apparently that was the way Jacks normally did business.”

“Because . . .”

“Bluntly, he was a blackmailer. He did investigations for hire just so he could find leads to develop. It made him rich, for all the good it did him.”

“Raven would not have known this.”

“Of course not,” Joe said. “She undoubtedly hired him in good faith, believed the report he gave her, and went on her way. Afterwards, Jacks put the squeeze on someone and started the train of events that put Raven in danger. But we don’t know who that person was, or what the nature of the squeeze was, or why Raven got caught up in a reaction that should have been aimed at Jacks alone.”

“Maybe he told his victim that he had sent information to Raven. Or maybe the victim found records of Raven’s hiring Jacks before he torched his office.”

“Possibly. But speculation is dangerous. You start thinking you know something when you are actually only guessing.”

“True. What about ballistics?”

“Probably a jacketed bullet. Probably 9 mm. It went in the back of his head and came out his nose. The bullet wasn’t recovered.”

“So, that leaves Jacks’ torched office and his wife.”

Joe agreed.

*       *       *

Joe keeps a stable of rough looking cars and pickups. They are never washed, and he has been known to dress them up with a sledge hammer and graffiti, but they all have fine tuned, oversized engines and new tires. He loaned me an ancient Pinto wagon. On the outside, it looked like a war orphan, but someone had shoehorned a rebuilt slant six under the hood.

I drove to Jacks office. It had been on the second story of a brick building in a block of brick buildings, in a neighborhood that was just holding its own against becoming a slum. Still respectable, but just barely. The storefront below his office was boarded up. There was an old style neighborhood pharmacy on one side, a hardware store on the other, and a liquor store down the street. The second story windows that faced the street were mostly blanked by shades or venetian blinds and some of them had gilt lettering advertising the businesses inside. Jacks’ windows were nailed shut with plywood panels. You could tell there had been a fire from the smoke trails that ran up across the bricks above each boarded window. more tomorrow

311. Boys at Work: Starman Jones

By at Wk atwOn August 2 through 4, 2016, I wrote posts on what I called apprenticeship literature. This is another in that series.

I discovered Heinlein’s juveniles after I had already been reading science fiction for a few years. I was past their target age, but those books are good novels as well as good juveniles and I still enjoy reading them.

Most of Heinlein’s juvenile heroes were young men who found their way to maturity through work, but they were not apprentices. Have Spacesuit Will Travel comes to mind. Kip worked hard to win and then restore his spacesuit, but he did it on his own. His distant father was no help at all.

The twin Tom in Time for the Stars gets his berth through an accident of genetics.
Although he works his way to the stars, and has a relationship with a wise elder, it isn’t really an apprenticeship since he is doing a new job that no one has done before.

Max in Starman Jones is also an anomaly with an eidetic memory, but the book is essentially about a young man working his way up through the ranks. In fact, Max works his way up two separate ranks.

In this future, work in space is controlled by hereditary guilds. Max, a near orphan, has an uncle who is an astrogator. The uncle has died, but not before leaving his astrogation manuals with Max. Max memorizes them. When conditions at his step-parent’s home become intolerable, Max head out, hoping that his uncle has declared him his heir.

He meets up with Sam, a mostly honest – by his own standards – con man. This is a stock character for Heinlein. When Max finds out that his uncle has not named him, shutting him out of space, Sam procures false papers and gets them both berths on the Asgard, in the steward’s guild.

Max is almost pathologically honest. He agonizes over the decision to deceive, then worries about what he has done for the rest of the book. Still, his need to go to space outweighs his honesty. Sam, the con-man-with-a-heart-of-gold, becomes Max’s first mentor, showing him how to survive in a world so closed down that honesty is not enough. Max learns from Sam, but his innate honesty keeps him from being like him.

On board ship, Max’s eidetic memory lets him quickly absorb the steward’s manual. Don’t we all wish it were that easy? He is put in charge of the animals on board, which puts him in contact with a young passenger who learns of his past and uses her influence to get him moved into the astrogation department. There his early training by his uncle is honed by the Chief Astrogator, and he begins to move up the ranks. He has to admit that he came on board by fraud; the issue is tabled pending their return to Earth, but the knowledge of his coming punishment hangs over Max’s head.

Unexpected events plunge the ship into danger and Max is called upon to save the day. I won’t tell you how. Even though the book was published 64 years ago, if you haven’t read it, you deserve my silence on climactic events.

They don’t all die – you could have guessed that much – and Max makes it back to Earth where he has to pay a heavy fine for his false papers, and ends up a junior officer on another ship. He has found a place in space.

Self-reliance, and technical competence make Max a typical Heinlein hero. Add naiveté and clumsiness with girls, and he becomes a typical Heinlein juvenile hero. Heinlein’s young men always work, and always have some kind of older mentor. Starman Jones is the novel where these two factors come together to fully become apprentice literature.

Raven’s Run 105

“The guy just pushed the knife into Talant’s throat until the blood started to trickle. I had to shoot him.”

“You were armed?”

“I had my old army .45 in a shoulder holster under a loose jean jacket. I was young and I wasn’t drawing attention to myself, so no one was looking at me. I shot the guy through the elbow. It was the only clear shot I had. It ruined him. He was never really able to use that arm again.

“The police came, and the ambulance, and Talant and I had to go down to the police station to make statements. They questioned us separately. It took hours, and when we were ready to leave, I asked Talant why he hadn’t used his famous piece. He said it wasn’t loaded. He had never fired it. He said he just carried it to ‘put the fear’ into people.

“It irritated me.”

Ed chuckled. “I should think so.”

“On the way back I pulled him into an alley and slapped him silly. Then I took his ‘piece’ away from him and told him not to show his face again. Last time I saw him, he was slumped against a dumpster with a glassy look and blood running down his face.”

I left Ed sitting on the couch and went to stare out the window again. I didn’t want to embarrass myself. Since Raven left, I had been holding my feelings tight inside. Now, in retelling the story of Talant, I had worked myself into a fine wrath. I didn’t want Ed to see my face, or the way my hands trembled.

Chapter Thirty

Ed dropped me off at Joe Dias’ the next morning, and went off to pursue some ideas of his own. He gave me a number to call, a couple of hundred dollars, and said he would be available if I needed help. Otherwise, I was on my own. It suited me just fine. I like Ed well enough, but I didn’t need a nursemaid.

Carmen was at her usual place in the reception room. When I first met her, she was cute. Pert. Not quite chubby. She had been growing an inch or two a year since then, and I don’t mean taller. Now she pretty much filled the space behind the desk.

“Hey, Stud, you’re looking good,” she said. “What happened? Job in Europe didn’t pan out?”

“Something like that. Is Joe busy?”

“Just paper work. Go on in.”

Joe looked up, then came around the desk to pump my hand. He was about five ten, wiry; his skin was like golden leather with laugh wrinkles on his face. His warm brown eyes had seen every kind of depravity during thirty years in a dirty business, and somehow remained human. 

The walls of his office were covered with framed pictures of his daughters, grandchildren, cousins, aunts, uncles, and every other known species of relative. He came from a huge extended family of Diases, mostly scattered around Livingston in the central valley. Joe’s grandparents had settled there early in the century after leaving the Azores. That section of California was practically a Portuguese colony, and Joe went back as often as he could.

In the years I worked for Joe, he had become a real friend. We took a while to update each other’s lives before we got down to business. more tomorrow

310. Boys at Work: Howard Pease

By at Wk atwOn August 2 through 4, 2016, I wrote posts on what I called apprenticeship literature. Here are two more in that series.

More than any other writer, apprenticeship literature is the domain of Howard Pease.

Pease’s fame was world wide and his stories spanned the globe as well, but where I live he is a local author. Not many people remember him, since his best known books were written in the 20s and 30s. Those who read him, tend to love his work. A glance at Goodreads will find few but uniformly high ratings.

Pease was born in Stockton, California. He wanted to be a writer from grade six. He spent his professional life as an English teacher near San Francisco. Between school years, he shipped out on freighters, and based most of his novels on what he learned there.

He is best known for his Tod Moran books, in which Tod begins at the bottom of the hierarchy of shipboard life and works his way up to first mate over thirteen novels. His friend and mentor through most of those novels is Captain Jarvis.

The Tod Moran books are not politically correct by today’s standards. The anti-bullying squad would burn them if they ever got close enough to read them. Although Jarvis is a mentor, his shipmates are the dregs of the harbors. Tod has to fight – literally – to maintain his place on board. Hazing is a constant theme in all Pease’s books, but the message is not “hazing is bad.” The message is that you have to fight every day to survive in a man’s world.

Try writing that in a children’s book today.

Tod comes on board his first ship having devoured his favorite book, The Lookout: a romance of the sea. What he learns in that book does not serve him well. He discusses with Jarvis how different his world is from his expectations.

Tod smiled ruefully. “But everything is so different from what I was taught to expect.”

“It always is, Joe Macaroni. Before a boy grows up, he has to unlearn all those pretty myths about life and death which have been taught him by tender-minded ladies of both sexes. I feel sorry for the poor kids. They have to go through hell. … Most of them don’t, though. Instead, they commit intellectual suicide; they remain simply children.” Jarvis fixed his keen eye on Tod and his face softened. “Somehow, I feel you won’t do that. You’ll kick off those swaddling clothes. … But I pity you in the process – I pity you.” The Tattooed Man, p. 90

This sounds like the address Pease made to an ALA conference in 1939, where he called children’s literature “wholly and solely a woman’s world . . . (under) tender-minded feminine control.” That address reminds me of Heinlein’s ongoing argument with his editor at Scribner’s, which eventually caused him to stop writing juveniles.

One final note for anyone who is already a fan of Howard Pease: the Summer 2000 issue of the San Joaquin Historian was entirely devoted to him. You will find it on line at www.sanjoaquinhistory.org/documents/HistorianNS14-2.pdf

Raven’s Run 104

I went to the window. You could just see the bay if you leaned off to one side. The freight yard was at the end of a dead end street, backing up on a hundred yard wide tidal wilderness. On Sundays I used to go out and sit on a rock with a transistor radio to listen to the 49ers play. Candlestick Park was visible from out there, and every time Joe Montana made a touchdown, you could hear the cheering through the radio, echoed seconds later by the real thing from the stadium. Now the bay was only a lightless space in the twinkling city, and the only sounds were an occasional car and the barking of dogs.

Joe Montana doesn’t play in Candlestick any more, and I’m not in college any more, and the career that I spent a decade preparing for may well be over before it has a chance to begin.

“Do you have a gun?” Ed asked.

“The one I own is in Marseilles.” Then I went over to the bookcase, shoved some books aside, and pried up a loose baseboard. I brought a cigar box over to the table and took out a snub nosed Bulldog. “This one isn’t registered. Or, rather, it isn’t registered to me.”

“Stolen?”

“Technically – I suppose so. I took it off a guy after I beat the shit out of him.”

Ed smiled and asked, “Anyone I know?”

“No. A guy I worked with. A P.I. named – Talant, I think. He had worked for Joe Dias about three months when I had been there about two years. I had been doing leg work and computer searches when Joe sent me out to get some seasoning. I went with this Talant one day on an investigation. We were looking for a bail jumper. I don’t remember his name, and we never did find him. 

“All day long, Talant went around the city chasing down the jumper’s associates to question them. The man was a complete ass. He tried to bully everyone he talked to – including me – and whenever he questioned anyone, he always managed to let his coat hang open so his gun would show. He called it his Son-of-Sam piece. That story had just broken and it was the same kind of handgun that David Richard Berkowitz had used.

“Anyway, Talant finally cornered the wrong man. He was trying to bully this guy he was questioning in a bar in Daly City, getting in his face and calling him a liar because he said he didn’t know where our jumper had gone. He kept patting his piece, trying to make it look casual and threatening at the same time. 

“The guy he was questioning just didn’t give a damn. He jumped up from the table where he’d been sitting and whipped a knife out of his boot, and before Talant knew what hit him, the guy had the knife at his throat.

“Talant froze. And then he started to bluster, and when that didn’t work, he started to beg. The guy just pushed the knife into Talant’s throat until the blood started to trickle. I had to shoot him.” more tomorrow

309. Two Hands and a Knife

There has been an interesting rhubarb in the back stacks of Amazon, where that company acts as a conduit to a battalion of independent used bookstores. The controversy concerns a book/two books which is/are Two Hands and a Knife.

How’s that for convolution? Do I have your attention yet?

In 2003, Terry Gibson wrote a book called Two Hands and a Knife, a young adult survival story set in the Canadian wilderness. It garnered mixed and confusing reviews. It was almost as if the readers were reviewing two different books.

It turned out, they were.

In 1956, Warren Hastings Miller had also written a book called Two Hands and a Knife. I remember it well. I was in fifth grade at the time, in a tiny school, with no access to bookstores. Our school held a TAB book fair, and I bought Miller’s book. It was superb. I remember it better today, than I remember the books I read last week.

To be fair, it was also probably the first book I ever bought.

When Two Hands and a Knife came back onto my radar about a year ago, and seemed to be claimed by some modern author, my suspicions were aroused. Had some schmuck found an old copy and resold it as his own work?

No, it turns out, he hadn’t.

I made my way to the Amazon page which has a Look inside function and read the first chapters of the 2003 version. It was an entirely different book with the same title and similar plot. Of course, young-man-survives-the-wilderness is a sub-genre of its own, so plot similarities would be inevitable. Remember Hatchet?

Some of the reviewers of the 2003 book were clearly remembering their own distant childhood as well. Some reviewed Gibson’s book in glowing terms that showed clearly they had not read it, but were remembering the Miller book. Some noticed the difference, with disappointment. One hated Gibson’s book enough to give it one star and a “don’t buy”. A few reviewers had clearly read only Gibson’s book, and loved it.

If you’re curious, go to the page and go clear to the bottom. There are supposed to be eight reviews, but every time I go to this page, I only find five or six, and not always the same ones.

By now I’ve read enough of Terry Gibson’s book to know that it is reasonably well written, but not completely to my taste. Fair enough; I’m no longer the target audience. I have tried to find out who the author is, with little success. I did finally get a look at the back of the paperback cover in Google books and picked up this minimal biography.

Terry is a retired self-employed businessman. His love of the outdoors has taken him from North America and Europe to deep within the Amazon rain forest. It’s this ‘call of the wild’ that inspired Two Hands And A Knife, his first novel.  He currently resides in central Illinois with his wife Patricia.

This puts him pretty much in my generation. Did he read the Miller book as a child? Or not? Was it floating around in his sub-conscious? Or was Gibson’s book a conscious homage to Miller’s?

Don’t misunderstand. The 2003 book is not a rip-off, despite the crack you’ll find in Goodreads. It is an independent work. But we all have influences, ideas come from somewhere, and I find the entire process fascinating. In point of fact, Miller’s original Two Hands and a Knife was floating around in the back and front of my mind when I wrote my first novel Spirit Deer.

So Terry Gibson, if you someday google your own book title on a lazy afternoon, and stumble across this post, drop me a response. I’d love to talk.

Raven’s Run 103

“We should talk about him some time.”

I handed Ed a cup of coffee and said coldly, “No, we shouldn’t.”

He smiled slowly and said, “Well, maybe not.”

“Why do you care, anyway?”

“Habit. I need to know everything. Even things that are none of my business. I’m always getting in trouble over that.”

I could get to like this laid back FBI agent. He had loyalty and an odd way of looking at life. But I wasn’t going to tell him about my past just because he was likable.

Ed sipped and leaned back. “So you got discharged and spent three months wandering around Europe. Then you came to San Francisco. Why?”

“Did you ever live through a Wisconsin winter?”

“No. But I get your point.”

“I had met my Aunt Adele a few times when I was a kid, and I liked her. She was about the only relative I had left, so when I was in Germany I started writing to her. She invited me out. I’d gotten my GED while I was in the Army and wanted to go to college, so she put me up here and gave me this job. She paid my tuition, but I worked for the rest.”

“How does Joe Dias fit into all this?”

“I met him through Rusty Dixon. Joe and I both fire at Rusty’s pistol range. I was complaining about the price of Rusty’s reloads, so he introduced me to Joe. I went to work for him a few hours a week for spending money.”

“How long were you a P.I.?”

“I wasn’t – exactly. Joe called me three-quarters of a P.I.. I went to work for him in 1982. There weren’t many computers around then, and I had learned how to use one in the Army, so I started out doing computer searches. Eventually, I did everything, but it was never a profession with me, just a job. It was exciting sometimes, and it paid OK, but mostly I was interested in college.”

“How long?” Ed prompted.

“I can’t say, exactly. It was off and on. There were months when I wouldn’t see him at all, and times when I would work for several weeks straight. He let me work around my college schedule. I had a pretty tough time at first, and Joe was always understanding.”

Ed didn’t say anything, but he didn’t look bored either. He had the knack of drawing you out, making you want to explain further.

“A GED is no real substitute for High School.  My junior year was a disaster after my Dad ran off and I was trying to raise my sister. Then I missed my senior year altogether. When I got to college, I made really bad grades at first. It took me a while to learn how to learn. Then I had to retake some classes to get my GPA up so I could get into grad school. It took me a long time to get my M.A..” more tomorrow

308. All I Really Need to Know

dscn4338All I Really Need to Know I Learned in Kindergarten

All I Really Need to Know I Learned from my Dogs

Please don’t throw rocks at me, but that kind of prissy, perfect, and pretentious tag line activates my gag reflex. Let me suggest a different, more realistic take on life.

Everything I need to know, I learned in the dairy barn.

I’m not talking about a modern milk factory, but a real, old fashioned 1950s kind of dairy. To find one today, you’d have to go to a third world country.

You’ve all seen milk and yoghurt ads showing perfectly clean, starkly black and white Holsteins standing knee deep in green, green grass. Erase that picture from your mind. It never happened.

Holstein calves come out of the womb clean, but from three days after birth they will never be black and white again. They are brown to the knees from the dust and dirt – and other things – that boil up when they walk. Their tails become a black club of matted cockle burs – and that other thing.

The grass in the ads looks so perfect because no creature is allowed to graze there before the ad is shot. Turn a herd of cattle out and in four days it will be matted, scarred, pockmarked with hoofprints, and covered with steaming piles of the fertilizer which completes the circle of life.

No complaints, you understand. A herd of cattle on a green meadow is beautiful, but the grass will be eaten down, and the ground itself will look like a billion angry golfers have been making divots. It will be nothing like pristine.

It all comes down, finally, to this. Cows produce three things. One is a clear, yellow, somewhat odorous liquid, which they produce in copious volumes. One is a brown to green semi-solid, and they produce mountains of this. One is the thick, white liquid that feeds the nation.

You can’t get the one you want, until you figure out how to handle the other two.

Just like life.