Tag Archives: poetry

270. Colonial Christmas

Leave a reply

puritanchristmasbanThis is the second of three posts based on The Battle for Christmas, a book by Stephen Nissenbaum. You should read yesterday’s post first.

The Battle for Christmas is not about the worldwide history of Christmas, but about American Christmas. The origin of the cult of St. Nicholas, the Christkindl, the black companion to Holland’s Sinterklass, Germanic Christmas trees and the rest are outside its view.

The Puritans of New England disliked Christmas. In fact, they outlawed it. The birth of Christ was of no particular interest to them. They were focused on his death and resurrection, and what that meant for sinners.

That was also the attitude of my childhood church. We had no Christmas services; if Sunday fell on Christmas, the sermon would begin with the story of Jesus’ birth, but would quickly turn our attention to his death and resurrection, with a full complement of fire and brimstone, and Hell to come for any who did not believe.

In point of fact, however, what the Puritans focused on was not their real problem with Christmas. They didn’t like it because it was a drunken party, with sex besides.

It comes back to leisure, full larders, and full kegs, and to the fact that the food and drink did not belong to the poor. It was the larders of the rich which were full. It was the poor who wanted some.

In agricultural times in Europe, it could be said that they wanted their share, because they had traditional rights to handouts during the season. There may have been a time when it was all respectful and friendly, as Washington Irving tried to portray it in Old Christmas (an excerpt from his Sketch Book), but the exchange was always tinged with threat, as in:

Come butler, come fill us a bowl of the best
Then we hope that your soul in heaven may rest
But if you do draw us a bowl of the small
Then down shall go butler, bowl and all

This, of course is wassailing, but it reeked of uppity servants, harrassment of their masters, and a general overturning of authority. Which was part of the point.

In Puritan days in New England, nobody was celebrating the nativity. The Puritans were going about their work, soberly and solemnly, with no acknowledgement of the day. The lower orders, especially the sailors down by the harbor, were making merry. Very, very merry, and the Puritans didn’t like that. They made the celebration of Christmas against the law, and you never make a law unless someone is already doing what you want to forbid.

The Puritans didn’t last, but the raucous celebrations they hated did. Newer, more liberal churches began holding religoius services on Christmas day. That didn’t last long either, the first time around.

A good, old fashioned Christmas is what a lot of people think they want today, but the real old fashioned Christmas looked a lot like what we now do on New Year’s Eve.

It got worse. As society moved from an agricultural base to an industrial one, the distance between the classes increased. The upper classes were less inclined to provide the handouts that the lower class demanded. What had looked like harmless, low level intimidation — not unlike today’s trick-or-treaters — began to look like a social revolution, especially in New York City shortly after the founding of the United States.

The rich stayed home on Christmas and feasted with their friends. It was an adult celebration; children were not yet the center of Christmas. The poor took to the streets. Where else would they have to go? Their all night, loud, drunken partying brought fear to the respectable upper crust. Gentlemen spoke of riots when they referred to the raucous Christmas season celebrations by the poor.

Riot is actually not a bad description of the state of affairs.

These poor were the mob that sometimes worried the staid burghers who wrote the Consititution. They were good at killing the British during the Revolution, but they weren’t respectable. By the late 1820s, the backwoods unwashed would put Andrew Jackson into the White House, and change the future of America. Decades earlier, their urban counterparts were already making life rough for respectable rich folks in New York City and elsewhere.

These rampaging mobs frequently broke into respectable homes, harassed the homeowners, and demanded food and, especially, drink. Wassailing, yes, but carried to a new level. One old wassailing song said:

We are not daily beggars
That beg from door to door;
But we are neighbours’ children,
Whom you have seen before.

These new urban mobs could not say that. click here to continue the story

258. George Mackay Brown’s Seven Poets

Leave a reply

Most of the people who read this blog are writers, or want to be writers. I know from visiting your websites that you range from beginner to professional, and many of your writings have impressed me.

Friends, I have something for you. I’ll give you details below, after the set-up.

I discovered George Mackay Brown in 1987 when my wife and I went to Europe for the first time. We started in England, then went to Scotland to see the land of my wife’s ancestors. Along the way, I visited bookstores to pick up reading material that I wouldn’t find at home and discovered Neil Gunn and George Mackay Brown, two Scottish authors who deeply enriched my life. Both write elegantly about their own experiences in Scotland and the Orkneys (technically part of Scotland but very different). I’m sure I’ll talk about them both from time to time in this blog, but today I just want to shill for one short piece by George Mackay Brown.

I recently had reason to flip through my George Mackay Brown collection, looking for a story I read years ago, and stumbled onto The Seven Poets, the final story in his collection The Sun’s Net. It is a post-apocalyptic story, but it is a fable, not science fiction.

*     *     *

The world has reverted. After machines and cities swallowed up the earth, there was a revolution. Machines were banished. Cities were destroyed. Now there is a world wide agreement that no settlement can have more than 250 members. When a village grows beyond that, some are chosen to leave and form a new village.

(Now don’t tell me this wouldn’t work. I know it and GMB knew it. It’s a fable; a set-up to make a point about writing.)

The world is calm, serene, and boring; some men can’t abide that. They become wanderers, without a village, without a community, welcome everywhere for a brief stay, but welcome nowhere as permanent residents. Our narrator is such a man. He has wandered the whole world, through a long lifetime, staying with men of every occupation, but most usually, staying with poets.

Every village has a poet, who spends his year writing a masque for the midwinter festival. In Spain, such a poet told our narrator, “The world was created by one Word. Every poet makes, in his lifetime, a tiny fraction of one letter of that Word.” Another poet’s voice had deserted him. Another was a heretic to the new order who wrote of machines, but when his villagers performed his masque, their mocking turned the performance into a parody of his thoughts. In Siberia, a poet wrote in the inhuman language of roots and salmon and blizzards . . .

*     *     *

I can’t begin to convey the depth of sensible weirdness of The Seven Poets. That would require exactly a many words as GMB took, exactly the same words, and in the same order. Prose written by poets can do that to people who try to paraphrase it. I can only say that his fable has captured beautifully the strangeness of trying to nail life to the page with words.

There doesn’t seem to be an online source for The Seven Poets, but it’s probably only fair that you’ll have to seek it out in print. I guarantee you a singular experience if you do.

252. Leonard Cohen, an appreciation

Leave a reply

A day or so ago, Leonard Cohen’s death was announced on a trailer at the bottom of a newscast about Trump. It was not much notice for one of the finest artists of the last century.

I went online to find a few articles, New York Times and Rolling Stone mostly, but they didn’t tell me much that I didn’t know. I’m not going to add anything to his bio in this post. If you want to know about Leonard Cohen, listen to his songs.

To sum up, briefly and without equivocation, Leonard Cohen meant more to my moral and ethical life, more to my writing, and expressed my personal feelings better than any writer of fiction ever did.

I don’t mean that I learned about life from him. I learned about life from life, and a harsh one at that. I was fully formed when I discovered him, but he spoke to me. Leonard Cohen had the ability to say in music what I was trying to say in text. In almost every song, there was someplace where, the first time I heard it, I shouted, “Yes, dammit. Yes!”

I discovered Cohen when I was in college, in the sixties. Then I graduated, got drafted, spent four years working in a military hospital, went back for an MA, and in 1975, settled down to write novels. I wrote more or less full time for most of the following decade.

My wife would leave for work, and I would sit down at the typewriter with music on the stereo. At that time, I needed emotionally charged music to set the mood and drown out other sounds – today I could write through a hurricane. I wore the grooves deeper in a lot of LPs, and nothing played as often as Leonard Cohen.

HIs music was like a drug, compounded of depression and hope. It was rich, complex, filled with both thought and emotion, but it was an acquired taste. Except for Susanne and Hallelujah, not many people took to him. He doesn’t come easily; you have to listen with both ears and your whole heart.

Leonard Cohen’s music suffuses everything I have written. I never met him, outside of his records, but I count him as a mentor.

If you want to go beyond Hallelujah, I have a suggestion. Find a copy of Alexandra Leaving ( from Ten New Songs) and listen to it repeatedly, asking yourself, “Who is speaking? Who is this man, and what is the woman to him?” Make it your personal koan.

If, after repeatedly listenings, you decide Leonard Cohen isn’t for you, fair enough. You will have saved yourself a lot of heart ache.

And missed a lot of joy.

221. The Wall

Leave a reply

This post carries a poem at the bottom. Pardon me while I set the stage for it.

I wrote this poem years ago, when Trump wasn’t even a blip on anyone’s radar. It isn’t about him, but he eventually came to symbolize what the poem spoke against. When he started talking about a wall, I published the post repeated below, back in September of 2015. AWL was a new blog then, and no one was reading, so once again . . .

Have you ever asked yourself, “How could Germany have been fooled into following Adolph Hitler?” The answer is on your television this morning, and it is Donald Trump.

I’m not saying that Trump is a Nazi. I don’t see him as evil, merely foolish. But the techniques that have brought him to prominence are the same techniques that Hitler used.

First, appeal to a country’s deepest fears.
Second, claim to be the only one to have the answer.
Third, claim that your opponents are all cowardly and incompetent or, to use Trump’s favorite word – stupid.

The tactics are false. But the fears are real, so Trump promises his followers a wall to keep the world out. There is no wall strong enough to do it.

*****

This morning, September 15, 2015, Hungary closed its borders with a wall of razor wire. By the time this post reaches you, it will have been breached. Count on it.

The Hungarian Uprising of 1956 forms my first political memory. I was eight, and I remember sitting in front of the TV with my parents watching the streams of refugees escaping Soviet reprisals. Eventually 200,000 Hungarians fled. That memory makes it hard for me to watch Hungary put up a wall against Syrian refugees fleeing genocide.

Backed by Russia, East Germany built a wall across Berlin in 1961. It slowed the flow of refugees escaping from tyranny, but it did not stop them. And it didn’t stop the fall of East Germany.

There is a fence across our southern border that holds back no one hungry enough to jump it. Trump wants a wall to hold out “illegals” and a massive sweep through our country to deport the “illegals” who are already here. He wants declare that the 14th amendment doesn’t really mean what it says, in order to authorize the deportation of American citizens, born here just like you and I were.

Hitler would be proud. East Germany would understand. Russia is laughing.

*****

Poetry should stand without explanation, but, like anything else, it can be misused. So, be notified! This is not a right wing call to man the barricades to keep the enemy out, but a cautionary tale about what it will cost us if we don’t find real solutions.

Hungry

We who horde the common wealth
Upon this crowded planet,
Must look to see what lies beyond
Our barricaded borders.

The world stares back,
Unblinking eyes — prepared
To eat us all alive, and still be hungry.

                              It’s happened all before.

Once, seven in a cave drove out the eighth
With stones and fire-sharpened sticks,
Because the antlered carcass on the ground
Was not enough to feed them all.

And then in ancient days when kings and priests
Invented both religion and the law,
To fill their coffers so that they could eat
While those who raised the food went hungry.

Or yet again, when men of white
Despised the black, and black despised the gray.
And those whose colors ran together were disowned.
Color was enough to make them hate
But hunger taught them how and why
A thousand years ago.

Yet still we breed and laugh,
And play at deafness, though an angry sound
Declares the world is poised to seize its bread.

They will march like locusts through the earth,
And eat us all alive, and still be hungry.

This world is troubled. We are surrounded by people hungry for bread and freedom. Pointing a finger at them and saying, “It’s your fault!’ won’t solve our problems.

And a wall won’t do it. Never has; never will.

I’ll have more to say on this tomorrow.

203. Leap on the Bandwagon

Leave a reply

This series starts with 178. Leap Boy, back in the news and continues in 192. Billy Joe Takes a Leap and then in 200. The Last Sane Man.

It’s hard to say who made the first mistake. Certainly Leap’s mother should never have named him Leap, even if he was born on Leap Day. Some temptations just have to be resisted. Worse, she should have spoken his name out loud when she named him. Leap Alan Hed, for heaven’s sake. How could she have missed that Alan would become A., and no one could ever meet her son without saying Leap A. Hed.

Leap wasn’t blameless himself. By fighting back to the point of absurdity, he made himself famous enough to come to public attention. Counting his age by leap-day-birthdays and calling himself 16 when he was in his sixties — that’s just asking to be noticed.

Of course Billy Joe Barker was to blame for touting him as a write-in candidate for President. Then when he said that Leap was sane because he really didn’t want to be President, it was the last nail in Leap’s coffin.

People never give you what you want, but they always give you what you don’t want. Didn’t anybody know that?

Shelia Barnstaple of Wilmington, Ohio started a blog called I Want Leap for President. Wilton Damonson of Ash Fork, Arizona started a competing blog called Leap on the Bandwagon, also using the hashtag #LeaponforLeap. You would not believe how many people have 140 characters worth of something to say.

Throughout August, as Donald sank in the polls, people first sighed with relief, then suddenly realized that Hillary would probably win. Someone published a poem anonymously that read:

When Donald came I feared the worst,
If he won it just might kill me.
He surely was the worst of worst,
But second worst was Hillary.

Within days the doggerel was re-posted four million times, and a hundred and ninety-two people were claiming authorship.

Meanwhile, Shelia Barnstaple and Wilton Damonson combined forces and the draft Leap movement really took off. Leap found his house in Dannebrog surrounded by reporters. It looked like Marilyn Lovell’s lawn in Apollo 13. Leap came out with a shotgun to run them off, but they only clicked their cameras faster. He retreated. The shotgun was never loaded, since Leap was basically a peaceful fellow, but the hashtag #Leapforlawandorder raced around the globe at the speed of light.

Leap drew the shades and locked his doors, turned out all the lights but one, and settled in to wait out the silliness with his paperback collection of Nero Wolfe novels. After an hour, the reporters started pounding on his door, then on his windows, and finally on the walls of his house. He couldn’t call for help since he didn’t have a phone, but his neighbors took pity and brought in the county sheriff. He drove the mob back into the street.

That night, Barnstaple and Damonson posted a call to join Leap in his Silent Vigil for America. Three hundred thousand people promised that they would.

Sometime during the night, a darkly clothed figure joined the reporters breifly, then quietly faded away. Once it was light the next morning, Armin Arkin of WFUD noticed that the back door was ajar and announced that he was going in. Within minutes, the street was empty and the house was jammed with anchors and their cameramen elbowing for room to broadcast, but Leap had disappeared.

152. Montrose and Argyil

Leave a reply

Here is a poem based in an era when having the wrong religious belief would get you killed very quickly and very cruelly.

The English Civil War was fought while America was being born, between fierce sects of Protestant Christians, over points of doctrine so small that no one remembers them but historians. It was a time of multiple and conflicting loyalties, when opportunists and men of conscience alike changed sides, then repented and changed back again. Much of the freedom of religion we cherish in America today came as a reaction to the excesses visited on the people when armies decided what God had intended.

It was not unlike Shia and Sunni today. I understand them both, and fear them both when they march, because I remember how recently our Christian ancestors were killing each other for the same kinds of reasons.

To explain the obscure points in this poem, it takes place in Scotland which was under English rule. The tolbooth is Edinburgh city hall and the heads of executed prisoners were hung there. Corbies are crows in the Scots language. Montrose and Argyll were sometime enemies, depending on shifting fortunes. Both fought long and eventually lost – then lost their heads. I have bent history enough to put them on the spikes at the same time, so they could have a final conversation.

Montrose and Argyll

There is a spike by the Tolbooth side
Where famous heads are hung to dry;
There came the Marquise of Argyil,
Bereft of body, to reside.

In sun and rain, by weeks and days,
‘Til bare of flesh, by corbies pared,
Above the commons in the street
Who gibed and jeered, and milled and stared.

Montrose later joined him there,
Come newly from the scaffold head,
With fresh and bloody countenance,
Unwelcome, save that he was dead.

Then Montrose said to Argyil’s skull,
Staring eyeless at his side,
“A martyr’s death ye sought and found;
I see your flesh is mortified.”

The skull spoke back, “My Lord Montrose,
Ascent has brought you to my side;
And yet the rose upon your cheek
Comes newly leaking from your eye.”

They bickered harshly through the day
Of who was right when King Charles fell,
And who the Lord most dearly loved,
And who would spend his days in hell.

Then said the Marquise of Argyil,
“That ye died was no one’s fault but yours.
Ye had the chance to do the right,
But ye woudna’ heed the Lord.”

Replied the Marquise of Montrose,
“Full many died, whose deaths are yours.
Ye had the chance to let them live,
But ye woudna’ heed the Lord.”

They both paused, their voices spent,
Reflecting on the weary years,
The twists, the turns, the changing sides,
Betrayals, deaths, and bitter tears.

To overthrow an upstart King,
Then, repentant, bring him back again.
For Scotland, God, or Covenant
‘Til Cromwell’s axe cut short his reign.

Now all is done; the King is dead,
The Scottish church no stronger stands;
Both Marquises have lost their heads,
And Cromwell strides upon the land.

  * * *

          Myself, I am a sinful man,
          My kindness an indifferent sort.
          Temptation is my truest friend,
          And prayer remains a last resort.

          Yet when I stood beneath those spikes
          To hear the dead and mighty speak
          With undiminished passion still,
          Though hung in shame before the weak.

          I wondered then, as I ask now,
          What further deeds they might begin,
          In Jesus’ name, on Jesus’ flock,
          If they were not such Christian men.

129. Poetry on Cyan

Leave a reply

What do you do at the end of a long day of exploring a new planet like Cyan? Watch TV? Read a book? Maybe a western shoot-em-up, since science fiction wouldn’t be much of a change of pace.

If Uke Tomiki were one of your colleagues, you might write poetry.

It was late.  Beyond the meadow, the jungle was predominantly blue-green with spots of color where flowers of innumerable variety grew, and where tiny, flower-winged amphibians fluttered.  Globewombs glittered in the tree tops like a scattering of jewels in the dying light.  Procyon was setting as they watched, and night flying amphibians were coming out to catch the chitropods.  A small herd of dropels grazed just beyond the fence.

Tasmeen said:

Sunlight pearls,
Treetop caught.
Wombs of glass wherein
Tomorrow waits.

“Nice,” Keir said.  “Did you just compose it?”

“Oh, no.  I’ve been working on it for days, but it won’t come right.  What do you think?”

“Maybe a bit too clever at the end.”

“Too sweet?”

“Something like that.”

“Any suggestions?”

Keir smiled.  “You’ve heard my poetry.  You know I’m not the one to ask.  What would Uke tell you?”

Tasmeen made a face.  “Less is more.”

“So I humbly submit – bearing in mind the humility that Uke’s poetry has forced upon me . . .”  Tasmeen hit him in the arm, and he grinned, “that you take an axe to it.”

She sighed and said, “I knew you were going to say that.”  She repeated the poem, now abbreviated:

Sunlight pearls,
Treetop caught.
Wombs of glass.

Keir spread his hands.  “That’s it.”

“It will require a more knowledgeable audience than the first version.”

“Hey,” Ramananda demanded, “ain’t we sophisticated enough for you?”

Sometimes Keir thought that Tasmeen and Uke’s poetry caught more of Cyan than their scientific findings.  After sex and discussing their research – probably in the other order – making poetry had become their primary form of recreation.  

Tasmeen recited several of her newer poems, then teased Keir, “Do you have any new bordello rhymes for us?”

Keir knew that Tasmeen would only badger him until he relented, so he recited his latest.

Call me Gomorrah, she said.
Nothing more —
Unless you count her straining
          breasts as speech.
Call me Gomorrah —
          It told me all I had to know.

Ramananda shook his head in mock distaste.  “Always the dirty mind.”

“I like it!”  Tasmeen protested, then took Keir’s hand and said, “You can call me Gomorrah any time you want to.

113. Gray Days

Leave a reply

The internet has its faults; you have to be careful since Albert Einstein and Alfred E. Newman could both be setting up websites.

My favorite use of this technology is refreshing my memory on things I already know from a lifetime of inhabiting libraries. The second best thing is stumbling onto questions I didn’t even think to ask.

Not everyone likes that, as an imaginary street person once told me.

These gray people of the street are with us always. We know that some of them are there from hunger, from drugs, or from mental incapacities of various kinds, but others are there for personal reasons we will never understand. I have no difficulty imagining myself among them, had life treated me differently, or had I made other choices.

Come and meet an imaginary friend who doesn’t want our sympathy and doesn’t want us to understand him. He just wants us to drop a coin as we go by.

Gray Days

I had a wife,
I had a child,
I had a job,
I had a house,
I had my friends
and recreations,
And all those things
that made the noise
that filled my head
until I could not think;
And all those things
that crowded me
until I could not breathe.

No more.

Now I sit, gray days, on concrete steps.
When it rains, I go inside.
Passing among the purposeful,
Who bustle, peer, and mutter their impatience;
Among the masters and the fools,
Encased in pasteboard and in cloth.
Bound up; neatly stacked;
Cataloged and categoried.
With icons blazoned on the spine
So the hurried never find
Anything they didn’t want to know.

Once I wrote;

Once I spoke to the multitude.
My name was here
Between Dickinson and Dickens.
My life between two covers.

No more.

I saw my work for sale,
Twenty-five cents, obsolete.
It stood unbought upon the shelf
With tattered War and Peace and Valley of the Dolls.

No matter.

I like it best on gray days, when I can sit
Silent on the steps.
My can proclaims my purpose –
“Give me coin!”
And who, in this great, striving city,
Could ever question me on this,
My silent industry.
All day long the coins rain down;
Nickels, pennies, dimes –
Hardly enough to keep a mouse alive.

No matter.

I did not come to find my fortune,
Only solitude.
And I have found it.
Every face that passes meets my eye;
Furtive, quick,
And quickly looks away.
It is enough.
It’s all I want, and nearly all that I could stand.
Nearly more than I can stand.

Harried woman, children clinging to your skirt,
I understand.
Hurried man, full of worry, I understand.
You have a million dollars paper,
and not one thing to call you own.

I have enough for supper.

108. Enough

Leave a reply

Do not misunderstand! This is not about suicide. It is about letting go, and knowing that no one lives forever.

It is also the flip side of David Singer’s frenetic pursuit of immortality in To Go Not Gently, in Serial, and in the novel A Fond Farewell to Dying.

Enough

The old man walked the narrow path
That snaked between the boulder falls,
Past the sound of water moving
Deep within the willow thickets,
Upward toward the one lone tree
That marked the juncture of the sky.

There he stopped beneath the tree
Where the cliff fell sheer away.
A thousand feet below him lay
Tall tips of trees, and the sun,
Yellowed by the rising dust
And reddened by the end of day.

The old man eased his bones
Gently into roots’ embrace,
And looking out, he said, “Enough.”

“Ten thousand sunsets I have seen,
“I do not need to see another.”

All his life came to him then;
Marched in review before his eyes,
Comrades, children, and his wives.
Briefly his — now all passed on,
Briefly his — forever gone.

He settled deeper into soil,
And closed his eyes to outward sight.
The birds he heard were decades past;
The smell was lilacs overhead,
When he first lay with his first wife.

His heart, filled up with that which was,
He closed to passage of his blood;
And was complete.

106. Super Tuesday

Leave a reply

Super Tuesday, March first. By the time this hits the ‘net many of you will already have voted, because I am on a west coast schedule.

You surely know more about this day than I do, since I am writing this in late January. Today, Trump is ahead of everybody on one side, and the other side is up for grabs.

I have no intention of suggesting whom you should vote for, but I do have something to say. Politics is about now and tomorrow and the next day. Politics is about making the best of a bad situation, and the situation is always bad. Politicians shouldn’t outright lie, but any politician who answers every question with the full truth, will never be elected.

One standby that never fails to get a vote is:

They are coming to get us, to smother us, to bury us, to kill us, but I can stop them if you will help me build a wall.

American has been building walls since before it was America. They never work.

*****

In September, when this website was only three weeks old and no one was listening yet, I posted a poem. Here it is again, for your consideration.

Poetry should stand without explanation, but, like anything else, it can be misused. So, be notified! This is not a right wing call to man the barricades to keep the enemy out, but a cautionary tale about what it will cost us if we don’t find real solutions.

Hungry

We who horde the common wealth
Upon this crowded planet,
Must look to see what lies beyond
Our barricaded borders.

The world stares back,
Unblinking eyes — prepared
To eat us all alive, and still be hungry.

                              It’s happened all before.

Once, seven in a cave drove out the eighth
With stones and fire-sharpened sticks,
Because the antlered carcass on the ground
Was not enough to feed them all.

And then in ancient days when kings and priests
Invented both religion and the law,
To fill their coffers so that they could eat
While those who raised the food went hungry.

Or yet again, when men of white
Despised the black, and black despised the gray.
And those whose colors ran together were disowned.
Color was enough to make them hate
But hunger taught them how and why
A thousand years ago.

Yet still we breed and laugh,
And play at deafness, though an angry sound
Declares the world is poised to seize its bread.

They will march like locusts through the earth,
And eat us all alive, and still be hungry.

This world is troubled. We are surrounded by people hungry for bread and freedom. Pointing a finger at them and saying, “It’s your fault!’ won’t solve our problems.

And a wall won’t do it. Never has; never will.