Monthly Archives: January 2018

Symphony 70

“Anne Marie Chang has been teaching and researching reading for twenty-five years. She knows what she is talking about.”

“Maybe for some kids. Maybe for some schools, but not this one. Half of my kids can’t read, and that has to take priority over some half-baked ideas about cultural literacy. When I first started here I had all the kids at one level and half of them were miserable, frustrated, and unable to succeed. I gave them materials at their level, and they started reading. That’s the bottom line.”

“That’s your bottom line. The state’s bottom line is that leveling labels children, and those labels become so embedded in their thinking that they can never succeed.”

“Anne Marie Chang was labeled and it didn’t stop her from succeeding. Kids know what they are. If you put non-readers with readers, they just get their noses rubbed in their own inabilities.”

It was an old argument, and they didn’t resolve it; but when reason cannot solve a problem, force does. Bill told Neil he had to change his methods.

“Fine,” Neil replied. “Show me something that works and I will change to it.”

They parted on that unsatisfactory note, and two days later Neil found another note in his mailbox. This one said, “I have enrolled you in a cooperative learning seminar being put on by the county board of education on Monday. It is the only alternative to leveling anyone has been able to find. Go to the seminar, and then make it work in your classroom. I will evaluate you again in two weeks.”

Neil discussed the matter with Carmen, but neither of them could see any way out of the impasse. There were things to be said for both sides of the argument. And frankly, it did not interest them much. They both had experience enough to know that any theory is only a partial solution at best. This one was being forced upon them, so they would ride with the tide until it reversed, as tides and theories always do.

Neil continued teaching in leveled groups, hoping to get in a few more weeks of effective instruction. Meanwhile, he had more interesting and valuable things on his mind. The morning after his candy trick, Stephanie had come to him with a proposition. Her church collected cans for the needy every Christmas. She thought their class should do the same thing.

Neil thought it was a wonderful idea. He called Mrs. Hagstrom and discussed it with her to make sure that the parents would not have any objection. The biggest problem Stephanie’s project presented was identifying the needy in the community and getting food to them without putting them in the spotlight. Fortunately, Delores Zavala had lived in the district all her life and knew every adult, child, car, cat, dog, and everyone’s financial condition. She proved invaluable and Stephanie turned out to be an eleven year old dynamo. Within three days she had organized all her friends, and their friends, and their friends.  That meant every child in the sixth grade. Two weeks after the idea was born, there was a seven foot stack of canned goods in the corner of Neil’s classroom.

# # #

December was a busy month for them all, but particularly for Carmen whose mother became ill and began to take all her spare time. After two weeks Carmen was looking tired and complaining that she wasn’t getting any Christmas shopping done. Neil offered to sit with her mother to give her an evening off. Carmen accepted and Neil found, to his surprise, that Maria de la Vega spoke no English. Carmen had been so much at ease in her job, and so confident in the world she shared with him, that he had assumed her family was educated and English speaking. more tomorrow

Symphony 69

(Continuing Stephanie’s response.)

But sometimes I guess they don’t have much choice. Like if they have lost their jobs and they don’t have much money. I think it would be sad to live like that and I am glad my Daddy has a good job so we can live in a nice house and have nice things.

Your class made me see what it would be like to not have anything and to see other people get things. I wouldn’t like that, but I guess I needed to see it, so thank you Mr. McCrae for showing me.

Rosa had written:

We used to have a lot at Christmas until my daddy lost his job, but we are still luky I guess cause we have more than some other poeple have  We hav plenty to eat even if it is beans alot of the time. I like beans anyway  and if I don’t get nothing for chirismas this year thats alright because I got a lot last year.

It would be easy, Neil thought, to see Stephanie as spoiled and Rosa as some kind of angel, but that wasn’t so. They were both just sweet eleven year old girls who hadn’t had much experience in the world. Giving them some of that experience was Neil’s job.

# # #

Bill Campbell showed up for a surprise evaluation on Monday the fifth. He came in as the tardy bell was ringing and said, “I want to see the children read. If this isn’t the hour you have it scheduled, tell me and I will come back, but I want to see it today.”

Neil said, “I normally read to them for about ten minutes and then they read.”

Campbell sat down at the back of the class and waited, clipboard in hand.

Neil went ahead with the morning’s work. He read to them for ten minutes, then told them to get out their reading books. They took them and moved with no further command to separate areas of the room.

Bill Campbell sat up and frowned. He caught Neil’s eye, but Neil only shrugged.

Neil worked with each reading group in turn. Bill Campbell sat silently, making occasional notes on his clipboard, and twice he moved over to sit close beside a reading group. When the period was almost over, he left as silently as he had come.

Neil watched his departing back and sighed. Olivia said, “What’s the matter, Mr. McCrae?”

“Nothing,” he said. “Lauren, its your turn to read.”

# # #

When Neil went to the teachers’ lounge for coffee at recess, there was a note in his mailbox that said: Meet with me after school about your evaluation. He handed the note to Carmen and Pearl and said, “I’m screwed now. Bill came in unexpectedly this morning and found me teaching reading in leveled groups.”

Pearl reached over and solemnly shook his hand. She said, “It has been really nice knowing you, Neil. I’m sure you will enjoy teaching in Alaska next year, or maybe Timbuktu.”

“You told me to do it!”

With the solemnity of Colonel North testifying before Congress, she said, “I’m sorry. I don’t remember that conversation ever taking place.”

Carmen laughed. “Face up to it like a man,” she said. “I’m sure he will provide a blindfold and a last cigar.”

Bill Campbell was less amused. At their meeting he said, “I didn’t send you to that conference so you could go against everything they taught you.”

“What they taught didn’t make sense.”

“Anne Marie Chang has been teaching and researching reading for twenty-five years. She knows what she is talking about.” more tomorrow

452. Male Teachers

This is a follow up to the post 446. Until Proven Innocent. As I said then, my interest in guilt as a first assumption long predates current concerns about sexual harassment and abuse. Current events cause me to place this post at this time. It is an awkward coincidence that the long quotation appeared in Serial only last Thursday.

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Where were you when the world ended?

That is the opening line from Symphony in a Minor Key, which is now appearing over in Serial. The hero of that novel, high school teacher Neil McCrae, is falsely accused of sexual misconduct with a student and his world as he has known it comes to an end. He moves to another school in another state to rebuild his life. This provides an underlying structure for a novel that takes him through one year of teaching sixth grade, mirroring what I was doing that year in the real world.

In my twenty-seven years of teaching, I saw all kinds of teachers. The vast majority were fine people. A few should never have become teachers. At least one male teacher had questionable behavior. He didn’t last long in our school, but small schools tend to be self-policing. I’ve also seen several absolute goons who came for interviews but were not hired.

No matter how good and kind and honorable most teachers are, not all teachers should be teachers, and every parent knows that. In my experience, no matter what kind of people teachers are, the first thing parents see is their gender. If you are male, life as a teacher holds a different set of expectations for you.

In this scene from Symphony in a Minor Key, Neil McCrae has been reading a paper in which a student tells about her life. He feels a deep emotional bond with her, but . . .

Rosa was one of the meek ones. She desperately needed for someone to hold her, and tell her she was good and pure and valuable.

He could not.

Even if the shadow of Alice Hamilton’s accusation had not hung over him, he still could not have touched Rosa, or any of his girls. Carmen could and did, Fiona did when she was so inclined, Pearl mothered them all, and students came from everywhere to be hugged by Donna Clementi. But no student ventured near Glen Ulrich; and Tom Wright, young and friendly as he was, kept them at arm’s length.

Women teachers can hug and touch. It is expected of them. It is “motherly”. But let a man teacher touch his girls and he is a lecher; let him touch his boys and he is a homosexual.

It isn’t fair, but it is the way of the world.

That is how Neil sees the world, and since he is a kind of alter ego of mine, of course he is right. I don’t think things are going to change in that regard any time soon. And if I may make a prejudiced statement, they probably shouldn’t.

Being a male teacher of young people a strange profession. We tend toward carefulness that borders on paranoia. And since I am a writer first, with teaching as a life-long day job, I wrote a novel about it.

Symphony 68

When they came back, Oscar Teixeira accused him of deception by announcing, “Mr. McCrae, this wasn’t a real party and I never did get my candy!”

“You’re right. It isn’t and you didn’t. This was something I cooked up to teach you something. We will have a real party on the twenty-third, and you will get your share of the candy in about five more minutes.

“Meanwhile, I want you all to think back to how you felt when you got your candy.”

Their faces told him that they remembered, and he could plot who had and hadn’t gotten candy by their smiles and frowns.

“All right, who can tell me why I gave more candy to some than to others?”

” ‘Cause you wanted to,” Tony replied.

Neil ignored him. Finally Sean Kelly said, “You gave lots of candy to the good kids and not much to the ones who aren’t good.”

“How much did you get, Sean?”

Those who sat near him and had seen his single piece of candy, laughed. Sean held up one finger.

“Sean, do you think you are a bad kid?”

“Well, I have been getting in trouble with Duarte.”

“Yes, you have, but that doesn’t make you a bad kid. And that wasn’t why I distributed the candy the way I did. I had another reason in mind.”

Duarte said in sudden disbelief, “You gave the Mexican kids more than you did the white kids!”

“Did I? If I did it was an accident. Or rather, it was because my reason has something to do with how your parents live.”

Suddenly Elanor had a realization. She shouted out, “You gave the poor kids more than you did the rich kids!” Then she raised her hand, because she had forgotten to do so in her excitement at understanding something the “smart” kids had missed.

“Elanor, you are absolutely right.”

Elanor beamed.

Stephanie half raised her hand, withdrew it, then raised it again. Neil was pleased at this crack in her normal self-confidence. He nodded, and she said, “I guess it was fair that you gave the poor kids more candy. But now you said you are going to make it all even.”

“That’s right, I am. I do like to be fair.”

Stephanie squirmed in a perplexity of near understanding. Every atom of her body was involved in the moment. She said, “But then — why did you do it?”

“I didn’t do it for the poor kids.”

She just shook her head. She still didn’t get it.

“I did it for the rich kids.”

She was still blank, but trying so hard to understand.

“I did it so the kids who always get everything could just once, in one tiny way, know what it feels like to see others get something they want while they get nothing.”

# # #

Neil instructed his class to evaluate the lesson. If they wanted, they could look at it like Mr. Campbell would, or they could tell how it had affected them personally. Most of them wrote willingly; kids always do when they have something they really want to say.

That night he read their papers.  Stephanie had said:

I always get a lot for Christmas and for birthdays. I always say thank you to my parents. I really do appreciate them. They are very good to me and I know it. 

Sometimes I see other kids parents being mean to them. They won’t let them play baseball or buy them things and I think how sad it would be to be like that.

more tomorrow

Symphony 67

“It’s not fair.”

“Why do I have to be fair?”

Tony Caraveli was probably the only one enjoying the exercise. He had a pile of candy and he liked confusion. He shouted out, “Because the school board will get you for it.”

Neil had to grin. “Tony, you have a beautiful sense of how things really work. You are right. The school board would get mad at me. But what if I chose to ignore them?”

“You won’t.”

That part of the conversation wasn’t going where Neil wanted it to go, so he turned back to Stephanie who was still standing in the aisle looking like Liberty Leading the People. He asked, “Why do I have to be fair? Is life fair?”

“Yes,” she said defiantly.

He raised his eyebrows and invited the rest of the class to comment. They all but shouted Stephanie down, and the essence of their opinion was that life was not fair. “All right,” he said, “I want you to think of one time when life was not fair to you.”

Almost every hand went up. Neil waved his arms and said, “Wait! Just wait. I want you to take three minutes to think of the very worst way life has been unfair to you. Now think!”

They couldn’t wait. They couldn’t stand it. They twitched; they seethed; they bubbled. It was like watching a pressure cooker. Finally Neil said, “Okay.”

This time, every hand went up, but Neil simply got to his feet and began distributing paper. “I want you to write down what you just thought of,” he said, and a collective sigh rolled through the room. 

“Mr. McCrae,” Bob Thorkelson whined, “can’t we just tell you? Please.”

Neil shook his head.

“Please!”

“Write it.”

They knew from long experience that there was no appeal to the command to write. They took up their pencils and within seconds the room was silent except for the scratching of graphite on paper.

Meanwhile, Neil got his tape deck out from under the desk and put the Garfunkle tape in it. He had already cued it to the second cut on the back side. When most of the students had laid their pencils aside and raised their hands again, Neil said, “Since it’s a party, I thought we’d have some music.”

“Mr. McCrae,” Tanya wanted to know, “don’t we get to read our papers?”

“Later.”

The class couldn’t decide whether to be upset at having to wait or happy at the thought of getting music instead of work. The last few students put down their pencils and Neil started the tape. Garfunkle sang with sweet melancholy.  Without the music, the words would have meant little. With the music, it became a lament for loneliness and abandonment that even eleven year olds could understand.

Mary was an only child,
Nobody held her, nobody smiled . . .

After the last chord had died away, Neil shut off the machine and began to rewind. Laura Diaz said in a small voice, “Mr. McCrae, can we hear it again?”

A dozen of the students added their appeals to hers.

“Sure,” Neil agreed. “First let me give you these. I typed up the words and ran them off so you could understand them better.”

This time through about half of the children followed the printed sheets as the music played.

“That was neat!”

“Yeah, but sad.”

“Neat but sad is exactly what I think of it,” Neil agreed. “Does anybody want to hear it one more time?”

They did, and it carried them to the break. more Monday

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ASIDE: I have too much respect for other writers to print the lyrics of Mary Was an Only Child without permission, but you can find them on line. Better still, you can hear it on YouTube.

451. The Blurb

Every writer hates blurbs. If the term blurb is unfamiliar to you, it refers to the written material on the outside of a paperback novel that ostensibly tells the reader what the story inside is  about. It is supposed to be a way for the reader to judge quickly whether or not to make a purchase.

However publishers have no intention of telling you why you shouldn’t buy one of their books, so looking for an accurate blurb is a bit like Diogenes looking for an honest man. Thomas Anderson of Schlock Value, whose quirky reviews I never miss, wages an ongoing war against dishonest blurbs.

Yesterday I ran across Robert Bloch’s The Opener of the Way in a used bookstore. I’m not a fan of Bloch, nor of horror, but I bought it because I had to have a copy of the back blurb. I’ve reproduced the top half of it in the scan above. The bottom half, in extreme fine print, says:

(Actually, the Opener of the Way is a first-rate collection of ten terrifying tales of horror and the macabre, including some of the finest ever written about Ancient Egyptian curses, vampires, pacts with the Devil and others. We hope you ‘enjoy’ them . . .)

The fine print was more honest than most and the top part was downright clever. It isn’t usually that way. For example, the blurb on the back of my first novel Jandrax says:

As a scout he’d tamed four planets — and more women than most men ever see . . .

Now in truth, there is only one sentence in the novel that mentions, in passing, that first-in scouts are famous for being rowdy when between assignments.

The back blurb on Jandrax is in three parts, each flamboyant in the style you would find on old westerns. Setting aside the gosh-wow tone, the first and third section are accurate enough in content, but that middle section makes Jandrax sound like astro-porn.

There are two problems with this. Anyone who buys the book expecting a sexy, racy delight, will be terribly disappointed. And anyone who wants a serious portrayal of how space exploration might actually look will probably turn away. Based on the phrase more women than most men ever see, I wouldn’t buy the book myself.

True cliché: You only get one chance to make a first impression. The blurb is where authors make their first impression, and if the publisher blows it, authors are the ones who suffer. 

My second novel A Fond Farewell to Dying has a front blurb that says (in all caps):

WHAT PRICE LIFE? SURRENDER YOUR BODY! GIVE UP YOUR SOUL!

Yech! Sorry folks, that also has nothing to do with the story inside. Neither does the angel blowing the last trump over four zombies in boxes, but bad cover art is a subject for another post. FFTD is about an atheist who tries to come up with a mechanical version of immortality, and succeeds without the universe taking revenge on him for hubris. The front cover, both art and blurb, gives a very different impression. In fact, I saw FFTD for sale on a spinner rack of Christian paperbacks in a supermarket. Someone there certainly got a surprise.

The back blurb was lengthy, given in three paragraphs. The first two were reasonably accurate, but the third was wildly misleading. That inaccuracy irritated me no end, but most blurbs are much worse. They often look like they were mixed up and placed on the wrong book.

I challenge you to take a handful of science fiction paperback novels which you have already read, look at the blurbs, and decide if they have anything to do with the novel as you remember it. If you get one match out of five tries you’ve probably won the jackpot.

Still, the opening statement in this post may be an overstatement. Perhaps every long-time writer used to hate blurbs would be more accurate. When Cyan was being prepared for publication, the folks at EDGE asked me to write my own blurb, and I have to admit that compressing a novel into a sentence or two is hard. I appreciated the chance, but now I have no one to blame.

Symphony 66

Daddy said that what money we have will go to buy toys for the little kids. That’s OK, I don’t mind.

Neil lay back on his couch and wiped his eyes.

He remembered Carmen’s voice the first day they had looked at his students’ folders. Carmen had told him about Rosa. Then she had passed him Stephanie’s folder, and had said, “This is Rosa’s competition. She will take all your time if you let yourself be seduced by success. Stephanie will sound smart because she had mastered English; Rosa will sound stupid because she has not.

“The Stephanies of this world always get more than their fair share.”

He thought about them for a long time. He loved them both, not merely in a vague way as he did all his students, but intensely and personally because they had both come early to his attention and he knew them well. Stephanie knew her own worth; her parents had taught it to her early. But Rosa was one of the meek ones. She desperately needed for someone to hold her, and tell her she was good and pure and valuable.

He could not.

Even if the shadow of Alice Hamilton’s accusation had not hung over him, he still could not have touched Rosa, or any of his girls. Carmen could and did, Fiona did when she was so inclined, Pearl mothered them all, and students came from everywhere to be hugged by Donna Clementi. But no student ventured near Glen Ulrich; and Tom Wright, young and friendly as he was, kept them at arm’s length.

Women teachers can hug and touch. It is expected of them. It is “motherly”. But let a man teacher touch his girls and he is a lecher; let him touch his boys and he is a homosexual.

It isn’t fair, but it is the way of the world.

After a while, Neil went to his tape collection and put on Art Garfunkle’s first solo album. He juggled the fast forward until he found the cut he wanted, then listened to it twice through. Then he took pencil and paper and ran it through until he had the words copied down, then typed them on a ditto master. 

# # #

On his way to school the next morning, Neil stopped to buy a bag of Christmas candies. The first hour, the students read, and when they returned from their break to start the second period, Neil announced that they were going to have an early Christmas party.

That met with uniform approval, and none of it was silent. He added, “Just stay in your seats. Rafael, please give everyone a paper towel to use as a plate. I have some Christmas candy I’ll distribute as soon as Rafael has finished.”

Rafael worked quickly and a festive atmosphere filled the room. Neil waited until the boy had taken his seat again, then went around giving out candy.

He gave Duarte one piece, Sean one piece, Rafael five pieces, Laura Diaz eight pieces, Raul Fuentes six pieces, Stephanie one piece, and Oscar no candy at all; and so on, around the room.

As soon as they noticed, the fireworks began.

“Hey, you got more than I did.”

“Mr. McCrae, I only got one piece!” (This Neil ignored.)

“Get your hand out of my pile.” — “But you got more than I did.” — “So what? Its mine now.”

“Mr. McCrae . . .?”

“Hey, what’s going on?”

“That’s no fair!”

“That’s cheap!”

“Mr. McCrae,” Stephanie Hagstrom demanded, standing bolt upright beside her seat in surprise and dismay, “what are you doing? You can’t give some people more candy than others. You just can’t.”

All the children were looking at him now. He nodded sagely and said, “Why can’t I?”

“It’s not fair.” more tomorrow

Symphony 65

Probably all of them had; a third of them remembered it well enough to raise their hands.

“Who can tell me what their previous teacher told them at evaluation time?”

Tony Caraveli thought he could remember. Neil distrusted the devilish look in his eye, but told him to go ahead.

“Make me look good!” Tony said.

The children all laughed, but it had a nervous and restrained sound. Bill Campbell did not react, which made them more nervous. Neil said, “Whoever told you that was probably joking. Who else can tell me?”

Sabrina said, “Ms. Thompson told us to just be ourselves and act like there wasn’t anyone in the room.”

“Good. That is just what I want you to do. Ignore Mr. Campbell; it won’t hurt his feelings.”

This time the children’s laughter was more relaxed, and Bill acknowledged it with a wave of his hand.

Neil read to his class for twenty minutes from The House Without a Christmas Tree. He led a discussion about the story, and from that drew the children into talking about how their families celebrated the season. Neil made notes from their discussion on the chalkboard, then told them to write a paper on Christmas in their homes.

Bill left at the end of the hour. The instant he was gone, Greg Ellis’ hand shot up. “Mr. McCrae,” he demanded in honest concern, “how can you stand that?”

Neil had to grin. “Greg, I stand that for exactly the same reason you take math tests. Because I have to. But, believe me, it’s no fun!”

When he checked his mailbox at noon, there was a neatly hand written summary of Bill Campbell’s evaluation. At the bottom, he had written, “Generally a good lesson. Next time, I want to hear the children read!”

Neil thought, You just think you do!

# # #

Neil’s lesson plan had been worthwhile but unexceptional. He had not intended for it to be earth shaking, but when he sat at home that night reading the papers, he found that he had cut close to the bone.

Casey Kruger wrote:

We don’t hav Christmas at our house.  My parents say that it is a peagan rittul.  Jesus was born in a stabul and din’t have any presents, so we don’t have any present either.  I wish we did.

I would really like to have a real Christmas this year.

Lauren Turner wrote:

Every year we go to my granmas house for christmas.  she has a great big living room where we all put our presents.  I get presents from my mom and dad but nobody else gives them to me.  I mean I get presents, but my brother always gets twice as many and they are always neater than mine and i don’t think its fair ! ! ! !

Oscar Teixeira wrote:

My Dad gets me chemistry sets and sport shirts and ties and last year he got me a calculator.  What I really want is a baseball mitt and a football.

Stephanie Hagstrom’s paper was well written, in beautiful handwriting, and decorated with candy canes in all four corners.  She detailed what presents she got last year, told how happy she was to have Christmas with her parents, and told what she expected to get this year.

Rosa Alvarez’s paper was not so well written, although it showed great progress for her. It said:

This year I don’t think we will have much of a Chirstmas because my Daddy has lost his job and Mommy’s job at the bank doesn’t give us much money. My Oldest brother has gone back to Mexico, but Daddy said that what money we have will go to buy toys for the little kids. That’s OK, I don’t mind.

more tomorrow

450. Centuries Are Nothing to India

It is a new year, and once again I find myself in India. Metaphorically that is, in my latest novel.

I went to college as a biology major and quickly switched to Anthropology. Everyone in the Biology department wanted to study DNA and I wanted to study ecology. It was 1966 and I was about ten years too early.

Once in the Anthropology department, I quickly found myself drawn to Indian studies. That is, South Asian studies, not the study of American Indians, as they were called before the days of political correctness.

I also found that common terminology doesn’t fit the larger world. What Americans call the Middle East is neither middle nor eastern. It is West Asia. East Asia is China and Japan. South Asia is Pakistan, India, Nepal, Bangladesh and Sri Lanka I fell in love with all the parts of South Asia, and never made it to any of them in the flesh. The Viet Nam war got in the way, and then novel writing got in the way.

I have visited variant Indias three times now in novels. A Fond Farewell to Dying (Pocket/Timescape, 1981) was set in a future following nuclear war and rising of the waters, in which India is the last nation having a modern, scientific culture. America is reduced to backwardness while Europe and northern Asia are blasted by nuclear fallout. David Singer, having renamed himself Ram David Singh, has left America to become a scientist in India, where he perfects a type of mechanically derived immortality which gets him into no end of trouble.

During my years of Indian studies, I ran across Rabindranath Tagore’s poem Sunset of the Century. I was so taken by it that I quoted part of it when I wrote A Fond Farewell to Dying, and quoted a shorter piece of it as the sub-title of this website.

Here is what I quoted in Fond Farewell:

Be not ashamed, my brothers, to stand before the proud and the powerful.
With your white robes of simpleness.
Let your crown be of humility, your freedom the freedom of the soul.
Build God’s throne daily on the ample bareness of your poverty.
And know that what is huge is not great and pride is not everlasting.

That last line is probably my favorite quotation of all time. I posted the complete poem two years ago. Tagore wrote it on the last day of the nineteenth century, looking back at centuries of oppression and forward to a new century of freedom.

India showed up again in Cyan but I won’t give out any spoilers on that.

My latest novel The Cost of Empire is a look at an India just beginning to push for independence in a steampunk flavored alternate universe. Rabindranath Tagore is an off-camera character, as the cousin of one of the main characters who has a habit of quoting him. I’ll let you know when it is finished.

Symphony 64

Evaluation

Things rolled smoothly through November. Once Carmen decided that she did not hate Neil on sight, their relationship blossomed. They saw a good deal of each other after school, and at least once a week they went dancing or to a movie. Neil still felt the same fire he had felt at their first meeting, and she clearly had some of the same feelings, but there was something missing. They were physically attracted to each other, but not intimate; they were friendly, but not yet friends. Some barrier still stood between them. Neil had no idea what it was, and if Carmen knew, she was not telling.

Tony Caraveli got in trouble in Glen Ulrich’s class and was suspended for three days. Duarte Zavala and Sean Kelly lived in a constant state of non-violent cold war. Neil’s other minor trouble makers got warnings and an occasional detention, but, overall, things had settled down for the winter. They all knew each other now. Everyone knew where the boundaries were and accepted them. Spring would shake things up again, but for now there was a season of peace.

November was a prime month. Everything had settled into a routine, and the children did their work more willingly than they ever had; or ever would again.

They were growing fast. Even in the few months he had been there, Neil had seen a change in their bodies and in their behavior. A few of them had lost the baby-fat look that had characterized them at the beginning of the year. Hormones were beginning to kick in. By the end of the year, they would be a whole new breed, with new interests, a new outlook, and new problems.

# # #

Near the end of November, Neil found a letter in his school mailbox. It informed him that since he was a first year teacher, a formal evaluation of his teaching techniques would take place during December. He was invited to submit the two dates he preferred to be evaluated, and was informed that there would be an additional three unannounced visits.

Carmen was standing beside him when he read it. He passed it to her and made a face. “I hate evaluations,” he said.

She smiled in commiseration. “We all do.”

“Yes, but we aren’t all leveling our students behind the superintendent’s back.”

“True.”

There are few things more nerve racking to teachers than evaluations. First of all, they are subjective. If the teacher shares the same philosophy as the evaluator, it is hard to get a bad rating; if they are at odds over what should be taking place in the classroom, a bad rating is almost guaranteed. Second, much of any day’s teaching depends on luck. If the children are in a good mood, motivated, and if the day’s lesson happens to be interesting, they will make the teacher look good. But if the day’s lesson is inherently dull — and not everything worth learning is necessarily fun to learn — then they will make the teacher look bad no matter how well he prepares and delivers his lesson.

Neil wanted to get the evaluations over with, so he invited Bill Campbell in for the morning of the first of December.

On the appointed day Bill came earlier than Neil had expected and sat down before the tardy bell had rung. The more mature students tried to look at him without seeming to do so. The others just stared. Neil rapped the desk for attention and took roll. Then he said, “I had intended to tell you today that Mr. Campbell would be coming by for evaluations, but he has gotten here sooner than I had expected. How many of you have been through these teacher evaluations before?” more tomorrow