This is not bait and switch. This week will be devoted to early Nortons, but the news of Fidel Castro’s death makes a few timely words necessary.
This morning I watched some of Castro’s victims being interviewed, people of middle age who were forced to flee their homes as children. Many were still mourning the loss of parents as their families were separated when they fled to America. It begs the question: how can the expulsion of Cubans from Cuba be wrong, and the mass deportation of undocumented American residents be right?
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This post and tomorrow’s are about the Sword Trilogy, Andre Norton’s first multi-book story. The other posts this week are also devoted to very early Nortons.
In my library (spare bedroom) there is a shelf of books on languages, and prominent there is my collection of books on how to teach yourself Dutch or, more properly, Nederlandish. Why Dutch? Why not German which I sort of learned in high school, or Hindi which I kind of learned in college? I could give you logical reasons, but they wouldn’t be honest. The truth is, I fell in love with the Netherlands, and a Norton novel was the cause.
The book was At Sword’ Point. I read it in high school and I re-read it every few years after that until the last library discarded their last copy. Then I bought it used through mail-order. Naturally, it turned out to be a discarded library book. I have it on the desk as I type.
Quinn Anders shivered as he limped up a moss-greened walk to the square New England house and raised his hand to the polished brass eagle doing bored duty as a knocker.
In the first sentence we know that Quinn is not a fire breathing super hero. He shivers. He is also not a perfect physical specimen. He limped. We learn later that he has suffered from polio, a disease common in the era, and that his scholarly nature comes from time spent bedridden as a child. By the time Norton tells us this, we want to know. It is not a narrative intrusion, but an answer to questions she has already teased into our minds.
She also informs us that she is an old fashioned writer, not afraid to use more words than are necessary (the polished brass eagle doing bored duty as a knocker, for God’s sake) and that her writing will be circuitous. That’s Norton. If you don’t like that first sentence, you had better go read someone else.
It worked for that era (and for the multitude of Norton fans). When the novel was published in 1954, the Soviets were consolidating their hold on Eastern Europe and had just detonated their first H bomb. The missile race and the space race were in the near future and escaped Nazis filled popular literature.
Quinn Anders is seeking help in finding out what happened to his older brother, killed in an auto “accident” in the Netherlands. In fact, his brother was part of an unofficial underground, headed by Lorens van Norries, whom you will meet tomorrow; the group came together in resistance to the Nazis, and has changed enemies to resist the Soviets. Quinn goes to the Netherlands to finish the book his late father began on an obscure order of knights from the Middle Ages. At the same time he is looking for clues to his brother’s death, and to the ancient, gem encrusted porcelain knight that was his brother’s last gift.
He succeeds, of course. No spoiler alert needed for that statement. He also finds himself accepted by a band of like minded adventurers. That is, he finds a family, which is a familiar pattern in Norton, and in young adult literature as a whole.
At Sword’ Point is well plotted and satisfying, but what lifts it above other Norton works is the brooding atmosphere of the Netherlands, half medieval and half modern. I fell in love with the place. It didn’t hurt that Lorens and Kane had had lives of their own in earlier books, which I discovered afterward. You’ll hear about them tomorrow.


