Tag Archives: memoir

70. The War is Over

240px-Wildfire_near_Cedar_Fort,_Utah Every era has its terrors. Throughout my childhood in the fifties I was deeply aware of the likelihood of nuclear war. I was fifteen during the Cuban missle crisis. When I went to college, Viet Nam was well underway.

As I mention today in Serial, I tried my hand at folk music. I even wrote a song, which no one has heard for the last 45 years. I wish I could call it the melancholy thoughts of youth but, sadly, it’s still spot on.

The War is Over
Syd Logsdon

Now that the last war is over
Now that the violence is done
Search through the rubble for mourners
You will find — not a one.

Now that the green grass is dying
Now that the trees are stripped bare
The sounds of the forest are silent
The brooks have no laughter to spare.

The moon still hangs sad and silent
The stars fill the heavens with light
The sea rolls so dark and so lonely
Over cities where ruins now lie.

Look for your friends in the mountains
Or your enemy’s spoor on the plain
Run through the corridor shelters
Seek a companion in vain.

Cry out your soul for a songbird
But none will answer your call
Search for your friends and your loved ones
But they’re gone — one and all.

Search for the one called the victor
Through the still smoking rubble and ruin
Now that the violence is over
Now that the war has been won.

Innisfree

hiatusYeats is one of the great poets of the English language and The Lake Isle of Innisfree is among his best known poems. I was introduced to it through folk music.

I arrived at college just at the end of the folk era. It had basically passed me by in my country-western Oklahoma life, and I was hooked as soon as I discovered it. One of my roommates had been in a high school folk group in Minnesota. He quickly found a girlfriend who could sing (beautifully) and a fellow guitarist, and started playing in the local coffee houses. I borrowed his tenor guitar to learn on, then got a six string, and I was just getting reasonably good when folk music disappeared overnight and psychedelic rock became the rage. Timing was never my strong suit.

My roommates and I were always short on cash, so we shared our stash of records. One of my favorites was Hamilton Camp’s Paths of Victory, but it went with my roommate when college was over. Camp took Yeat’s Innisfree and wrote music for it, and a sweeter song was never sung – at least until Judy Collins sang it a cappella to his music a year later.

This is one of the two or three songs I catch myself singing whenever I am alone and can harm no one. Chances are you already know the poem, but I suggest that you Google judy collins innisfree and hear it sung on U-tube. Or, if you are old enough to enjoy an early Dylan sound-alike, Google hamilton camp innisfree.

  It isn’t hard to find. Clearly, I’m not the only one who loves it.

The Lake Isle of Innisfree – William Butler Yeats – 1892

I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made;
Nine bean-rows will I have there, a hive for the honey-bee,
And live alone in the bee-loud glade.

And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight’s all a glimmer, and noon a purple glow,
And evening full of the linnet’s wings.

I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart’s core.

*****

During this last week of the year, I’m taking a hiatus, sort of, by placing some of my favorite poems instead of things I have written. My fantasy short story Prince of Exile will begin here the first full week of next year.

68. Nostalgia

Dec 25thAs a sort of disclaimer, let me assure you that Christmas Day, and the season that precedes it, is my favorite time of the year. I love everything about it, but that doesn’t keep me from also seeing it slantwise.

“It’s coming on Christmas, they’re cutting down trees . . .” It seems to be a sad and bitter beginning, but Joni Mitchell’s River is all about nostalgia, and so is American Christmas in the twenty-first century.

This goes deeper than surface appearances. The obvious nostalgia is for rural life and all its simplicities – clean snow, red barns, white farmhouses and a one horse open sleigh. In reality, there is nothing nostalgic about walking to the barn in the pre-dawn darkness to face three hours of chores at five below zero. Never mind; when I see that perfect scene on a Christmas card, I want to be there. Childhood memories of frozen feet don’t stand in the way.

Christmas literature today has come to mean movies. I know that there are new Christmas books every year, but they all seem to fall into a soupy genre I can’t bring myself to read.

Among movies, the original is A Christmas Carol, in all its iterations. It stands alone, a whole genre all by itself, and there is no nostalgia in it. No one wants to go back to the age of “prisons, and Union workhouses”, cold, hunger, and early death. Instead, the story is about the change in Scrooge as he considers the horrors faced by those around him, many of which are his own fault. The horrors don’t go away, except for the few people Scrooge can help, but Scrooge himself is redeemed.

Recently, there have been a spate of TV movies all asking, “will the girl get the guy by Christmas”? I leave them with that soupy genre of books, readily available for those who can stomach them, after pointing out that they have nothing to do with Christmas.

The rest of Christmas movies fall into one category, with one masterplot. They range from silly to profound, but they all have this in common: Santa is accused of assault, or loses his memory, or decides that he doen’t want to be Santa any more, or Santa Jr. doesn’t want to take over for Santa Sr..

Santa, and/or those around him, are on the verge of losing faith, but they are saved at the last minute by _______. Choose a crisis and a salvation, and write you own screenplay.

Don’t get me wrong. I love these films; I watch them all season. They have to be really bad for me to turn one off. But what is the one thing are all these movies nostalgic about? Faith, of course, which so many people today are clinging to by their fingernails.

If Santa stands in for Jesus – and even those who wish he didn’t, know that he does – then every time Santa once again proves himself to be real, that version of Christianity which proposes a warm, loving, all seeing, yet forgiving God is reaffirmed.

Those who are afraid to doubt out loud can sit back and let Santa, acting as a stand-in, reaffirm their faith.

I’ll buy in. For another Christmas season I will set aside my unbelief and bask in the feeling that someone out there will make all things come right.

Now get out from in front of the television; Miracle on 34th Street will be on in twenty minutes.

64. ‘Twas the Season (post 2)

DSCN1839 Yesterday, I left you shivering, but I don’t want you to get the wrong impression. I didn’t hate my childhood on the farm – I loved it.

But I wouldn’t do it again for a billion dollars.

Our Christmas was not typical because we worked every day, and because my parents were committed Southern Baptists. So was I, except at the end, and even then I was a closet unbeliever. They never asked, and I never told, so even during my last two years at home I went to church three times a week, sang the hymns, prayed aloud when called upon (that was particularly hard) and lived a Godly life.

My parents appreciated Christmas, but not as the secular holiday it has become. They saw it as a celebration of the birth of Christ.

There was no Santa in our house, although no one was offended when someone sent a Christmas card with the old fellow flying his sleigh. From my first memory, I knew Santa was only a myth that other parents told their children about. It was fun to hear about Rudolph in the song on the radio, but at home we sang Silent Night and O Little Town of Bethlehem.

We had a tree, decorations, Chiristmas cookies, presents, lights, ornaments, and all the rest. But nobody came down the chimney, and the presents were labeled from Mom and Dad, or from Grandpa, but never from Santa.

We didn’t do Christmas morning anyway. We opened our presents on Christmas Eve after the evening milking and supper were over. That was a matter of practicality. Christmas morning, like every morning, began with three hours in the dairy barn.

It was still fun. One year Hallmark came out with lick and stick ribbon, and taught classes in how to use them. My mother took the class and taught me. That year all the presents I wrapped were decorated with ribbon snails and ribbon roses.

It was fun, but it wasn’t jolly. My parents were quiet people, and since I had no brothers or sisters to bounce off of, I never learned to be boisterous. Even today, when I see people cheering on their favorite sports team, I have no real understanding of why they act that way.

There was no Christmas service at church unless Christmas happened to fall on a Sunday. The business of the church, we were reminded often, was not fun and games or helping our neighbors with their troubles. A good Christian might help a neighbor in need, but the church did not. The church was in the business of saving souls, and nothing else.

If Christmas fell on Sunday, the sermon would begin with the story of Christ’s birth, but somewhere around the middle it would morph into hellfire. The only reason the birth of Jesus means anything, we were told, is because of the crucifixion and resurrection at the other end of his life.

Still, I enjoyed my life and I enjoyed Christmas. If it looks a bit grim in hindsight, at the time it just seemed normal.

Recently, PBS did a special on the Pilgrims. They were the no-fun champions of the world, ranking right up there with jehadis. As I watched, I was amused by the knowledge that it only took a couple of generations for their offspring to kick over the traces and become Baptists, because even that seemed like more fun.

Eventually, I left home for college in Michigan. The first year I was there we got the snowstorm of the century, 24 inches in 24 hours. The campus was snowed in for a week and I loved every minute of it.

The summer after, I met the girl who would become my wife. She was filled with a massive and infectious sense of joy. We were married in 1969 (post 27.  That Was My Childhood) and that first Christmas was wonderful beyond anything I could have imagined. So were the next forty-four. Likewise the forty-sixth, when it comes next week.

63. ‘Twas the Season (post 1)

DSCN1795A white Christmas – it’s a cultural heritage, even for those who never share it directly. Hawaii and Florida get their snow on TV and Christmas cards. Californians go to the mountains where the snow is cold and deep, then return home and string Christmas lights on their palm trees.

During my childhood, Oklahoma was on the border of the snowfall. We had snow, but it was rare and sparce; never fluffy, but hard and small like buckshot. We occassionally had no-school days because of snow, but not for reasons you could anticipate. An inch would fall during the night, accompanied by monster winds. Come morning, the fields would be blown brown and bare, and all that snow would be deposited in the roadways, trapped between the barbed wire fences on either side, three feet deep and impassible.

I do remember that the front yard was once covered with snow, an inch deep held up by the brown, dead grass. It was a chance to make my first snowman. I rolled snow for what seemed like hours and finally had stacked him up three feet high – a lumpy, anorexic figure with stick arms and nose, rock eyes, and a borrowed hat. Unfortunately, the whole yard was rolled bare to make my snowman.

Oklahoma in winter was brown everywhere – except where it was green. There were fallow fields, winter stripped trees, prairie grass pastures cropped close and brown by cattle, but there were also field of winter wheat. Planted in the fall and harvested in the spring, those fields were as green as Ireland throughout the winter. Our dairy cattle were grazed on winter wheat. It was a major boost to our income, but what green wheat did to their digestive output I won’t detail in a family friendly post.

For two thousand years, Christmas has been part of the agricultural cycle of the seasons. Even in the sixties, the seasons ruled our activities. In spring, we harvested winter planted crops and planted for the fall harvest. In summer, we bailed hay both commercially and for ourselves. The cattle were bred to drop calves in autumn. Through the summer they were mostly dry and needed little care, but they came into milk production just as the last fall harvest was over, and kept us working – and earning a living – through the long months of winter.

And it was work; and it was cold. The coldest I remember was five below, but zero was not uncommon. That might not seem like much, but come along for the ride.

Each day began about 4:30 when my dad opened the bedroom door and growled, “Get up!” in a voice you wouldn’t even consider not obeying. I would spend the next half hour crouched in the living room in front of the space heater putting on three layers of clothing, warming each piece individually. I don’t know why I bothered; the wind pierced to the skin within the first five seconds of leaving the house.

Morning milking took about three hours. Unlike the other seasons, I didn’t have to go get the cattle; they were waiting impatiently for the grain they would get while they were being milked. I won’t describe the process again (see post 47). The floor was concrete, deep frozen overnight, and the cold telegraphed up through thin boot soles all the way to your knees. At least when I had to walk outside, I didn’t sink; the mud-manure mixture was frozen to brown cement. When the milking was finished, my dad would drive out into the pasture to distribute hay while I stayed behind and washed up all the milking machines, strainers, and milk cans. Then it was a mad rush through breakfast and a bath (twice a day, every day, you can figure out why) in order to dress and catch the bus for school.

I loved school, and not just because I was scholarly by nature. It was warm inside.

Home in the afternoon, with an hour to do my homework, then out to the barn to do it all over again.

Every day, seven days a week, all winter. Including Christmas.   More tomorrow.

61. Christmas Potpourri

DSCN8392

Welcome to my favorite season.

But first, a word from our sponsor. My upcoming novel Cyan has been delayed. It will be out in April or May, not in January as originally announced. Because of this, about a dozen Cyan related posts had to be replaced with new, season appropriate material. All that is done now, and things are back to calm.

*****

When I was a child, I enjoyed Christmas without having the full joy of it. That came later, with marriage to the right person. On our first Christmas together, we decorated the tree on my early December birthday, and that tradition has continued unbroken since.

The season of our second Christmas the musical Scrooge came to theaters. Even though I had no VCR, I bought the tape while I had the chance. Who knew it would be around forever.

Seeing Scrooge led to reading A Christmas Carol, and that led to reading the four other Christmas stories Dickens wrote in subsequent years.

I was vaguely aware that our Christmas was an amalgam of Christian and pagan practices and, being historically minded, I sought out the details. That led me through a forest of books, which I will share tomorrow.

*****

One of the difficulties of being an underpubished writer is all the novels bubbling in your head that you fear will never come to be written. One of these is a novel of lives lost and reclaimed in and around Philadelphia in 1789, set during the Christmas season and giving a picture of Christmas before Santa was invented. As an early Christmas present this year I gave myself permission to write the Christmas Eve chapter of that unwritten novel and present it here. Unfortunately, time came too short. Maybe next year.

Instead I am presenting the Christmas section of a completed novel Symphony in a Minor Key. It tells the story of Neil McCrae, a teacher, during the Christmas season of 1989. Symphony in a complex novel, and the excerpt given only touches on surface events. Nevertheless, Neil and his girlfriend Carmen are nice people, and I think you will enjoy spending the holidays with them. Pop on over to Serial where the story starts today and runs through Christmas day.

60. Thank You, Harold Goodwin

BOOKSI have a December birthday, which worked out well as a kid since books were my favorite gifts, and winter is a prime time for reading. The gifts I got were locally sourced and cheap, mostly published by Grosset and Dunlap, Whitman, or Golden. For anything by a normal publisher, I depended on libraries.

Heinlein’s juveniles were legendary, but he wasn’t the only writer of juvenile science fiction. Norton made a carreer of it before she branched into fantasy. Donald Wohlheim wrote a eight book series about a secret project of young astronauts called Quicksilver which shadowed the accomplishments of Project Mercury. Joseph Green wrote a six book series built around the character Dig Allen. All of them kept me entertained through long Oklahoma winters.

Nobody, not even Heinlein, did it better than Harold Lee Goodwin, although the comparison is apples to oranges. Heinlein’s juveniles were set in space and used future science reasonably  extrapolated from the present. Goodwin’s stories, with one exception, were set in the present and built on extant science.

If you’ve never heard of Goodwin, its largely because he worked under the pseudonyms Blake Savage and John Blaine. If he gets no respect, it’s largely because he was published by Grosset and Dunlap. That meant Goodwin’s Rick Brant books shared bookstore space with Tom Swift, Jr and the Hardy Boys – series that were written to outline by anonymous hack authors.

I read all three G & D lines as a kid, and enjoyed them because they were all I had. They taught me to read and to love reading. But when I try to reread Hardy Boys books today, they come off dull and dumb. Tom Swift, Jr. – well, I can’t force myself through them, although I still try from time to time.

Rick Brant holds up. A few years ago I reread the whole series from start to finish and they were as good as I remembered them. The same was true of Goodwin’s single outer space adventure, sometimes titled Rip Foster Rides the Gray Planet and sometimes Assignment in Space with Rip Foster.

Rick Brant lived the perfect life. I would have traded with him in a heartbeat. He had adventures, twenty-six eventually, which he shared with Scotty (Don Scott) who was the ideal older brother figure. They appeared to be seventeen and eighteen in the first book and were still the same age forty-three years later. That’s good work if you can get it.

Rick lived with his family on Spindrift Island where his father was the head of a diverse group of scientists. Each had a different specialty, allowing for a wide range of stories, and they formed a dozen of the best uncle figures any boy could imagine.

Rick was bright and a bit precocious, but he wasn’t a wunderkind. Elsewhere he might have seemed nerdy, but on Spindrift he simply seemed a bright young scientist among brilliant experienced older scientists. He was always learning. He often saved the day, but he never had to save the world.

In short, he seemed real.

I wish I could recommend Rick Brant to today’s audience. Certainly it would be hard to match the series’ quality, but the same timeliness that made it work on publication, makes it dated today. A kid with a smart phone is not likely to be impressed when Rick invents a miniature walkie talkie, and that’s just too bad.

Harold Goodwin was a diver, worked for Civil Defense, NASA, NOAA and other agencies, and said that his books “were often a spinoff from my technical work.” His lengthy obit is reprinted in Goodreads at https://www.goodreads.com/author/show/3487756.Harold_Leland_Goodwin?from_search=true

 

59. Don’t Look at Me

dont look topDuring my last couple of decades of teaching, my friend Crystal got me into several situations I wouldn’t normally have experienced. She was a teacher of second language students whose dedication went above and beyond what anyone could expect. Because of my respect for her, and my affection for the students we shared, I occasionally found myself doing extra things to back her up.

For several years she had taught a summer writing program for new English learners which included a guest writer. Funding for the guest writer dried up and I was the only writer she knew, so I volunteered to step into that role.

I only had two pieces which were age appropriate, so the first year I taught a poetry lesson using There Am I (see post 8. Written on 9-11). I talked shortly about myself, read the poem, led them through brainstorming, and set them to writing a poem.

One lesson teachers have to learn is when to back off and shut up. I have aquired that skill, but it’s been hard for me. At the appropriate time, I sat quietly at the head of the table for fifteen minutes while they worked.

I knew some of these strudents from having them in large classes, but I did not know them well. Many of them I did not know at all. We had seen each other on campus, but they were sixth or seventh graders who had not reached me yet.

They were under my eye. That is a powerful phrase. They had to produce for a man they did not really know. If they had been students in my regular classroom it would have been easier, but not easy.

They had to write, under my eye, and then they had to submit what they wrote for judgement.

When I was a child, I loved school, but I have no difficulty understanding why so many hate it. As I watched these children try to write, I considered how I would have felt in their place. Then I took up paper and wrote a new poem while they worked.

dont look full

Technical note for fellow bloggers. Since the theme I use does not allow full control of vertical and horizontal spacing, this poem had to be written on a drawing program, converted into a JPEG, and inserted as if it were a picture.

55. Voices in the Walls

220px-Sunnyside,_Tarrytown,_New_YorkIn the 1970s I was an enlisted man, a tech in the oral surgery section of a Naval Hospital in California. It was an interesting position. Like servants in a proper British household, or like house slaves on the plantation, we were seen but ignored when the officers conversed. We knew everything they talked about; they had no idea what we said about them.

Our new Captain, just back from a deployment in the far east and looking forward to retirement, said to his colleagues, “I’m really glad to be back from Japan, but now I can’t wait to get back to America.”

He was joking, but he meant it, too. He was from one of those mythical places like Vermont, and California didn’t look like home to him. I understood him completely. I was born and raised in Oklahoma, but even to me, historical America meant New England. Despite the fact that Washington, Jefferson, and Patrick Henry were all Virginians, and the fact that the Declaration of Independence was written in Pennsylvania, if you say 1776, most Americans will think of New England.

For me, that’s because of textbooks. In the mid-fifties, elementary history textbooks did not contain photographs. No doubt it was a matter of technology and economics, but what those books had instead were beautiful line drawings, frequently sepia toned, which not only showed aspects of the colonial world, but looked like they could have been drawn in 1740. I remember one in particular, representing the tobacco trade. A wagon sized barrel, lying on its side, was hitched directly behind an ox and self-rolling down to the water, where an apple cheeked ship with a single square sail was standing in to receive it. It opened up my landlocked Oklahoma heart and made me love the sea a decade before I saw the sea. I’ve been looking for a copy of that old textbook for many years, but it may be a blessing that I haven’t found it. The reality is unlikely to be as fulfilling as the memory.

As a side note, the thesis I wrote for my second masters degree, thirty years later, was on American maritime history.

I didn’t visit the northeastern part of the United States until I was pushing forty, and it was everything I had dreamed it would be – as long as we avoided the cities. My wife and I spent most of our time in the countryside, and visited cities primarily for the museums. D. C. and Philadelphia were inspiring; Valley Forge and Chadds Ford were beautiful beyond belief, at least at that season. The list could go on.

I also got a gift in New York, in Tarrytown. We were visiting the Washington Irving mansion when a tour guide told us that the house had been a station on the underground railroad, and that the family could sometimes hear noises through the walls when escaping slaves were hiding in the basement.

True, or just a good story? I didn’t know and I didn’t care. I just knew that I had been handed another novel for my to-write list. As of now, I’m 45 pages in and I’ve been stalled there for a long time. I’m not sure if I need to go from first person to third, or if there is some other problem that my subconscious has not yet rolled out into the light, but Voices in the Walls will get finished, eventually. Meanwhile, I will be using it as the centerpiece of an extended discussion of race, starting in mid-January of next year.

52. Anthropology 101

220px-Nehru_gandhiFirst I wanted to be a scientist, an inventor, and a spaceman. The word astronaut hadn’t been invented yet. By the time I reached high school John Storer, Peter Mathiessen, and Marston Bates had converted me to ecology. I entered college majoring in biology; following their rules, I took chemistry and math the first year and enrolled in Biology 201 at the beginning of year two. I lasted less than a week, because the whole department was DNA crazy. In the words of Marston Bates, they were only interested in “skin-in” biology, while I was only interested in “skin-out” biology. They were wearing white lab coats; I wanted to wear khaki.

rolling sched...Ten years later, everyone would have been studying ecology. My timing was a fortunate misfortune, because twenty years later the study of ecology had degenerated into fighting with government bureaucracy to save what little of the wild remained. Diplomacy is a skill I never had and never wanted, so it’s a good thing my life didn’t lead me down that path.

Anthropology was the closest thing to behavioral biology that MSU offered. I switched majors and it served me well. I spent two summers on archaeological digs which taught me I didn’t want to be an archaeologist. I did want to look like one. My roommate and I took our first archaeology class in 1967. Professor Cleland was tall and lean, with close cropped hair and a full red beard. We went back to the dorm and threw away our razors. I never went back to bareface, which came in handy a year later when the Summer of Love occurred and suddenly there were hippies everywhere.

All this, you understand, was years before Indiana Jones put on his hat and picked up his whip.

My interests within anthropology soon narrowed down to South Asia, that is from Pakistan, through India to Bhutan and from Nepal to Sri Lanka, including overseas populations in places like Trinidad and Fiji. I mined that knowledge heavily in A Fond Farewell to Dying and made two of the main characters in Cyan Dravidian Indians from Trinidad.

Although I spent a lot of energy studying Hinduism, Islam, and Buddhism, the religion around which I built Jandrax came from a more personal source – from growing up a fundamentalist and then bailing out.

The core concept of Anthropology is culture.

Putting it as simply as possible, we do not see with our eyes or hear with our ears, but every sensory perception is filtered through our cultural upbringing. We have an internalized vision of what the world is like, and every perception is censored by that view.

That is a quote from a paper I gave at Westercon 34 in Sacramento, California in 1981, in which I summarized what the study of anthropology and the writing of novels had taught me about creating alien cultures. Thirty-five years later, it stands up well to the test of time, so I am presenting it on this website. It starts today in Serial.

It’s called How to Build a Culture. Pop over and give it a look.