Tag Archives: writing

137. We Reserve the Right

we reserveIt’s Sunday morning, April 10, 2016. I’ve been watching the news, and that always stirs me up. I refuse to get sidetracked into politics again, but I am a science fiction writer, after all, so I’m going to give you a time travel story. Let’s go a year into the future, on a timeline where Ted Cruz wins the presidency, a grandson of Oral Roberts becomes a Supreme Court Justice, and the North Carolina Religious Liberty law is not found unconstitutional.

A few news reports from
Sunday, April 9, 2017
timeline HAB38766J.

Protesters spent a tenth day in front of a bakery in mid-town today. The proprietor, a devout Muslim, continues to refuse service to women who try to enter his shop with their heads uncovered, citing his religious liberty to refuse service to those who do not follow appropriate behavior. “They are scandalous, and I will not allow them in my establishment,” Mr. Hamid said. Sign carrying members of the local Christian Interfaith community said that they would continue to march in protest indefinitely.

***

Anderson’s Pharmacy on the west side continues its controversial policy of requiring all patrons to have proof of their religious affiliation on file. Mrs. Anderson, the owner, said, “I don’t care who buys opiates, or bandaids, or foot powder, but I won’t fill prescriptions for contraceptives intended for Catholics. All the other religions can go to Hell however they please, but I won’t help Catholics defy the Pope.”

***

Owens, Jennings, and Philbrick Bank on the south side defied Federal authorities again today over their lending policies. “The Bible is very clear,” said Enos Philbrick, “that a woman should be subservient to a man. Federal regulators have been giving us trouble, trying to deny us our God-given constitutional rights, by saying we won’t lend to women. That is utter nonsense. Any woman who wants a loan is welcome in our bank, as long as her husband is willing to co-sign the loan.

Of course we don’t think divorced women are a good risk. It’s simple logic; if they ran out on their husbands, they would probably default on a loan.

Unmarried women? They need to get married, not get a bank loan.”

***

On a recent radio interview, Harvey Carter said, “Of course I’m not a racist. Any black man, or woman, or family can come and sit down in my restaurant any time they want. They’re all welcome. And any white man, or white woman, or white family – they’re equally welcome. There’s no prejudice here. But if a black man wants to sit down with a white woman, well that’s just wrong. God said stay with your own kind, and I’m not going to serve any mixed race couple. It’s my God-given right!”

A follow-up caller asked the radio station if the restaurant owner was white or black, but they had to admit that they did not know.

***

Okay, I think I’ve heard enough from that timeline. How about you?

Jandrax 21

Before we start today’s installment, here is the answer to Friday’s puzzle. If all that snowmelt flows into the lake without an outlet, it won’t be fresh for long. And an outlet big enough for all that snowmelt might stop the migrating herds. The concept needs a bit of tweaking.

You didn’t see that? Don’t be surprised. I wrote it in 1976, and only noticed the problem about a week ago.

Now, on to the story . . .

Angi rolled over and leaned on one elbow. The faint light touched one bare breast until she rearranged her clothing. Even in lovemaking they could not undress fully and for that Jan damned the cold planet anew.

“When are you going to marry me, Jan. I’m getting tired of snatching love when we can find a hole to hide in.”

He sat up and adjusted the hang of his pistol. It was true, more for him than for her. He could never relax and enjoy their brief liaisons because his Scout training kept him looking for danger when he should be concentrating on her; furthermore, he felt guilty for breaking his own rules about going beyond the sentry line.

But what could he say?

“Hon, it isn’t as simple as it seems.”

“Why isn’t it?”

To that he didn’t reply.

“You owe me the truth.”

“Not really. It may be that I owe you silence.”

“No, Jan.” He looked around uneasily and she smiled. He was worried about longnecks and afraid that if he suggested that they leave she would think he was avoiding the question. And at the same time, he was avoiding it. “Tell me about Hallam.”

She could not have shocked him more if she had shot him.

“How did you know about that!”

“No, I’m sworn to secrecy on my source. But I deserve to know – and I need to know – why you hate and fear my people.”

When he didn’t reply, she said, “Jan, either you let me into your life or I’ll put you out of mine.”

He dropped an oath. “Sexual blackmail?”

“No. Self-preservation. You know me better every day, but to me you remain an enigma. I can’t live with that.”

He cursed again and drew his weapon. It was apparent that there would be no retreating behind the sentry line now and defense remained his first instinct. “You won’t like the story.”

“No, I’m sure I won’t.”

*****

Today’s entry is short because it finishes a chapter, and what follows tomorrow is quite different. Thomas Anderson’s review of Jandrax complained that it is all over the place and hard to follow. Personally, I like a story that jumps around, although I admit that the connections are far from seamless. It was my first real book, after all.

Another thing is about to happen that the normal reader will probably miss, but will be of interest to writers. I wrote most of Jandrax in first person. It didn’t work, so I rewrote the whole thing in third person.

Two chapters, however, did work better in first person, and were retained unchanged. Jan Andrax’s recollection of the Hallam War, starting tomorrow, is a story told to Angi in his own voice. First person works there. Much later in the novel, his son Jean Dubois’ interlude on the island in the middle of the lake – which may be a dream, or a hallucination, or God (literally) knows what – comes off better as first person because he is both physically and emotionally alone at the time it occurs. more tomorrow

136. A Groaning in the Earth

There is a groaning in the Earth. In every corner of the globe, we hear the daily rumble of seven billion footsteps, raising dust in the desert, and pounding the concrete of city streets back into the rubble from which they came.

Earth Day is Saturday. It’s a beautiful idea, and ecological consciousness is long overdue, but all our good deeds matter little in the face of seven billion hungry souls. The band plays, but the Titanic still sinks.

Still, it is not in our nature to lose hope. We do what we can here at home, and dream of new frontiers. Like Cyan, where a minor character is about to bring a small dream to fulfillment.

***

As he walked down toward the fence that kept predators out of the settlement, Mitchell was torn between feeling excited and feeling foolish. He had been raised in a midwestern town on the Kansas-Nebraska border. It should have been an outdoor life, but every field was owned, and every farmer was ready to shoot on sight anyone entering his land. The crops of wheat that grew around the little town gave broad vistas, but there was nowhere to walk.

The town had been Mitchell’s prison and the wheat fields his prison walls.  Within the town were only a few tired locust trees, and across one corner an ancient creek bed cut a path. It had never held much water, and now it had only a sluggish flow of muddy outwash from field irrigation. When he was very young, Mitchell had tried to fish there, but the water was empty.

Mitchell’s body had lived in the town, but his imagination lived in the fishing books he checked out from the local library. Funds were low, so there were few modern books, but that suited Mitchell. His interest was in books from the last century; books about fishing in clear mountain streams for trout, grayling, or small mouth bass. 

Eventually, Mitchell grew up, moved away, went to college, got a job, and had as good a life as anyone could hope to find on overcrowded Earth. When Cyan opened up for colonization, his childhood dreams led him to apply. Now he worked as a chemist, stared through the fence that protected this new town from the wilderness beyond, and still dreamed. Until today.

Mitchell passed through the fence and closed the gate behind him. He walked down to the bridge over the Crowley and paused to admire the glint of globewombs far overhead. Then he crossed over and moved downstream. He had picked his place already, a sand bar just within sight of the bridge. Delacroix had told him that the pharagals could leap upward and shoreward, but that if he stayed at least three meters back from the water, he should be safe. But no guarantees; about Cyan, Delacroix never gave guarantees.

Now Mitchell opened a plastic jar and took out a fly. The hook had come from Earth as part of the precious ten kilograms of personal equipment each colonist had been allotted. He had tied it using cloth frayed from his jeans. He attached it to a Cyan-spun kevlar leader and tied that to his precious only fly line, just removed from its original package last night. The reel was also from Earth. It was an antique he had bought before he ever heard of Cyan because it was from a twentieth century company called Mitchell. Like him.

Carefully but unskillfully, he began to cast. He had never used a fly rod before, but he had read and re-read every book on technique. Eventually, he was able to get the fly out over the water and let it drop. It floated in the sluggish current, a wad of cloth trailing a snarl of frayed cloth legs. Probably no more pitiful excuse for a fly had been tied in a hundred years.

But on Cyan, no fly had ever been used. A dimple appeared in the water and the fly was gone. Mitchell pulled back on the rod, and something exploded into motion.

Five minutes later, Mitchell dragged his catch across the sand bar to a point where he could safely examine it. It was slim and bright blue, with a blunt head and twin tails that reminded him of pictures he had seen of seals. Down each side of the Pseudopisces was a row of interlocking cream and maroon triangles. It was gaudy and ungainly, but to Mitchell, it was the most beautiful thing he had ever seen.

He unhooked the fly and put it away carefully, reverently rewound the line onto his reel, and picked up the . . .

Trout! The Cyanian blue trout. It didn’t matter what this species had been called by the scientists. To Mitchell it was a trout, and to the tens of thousands who would read his fishing books over the next four generations, a trout it would remain.

Jandrax 20

Okay, folks, no excerpt from Jandrax today. Instead, it is time for some world building. But first, a paragraph from yesterday’s post:

Captain Childe confirmed Jan’s suspicions; the melt would come twice yearly, but the herds only accompanied one melt. When the green latitude moved northward, the herds would follow the opposite shore of the lake.

Scan 160930007Now let me apologize for the map. The draw portion of Apple Works wasn’t up to the job and I haven’t yet downloaded EazyDraw, so after decades of using computer graphics I was reduced to a paper, pencil, and scan.

The unharmonious planet called Harmony has an axial tilt of 32 degrees, enough greater than Earth to make the seasons extreme. It lies “close in to a cool sun” but we won’t worry about that, because I didn’t know that we were going to be dealing with two sets of seasons per year when I wrote that description on the first day of the first draft. Let’s just assume that we have a year roughly the same length as Earth’s. I also won’t repeat what is meant by two sets of seasons.

The heavy tilt makes the seasons extreme, but glaciation comes from the cool sun. Glaciation has locked up most of Harmony’s water, making the oceans small and salty. The landing site is inland near a large, freshwater lake.

Because Harmony is cold and water starved, with universal low humidity and no mountains nearby, it never rains in the vicinity of the landing site. It does snow during the coldest months, and this accumulates until warmth returns. This is the melt, during which plants grow.

Let’s watch the cycle from space, beginning with chapter one. The sun is overhead some degrees north of the equator, and moving southward. At that latitude, there is a world girdling band of melting snow. South of this, all is snowbound. North for a hundred miles, give or take, is a band of green and growing vegetation, briefly flourishing on snowmelt; further north still is a band of desiccated land reaching all the way to the face of the glaciers. In the green belt, the herds are happily munching their way southward on the east side of the lake only.

As the sun moves southward, the line of melting snow, followed by the band of growth, followed by the desert left after the snowmelt drains away, trails out behind. Snow begins in the far north, and becomes another southward trending band, following the dry belt. By the time the sun reaches its most southernmost excursion, snow covers the land to well below the equator. Now the sun starts northward, but it will be some time before it reaches the southern boundary of the snow and begins a new, northward-marching melt. What are the herds to eat until then?

They will have to eat the unsavory, dried out remnants of vegetation from the previous melt – which exists only on the west side of the lake -until the reach the latitude of the new, northward melt. You’ll see this happen quite late in the novel.

How did the all come about? Did it evolve as the planet cooled? Did the God-of-the-island plan it all? You’ll meet him late in the novel, too, unless he was just a hallucination. In any case, it’s up the the reader to decide. I just work here.

Now wouldn’t it be a horrible mess to dump all this onto the reader as an undigestible narrative lump? Does he (or she) even care?  World building is a means, not an end, and you have to feed it to your reader in digestible bites, as needed.

One last thing. There is something in all this that doesn’t add up. Did you see it? No? I’ll tell you what it is after the weekend. See you then.

135. John Gierach

John Gierach, writer. If you aren’t a fisherman, you have probably never heard of him. If you want to write, you should probably check him out.

I don’t fish. I once wanted to, but my old car wouldn’t reach the mountains, the local rivers only held carp, and I was too busy trying to be a writer anyway. I could read about fishing though, and that’s how I found John Gierach. It was a happy discovery; I’ve learned more about writing from him than I have from Hemingway.

Sports Illustrated said, “If Mark Twain were alive and a modern-day fly fisherman, he still would be hard put to top John Gierach in the one-liner department.” If that seems excessive, note that they are only talking about quips.

Like Twain, Gierach’s charm lies in understated humor layered into everyday experience. Gierach is an absolutely American writer, sending a message about the America with which today’s urban dwellers have largely lost touch. He grew up in farm country and understands a working man’s simple pleasures. My father, who never played a day in his life, would have understood Gierach instinctively if he had ever done anything as frivolous as read a book on fishing.

Gierach’s work has a cumulative effect. Beyond the one liners there is a picture of a life well lived, described with clarity and simplicity, and a steady hum of understated humor. Here is an example:

It also occurred to me, for some reason, that I now had just about everything I’d wanted when I was fourteen years old and was just starting to hang out with men I admired and wanted to be like. . . . I remember that, as a boy, the men seemed glad and competent in the field, but there was also sometimes a kind of subdued melancholy about them, too. I didn’t understand that as a kid, but I do now. . . . Anyway, somewhere in the past, based on the little I knew for sure, I had fastened on the perfect life as one based on art and sport, plus a few other things like love, friendship, pretty country and good food. Given a loose enough definition of art, that’s what I had.
               from The New Pond in Even Brook Trout Get the Blues, by John Gierach.

Not at all profound. Or is it?

If you are a would-be writer, try him; but if you are seduced by the ease of his writing remember that nothing is harder to pull off than the appearance of ease. And don’t write everything in second person – only Gierach can get away with that.

*****

I originally wrote this post months ago but couldn’t find quite the right time to run it. Two things have changed. First, I just got John’s 2014 book All Fishermen Are Liars and his first story, A Day at the Office, is the perfect thing for me to recommend if you only intend to study his chops. But don’t blame me if you get hooked.

Second, my new novel Cyan is due out shortly. It is, among other things, about the rediscovery of nature by people fleeing an overcrowded Earth. In addition to exploration, adventure, and danger, there is one brief scene about a colonist who grew up reading old fishing books on an Earth where all the fish were dead, and who achieves his lifelong ambition by catching the first fish on the new planet. I think John would like that.

Jandrax 19

Chapter 5

The camp had fallen into a pitiful squalor. The palisade was far too small and the brush huts inside were not only pathetic shelters but also a grave fire hazard. One spark could wipe them out.

The time had come to expand the colony and to go down to the lake, a distance of 450 kilometers and a move the colonists were reluctant to make. They had been living from moment to moment for five months and wanted some time to rest and enjoy the fruits of their labor. Once again, Jan was thankful for Marcel Dumezil’s drive. The leader agreed that the colony must move and must expand.

The colony needed a constant supply of fresh water. The river Lydia was too seasonal in its flow to support proper sanitary facilities, though it provided enough water for their primitive life style. The lake would allow a nonseasonal access to protein – fish – and a chance to try domesticating the native plants. Jan was convinced that water was the limiting factor in plant growth and that irrigation could provide a bountiful harvest of native flora.

The patriarch agreed with him on every particular. They spent a month finalizing plans for the new “city” a trying time for Jan as he fought against his natural dislike of the man.

Captain Childe confirmed Jan’s suspicions; the melt would come twice yearly, but the herds only accompanied one melt. When the green latitude moved northward, the herds would follow the opposite shore of the lake.

For two months the land was desert, then for four months it was snowy. Throughout that time the colonists cut logs until great rafts of timber awaited the melt. They would form the palisade of the new lower colony. The women smoked meat and prepared pemmican.

The Lydia was now in a stationary equatorial orbit just overhead. Captain Childe had only to request it and Henri Staal would take the landing craft up to get him, but he persisted in his self-imposed exile. He had converted holdspace to hydroponic tanks using algae native to Harmony and had established a closed-cycle ecosystem for himself. Jan was sure that he had no intention of ever grounding.

***

Jan was on the crew that went to the lake. They steered their rafts into the shallows at the height of the flood and drove in the long pilings they had prepared. Then they sat, imprisoned on their wooden islands, living on raw fish to preserve their pemmican, and waiting for the melt to pass. When the waters had receded, they surveyed a site on a bluff on the south bank of the Lydia. There they dug trenches and carried up the logs.

Everything they had cut in six months was used to make the stockade. Houses would wait until the next melt. The return trip was made afoot, staying near the Lydia for her failing, muddy water.

Two more couples were married within a week of their return.

*****

Although I don’t really remember the moment of enlightenment, this is clearly when I realized for the first time that Harmony had two sets of seasons per year. This happens at equatorial locations. (see 120. Still Inclined) That the herds only return every other melt (i.e., once per year) was a notion that occurred to me when I became aware of this, but I never worked out why it happens. You can only do so much hidden world building; eventually, you just have to write. more tomorrow

134. The Long Road to Cyan (2)

This is a continuation of yesterday’s post. The writing of Cyan began about the time Jandrax was published. Why it took so long is a tale for another time, or maybe never, but the mechanics of bringing it into the twenty-first century will be of interest.

I followed the rise of OCR (optical character recognition) technology as it became available, but didn’t have a functioning system until about 2008. By that time I had two novels in published form, a novella in Galaxy, and five novels in typescript. I also had two other novels which were born on the computer. About half of Cyan was still in typescript and half was digital.

OCR is wonderful. It scans in text, flyspecks, pencil corrections, stray pencil marks,  coffee stains, the shadows from clumps of white-out, the shadows of paper creases, and an assortment of self-generated fantasy marks. Afterward, you have to read the result side by side with the original and make lots of changes.

Actually, scanning dismembered paperback books and magazines is relatively accurate. When I scanned To Go Not Gently before including it in Serial, OCR only made about a dozen mistakes per page. But when it scanned old typescripts . . . well, it took months to undo the curse of the typewriter. Then I was ready for final correction and polishing before Cyan could go out into the world.

Publication in the age of Cyan (2016)

Writer’s Digest and all its daughter publications used to be the bible for authors. Now they are only a place to begin generating lists. You have to go to the publishers’ and agents’ websites for details, or you’ll be lost from the outset.

The digital age has empowered publishers and agents – to be picky. They used to be happy if you typed double-space in pica instead of elite. Now they specify, and nobody specifies the same thing. Some want Times, some want Verdana, some want Courier – or was that Courier New. Some want .rtf, some want .doc, and some want .pdf.  Some still want paper, believe it or not. If they want paper, they don’t want return postage. It’s cheaper to shred at their end and print fresh at yours.

So, let’s say magic happens. Your novel is accepted. Now things really become different from the old ways.

Early in your search for an agent or publisher you were not allowed to send attachments to your emails. That will probably change now, and you will send your ms. formatted in the manner they prefer, as an email attachment. Just like the bad old days, you can pretty much count on months of no contact. Email makes it easier for them to contact you, if they need to, but it also makes it easier for everyone else to contact them. For agents and publishers, being too busy never seems to go away.

In the old days, you would spend this time writing your next novel. That is still true, but it is also the time in which you start preparing to promote your novel when it comes out. Once upon a time you didn’t promote your own novel because you couldn’t. Now you can, so you have to.

How? I can’t fully tell you because I’m still learning, but you can find a thousand people on the internet who think they know. Be careful; some of them charge money. For me, the main thing was to start this website. It has been going for eight months now. You are reading post 134 on this blog, with even more on the sister blog Serial. That’s a day job in itself.

You can get a business page for your Facebook account. I did, but it didn’t work for me. I was already saying everything I needed to say here, so Facebook was redundant. I am getting ready to tweak my author pages on Goodreads and Amazon. I may even try Twitter, but I’m not sure. I don’t think I could clear my throat in 140 characters.

Cyan is coming out from EDGE, a Canadian publisher specializing in science fiction and fantasy, as an e-book. It has been sixteen months since it was accepted, which I understand is not a particularly long wait. Since I’m writing at the end of March, I will probably know the release date by the time this goes online.

In mid-March I got the proofread manuscript back from EDGE and had to learn a whole new set of skills. Change tracking is a function shared by Pages (the word processor I use on my Mac) and Microsoft Word (used by the business world, including publishers) which allows an editor to make changes which are tracked and identified as hers in a sidebar, and allows her to make boxed entries in which she can ask questions, make suggestions, and share concerns. As author, I can then either accept or reject her changes. I can also recognize good criticism, but rewrite a segment in my style instead of accepting her changes. I can make notes in the sidebar for her attention, especially since format changes are better made by her than me. I can even explain the reasoning behind some decisions that might seem arbitrary.

Change tracking is one more reason why these are the good old days. Thanks, Michelle at EDGE, for a great job of proofreading.

About the first of March, I received a questionnaire for the publicity department which asked for such things as an imaginary interview with me, and imaginary interview with one of the characters in the book, three blog-entry style pieces, and the story behind Cyan. They also asked for a one paragraph, a two paragraph, and a four paragraph excerpt from the book, and for a 10 word, a 25 word, and a 75 word statement that might be used for cover blurb. I also received a questionnaire on cover design which asked for a physical description of the main characters, and gave me a chance to suggest a scene for the front cover.

They are still free to make any decisions they choose, but I am hopeful. EDGE seems to want to do things right.

Jandrax 18

The herds came. Like an endless river they flowed past the palisade. The colonists worked themselves into exhaustion with the slaughter, killing, killing, killing; butchering until their skins ran red with blood, until their hair was matted with clotted, black, insect ridden blood. Haunch after haunch of trihom, herby, humpox, and leer tumbled into the pit north of town to be covered with clean sand and still more haunches. Bones and entrails inundated the land.

On the third day of the hunt, the skimmer was destroyed by a moving mass of flesh. Tennyson Risley had been piloting it between the hunters and the pit. Broken castings and twisted sheet metal were scattered over a square kilometer and Tenn’s body was lost to the scavengers along with the load of meat he had been carrying.

On the eighth day of the hunt, young Jean Dumezil, the patriarch’s third son, was carried in dead, his throat ripped out by a longneck. He was wrapped in the skin of the animal which had killed him and buried beside Tom Dennison and Jason D’Angelo. Marcel Dumezil read the service dry-eyed.

Walking away from the grave, Lucien Dubois and Alexandre Chambard could not meet one another’s eyes. They remembered the day they had found young Jean standing over the body of Jason D’Angelo, a bloody club in his hand. They remembered all too well how Jean had felt no contrition for the murder, reminding them how D’Angelo had mocked their God.

They remembered dragging the body to a place where it would be struck by a falling tree. They remembered the look on Jan Andrax’s face when he found tiny bits of moss embedded in the wound.

And Lucien Dubois remembered Jason’s near-death protecting him from a charging leer.

When the herds had left, the land was tortured, gouged, and mangled. It was a morass of drying dung, blood, entrails, and bones.

The herbivores had swept the ground like locusts, leaving nothing behind. All plant life was gone and within a week the moisture was gone as well; the land stretched away as pure desert, save for the trees on the mountains behind the camp and the tough new growth that sprang up near the shrunken river.

A week after the herds’ disappearance, Helene Dumezil and Valikili were married. The ceremony took place in the courtyard, attended by the entire colony. Angi squeezed Jan’s arm in delight at its conclusion, a delight that died when she saw the look in his eyes. It was the look of a caged animal.

*****

As with yesterday’s post, the narrator (c’est moi) spills the beans and another mystery is subverted rather than revealed.

My thinking on this was logically valid, but not necessarily valid from the viewpoint of drama. Who threw the grenade, was D’Angelo murdered and, if so, by whom, and who attacked Valikili (something you will never be told) were issues of minor importance in the face of the colony’s fight for survival. That was my thinking. In the closing pages of the novel, the notion of retribution returns, but by then human society is settled into its new pattern, and its survival is well established.

Whether undercutting the mysteries was the best decision is for readers and future writers to decide. more tomorrow

133. The Long Road to Cyan (1)

Keir and his friends travelled eleven light years to get to Cyan. I sometimes feel as if my journey has been longer. I first wrote down the names of the ten explorers, carefully chosen to represent ten different countries, in 1978. That was about the time my first novel, Jandrax, was accepted by Del Rey.

Cyan will be released in e-book form from Edge, probably in the next month or two. As of today (Mar 30) I don’t know the exact date.

A lot has changed between the two releases. Since many of you are here primarily to find out how to get your own novels published, I’ll give you a rundown on the old and the new of it.

Publication in the age of Jandrax (1979)
(You can skip this until part 2, tomorrow,
or you can stick around and laugh at the bad old days.)

When I sent Jandrax around, most publishers accepted queries, then often asked for samples or full novels. You never sent the original. Once a typed and corrected manuscript was complete, it was precious. A coffee spill could destroy weeks of work and you couldn’t just push print to get another one. You sent a photocopy, and you included postage for its return. After a few publishers had seen your novel, the ms. copy started looking pretty ratty.

All this was expensive for a would-be writer, since photocopying cost a dime per page, coin fed, one page at a time, at the local library. There were hard learned tricks to this process, as well. Without computers, there was no headers function. Typing your name, address, phone number,  book title, page count, and page number on each page was out of the question. I typed all this once (with the word page, but no number), trimmed the copy close, and taped it face down on the platen of the xerox machine when no one was looking. After copying all the pages, I filled in each page number by hand.

I’m sure Heinlein had people for this.

In August of 1978, Del Rey bought Jandrax. It was published in April of 1979, which is a pretty quick turnaround. I didn’t have much to do with the process, and certainly had no say in decisions made. I didn’t see the cover until I got my 20 free copies in the mail. It’s a great cover, even though the “reviewer” at Locus mocked it instead of reading the book.  The back blurb was another story:

JAN ANDRAX
As a scout he’d tamed
four planets — and more women than
most men ever see . . .

Well, not really. I wasn’t too embarrassed though, because every reader knows that back blurbs are made up by sex crazed maniacs who haven’t read the book.

My only input between purchase and publication was to review the galley proofs. Galleys don’t exist anymore, but before computers, the typeset version of the book was run off in long sheets, about four inches wide and eighteen inches long, and sent back to the author for approval.

From the obsolete word file — stet. Not stat, that’s doctor talk for right away. Stet means “No, no, no. Put back that sentence you red-lined out. That was exactly what I meant to say, and I don’t want it changed!”

Truthfully, despite horror stories you might have heard, all the proofreaders I’ve encountered have been good at their job.

Jandrax came out and sold some copies, but never paid back its modest advance. That was normal for a first novel, back when first novels got any advance at all. There was an article in the local newspaper, I had a book signing at a local bookstore, and my wife bought me a T-shirt with Jandrax printed on it. That was the publicity campaign.

Things are different today, as I will explain tomorrow.

Jandrax 17

Marcel Dumezil, patriarch of the Benedictine Monists on the planet called Harmony, moved with assurance in everything he did. It was not egotism, exactly, that made him feel his every act was correct, but faith in God, faith in his special place in God’s plan, and faith in his understanding of that plan. Had he been accused of egotism, he would have denied the charges hotly – but humbly. He had long since transcended identifying his personal wishes with God’s. Now he was tangled in the less common, but more dangerous fallacy of identifying God’s personal wishes as his own.

Marcel Dumezil was a man without doubts. He was also a man of great practical wisdom and vast experience in colonizing and in the leading of colonists. He held himself to be indispensable and was more than half right.

He slept only four hours each night, devoting to prayer the other four hours he allowed himself away from his duties. Hypocrisy was not one of his characteristics; he believed utterly in his God and his mission. And this made him dangerous. Lacking internal weakness, he tolerated no weakness in his followers. Believing first in God and only secondarily in man, he was utterly ruthless.

He had thrown the grenade.

*****

The description of Marcel Dumezil’s mindset at the end of the second paragraph is confusing, and I’m okay with that. If the reader passes over it, fine; if he is puzzled, perhaps his irritation will help clarify his thinking. Not everything needs to be spelled out.

To keep names straight as you read on, colony leader Marcel Dumezil is a fire eater who is totally consumed by his religion. Today, he would be a jihadi. His son, named Anton, is a competent leader whose religious fire also burns, but with less heat. He becomes the colony’s leader after his father’s death. Anton’s son, also named Anton, is a twit. All the strength in that line dies out in three generations, but Anton the younger will still set things in motion in the second half of the book.

The last line in this section irritated Thomas Anderson at Schlock Value, when he reviewed Jandrax recently. He said:

Oh wait, about twenty pages in we just…learn who did it (threw the grenade). It’s not even a mystery solved. The narrator tells us. Out of the blue. It was very disappointing.

In fact, Dumezil threw the grenade to remove his people from the temptations of the world. It set up the story and gave a clear picture of his character. There was no intention of creating a mystery. The stranding was of supreme importance; who did it, wasn’t particularly important. Once the results of the explosion had been firmly nailed down, I let the reader know who did it at the first convenient moment. No mystery intended; just a timing issue.

Of course, there is a lesson here for the would-be writer. What we intend is a great deal less important than what the reader sees. more tomorrow