Tag Archives: literature

277. Fire and Ice

Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.
            Robert Frost

Both Dante’s inferno and a comment to Frost by astronomer Harlow Shapley are given as the inspiration for Frost’s poem. I’m in no position to argue with scholars, but for me it reeks of the North, of Up Helly Aa, of Bifrost and Valkyries, mead halls and winter warfare among Viking people.

Imagine yourself there, in your stave hall before the fire. Surrounded by your kinfolk, safe from the howling wind and deep frost outside your walls. Feasting on meat and mead.

Midwinter has come and gone. You have celebrated with bonfires. Now begins the long wait for spring, for the return of the absent sun.

It is a time for feasting, and for the telling of tales. Tales of Frost Giants and the Fenris Wolf. Tales of Odin sacrificing his eye for wisdom. In the great north, even the Gods live a harsh life. See him there in the corner, in the shadows near the roofbeam, just an image carved in swirling smoke, with Huginn and Muninn on either shoulder.

Old tales and new.

Agnar is speaking now. A third mead has loosened a tongue normally silent. He tells of last summer, of the fogs and waves and heaving seas, of cliffs towering black and high, wet with spume and crowned by the massed nests of fulmars. And of the soft coast, the green coast, the coast of Ireland where soft monks in black robes keep food and drink in quantity and spend their days illuminating manuscripts.

Look at the manuscript there, leaning against the wall at Dagmar’s elbow. Drawings of strange men tangled with curling letters that no one in the hall can read. Tales, no doubt, but of what value? Soft tales, by soft monks, without blood or fire.

The monks had no fire, no courage, but they had blood. Agnar and his men set that blood free to wet down the stones of their chapel. A short fight, and much treasure. Not much battle for a Viking’s tale, but sometimes it is good to tackle an easy foe.

Then Fannar raised his hand and hissed, and all fell silent. Fannar’s ears were legendary. He could hear a sword whispering from an oiled sheath, or a fur clad foot falling in a snowdrift.

They all heard, now, what Fannar had already heard. A thump and hiss, followed by another, and then a third. Soft. Almost like a clump of snow falling from a pine.

Or like torches falling on thatch.

There were no windows in the hall and only one door. They had told their tales and drunk their mead in darkness, lighted only by the hearthfire, but now it began to grow light as the thatch above began to glow, and to stare down at them with a hundred crimson eyes.

Then came the shout. Fifty voices if there was one; fifty strong male voices. In Agnar’s hall were nine men, and their women, and their children. The men leaped to their feet together and went weaving and staggering to take up their swords and axes. Hanne, Agnar’s younger wife bent double, placing her body between the child she was nursing and the burning thatch that now began to fall like rain.

Even if nine could win against fifty, the hall was burning. There would be no more shelter and no more food. It took the heart out of a man, and they screamed out their hatred to bring fire back to their blood, so they would not die soft, like the monks of summer.

Agnar threw open the door, axe in hand. Hanne crouched on the floor, protecting her infant a few seconds more, though her hair and clothing were afire.

Agnar plunged out into the frigid night. Hanne curled tighter around her daughter.

Some say the world will end in fire,

Some say in ice.

Take your choice.

Raven’s Run 67

I remembered one more incident with Raven. It was the afternoon we had climbed to the Monmarte, a few hours before we met Eric. We had entered the cathedral of Sacre Couer, and were sitting side by side. The roof was lost in shadow and the stained glass windows were rich with the light of afternoon. There were only a few tourists; they seldom get past Notre Dame. Most of the people coming and going were genuine worshippers. I watched one old woman as she entered, genuflected, and made her slow and painful way to an alter in a side chapel. She lit a candle and remained there on her knees for a time, then with equal slowness, came back past us and went back out into the world. It was a simple thing, repeated a thousand times a day in every cathedral in Europe, but it touched me.

Raven gave me an odd look as I wiped my eyes and made a deprecating mouth. We had never talked about religion. I asked, “Are you Catholic?”

“Sort of. I go a few times a year, and I feel a little guilty that I don’t go more often. I don’t think about it much. You?”

I shook my head. “Protestant background. Fire and brimstone Baptist, to be exact. My folks would give me hell for even being in a Catholic cathedral. I stopped believing a long time ago, but I think about it a lot.”

“Why?”

“Because I don’t have a superstructure of priests to do my thinking for me.”

She was silent for a while. I thought I had offended her. I could have added that Reverend Billy Thompson had been as willing to do the thinking for his Baptist congregation as any Catholic priest ever could be. But that wasn’t what was on her mind. She finally said, “Doesn’t it scare you?”

“Sure.”

“So why don’t you go back?”

“Faith isn’t something you can turn off and on. When it’s gone, it’s just gone.”

“Don’t you ever think maybe you’re wrong?”

I shook my head.

“Just like that?”

I shrugged.

“And when you die?”

“I just die.”

“I couldn’t live like that.”

“I wouldn’t want you to. I don’t try to talk people into thinking my way. It’s much more comfortable to believe in God.”

“Don’t you ever miss it – miss Him?”

I shuffled the words around in my mind to get them just right. It was something I didn’t want Raven to misunderstand.

“What I miss,” I said, “isn’t the assurance or the comfort. Not any more. That’s what a kid misses. What I miss is . . . like this: I go out in the evening and I’m alone and I see a beautiful sunset. The clouds are on fire and the sky is so blue it’s almost green. It is so beautiful it makes me hurt and I just want to look up and say, ‘Thank you.’ But there’s no one to say it to. That’s what I really miss. Having someone to say ‘thank you’ to.”

#          #          #

The steamer was pulling into Montreaux. The other passengers were gathering up their baggage. I dropped my feet from the rail and slipped my arms into the packs traps.

I could still see Raven’s face as it had looked there in Sacre Coeur. It was as if she had stepped back three paces while sitting still. Her body was still there, but in her mind, she had gone far away.

Just like she had gone away, completely away, two mornings later. There was a connection between the two events. I could feel the connection, but I could not define it. And unless I did, she was lost to me forever. I might find her, warn her, and save her from the assailants who had attacked her, but unless I unlocked the greater puzzle of Raven herself, I would never hold her in my arms again. more tomorrow

Raven’s Run 66

On April thirteenth I picked Raven up out of the sea. On June thirteenth, she left me. Two months to the day, and in all that time we were never separated more than the few hours. Such a strange beginning; such a swift, cruel end. So much to remember, yet so few really intimate conversations.

I remembered the day we finally entered the Mediterranean. The levante had brought warm, clear skies and more wind than the damaged sails could use. It was the kind of day that made me hunger to have the Wahini functioning properly again. We slipped smoothly through a rippled sea, making three knots under conditions that should have given us twice that speed.

Raven and I were nestled together, naked. We had found a favorite position. I sat with my back braced against the weather davit. Raven sat in front of me, leaning back against me, with her foot on the wheel lazily keeping Wahini on course. My hands were locked beneath her breasts, with fingers free to make occasional teasing excursions upward to her nipples. We could keep that position for hours if I was in post-coital lethargy, but no matter how worn out I was, the gentle swaying of the boat would eventually take my mind off seamanship and we would make love.

Today, we hadn’t reached that stage. We were simply talking. I had told Raven about my father and how he had abandoned my sister and me after my mother died. It is not something I talk about easily, and I had eventually grown tired of the bitterness in my own voice and had shut up. There followed a long silence, until Raven said, “You would like my father.”

“Oh?”

“You’re a lot like him. He is a powerful man. I don’t mean physically, and I don’t mean his political clout. He is a man who knows his mind and doesn’t swerve once he has decided on a course of action. He has enormous self-confidence. Like you.”

I didn’t know what to say. I do have a lot of self-confidence, but it isn’t polite to say so. I just said, “It must be nice to have a father like that.”

“It’s hell.”

“What?”

“Oh, it’s okay for my mother. She loves him, worships him, almost; and my sister gets along fine with him. They are both the shy, retiring types.”

“And you aren’t?”

It was a joke, of course. I said it lightly, but she replied, “Damned straight!” Then she got up so fast that she almost tore herself out of my arms, and walked stiffly away, a firm, fine, living, cafe-au-lait statue of Venus. She disappeared below, and I didn’t see her again for two hours. When she came back up, she had dressed in Will’s jeans and shirt, and she didn’t mention her father again.

An omen perhaps. Certainly a warning, but it had not made sense to me at the time. It still didn’t, not where my thinking mind lives, but in the undermind where all is groping after glimpses of pattern against a background of chaos, it fit. It rang true. Her words on that fine Mediterranean day and her leaving me without warning or explanation were like two pieces of an enormous jigsaw puzzle. They fitted together, but while the rest of the puzzle lay scattered, they meant little. more tomorrow

Raven’s Run 65

At my elbow, a heavy American tourist with a Texas accent talked about triple compound expansion, and from the references he made it was clear that he owned a small steam engine of some kind. Whether it was the kind you put in a launch, or one of those silly live-steam trains that you see grown men riding around on top of, he didn’t say.

Technical conversations fascinate me, and dedicated enthusiasts fascinate me. Another time, I would have made an excuse to engage the man in conversation to learn more about these steamers I liked so well. But not today. Today was for solitude.

I went on to the upper deck. Since I was using the Senator’s money, I had bought a first class ticket. The view was the same as it had been from the second class section on the main deck. Gorgeous. Steep, grassy hillsides dotted with chalets, cattle grazing, and all reflected in the glassy perfection of the lake. In the distance off the bow, beyond Montreaux, the snow clad peaks of the true Alps were playing peek-a-boo among the clouds.

Eventually, I became aware that one of the other passengers was eyeing me. She was young and lovely, in a tight mini-dress and sandals. She had hair cut shorter than mine, very black and straight, and lashes too long to be real. Her companion was blonde and frilly with a habit of hiding her mouth when she talked. They were leaning against the rail, talking, and giving me covert looks.

I don’t know why girls do that. I would not call myself handsome. Not like Will is. I am just six feet, one ninety, broad where a man should be broad and narrow where a man should be narrow, but no one would ever put me on the cover of Gentlemen’s Quarterly. Field and Stream, maybe. Not that I mind the attention, but it confuses me. My first reaction is always to wonder if they are joking. Did I forget to zip something?

Normally, I like the attention, but today I had Raven on my mind. When the girl with the lashes finally sent me a smile that would have melted a statue, I shook my head and turned away. When I looked around later, she was gone.

So then, naturally, I found myself regretting the lost opportunity. Consistently inconsistent.

I wedged my pack against the seat, put my feet up on the rail, and made myself comfortable. Fifty-two hours. That was how long it had been since I woke up to find Raven gone. Fifty-two hours, and I was still in shock. I was walking through my life half awake. I was eating, sleeping, making conversation, making decisions, choosing logical courses of action, not falling overboard. But I was doing it all with my mind only half engaged.

I sighed. It was one of those sighs that starts in the back of your throat and shudders you all the way down to your feet. It was good that no one was sitting near; they would have called the paramedics. And then I chuckled. Pitiful. Pathetic. Too sad to live. You can only take yourself so seriously, and then all your actions turn into farce. more tomorrow

274. Solstice: a poem

DSCN4794This is the day that the sun has turned it face furthest away from our northern lands. The veil between the worlds is thin today. Among pagans, there is expectation of visitation from those who have gone on before, and among all men there is an understanding that individuals, like the years they inhabit, have ends as well as beginnings.

Solstice

It hardly seems an hour
since the sun rose up
into the crystal sky.

Now it sinks westward into clouds
like a crimson bird, descending
slowly into gray.

A bitter wind cuts deep.

I was young this morning
and worried already
about the end.

Now that I’ve known
both youth and age . . .
They are no different

Tonight I am cold,
        but I’ve been cold before.
I’ll sleep well under blankets
        that trap what little warmth remains.

Good evening, sun.
I thank you for the day you gave me.
Now the long night begins.


I will see you in the morning
           And if not
That will be all right, too.

Raven’s Run 64

Chapter Eighteen

When I traveled in Europe after I got out of the Army, I was stretching out my money by camping and eating grocery store picnics. It was then that I discovered the oddly opposed set of feelings that establish the rhythm of living close to the ground. Whenever I set up camp, there was always a feeling of relief and belonging, like a little homecoming. Even if it was only for one night, the campsite became my home, my own personal piece of the Earth. For a person traveling far and fast, there was great comfort in falling asleep looking at the same walls every night, even if those walls were blue nylon.

But whenever I broke camp, there was an equally strong feeling of freedom. Once my tent and sleeping bag were stored in the pack, and everything I owned was on my back, there came a transcendent feeling that I was once again unfettered. I could go anywhere.

As I left the hotel the next morning, I had that feeling again. The comfort of well worn pack straps, the snug grip of well worn shoes, the solid weight of the pack, and the beckoning sun filled me with joy. Oddly, not a little of that joy came from leaving Susyn behind. She was delightful, but she was not Raven. And I needed time to be alone. Since Raven was thrown off the cruise ship, I had not had an hour of true solitude, and I was feeling the lack.

I took my time walking down to the steamer dock, enjoying the town. When I reached the lake, I still had an hour to wait. I walked around the marina, admiring the sailboats, then went down through the park to the water’s edge. It was too early for any of the street musicians to be out; Susyn would come by here in the afternoon asking her questions. Now there was only sunlight, deep blue water, green grass, and young lovers strolling about. And swans. Sometimes I think half of the charm of Europe is her swans. Now, in early summer, the cygnets were big and awkward, gray and ugly-cute, just like Hans Christian Andersen described them. I squatted at the edge of the lake, a hundred yards from the steamer pier, and held out my hand. A pair of waddling adolescents came up to beg, found me breadless, pecked at my boots, and wandered off looking for a better handout.

I watched the steamer come in, and went on board with the tourists. The rest of the tourists. When you live close to the ground there is a tendency to forget your real status and believe that you are more a part of the landscape than you actually are.

Most of these lake steamers were built around the turn of the century. Their lines speak of better days, or at least days with greater attention to style. They are long, lean side-wheelers, with massive steam engines on the main deck, huffing and wheezing in plain sight. I leaned on the brass rail to watch. Fine machinery is always fascinating, and this was kept polished and shining. At my elbow, a heavy American tourist with a Texas accent was explaining it all to his wife. She listened with polite disinterest, patting his arm from time to time. You could see that the words meant nothing to her, but she was happy to see him happy. more tomorrow

Raven’s Run 63

We need to move on, but we also need to stay here and look some more. It seems that we should split up.”

“I agree.”

“If I listed the places I to went yesterday, you could visit them again today. And tonight you could make the rounds where the street musicians congregate.”

“I could do that,” Susyn said, with merry mischief in her eyes. “Why are you being so reticent, General? Why no orders?”

“I’m trying to cut back.”

“Thank you, Ian.”

“If you stay here, I can go on to Montreaux and do the same thing there. If either of us finds anything significant, we can telephone. Montreaux is only about an hour away by train.”

“Sounds good to me.”

The waiter brought our food and moved away again. Susyn stretched mightily, and said, “I really needed that night’s sleep. I hardly slept at all on the train.”

“I did.”

“I know, I heard you!” She broke a piece of bread and buttered it. “This is all new to you isn’t it?”

“What?”

“Luxury. This hotel, breakfast on the terrace, that kind of thing. Not that this is really luxurious, but you seem to think it is.”

“Why do you say that?”

“Now don’t get embarrassed. You haven’t been tucking the tablecloth into your pants. You just don’t look comfortable.”

Life isn’t all one thing or another. My immediate attention had been spent on finding Raven, and thinking about what our time together had meant filled up the rest of my hours. But my other reactions were equally valid, however little I had been paying attention to them. I was uncomfortable, now that I thought about it.

Susyn was patient while I considered the matter. “I think,” I said, “that it is not so much a matter of discomfort as it is caution. I’m living well on Senator Cabral’s money, but if we find Raven tomorrow, I’ll be back on my own. This is the kind of life I would like to become accustomed to, but until I can pay my own way, I don’t want to get too used to it.”

“So if you don’t like being poor, why not get a job?”

“I am.” I explained that I was waiting to be posted to a consulate. Susyn was so easy to talk to and so comfortable to be with, that it was hard to remember that we knew nothing about each other. “But there is more to it than that. I like this, good food, good company, good scenery, but it’s froth, not beer. If we were walking along the quai de Belgique instead of sitting here, and eating a fresh loaf of bread instead of this meal, the sun would be as warm, the lake would be as blue, and you would be just as lovely.”

Susyn smiled like sunlight, squeezed my arm, and said, “You old charmer.”

*       *       *

In Paris, the Orsey museum is in a converted train station. There, in a room dedicated to the salon painters of the late nineteenth century, is a statue of a nude young girl or nymph. I don’t remember which, but it doesn’t matter; in sculpture, each is a metaphor for the other. She is slender, but fully formed; a girl just five minutes into womanhood. She is half kneeling, obviously just risen from her bath. She is holding her hair up with her hands. It falls through her fingers in strands so limp that even the stone looks wet. Her eyes look out at you from under a cascade of marble tresses with impish sensuality. The sculptor has caught the very essence of innocent awakening in her eyes and her grin. It’s the only statue I ever saw grin.

You could go to the Orsey forty times for the cost of last night’s suite. Money has little to do with living a rich life. more tomorrow

272. The Hard and the Soft

DSCN1841Welcome to winter. For northern folk, and that’s what we all are in Europe and America, the coming of winter is an inevitability that rounds out our lives and prefigures the end of our lives.

The poem which follows is not full of summer graces, nor flowers, nor joy. I wrote it in August, when the temperature outside was above a hundred, but it is still a winter poem. I would say I don’t know where it came from, but that would only mean that it came unbidden when I was working on other things. It was committed to paper in five minutes, in its first form, and polished in twenty. That is rare for me.

In truth, I know where it came from, and so will you.

The Hard and the Soft

There is a soft season and a hard season,
And now the hard season has come.

Through the springtime and the summer,
When green was the color of the world,
Fruits of the earth abounded.
Children were conceived in joy
And brought forth in fullness.

Now is the hard season,
The color of the earth is stone gray,
The water is hard and the ground is stony hard.
Children of this season come out hungry
Crying with harsh voices that give no joy,
Troubled by deep hungers that allow no rest.

She was born of summer,
He was born of winter.

They joined together, and she made him whole,
     for a space,
          for a little space.
But now it is the season of cold
And he has turned back
     to his true nature.

Raven’s Run 62

We wandered around Lausanne. There were no street musicians along quai de Belgique. There were plenty of tourists, but there was no single sight to concentrate them. In the area around the Cathedral, the Château Saint Maire, and along Place de la Palud and the Place St-François we found four guitarists, a flautist, a folk harpist, and an untidy group of Peruvian pan-pipers. Eric was not there.

I parked Susyn on a bench and went to work. It took time. These were the musicians’ prime hours. If I interrupted them with questions, it would make them resentful, so I had to wait around for one of them to take a break.

The flautist quit first, and I could see why. In the ten minutes I watched her, she got only a few francs in tips. I moved up to her as she was pulling her flute apart and putting it back in it’s case. She was like NORAD, all antennae and sensors, with a strong defensive perimeter. Even though Europe is kinder than America, a young woman traveling alone has to be cautious. I squatted down at a comfortable distance, just out of reach, like I would have with a frightened animal, and showed her Raven’s picture. She hadn’t seen her, or at least she made that claim.

“I’m looking for her for her father.”

The flautist shrugged. We had not exchanged names, and it did not seem likely that we would. I had to do something to penetrate her shield of suspicion, so I embellished the truth. A lot, actually. I said that she had fought with her father, but that her father had fallen ill, and had sent me to find her and tell her that all was forgiven. Perhaps it was not an inspired story. It only made her draw further into her shell.

A young couple down the street were closing up shop for the night, so I approached them. They, too, were shielded, but benignly, by their mutual involvement. He was a fairly good guitarist and she had sung with a small, sweet voice. From moment to moment, they found little ways to touch each other. They were so obviously in love that they shone like a lantern. I saw that the guitar case was well filled with coins. I wasn’t surprised. On a warm summer night, beneath the towering silhouette of the Cathedral, in Europe, the sweet sound of her voice and the sweeter radiance of their affection completed a seamless ambiance of romance. No wonder the passing tourists smiled a little more, held hands a little tighter, and tossed a coin into his guitar case as they passed.

The young guitarist told me that he had seen Eric and Raven at the small hotel where they were staying last night. They had come in late and had been turned away. Eric had asked the guitarist and his girlfriend if there were any other accommodations nearby, and had mentioned being enroute to Montreaux.

I spent the rest of the night asking questions, but that was the closest I got to a lead.

*       *       *

We slept well, in separate rooms. At nine the next morning, we had breakfast on the terrace again and outlined our plans. Susyn had picked up schedules for trains and lake steamers, which I studied briefly.

“We don’t know that they went to Montreaux,” I said, “but we do know that they came to Lausanne. We need to move on, but we also need to stay here and look some more. It seems that we should split up.” more tomorrow

271. Here Comes Santa Claus

This is the last of three posts based on The Battle for Christmas, a book by Stephen Nissenbaum. You should read them in order.

Now we are on the verge of Christmas as we know it. Good old Santa Claus is about to take the stage. His midwife will be a group of stodgy old men who hated the rise of the common man, and longed for good old days that never were. Washington Irving was their leader, but a one-poem wonder named Clement Moore would be the one to change the world.

St. Nicholas and his companion delivered presents or coal to the children of Holland, but he never crossed the Atlantic to New Amsterdam. The notion that he did is a common myth, reading subsequent events backward.

John Pintard, founder of the New York Historical Society, played a role in establishing the Fourth of July and several other events as national holidays. He also brought St. Nicholas to the attention of America when he tried to make him the patron saint of New York City. In 1810, he published a broadside that showed a picture and accompanying poem with St. Nicholas delivering presents to children on St, Nicholas Day, Dec. 6.

Washington Irving’s Sketch Book came along a decade later. Everyone knows that Rip van Winkle, from that book, fell asleep and woke to a different era. Not many people remember that he hated the new America he found upon waking. So did Washington Irving and his cohorts, who called themselves the Knickerbockers, and patterned themselves after the old Dutch burghers they imagined to have inhabited New Amsterdam — all based on Irving’s fanciful Knickerbocker’s History of New York.

In the Sketch Book, Irving portrayed Old Christmas in England as a joyful celebration between good masters and their servants. In Knickerbocker’s History, he related a dream which included:

. . . and, lo! the good St. Nicholas came riding over the tops of the trees, in that self-same wagon wherein he brings his yearly presents to children. . . .  And when St. Nicholas had smoked his pipe he twisted it in his hatband, and laying his finger beside his nose, gave the astonished Van Kortlandt a very significant look, then mounting his wagon, he returned over the treetops and disappeared.

St. Nicholas, giver of presents to children, had won over a group of grumpy old men, but the rest of America did not know him yet. He was still confined to the Knickerbockers who, despite their fantasies, were of British heritage, not Dutch, and were High Church Episcopalians, not post-Puritan religious conservatives.

Clement Moore changed that, not overnight, but over about a decade. He was not the first poet of St. Nicholas. You will find the text of an earlier poem near the bottom of one of last year’s posts. If you check it out, you will agree that it would never have taken the world by storm.

If you read A Visit from St. Nicholas (which I have tacked onto the bottom of this post in case you don’t have it handy), you will see that almost the whole modern Santa is there, repackaged from the Knickerbocker mold, and made charming and familly friendly. It would be wrong to say Moore invented Santa, given St. Nick’s Dutch origins and his twenty year history with the other Knickerbockers, but it would be hard to imagine Santa conquering the world without Moore’s poem.

The only major thing missing is his red suit. We can thank Thomas Nast and Coca-Cola for that.

Could even so charming a poem have so changed the world by itself? It is doubtful. It is more reasonable to see it as a perfect summing up of forces already at work. Wassailing had turned to riot, tinged with felonious assault. Peasants wandering from door to door had become masses of overcrowded urban poor spilling wildly into the streets. A few tipsy peasants had, by sheer population growth, turned into a dangerous mob.

The middle class was rising. Respectability had become something to strive for. Falling from middle class respectablity had become something to fear. Children were no longer just a source of free labor, but were quickly becoming the center of the family. Clement Moore’s poem rode that wave of change into the hearts of America.

Bacchus was still God of the street, but Santa was becoming God of the hearthside. Frankly, I like it better that way.

Postscript: They do it differently in Shetland. I’ll tell you that story on December 26th.

A Visit from St. Nicholas (AKA The Night Before Christmas)
by Clement Moore

‘Twas the night before Christmas, when all through the house
Not a creature was stirring, not even a mouse;
The stockings were hung by the chimney with care,
In hopes that St. Nicholas soon would be there;
The children were nestled all snug in their beds;
While visions of sugar-plums danced in their heads;
And mamma in her ‘kerchief, and I in my cap,
Had just settled our brains for a long winter’s nap,
When out on the lawn there arose such a clatter,
I sprang from my bed to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters and threw up the sash.
The moon on the breast of the new-fallen snow,
Gave a lustre of midday to objects below,
When what to my wondering eyes did appear,
But a miniature sleigh and eight tiny rein-deer,
With a little old driver so lively and quick,
I knew in a moment he must be St. Nick.
More rapid than eagles his coursers they came,
And he whistled, and shouted, and called them by name:
“Now, Dasher! now, Dancer! now Prancer and Vixen!
On, Comet! on, Cupid! on, Donner and Blitzen!
To the top of the porch! to the top of the wall!
Now dash away! dash away! dash away all!”
As leaves that before the wild hurricane fly,
When they meet with an obstacle, mount to the sky;
So up to the housetop the coursers they flew
With the sleigh full of toys, and St. Nicholas too—
And then, in a twinkling, I heard on the roof
The prancing and pawing of each little hoof.
As I drew in my head, and was turning around,
Down the chimney St. Nicholas came with a bound.
He was dressed all in fur, from his head to his foot,
And his clothes were all tarnished with ashes and soot;
A bundle of toys he had flung on his back,
And he looked like a pedler just opening his pack.
His eyes—how they twinkled! his dimples, how merry!
His cheeks were like roses, his nose like a cherry!
His droll little mouth was drawn up like a bow,
And the beard on his chin was as white as the snow;
The stump of a pipe he held tight in his teeth,
And the smoke, it encircled his head like a wreath;
He had a broad face and a little round belly
That shook when he laughed, like a bowl full of jelly.
He was chubby and plump, a right jolly old elf,
And I laughed when I saw him, in spite of myself;
A wink of his eye and a twist of his head
Soon gave me to know I had nothing to dread;
He spoke not a word, but went straight to his work,
And filled all the stockings; then turned with a jerk,
And laying his finger aside of his nose,
And giving a nod, up the chimney he rose;
He sprang to his sleigh, to his team gave a whistle,
And away they all flew like the down of a thistle.

photo by By Sander van der Wel from Netherlands (Intocht van Sinterklaas in Schiedam 2009) [CC BY-SA 2.0 (http://creativecommons.org/licenses/by-sa/2.0)%5D, via Wikimedia Commons