Tag Archives: literature

33. Here Come the Bombs

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I was a child of the cold war. I loved science, science fiction and I studied atom bombs with a gleeful avidity that embarrasses me as I look back on it. Our nearest city was Tulsa, which would probably have been a target, but we were forty miles away and no one took the Russian threat seriously except me; and I wasn’t scared, just fascinated.

Eventually my high school spent an hour on Civil Defense training. I was a sophomore, but they gave it to me to present. That kind of thing could happen fifty years ago in a small school when none of the teachers knew anything about a subject and didn’t want to learn, but just wanted to check off an obligation to the state bureaucracy.

It was my first experience with a captive audience. I can still see the looks of massive boredom as I explained what we could expect if Tulsa got hit.

In literature, this period saw the beginning of a subgenera that might be called what terrible tragedy will technology visit upon us next? Next. Not someday, but tomorrow. This immediacy drove some of these novels into best seller status, and fed Hollywood with movie plots.

Fail-Safe detailed an inadvertently launched airstrike by the US against Russia. It’s ending was chilling, but unbelievable. On the Beach was all too believable, a slow downsliding as nuclear survivors in the far southern hemisphere succumb one by one to fallout. In its final pages, the elegiac tone resembles the empty Earth after all the transformed children have gone in Clarke’s Childhood’s End.

Believability was not an issue in Level Seven. Told in academic prose, the story of a group of scientists sent to the deepest level of the most advanced fallout shelter unfolds with the unemotional certainty of an equation as these men of science carry on their lives deep underground while all life on the surface has been destroyed.

I had read these books and understood their messages, but I was a teenager. I wanted light and life and excitement, interesting technical exposition, and a hopeful ending. That’s what Philip Wylie provided.

Wylie’s novel Tomorrow is the book I liked best. Most of what I gave to my long-suffering fellow students at that high school event came from it. There were bombs, there was massive destruction, but there was also survival. Wylie’s Tomorrow ended with hope.

A real nuclear strike would not have been so benign. Looking back over fifty years, I still can’t believe any of us got out of the twentieth century alive.

32. Roses, out of the dry ground

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I like poetry a lot, but my personal taste pretty much stops with Frost and Yeats.

I like to pepper my novels with quotations from the Rubyiat, Masters, Tagore, and poetic scriptures from various religions. When an appropriate quotation is not available, I never hesitate to write a bit of poetry to develop a character or move a story along. Poetry written to purpose is not real poetry, but I will be including some of it in later posts as illustrations of the writing process.

Roses, out of the dry ground is a real poem, and the first I wrote as an adult.

Novels come over time, with a few flashes of inspiration and a lot of grinding work. I have enough novels waiting to keep me writing for the next three hundred years.

Poems only come when they come. For me that means rarely, but they are a treasured gift when they do come.

Roses, Out of the Dry Ground

The child fled
From harsh words and rough hands
And the uncaring glance that kills the soul,
To hide among the weeds and brambles,
The lizards and the hard cased beetles,
Where no voice comforts,
And no voice condemns.

There he found a rose, growing
          out of the dry ground.

Out of dirt, caked and broken,
Webbed down by spiders;
With dusty leaves,
          yet blooming.

The child reached out and touched a thorn
So gently that his finger did not bleed.
(For the child knew thorns)
Reached further, and touched the blossom, so gently
That its fragrance filled the desert air.

He sat long among the weeds
And gazed in wonder, that the rose,
So ragged, could still be sweet.

Never knowing,
          it was a mirror that he saw.

31. Discovering Khyyam

412px-033-Earth-could-not-answer-nor-the-Seas-that-mourn-q75-829x1159My novel A Fond Farewell to Dying opens with a quatrain from the Rubyiat of Omar Khyyam.

Oh, threats of Hell and Hopes of Paradise!
One thing is certain – This life flies;
        One Thing is certain and the rest is Lies;
The Flower that once has bloomed forever dies.
Khyyam/FitzGerald quatrain LXIII

It was the perfect setup for a book about people deeply aware of the fleetingness of life and trying to find their own kind of immortality.

Edward FitzGerald is the scholar whose translation of Khyyam is most widely known. He took a mass of unrelated quatrains, translated and arranged them, and gave them a unified voice. Although called a translator, he might better be called the co-author.

Khyyam was a Persian, but not a Muslim. He was one of the leaders of the old order, recently deposed by Muslim conquest. This accounts for the wine bibbing and the questioning attitude toward God, which otherwise would seem odd, even dangerous, among the Sultans, camels, turbans, and oases which fill the poems.

I first encountered Khyyam on a high school field trip to visit nearby University of Tulsa. I managed to sneak a moment in the university bookstore, and bought the most interesting paperback I could lay hands on quickly. It was the Rubiyat. I read it on the bus ride home and was immediately hooked.

The Rubiyat is the perfect book for a questioning young man just beginning to find his own voice and his own mind. Khyyam questions authority; in fact, he questions the ultimate authority, God himself. It is not a book for atheists though, unless they are simply looking for literary support for their opinions. Khyyam was no atheist. You can’t call God to task as he does, unless you believe in Him.

Oh, Thou who Man of baser Earth didst make,
And ev’n with Paradise devise the Snake:
For all the Sin wherewith the Face of Man
Is blacken’d – Man’s forgiveness give – and take!
Khyyam/FitzGerald quatrain LXXXI

A book full of rebelliousness will catch a young man’s eye, but it is the beauty and wisdom in every line which makes it remain a treasure in later life.