Thomas Anderson of Schlock Value has an ongoing love/hate (largely hate) relationship with blurbs. I mostly share his view, but things have changed since the era, mostly the 70s, which he reviews. When Cyan came out, I had the chance to write the blurbs myself. In fact, I was asked to write three blurbs of 10, 25, and 75 words, from which the publisher would choose.
Squeezing a whole novel into twenty-five-words-or-less is an interesting exercise. I decided to try it again on the novel I’m presently writing, Like Clockwork, but with a variation. 10, 25, and 75 is really hard. I’ll wait until the book is finished for that, but I did write short, shorter, and really short candidates.
Here are the results.
The year is 1850. The year is always 1850. Now it is November and a year’s worth of progress toward understanding is in jeopardy. In a few weeks will come Midwinter Midnight, when the Clock that Ate Time will reset, it will be January first once again, and all that has been gained will be lost from memory.
Snap, who helped to build the Clock and regrets his actions; Balfour who was another man in another life; and Hemmings, formerly a computer, who now figures differently — these three, with Pilar, Eve, Lithbeth, Pakrat, and old man Crump are determined to set Time free again. And if they fail . . .
The year will be 1850. The year will be 1850 forever.
The year is 1850 — again. A year’s worth of progress toward understanding is in jeopardy. In a few weeks it will be Midwinter Midnight, when the Clock that Ate Time will reset, it will be January first once again, and all that has been gained will be lost from memory.
The year is 1850 in a this alternate London, where time has no hold. There are only a few weeks left to restart the future.
How’s that for a tease?