Tag Archives: race

Voices in the Walls 11

Before we move on to Chapter two, here is a longer “note to self” that I dropped in with no intention of sharing it with anyone. I normally think in long, convoluted sentences and my first drafts – depending on the day and my mood – sometimes become quite dense. I spend a lot of time chopping the weeds out of my sentences so that only the grass remains.

In this brief piece, I have only cleaned things up enough to tone down the worst of the confusion.

The tone and tenor of this story will depend in part on how old Matthew is when he tells the story. If it is told as if we were looking over his shoulder as he experiences it – as it mostly is now – then it will have a callowness and lack of depth due to his immaturity. If he is looking back from age 20ish, as if he were narrating at the age he is in the prolog, it will have greater maturity. It will now have a greater sense of the depth of time, but will lose some immediacy. If he is telling the story to his grandchildren at age 70ish, he will have to explain some things to them which will be beneficial to the modern young reader, and will take away some of the stiffness and the feeling of dialect in the voices of the slaves.

He might, for example, say, “Bonnie, I know no one says Massah anymore. That’s cause there aren’t any slaves any more. It sounds funny? No there was nothing funny about it.”

This could smack of Conrad’s “Ah, youth. Pass the bottle.” but despite that it is still legitimate form of storytelling and it gives that distancing effect, that storytelling effect, that allows the author to comment on old mores, which is something the narrator can’t normally do.

If the Conrad reference is unfamiliar to you, Joseph Conrad’s story Youth is told in flashbacks by a narrator during a drinking bout some years after the events it describes. The narrator’s calls of “Ah, youth!” and “Pass the bottle!” become tedious and eventually laughable. Don’t let that scare you off, though; it is a minor flaw on a fine story.

Something I did not discuss in the “note to self” is person. Voices has to be first person; it is about Matt’s internal struggles, and no other form would work.

I normally prefer third person for its flexibility, and because it allows me to comment on the protagonist. The only other first person novel I’ve done is Raven’s Run. If I had made it third person, it would have an entirely different tone, less reflective and more hard edged. I like it like it is, but in third person it might be easier to sell.

My first real novel, Jandrax, was written in first person. It didn’t work, so I rewrote the whole thing into third person and Ballantine snatched it up. I did cheat a little. I managed to leave two chapters in first person, one as a narrated flashback, and the other presented with the feel of a folk tale.

92. Don’t Shoot the Messenger

Last post I made the argument that racial mixing has been going on in America for nearly four hundred years, that whitish negroes have been passing for white and disappearing into the “white” population for almost that long, and that by now we are all one race.

We didn’t get that way by sitting in a circle, holding hands, and having pretty thoughts. We got that way by rape. Or at least by white men doing whatever they damn well pleased with black women, when it wasn’t illegal.

Slaves heading for America were chained naked and helpless below decks. The sailors were as horny as – sailors. You do the math. Logic suggests that miscegenation began before the slaves ever arrived in America.

Everyone secretly knows that, and pale black folks prove it. It will be harder to accept that the gene flow moved both ways, by means of even paler black folks.

There are two groups who will hate and resist this idea.

Whites.

And blacks.

I think the average “white” is likely to respond, “No way! I’m white and that’s all there is to it. So shut your mouth and crawl back under whatever rock you crawled out from!”

And the average “black” will probably respond, “So what? It makes no difference. I’m black, and you’re damned well not going to take that away from me.”

We have been living so long with the myth of two races that, biology notwithstanding, we have made it a cultural reality. And we have invested four hundred years of denial in making this non-existent difference the most important fact in our national life.

If I could disseminate the one race doctrine throughout America, all would be well.

Yeah, right!

Black-haters would disbelieve in their souls while paying lip service. They would say, “If we’re all one race, then there can be no such thing as a racially motivated crime.”

Don’t blame me when that happens.

The fact is that “blacks” and “whites” are different – culturally different, in the same way Mormons are different from Catholics, and Hindus are different from Jews. The fact that we all share the same gene pool doesn’t change that.

It is, however, the truth. And the truth is the only starting point for facing the future.

Voices in the Walls 10

Chapter one, concluded

“But we will have to fight for our freedom,” I said, “and I could hardly call myself a man if I let others do my fighting for me!”

“I understand your feelings, but listen: Lincoln doesn’t become president until March. The southern states won’t wait for that to happen. They will begin to secede immediately, and it is possible that President Buchanan will let them go with only a token show of resistance. It could all be over before Lincoln ever comes to the Presidency.”

“I don’t see how that changes anything.”

“Son, you are still fifteen. Give me your word that you will stay with your sister in Gettysburg until your sixteenth birthday, and I will release you from any further obligations. By that time we will know better what is to happen, and I will trust you to act on your own conscience.”

???make this 16 & 17???

(I love computers. They allow me to drop little “notes to self” right into the text where I can’t forget them. Of course this would be a disaster if you were the type to send off first drafts unchecked.)

I did not want to give my word. The South had no navy. That meant that if it came to war, they would be fitting out privateers and I wanted to be in on the action. If my father’s predictions were right, I might miss the whole thing by waiting until April to enlist.

Yet, when I looked at my father’s face, I could not refuse him. I said, “I will wait.” He shook my hand on it. Then he reached into the side pocket of his coat and handed me a package wrapped with paper.

“Don’t open that until you get to Pennsylvania,” he cautioned, “and then do so in secret. You will find a pistol, caps, power, and shot inside. Load it, then hide it. Don’t let your Aunt Rachel know about it. As a Quaker, she is not supposed to force her ideas on anyone, but she might refuse to have it under her roof. She is a strong willed woman, and a foolish one sometimes. If you ever need to defend your sister or yourself, I want you to have the means.”

I slipped the heavy package into my pocket. More than anything so far, it brought home the seriousness of our situation. I said, “When will we see you again?”

“When God wills it, if he ever does.”

Then he put his arms around me briefly, and I confess that I had to wipe moisture from my eye before I turned to face Sarah again.

*****

So ends chapter one. I’ve reread the chapter dozens of times, tweaking little things, and I am still not satisfied with it. It is full of exposition necessary for the coming story, and full of conversation between a father and son who are just a bit stiff and distant with one another, during a formal historic era.

If this were science fiction, or fantasy, or a thriller, I would chuck the whole chapter and start over. Or, to be more precise, I would have written it differently in the first place.

There are two things at play here. The story I am trying to tell in a tale of morals, and much of the most important action is internal. Nevertheless, the story has to move, or readers will simply close the book and go on to something else.

Beginning with chapter two, things speed up a bit. When I complete Voices, I will leave chapter one as is and drive on the the last page. Events that have yet to be written may change my view of this first chapter and make changes easier.

Here is a rule to live by: Chapter one doesn’t have to be perfect while you are writing a book, but it had better be perfect before it heads for the publisher.

Chapter two is two posts away. Next post, a diversion.

91. Redneck Granny

Your Redneck Granny is a Black Woman,
and she doesn’t even know it

That provocative phrase is a title I have planned for a future book.

Last post, I said, “ . . . white purity is not just endangered; it hasn’t existed for hundreds of years.” To turn that title and that notion into a book will take some research, but let’s look at the bare bones of the argument.

The first African slaves arrived in America in 1619. That’s 397 years ago. If we count twenty-five years as a generation, that’s 16 generations.

Now, lets look at you and your ancestors, assuming that you consider yourself white.

You had two parents (we’re speaking biologically here) and they had four parents and they had eight parents . . .; up the line 16 generations, that’s just under 33,000 ancestors. Counting all the ones it took to get back there, that about 65,000 folks who sent your DNA down the line.

What are the chances that not one of them was out of Africa?

Suppose one black woman was made pregnant by her master in the first generation. How many of her descendants would carry at least a trace of that DNA event?

Historically, women bore many children, and many of them died while young. Let’s say that the average woman had four children who lived long enough to have children of their own. That original black woman would have one billion, seventy three million, seven hundred forty one thousand, eight hundred twenty four partly white children, even if that was the only rape in the history of race relations.

And what are the chances that was the only rape? None. So much for black purity, but that isn’t any big secret. What about white purity?

How white do you have to be to pass for white? Three quarters? Seven eighths? How many generations does that take, particularly since the whiter a girl is, the more likely she is to be the object of a white man’s interest. Three generations at the most; and what are the chances that a whitish black girl would choose to pass if she could? Why wouldn’t she, if she could get away with it?

More math. Lets say that by 1700 (eighty years into the era of slavery), one hundred partially negro girls had passed for white. That’s not a big number to surmise. In fact, it’s ridiculously small. Let’s just look at that hypothetical hundred, and not consider for the moment all the blacks who passed subsequently.

Let’s give doubters no excuse for their doubts. Let’s say that these passing girls only averaged three children who went on to have children. That’s certainly an underestimation. Their descendants are boys and girls who are going to disappear into the white gene pool; who may not know, and whose descendants will never know, that they carry a partially  black genetic heritage. How many of that original one hundred could there be today?

6,710,886,400. Six billion, seven hundred ten million, eight hundred eighty six thousand, four hundred. Nearly as many as there are humans on the Earth.

That doesn’t count all the other blacks, male and female, who passed in the last four hundred years.

If big numbers don’t impress you, let’s make it personal.

Rhett Butler was partly black. Scarlet O’hara was partly black. Simon Legree was partly black.

You’re partly black. I’m partly black. And my relatives just disowned me.

That’s mighty white of them!

Voices in the Walls 9

Chapter one, continued

Eventually the tour ended and Sarah was brought out. She ran into Father’s arms, then greeted me with a curtsey and a shy smile.

Sarah was six years younger than me, so I had rarely played with her when we were young. The Kemp twins from the plantation just down the river were my age, and we spent our childhoods together, with no time for little sisters.

Sarah was a baby and I was six when mother died. Father was a U. S. Representative by that time and had little time for us, so Sarah went to live with Father’s sister in Richmond and I was sent to a boarding school in Williamsburg. Father would bring us both back to Waterside with him when Congress was not in session. That remained the pattern of our lives for a decade.

Sarah was my sister, but she was a stranger. Except for our few months at Waterside each season, I had not lived in the same house with her for some years.

Now I looked closely at her. Her hair was blonde and done up in ropy curls. Her eyes were more gray than blue. The dress she wore was tight in the bodice and flared at the hip, well tailored and trimmed with lace. Her clothing, her stance, and the look on her face were all designed to make Mrs. Davison feel that she had produced a perfect little girl. I had no idea what was really going on inside her head. I’m sure Mrs. Davison knew even less than I did.

We went out to the carriage with Sarah between us, holding each of our hands. She was chattering gaily, but after the first five minutes I stopped listening. It was all about the life she lead at Mrs. Davison’s and the daily crises and intrigues of her playmates. James took the reins, snapped the horses into motion, and we pulled away. Sarah had both of Father’s hands in hers now, as if she were trying to squeeze the juice out of every second she would be with him.

At the train station, Father left Sarah with James long enough to take me aside. “Son,” he said, “I don’t know what the future holds for any of us, but it does not look pleasant. It will certainly be war. The question is how hard and how long the North will fight. I am hoping that the whole thing will be over by mid-summer. I would prefer that you stay out of the fighting if you can.”

I knew that my father had been no war hawk, but this advice sounded strange to my ears. I said, “Father, that hardly seems honorable.”

Father frowned and asked me, “Do you remember Representative Collins?”

I did. Collins was from Ohio; he and Father had been friends for years and he had visited Waterside several times, although they had drifted apart recently.

“Arthur Collins has a son just your age. I would not care to have you looking down a rifle barrel at his son, nor would I want his son firing at you. We have been members of the same nation, however quickly some men forget.”

“But we will have to fight for our freedom,” I said, “and I could hardly call myself a man if I let others do my fighting for me!”

90. N Word, M Words

The N Word and the M Words

I was on the phone with a cousin back in Oklahoma recently. I mentioned that gay marriage, in my opinion, was like interracial marriage – something we would all look back on in a few years and ask ourselves what the fuss was all about.

She said that interracial marriage was still a big fuss in Oklahoma. Bear in mind she is my age, so she may not speak for the present generation.

It’s no fuss in California where I live now. Everywhere you look you see black-white couples, and that pleases me.

The continuing abhorrence of interracial marriage has two parts. It is a fear that a (perceived) bad thing has been made legal, and it is a refusal to admit that the (perceived) bad thing has been going on for a very long time.

Consider, when asked about how his book Huckleberry Finn was doing, Mark Twain said, “I feel like the lady felt when the child came out white.” (Bernard DeVoto. Mark Twain’s America) Really? A world of understanding is hidden in that seemingly simple statement.

How about the nigger in the woodpile? You’ve never heard that phrase? Then you don’t live anywhere near the South. You can Google it, but it won’t tell you much. You will find it used in an anti-Lincoln cartoon during his election bid, and you will find various definitions to the effect that it refers to something not being what it seems.

Fine, but why this particular phrase? Why is that legendary black man hiding in that woodpile near the back door of the big house? What are his intentions? (As if the snarky way I phrased that didn’t tell you.)

The internet won’t say, but I will. The answer lies in when the phrase is used. It is occasionally used to cover general sneakiness, but it is always used when a child doesn’t look like his father.

Hmmm. So that’s why that black guy was sneaking around the back door.

The great fear is that black men will do to white women what white men have been doing to black women for four hundered years. It has nothing to do with the M word (marriage) and everything to do with the other M word (miscegination).

That black feller in the woodpile helps whites laugh at the hidden realization that white purity is not just endangered; it hasn’t existed for hundreds of years.

Voices in the Walls 8

Chapter one, continued

Father had much to say to me. He was telling me the things I would have to know if he died before we met again, and we both knew it.

When I finally made it up to my room, I was drugged with sleep and sadness. All my life, I had planned to go to sea. It was a family tradition. My great-grandfather had been captain of a privateer during the Revolutionary War. Our plantation was bought with prize money from his three cruises. My grandfather was a lieutenant on the Constitution when she captured the HMS Java in 1812. Even Father had served on coasting bugeyes when he was a boy, before he had run for office. I had been about to follow in their footsteps. With an appointment to the Naval Academy, the dream had been so close I could almost touch it. To lose it now seemed too much to bear.

But . . . when the southern states seceded, they would surely need a navy. That thought cheered me considerably.

(Even though it doesn’t seem so now, this is a precursor of things to come. The fact that Matt’s family has seen a world beyond the South is instrumental in preparing for his later change of heart. He will contemplate this himself, in coming chapters. Having this paragraph here both shows his present state of mind and prepares the reader for changes which are to come later.)

*****

The next morning James readied the carriage and drove Father and me across town to the boarding school to pick up Sarah. Until a few months ago she had stayed with Father, but during the hopeless battle to keep Lincoln from being elected President, he had not had time for her.

Apparently Father had sent instructions ahead, because there was a pile of trunks on the ground outside the carriage house. We left James and one of Mrs. Davison’s slaves to load them while we went inside. (We associate Washington, D. C. with Lincoln and the Union, but at this time it was a city full of slaves.) The house was full of the early morning sounds of young girls awakening and getting ready for the day. We could hear scurrying and laughter in the rooms above, and the hallway where we waited was full of the pleasant smell of bacon and grits.

Mrs. Davison was short and round, in a hoop skirt that made her look rounder still. Cosmetics made her cheeks red and her eyelashes long and black, even so early in the morning, and her hair was elaborately done up. She was full of sighs and flutters, gesturing with her fan and declaring how she “didn’t know what she was going to do without Sarah. The girl was such an angel!” If she had been twenty years younger and sixty pounds lighter, she would have been the picture of a southern belle; instead she was a parody of one.

Since Sarah was still eating, Mrs. Davison took us on a tour of the lower part of her house. Father endured it gracefully, but I could see it was hard for him to listen. The nation was falling apart around him; all he wanted was to see his little girl off on her way to safety so he could get back to the business of saving what could be saved. Father’s strained courtesy made Mrs. Davison even more silly in my eyes.

Eventually the tour ended and Sarah was brought out. To my relief, she was sensibly dressed for traveling, in a dark dress of linen with no hoops to get in her way. She ran into Father’s arms, then greeted me with a curtsey and a shy smile.

89. Guess Who’s Coming to Dinner

You can learn a lot from television, if you are alert, and usually not what they want you expected.

My local oldies station has been running Guess Who’s Coming to Dinner incessantly for about a month. I’ve watched the whole thing several times and bits and pieces here and there as well. If you don’t remember the story, in 1967, a very handsome, very black man (Sidney Poitier) wants to marry a very pretty, very blonde white girl (Katherine Houghton). They spring this on her liberal parents and complications ensue.

I like the movie despite its obvious problems. I even forgive that it ends with a fifteen minute monolog by the grumpy, old white guy (Spencer Tracy), as he puts everybody else in their places.

The movie is dated and excessively, even simplistically, sweet. It is unrealistic that the black guy in question is such a moral superman and so terminally handsome. Never mind; the movie’s heart was in the right place and it probably did some good. And it was 1967, after all.

But there’s something else to be learned from this movie beyond what the producer intended. The next time you see it, take a look at Dorothy (no last name, played by Barbara Randolph), a minor character, assistant housekeeper and a drop-dead gorgeous black girl.

Or is she? Stand her up in your imagination half way between Poitier and Houghton. She is half as black as he is, and half as white as she is. How did that happen! And why do we accept her as black without even thinking about it?

The whole movie is based on the shock that everyone feels when Poitier and Houghton decide to marry, but no one even takes notice of the obvious product of four hundred years of interracial sex, married or otherwise, strutting her stuff in the background.

Hummmm!

Voices in the Walls 7

Chapter one, continued.

Father led me back into the parlor and motioned me toward a chair. “You know Lincoln was elected. You know war is coming.”

“Yes, I know, but might be a year before it begins. Or President Buchanan may let the South go peaceably, before Lincoln is even inaugurated.”

“Perhaps, but I doubt it. And Lincoln will fight.” 

There were men who would welcome this war. Senator Jacobs was such a man, but my father was not.

“What do you want me to do?” I asked.

“I am sending your sister to stay with your aunt in Pennsylvania. I want you to take her there and stay with her. I want you to protect her.”

“Pennsylvania! In the North! What about Waterside. Why aren’t you sending us back home?”

Father said, “Waterside will be a battleground when war comes. All of Virginia will be. There will be no safety there as long as the fighting continues.”

He looked sharply at me and said, “Matt, you are the only one I can depend on to keep Sarah safe.”

I was hurt by his doubt. I said, “You know that I will keep her safe. I would keep her safe wherever we were, in Waterside as well as in Pennsylvania.”

“How, Boy? If I sent you back to Waterside, how would you keep her safe from Federal troops? How would you explain to our neighbors if you stayed at Waterside while all their sons were going off to war? How could you resist when they came to recruit you? Could you stand by when they called you a coward?”

He was right. I could hardly stand hearing the word here, now, from my father. I could certainly never stand to have it hurled at me in anger by a neighbor. For a minute there was no sound in the room but the ticking of a clock. Then I said, “If I go North with Sarah, won’t that be the act of a coward?”

“No. You will just be taking your sister to safety.”

“And I will be taking myself to safety,” I answered. “I can’t do that. You wouldn’t do it! Father, I have always done what you said, but this time you are asking too much. Tell me why you are sending me away from my home to live with the enemy when war is coming. Convince me that you have good reason and I will go, but I won’t go just because you tell me to. Not this time.”

There was irritation in his face, but some pride, too. He said, “Yes, you may have to fight. But not yet. The war is not here yet. Take your sister to your aunt’s and stay there with her as long as you feel that you can. See to her safety, and then do what you must.”

He had much more to say to me. We sat for hours as he brought me up to date on the details of Waterside. He told me what fields were under what crops, how the shipyard on the James River was doing, and what slaves he had assigned to which jobs. It chilled me to listen. He was telling me the things I would have to know if he died before we met again, and we both knew it.

88. John Henry

I have always wondered why John Henry is a folk hero.

Maybe it’s just a folk song. Maybe it isn’t supposed to make sense. I never worry about the fact that Stewball “never drank water, he only drank wine”; I do have a tendency to overthink things.

But let’s look at the facts. John Henry is big, strong, uneducated and very black. Symbolically black, even. As a ”little bitty baby” he picks up a hammer and accepts his fate. He works himself to death for white folks, while they stand around and bet against him. Then his wife takes over when he’s dead, and the story goes on unchanged.

Sounds pretty damned Jim Crow to me.

A technical point here, so it all makes sense. As a “steel drivin’ man”, John Henry is not spiking down rails to ties. He is digging tunnels. He is swinging a doublejack, a two handed medium weight sledge hammer. He is hitting a star drill, which is a steel rod about a yard long ending in a hardened cross bit. Every time John Henry hits the drill, another inch of rock is pulverized in the bottom of a hole. Between each stroke, his assistant turns the drill an eighth of a turn.

Men with John Henry’s job spent their days drilling holes in the face of a tunnel. Those holes were then filled with black powder or dynamite, depending on the era, and blasted. Then the drill men moved back in to do it all over again.

Imagine working in near darkness, covered with sweat and stone dust, breathing in the fumes from the last blast, damp and cold in winter, damp and hot in summer. Tough for John Henry; terrifying for his assistant, holding the drill steady, turning it only in that moment when the hammer is drawn back, and knowing that if John Henry ever misses, he’s dog meat.

It gets worse.

It is useful to those in power to have a large population of the powerless and hungry. Slaves fit that bill very well; so do new immigrants. Today we have the working poor, who are kept humble by the myth that if you can’t make it in America, it’s your own fault. You aren’t working hard enough (see post 5.).

Immediately after the Civil War, white southerners found a way to get back some of their power and some of their slaves. They simply arrested and imprisoned newly freed blacks, then rented them out. They invented the chain gang. If you are trying to find historical reasons why blacks fill our prisons and why our police are so often corrupt, chances are pretty good your research will lead you to those events.

What does this have to do with John Henry? In searching for the man behind the legend, writer Scott Reynolds Nelson’s* discoveries suggest that John Henry was one of these convict-slaves.

John Henry was a man who could not break his chains, but was still a man for all that. His status as a black hero makes sense.

Still . . ., if I were borrowing all this to make a story, I would rewrite it so that John Henry used his hammer to brain the overseer. But, of course, the real John Henry could never do that, and today’s black community would not accept such a cheap answer, or such an easy road to freedom. It would not match up with their own experiences.

History is usually uglier than anything we novelists can invent.

*Scott Reynolds Nelson. Steel Drivin’ Man: John Henry, the Untold Story of an American Legend.