Tag Archives: literature

Weird Season

I grew up on a farm, spent my adult life in a city, and returned to a few acres in the Sierra foothills when I retired. That means that the passing of the seasons means more to me than it would to someone living in a city.

This year was strange. We had lots of rain early in the rainy season, none for a critical month, and then lots more at the end. It meant that there was close to normal rainfall,  but the timing was all off.

Usually our rainy season gives us a sequence of wildflowers, but this year they all came at once, giving us a brief look at a beautiful world. I thought I would show you a bit of it.

Within a month, the rattlesnakes will be carrying canteens again.

Serial Education

Continued from last week, when I started to talk about what has already appeared in Serial.

Starting January 20, 2016, I presented a long fragment of the unfinished novel Voices in the Walls. I won’t give details, since you can read for yourself, but it was a teaching event. I interlaced the novel fragment with a chance to look over my shoulder as I worked. That turned it into a how-to for new writers.

#           #           #

Here is a bit of unavoidable nerdishness. I should have transferred Voices to Backfile. I didn’t. Time is short and work is long, and I never found the time to get it done.

You can still read old multiple posts, but it can be a major PITA (pain in  . . . ) because they are presented in archives last-first, and you want to read them first-first. Worse still, archives does not distinguish between AWL posts and Serial posts, so you have to read every alternate one.

It isn’t really hard if you know the secret. Here’s how it is done. At the bottom of each post are right and left arrows to the next/previous post. If you start with the first post of VITW, read it, then click the right arrow, it will take you to the next post. Unfortunately, in my world that will be the same-day post over in AWL. Slide down through that post and click the right arrow to go to the next day’s post of Serial. And so forth.

It goes quickly after a few clicks to get into rhythm. Try it. VITW is worth your time.

#           #           #

The entire novel Jandrax followed. It was and is available in used bookstores both locally and on Amazon, so it was not a lost work, but I included it with annotations. If you just want to read Jandrax, buy a used copy. Clicking through 92 posts isn’t worth 95 cents. But if you want to read the annotations in which I discuss why I did what I did, and confess to my screw-ups, it’s all there for you to enjoy.

more tomorrow

Symphony 136

John Teixeira stared at his son, slowly shaking his head.  He said, “Son, I am proud of you. Why haven’t you been doing this kind of work all along?”

“Now,” Neil interjected quickly, “the favor you offered. I’m taking you at your word, and asking one. I am asking you, ‘Don’t spoil the moment.'”

John reached out for his son’s hands and said, “Of course. I am just surprised — and pleased,” he quickly added.

“Do you remember the last conversation we had, about how Oscar wants to be proud to be Chicano. Today he was, and if you were proud of him as a Chicano, I don’t think he’ll ask much more.”

John Teixeira swallowed hard and smiled to cover his feelings. He said, “I am proud of my son as anything he really wants to be, as long as he does his best at it.”

Oscar Teixeira looked eleven years old and eleven feet tall.

# # #

Carmen came to relieve Janice at the wheelchair, and managed to push him across the playground with one hand on the handle and one hand holding his hand. The children were milling around with their parents or wandering off toward the buses. Most of them had already come by to say hello to Neil, but a few more drifted in to welcome him back. There was much hand squeezing and hugging. It made him uncomfortable; it always did. But at the same time, it thrilled him.

Then he saw Lisa Cobb. She was standing with two strangers, waiting by Carmen’s car. As he rolled up, Lisa stepped forward, very proper and terribly embarrassed. She put out her hand for an adult hand shake, and Neil used it as a lever to pull her in for the hug she really needed. She backed away, biting her lip, and simply said, “Thank you.” Then she rushed to the woman and hid her face in her skirts.

The woman enfolded her in the kind of totally safe embrace that Neil could never provide. She said over Lisa’s head, “I’m Mrs. Bowman. The county uses me as a short term foster mother, so I see it all. Lisa told me a lot about what happened. She is one lucky little girl that it was stopped before things went any further. And she is lucky to have people who care for her like you two.”

“We are lucky to have kids like Lisa to care for,” Neil said.

“Coming here today was completely her idea. She didn’t know if she could go through with it. She’s still embarrassed by the whole thing. I told her the sooner she started living a normal life, the better. Then when she saw you, she had to talk to you even though that embarrassed her worse than anything.”

Lisa slipped under Mrs. Bowman’s arm and stared at Neil from its shelter. He said, “How do you feel, Hon?”

“Okay. I’m okay now.”

“How is your mother?”

“She’s getting better. They let me see her yesterday.”

She dropped her head and said, “I’m sorry about your jaw and all.”

Neil said, “Look.” He drew back his lips and showed her the wax covered wires. “I never had braces before.”

She giggled and then slipped around behind Mrs. Bowman, looking very young indeed.

# # #

On the way back to his apartment, Carmen said, “You just added another member to you fan club.”

“Jealous?”

“You just hurry up and get well, and I’ll show you how jealous.”

finis

Symphony 135

As they crossed the playground, the Cinco de Mayo celebration was just getting under way. Neil said, “I want to sit next to John Teixeira.”

“I don’t see him.”

“Keep looking. I sent word to his wife to have him here no matter what.”

Janice looked curiously at him, but their relationship was newly repaired and fragile. She did not presume upon it to ask questions. Instead, she searched the grassy area where folding chairs had been set up until she saw John and Sandy Teixeira.

She parked him beside them and pulled up a chair on the other side, still puzzled.

John Teixeira met Neil’s eyes while they measured each other anew. It was almost as if they were meeting for the first time. Neil put out his hand and John shook it without hesitation. He said, “I heard what you did for the Cobb girl. If there is anything I can ever do for you, just ask.”

“There may be. Just watch the show, and then we’ll talk about it.”

In the center of the open space in front of the folding chairs, the children had constructed a cardboard fort. Carmen and Gina had arranged for a PA system with two mikes. Stephanie Hagstrom stood by one; Rosa Alvarez stood by the other. They read the narration, first Stephanie in English, then Rosa in Spanish.

The year was 1862. Using independent Mexico’s debts to European powers as an excuse, France had decided to invade Mexico. The French General Laurences arrived:

“So this is Vera Cruz,” Stephanie read. “What a beautiful country Mexico is!”

“Asi es Veracruz,” Rosa echoed. “Que campo tan hermoso tiene Mexico!”

The French army arrived in construction paper hats, carrying broomstick rifles, and attacked the fort at Puebla. Regular Mexican troops and Zacapoaztla Indians rose up from where they had been hidden behind the walls and defended it. Three times the French attacked. Three times they were repulsed. When the day — Cinco de Mayo, the fifth of May — was over, the French invasion had failed. Never again would a European power invade the Americas.

When the applause had died down, Neil said, “What did you think?”

“It was very good,” John Teixeira admitted. “You must have put in a lot of work on it.”

“Not me. I was in the hospital.”

“Mrs. Wyatt then.”

“Not according to the reports I got. She said she just sat back and let the person in charge do his job.”

“I don’t understand.”

“You will. Here comes the person who wrote, produced, and directed the whole thing. He did the research; he organized the kids. He harassed them until they learned their lines and got their costumes together. He made it work.”

Oscar came walking up as Neil was speaking, with a smile that threatened to break out into a grin — or to go away altogether. Neil reached out and shook Oscar’s hand gravely. He said, “John, meet the one who put it all together while I was in the hospital. The boss. El patron.” more Monday

Symphony 134

He thought back. “I guess I didn’t. I felt my jaw give way when he hit me, so when I woke up with my mouth wired shut, I thought I knew the whole story.”

“It was more serious than you realize. The doctors tell me now that you will be fine, but we didn’t know that at first.”

Carmen took both his hands in hers and kissed his knuckles. She said, “I love you, Neil McCrae. When I thought I was going to lose you . . .”

Neil put his arm around her and drew her close. He ached to kiss her. He said, “You don’t have to lose me. Ever.”

He swept the hair back from her forehead. He admired the shape of her mouth, and the dark depths of her eyes.

“Bill offered me a job,” he said finally.

“I know. I knew about it yesterday.” She paused as if she were afraid to go on, then asked, “What did you say?”

“I didn’t say anything. It all depends.”

“On what?”

“On your answer to my next question.”

“What do you mean?”

“Well, I wouldn’t want to go on teaching at the same school with you, if you turned me down when I asked you to marry me.”

# # #

After Carmen left, Neil lay back thinking of the one irony everyone had either missed, or had chosen not to comment on. When it came down to blood and dust, he had believed Lisa instead of Jim Pollard. He had never even made a decision; it had been automatic. Just as automatic as the decision the community had rendered against him in Oregon a year earlier.

# # #

Bill had been right about how long it would take Neil to recover. By Friday morning he was still seeing double and he could not stand up for more than ten minutes at a time. The blows to his head had been a terrible shock to his system.

He badgered his doctor into letting him out by promising to stay in a wheelchair so he couldn’t fall and re-break his jaw if he passed out. It was nearly eleven by the time he had finished the paperwork. Janice Hagstrom picked him up at the hospital entrance, and stowed his folding wheelchair in the back of her station wagon.

He said, “Thank you for picking me up.”

She laughed self-consciously. “If ever there was a case of ‘the least I could do’, this is it. I still don’t understand why you don’t hate us all for the way we treated you.”

Neil closed his eyes against the brightness of the day and said, “That’s easy. You were just trying to protect your children. How could I hate you for that.”

“I would think it would be easy to hate us,” Janice said as she pulled out, “but I’m glad you don’t. Is it true what we hear?”

“What do you hear?”

“That you are going to keep on teaching here, and that you and Ms. de la Vega are getting married.”

“Yes and yes. June fourteenth.”

Janice took pity on his obvious exhaustion and let him sprawl quietly in the front seat all the way to the school. There she pulled out the wheel chair, and then had her hands full keeping his kids from trampling and battering him with greetings. more tomorrow

484. Steampunk Anglophiles

I have come to the conclusion that most steampunk fans are also Anglophiles. That isn’t really surprising, but it puts me in a bit of an odd position, since I am not.

It’s not an aversion to England; I’ve been there several time and it is full of wonderful things. However, I have a disinterest in many of the things Anglophiles find interesting. Downton Abbey bores me silly. I don’t care who lives Upstairs or who lives Downstairs, and I really couldn’t care less about Elizabeth Bennet and Mr. Darcy.

One reason for my disaffection with a certain kind of English literature comes from being forced during high school to read Great Expectations. It was enough to put a person off reading altogether. With some exceptions (to be fair, probably quite a few), the recommended cannon of English literature, 1750 to 1900, is a litany of insipid characters, dull plots, uninteresting situations, and tales of a tedious and self-destructive culture. Thank God for Shakespeare and science fiction, or I might be illiterate today.

English history is fascinating, but I found my interest in English literature only on the periphery. First came Robert Louis Stevenson. I’m not talking about Treasure Island, which made him rich and famous. I mean, primarily, Kidnapped, and its almost forgotten sequel David Balfour (also published as Catriona). They are two halves of the same story and form a true classic. Critics see them as children’s books, but together they are the tale of a young man who successfully fights his way to become a morally responsible and honorable adult.

Of course, Kidnapped/Catriona is really a Scottish novel.

As an undergraduate, I studied India, one of England’s major victims. That inoculated me against Kipling style jingoism. My wife’s ancestors were Scottish and that led me into a study of Scottish-English relations — another complicated and ugly story. It also led me to two incredibly talented Scottish authors, Neil Gunn and George Mackay Brown.

Nevertheless, I did find English literature to love — even Victorian/Edwardian English literature to love — but not in the official cannon. First came Sherlock Holmes. I found a copy of the two volume Doubleday version when I was in my twenties and I have read it to shreds. I really need a new copy. That led me to Chesterton’s Father Brown; the real one, not the imposter on PBS.

Through my interest in small boats, I stumbled onto Riddle of the Sands, with two of the most English, most honorable, most fun heroes ever. I also found author John Buchan, who now occupies two feet packed tight on my library shelf. Buchan finally showed me inside the minds of some British imperialists whom I could respect, and even identify with.

Finally, the musical Scrooge led me to the non-musical adaptations of A Christmas Carol, and they led me to the novella itself. What a revelation. Dickens is wonderful, despite the agony of being force-fed Great Expectations while still too young.

So I ended up with a balanced view of England. England is the origin of our civilization and also the meanest SOB on the block. England both destroyed and preserved the great civilizations of the past wherever they conquered; and that was pretty much everywhere. English literature is both fascinating and as dull as a downstairs maid polishing the silver. England brought modern mechanized civilization and increased poverty to most of the world.

So I came to steampunk from out of left field and it shows in my new steampunk novels.

In The Cost of Empire (written in 2017 and looking for a publisher as we speak) the hero is a farmer/fisherman from the fens who is on the rise as an officer in Her Majesty’s Air Service (dirigibles, of course). He is a defender of the empire, but he begins to have doubts when he comes to know Amir Kalinath, an advocate of Indian independence. I have a long excerpt from the opening chapter scheduled here shortly.

And Like Clockwork, presently more than half finished, is a deeply weird take on Old London. It started out by imagining what would happen if the toy shop in Scrooge (the musical) was real, and it’s proprietor had built those incredible clockwork toys himself. I’ll say no more, since even I am not sure how this one is going to turn out.

Symphony 133

Neil said, “Oh.” He wasn’t sure that he liked a teacher as popular as Gina filling in for him. “I’ll be back on my feet in a day or two.”

Bill chuckled. “That’s what you think. You feel good because you are doped to the eyebrows. Wait an hour or two until the codeine starts to wear off and tell me how soon you will be back on your feet. You just stay here and recover; we’ll take care of school.”

“Do me a favor, then. Tell Gina to let Oscar Teixeira have his head. He is in charge of a student committee that is going to put on the Cinco de Mayo celebration. She needs to trust him, and give him all the freedom he can handle.”

“Oscar Teixeira? Are you out of your mind?”

“Trust me on this one. I have something brewing.”

Bill shook his head. “Don’t you always? Oh, by the way, we had a special board meeting on Sunday afternoon. They were naturally interested when you caused a brawl in my office.”

“No doubt,” Neil observed dryly.

“While I had them together, I made arrangements for shifting some teachers around next year. The state finally acted on Glen Ulrich’s request for disability retirement. Now he can get away from kids and rest his ulcer. Carmen has a math credential, so she agreed to take his place. Gina will be taking her sixth grade core back. That leaves me needing a teacher for seventh grade core. Do you want the job?”

Neil had to turn away to hide the emotion in his face. Did he? How could there be any question? He would miss the maturity of the high school students, but in his five years of teaching he had never grown so close to any children as he had here. They had been like babies when he got them. He had led them through puberty. He had seen them grow taller, stronger, more confident. To teach them for another year, and watch them grow further . . .  He could not express it.

Bill withdrew his hand and said briskly, “Got to run. I’ll tell Gina what you said, and I hope you know what you are doing. You won’t be wanting to see me for a while anyway.”

Neil turned to see what had changed Bill’s attitude, and saw Carmen standing behind him. She was hustling him out the door.

She came over to sit beside him and he lay quiet for a moment, just drinking in the sight of her.

She leaned over and kissed him ever so gently on his swollen lips. There were tears in her eyes again. She said, “I wasn’t very nice to you the last time I was here. I was too flippant, and I didn’t take the time to tell you how very proud I am of you.”

“For getting the crap beaten out of me?”

She winced. “I don’t know why I said that. I was just so relieved to see that you were going to be all right.”

“All he did was break my jaw.”

“That’s not true. You were unconscious for twenty hours from the blow. From both blows, actually; the one on the jaw, and one when Pollard threw you against the wall and you hit the back of your head. They took E. E. G.s and a dozen other tests before they would even set your jaw. They were afraid to administer anesthesia.”

Neil said, “No one told me.”

“You probably didn’t ask.” more tomorrow

Symphony 132

His memory was there, but it was like a jigsaw puzzle that had been dumped on the floor. A lot of it was just scattered pieces, but large chunks here and there retained their structure. He remembered Lisa’s distress; he remembered talking with Bill about what to do, and arguing with Mrs. Cobb and Jim Pollard.

He remembered the fist coming in and the feel of grating teeth. That was very clear. But the rest of the fight was a complete mystery, and he would have to wait until nearly four to get his answers because Carmen and Bill were both at school.

# # #

When Bill came in, Neil’s first question was, “Where is Carmen?”

Bill laughed, pulled up a chair, and said, “Well, thanks. I guess you are getting better. She had a conference with a parent, but she will be along in a half hour or so.”

Bill reached out and took Neil’s hand, like a father taking the hand of his son. Neil squeezed his fingers. He said, “Where is Lisa?”

“They put her in a foster home. I don’t think she will be there long. Her mother is in counseling, and I think Lisa will be able to go home in a few weeks. With Pollard out of the picture, she will be able to think of her daughter again.”

Neil said, “I don’t have a clear picture of what happened after Pollard broke my jaw. I do seem to remember jumping him and hanging on.”

“I’ll say you did. That was the only thing that saved us. He’s right down the hall now, and when he leaves it will be to head for the county jail.”

“What happened?”

“It was the strangest thing. I was trying to get out the door to go for help when you came back to life, jumped on Pollard and dragged him down. He thrashed around like mad, but you had him in a grip that he couldn’t break.

“That’s when Judy Cobb went crazy. She had been standing there like she didn’t know what to do, but when saw him down, struggling and helpless, she started screaming curses and jumped right on him. She beat him with her fists until he shoved her off, then she hauled back and kicked him as hard as she could right in the crotch. That took the wind out of his sails.”

“She put him in the hospital?” Neil asked in awe.

“Not exactly.” Bill looked embarassed. “What she did, she got his attention and let me get to the next room. I grabbed the fire extinguisher and put a dent in his skull. That’s what put him in the hospital.”

Neil grinned, then cried out in pain. His eyes watered as he got control of himself again. “Don’t do that to me, Bill,” he said, “I’m in no condition to move my mouth.”

“Sorry.”

“So! You accused me of being a hothead. It seems you still have some steam in your boiler, too.”

“I have to admit that seeing a good friend getting beat up started my adrenaline pumping.”

You never called me that before, Neil thought.

Neil raised his hand and Bill took it without embarrassment. To change the subject, Neil asked, “How are my kids taking it?”

“Fine. Gina Wyatt came back to fill in for you. She says she misses teaching and was glad of an excuse to get back into harness.”

Neil said, “Oh.” He wasn’t sure that he liked a teacher as popular as Gina filling in for him. more tomorrow

Symphony 131

Home

If he tried really hard, Neil could remember the ambulance, and the uniformed officers standing around taking statements; but it was vague, like a memory belonging to someone else, so he let it go.

A doctor said, “Can you feel that?” and Neil was surprised to realize that the pain had gone away. He tried to shake his head, but something was gripping him so tightly that he could not. He was trying to puzzle that out when the darkness came again.

Later he saw a moving grayness, like the unrolling of an unexposed film. Round objects swept into his field of vision from below and disappeared above. When he finally recognized them as electric lights, the grayness came into focus and became a ceiling sliding by above him. He felt the lurching of a gurney and the jar as they stopped. Hands lifted him into a bed, and he tried to say, “Where am I?” It came out as an infant’s shapeless gurgle.

Then the world went away for a century or so.

# # #

Neil was not sure when he wakened. The world was a slow, abstract dance of unrelated patterns for a time, and he could not judge how long that time was. Eventually the blur of light became a window, the swaying blot suspended above him became an I. V. bottle, and the smear of yellow close in at his right side became a blouse, with Carmen wearing it.

When she came swimming into focus, he said, “Blumurf.” She smiled and swept her hand across his forehead in a caress. Neil said, “Whisimulf.”

“I’m sure that makes sense to you, Love, but you are going to have to learn to talk with your mouth wired shut before the rest of us can understand you.”

“Maulf?”

She leaned over and kissed his forehead. There were tears in her eyes. She said, “You had us worried. You had me worried; the doctors said you were going to be fine.”

“Whappund?”

“What happened? You were very brave and noble and got the crap beat out of you. Don’t you remember?”

“You ‘ont sunn vry worrd t’me!”

Her mouth quivered and she bit her lip. Tears ran freely down her cheeks as she threw her arms around him. With her face buried in his chest, she whispered, “You’ll never know how scared I was!”

# # #

Things stayed blurry all that day. He knew it was Sunday because someone told him, but he couldn’t fit that into any kind of personal time line. He kept remembering his time of crisis in Oregon. He could remember that it was in his past, but it felt like last week, not a year ago.

If today was Sunday, then tomorrow was Monday and he would have to make up lesson plans for a substitute. He asked for paper and pencil, then sat for five minutes trying to remember what chapter of Macbeth they were studying before he finally remembered that he had been teaching that a year ago and five hundred miles away.

After that he just slept.

He slept until ten o’clock Monday morning, then woke clear headed. He found that his mouth was wired shut; his lunch consisted of mashed bananas and cream of wheat. His memory was there, but it was like a jigsaw puzzle that had been dumped on the floor. more Monday

Symphony 130

Neil knew he had to do something now to break Pollard’s calm and drive a wedge between him and Judith. “Mrs. Cobb,” he asked, “haven’t you talked with Lisa about all this? She must have come to you.”

“Lisa complains all the time,” Pollard cut in. “You can’t listen to her.”

“I was talking to Mrs. Cobb!”

Pollard’s face darkened. He said, “I can speak for myself, whenever I want to.”

“Yes. So you can. But can she?”

“Judy can talk for herself.”

“So, let her!”

Judith Cobb hunched down and looked miserable. Neil asked again, “Didn’t Lisa complain to you?”

Pollard glowered at her in silence. She shook her head.

Neil swiveled around to Bill Campbell and said, “I think one of us needs to talk to Mrs. Cobb alone.”

“No!” Pollard took her by the shoulder and half dragged her to her feet. 

Pollard was getting desperate. Neil felt his heart sink. This had started as attempted rape; it could end in murder.

“Judy and I just came to get her little girl,” Pollard shouted. “You’re trying to keep her from her own child. That puts you in the wrong. Now give Lisa to us or I’ll call the police.”

Bill Campbell said, “I already have.”

Pollard’s face went dark with rage. He bunched his fists at his sides and he was all but trembling. His powerful chest was straining the fabric of his shirt. Neil stepped between Pollard and Bill Campbell just as Pollard threw a hard right. He didn’t have time to dodge.

Neil felt his jaw move violently sideways with a dull snap, and saw the darkness coming in from the corners of his eyes. Bill’s desk top caught him across the buttocks and he fell, flipping backward like a stunt man in a movie. He landed on his hands and knees on the far side of the desk, swayed, then staggered to his feet again. The world skidded sideways and he fell back to one knee.

He felt hands on his shirt. Pollard jerked him upright, then hurled him backwards to slam into the wall.

This was not the way it was supposed to happen

Neil threw up his hands to ward off another blow to his face, but Pollard shifted and hit him in the stomach. It doubled Neil over, and he hit the floor again, on his knees this time. Pollard’s legs were in front of him, so he threw his arms around them and tried to pull him down. Something hit him hard at the base of the skull and he slid the rest of the way to the floor.

Neil rolled over. The world was a gray blur. He could see a swirl of interacting figures, like a strobe-lit dance, but none of it would come into focus. Bile tickled the back of his throat, and he fought against the need to vomit.

He was leaving Bill to face a raging bull alone. And after him, Pollard would turn on Carmen and Lisa. 

No!

Neil forced himself to his feet again. He could barely support himself. He tried to bring the room into focus and failed.

Failed! How he hated that word.

He concentrated on Pollard, picked his figure out of the swirling mass before him and launched himself toward it. His arms would barely respond, but Neil managed to throw them around Pollard’s chest. He wrapped him up in a death grip and let his weight pull them both down.

He felt consciousness fading and willed his arms to lock, to cling so grimly that death itself would not loosen them. Then he saw the great, gray spiral that led down into blackness, and fell into it. more tomorrow