Tag Archives: memoir

60. Thank You, Harold Goodwin

BOOKSI have a December birthday, which worked out well as a kid since books were my favorite gifts, and winter is a prime time for reading. The gifts I got were locally sourced and cheap, mostly published by Grosset and Dunlap, Whitman, or Golden. For anything by a normal publisher, I depended on libraries.

Heinlein’s juveniles were legendary, but he wasn’t the only writer of juvenile science fiction. Norton made a carreer of it before she branched into fantasy. Donald Wohlheim wrote a eight book series about a secret project of young astronauts called Quicksilver which shadowed the accomplishments of Project Mercury. Joseph Green wrote a six book series built around the character Dig Allen. All of them kept me entertained through long Oklahoma winters.

Nobody, not even Heinlein, did it better than Harold Lee Goodwin, although the comparison is apples to oranges. Heinlein’s juveniles were set in space and used future science reasonably  extrapolated from the present. Goodwin’s stories, with one exception, were set in the present and built on extant science.

If you’ve never heard of Goodwin, its largely because he worked under the pseudonyms Blake Savage and John Blaine. If he gets no respect, it’s largely because he was published by Grosset and Dunlap. That meant Goodwin’s Rick Brant books shared bookstore space with Tom Swift, Jr and the Hardy Boys – series that were written to outline by anonymous hack authors.

I read all three G & D lines as a kid, and enjoyed them because they were all I had. They taught me to read and to love reading. But when I try to reread Hardy Boys books today, they come off dull and dumb. Tom Swift, Jr. – well, I can’t force myself through them, although I still try from time to time.

Rick Brant holds up. A few years ago I reread the whole series from start to finish and they were as good as I remembered them. The same was true of Goodwin’s single outer space adventure, sometimes titled Rip Foster Rides the Gray Planet and sometimes Assignment in Space with Rip Foster.

Rick Brant lived the perfect life. I would have traded with him in a heartbeat. He had adventures, twenty-six eventually, which he shared with Scotty (Don Scott) who was the ideal older brother figure. They appeared to be seventeen and eighteen in the first book and were still the same age forty-three years later. That’s good work if you can get it.

Rick lived with his family on Spindrift Island where his father was the head of a diverse group of scientists. Each had a different specialty, allowing for a wide range of stories, and they formed a dozen of the best uncle figures any boy could imagine.

Rick was bright and a bit precocious, but he wasn’t a wunderkind. Elsewhere he might have seemed nerdy, but on Spindrift he simply seemed a bright young scientist among brilliant experienced older scientists. He was always learning. He often saved the day, but he never had to save the world.

In short, he seemed real.

I wish I could recommend Rick Brant to today’s audience. Certainly it would be hard to match the series’ quality, but the same timeliness that made it work on publication, makes it dated today. A kid with a smart phone is not likely to be impressed when Rick invents a miniature walkie talkie, and that’s just too bad.

Harold Goodwin was a diver, worked for Civil Defense, NASA, NOAA and other agencies, and said that his books “were often a spinoff from my technical work.” His lengthy obit is reprinted in Goodreads at https://www.goodreads.com/author/show/3487756.Harold_Leland_Goodwin?from_search=true

 

59. Don’t Look at Me

dont look topDuring my last couple of decades of teaching, my friend Crystal got me into several situations I wouldn’t normally have experienced. She was a teacher of second language students whose dedication went above and beyond what anyone could expect. Because of my respect for her, and my affection for the students we shared, I occasionally found myself doing extra things to back her up.

For several years she had taught a summer writing program for new English learners which included a guest writer. Funding for the guest writer dried up and I was the only writer she knew, so I volunteered to step into that role.

I only had two pieces which were age appropriate, so the first year I taught a poetry lesson using There Am I (see post 8. Written on 9-11). I talked shortly about myself, read the poem, led them through brainstorming, and set them to writing a poem.

One lesson teachers have to learn is when to back off and shut up. I have aquired that skill, but it’s been hard for me. At the appropriate time, I sat quietly at the head of the table for fifteen minutes while they worked.

I knew some of these strudents from having them in large classes, but I did not know them well. Many of them I did not know at all. We had seen each other on campus, but they were sixth or seventh graders who had not reached me yet.

They were under my eye. That is a powerful phrase. They had to produce for a man they did not really know. If they had been students in my regular classroom it would have been easier, but not easy.

They had to write, under my eye, and then they had to submit what they wrote for judgement.

When I was a child, I loved school, but I have no difficulty understanding why so many hate it. As I watched these children try to write, I considered how I would have felt in their place. Then I took up paper and wrote a new poem while they worked.

dont look full

Technical note for fellow bloggers. Since the theme I use does not allow full control of vertical and horizontal spacing, this poem had to be written on a drawing program, converted into a JPEG, and inserted as if it were a picture.

55. Voices in the Walls

220px-Sunnyside,_Tarrytown,_New_YorkIn the 1970s I was an enlisted man, a tech in the oral surgery section of a Naval Hospital in California. It was an interesting position. Like servants in a proper British household, or like house slaves on the plantation, we were seen but ignored when the officers conversed. We knew everything they talked about; they had no idea what we said about them.

Our new Captain, just back from a deployment in the far east and looking forward to retirement, said to his colleagues, “I’m really glad to be back from Japan, but now I can’t wait to get back to America.”

He was joking, but he meant it, too. He was from one of those mythical places like Vermont, and California didn’t look like home to him. I understood him completely. I was born and raised in Oklahoma, but even to me, historical America meant New England. Despite the fact that Washington, Jefferson, and Patrick Henry were all Virginians, and the fact that the Declaration of Independence was written in Pennsylvania, if you say 1776, most Americans will think of New England.

For me, that’s because of textbooks. In the mid-fifties, elementary history textbooks did not contain photographs. No doubt it was a matter of technology and economics, but what those books had instead were beautiful line drawings, frequently sepia toned, which not only showed aspects of the colonial world, but looked like they could have been drawn in 1740. I remember one in particular, representing the tobacco trade. A wagon sized barrel, lying on its side, was hitched directly behind an ox and self-rolling down to the water, where an apple cheeked ship with a single square sail was standing in to receive it. It opened up my landlocked Oklahoma heart and made me love the sea a decade before I saw the sea. I’ve been looking for a copy of that old textbook for many years, but it may be a blessing that I haven’t found it. The reality is unlikely to be as fulfilling as the memory.

As a side note, the thesis I wrote for my second masters degree, thirty years later, was on American maritime history.

I didn’t visit the northeastern part of the United States until I was pushing forty, and it was everything I had dreamed it would be – as long as we avoided the cities. My wife and I spent most of our time in the countryside, and visited cities primarily for the museums. D. C. and Philadelphia were inspiring; Valley Forge and Chadds Ford were beautiful beyond belief, at least at that season. The list could go on.

I also got a gift in New York, in Tarrytown. We were visiting the Washington Irving mansion when a tour guide told us that the house had been a station on the underground railroad, and that the family could sometimes hear noises through the walls when escaping slaves were hiding in the basement.

True, or just a good story? I didn’t know and I didn’t care. I just knew that I had been handed another novel for my to-write list. As of now, I’m 45 pages in and I’ve been stalled there for a long time. I’m not sure if I need to go from first person to third, or if there is some other problem that my subconscious has not yet rolled out into the light, but Voices in the Walls will get finished, eventually. Meanwhile, I will be using it as the centerpiece of an extended discussion of race, starting in mid-January of next year.

52. Anthropology 101

220px-Nehru_gandhiFirst I wanted to be a scientist, an inventor, and a spaceman. The word astronaut hadn’t been invented yet. By the time I reached high school John Storer, Peter Mathiessen, and Marston Bates had converted me to ecology. I entered college majoring in biology; following their rules, I took chemistry and math the first year and enrolled in Biology 201 at the beginning of year two. I lasted less than a week, because the whole department was DNA crazy. In the words of Marston Bates, they were only interested in “skin-in” biology, while I was only interested in “skin-out” biology. They were wearing white lab coats; I wanted to wear khaki.

rolling sched...Ten years later, everyone would have been studying ecology. My timing was a fortunate misfortune, because twenty years later the study of ecology had degenerated into fighting with government bureaucracy to save what little of the wild remained. Diplomacy is a skill I never had and never wanted, so it’s a good thing my life didn’t lead me down that path.

Anthropology was the closest thing to behavioral biology that MSU offered. I switched majors and it served me well. I spent two summers on archaeological digs which taught me I didn’t want to be an archaeologist. I did want to look like one. My roommate and I took our first archaeology class in 1967. Professor Cleland was tall and lean, with close cropped hair and a full red beard. We went back to the dorm and threw away our razors. I never went back to bareface, which came in handy a year later when the Summer of Love occurred and suddenly there were hippies everywhere.

All this, you understand, was years before Indiana Jones put on his hat and picked up his whip.

My interests within anthropology soon narrowed down to South Asia, that is from Pakistan, through India to Bhutan and from Nepal to Sri Lanka, including overseas populations in places like Trinidad and Fiji. I mined that knowledge heavily in A Fond Farewell to Dying and made two of the main characters in Cyan Dravidian Indians from Trinidad.

Although I spent a lot of energy studying Hinduism, Islam, and Buddhism, the religion around which I built Jandrax came from a more personal source – from growing up a fundamentalist and then bailing out.

The core concept of Anthropology is culture.

Putting it as simply as possible, we do not see with our eyes or hear with our ears, but every sensory perception is filtered through our cultural upbringing. We have an internalized vision of what the world is like, and every perception is censored by that view.

That is a quote from a paper I gave at Westercon 34 in Sacramento, California in 1981, in which I summarized what the study of anthropology and the writing of novels had taught me about creating alien cultures. Thirty-five years later, it stands up well to the test of time, so I am presenting it on this website. It starts today in Serial.

It’s called How to Build a Culture. Pop over and give it a look.

51. Thanksgiving

DSCN0636My father said, “A man who sits down to eat without saying grace is like a pig eating acorns without looking up to see who’s shaking the tree.”

I like that, even though I no longer think there is anyone up there.

rolling sched...When I lost my faith, it was instantaneous, like a soap bubble bursting; and my father, who had been the shining center of my childhood, was of no help. He was a man of arrogant humility, and I feared him too much to tell him about the change.

I owe you an explanation for that oxymoron. He believed that any man, however good in the eyes of other men, was a worm before God. He also believed that God was all powerful and had given us his Word to follow, and he read that Word daily.

My father had the humility of knowing he was nothing, and the arrogance of knowing he had all the answers in the Bible in his hand. It was a lethal combination. When I was a child, I feared his godlike certainty, though now I see the deeper uncertainties behind it.

So how do you stay thankful when there is no one to whom you can direct your thanks?

You can, you know. I am thankful every day of my life. I put the question into the words of Ian Gunn in the novel Raven’s Run, as he tries to explain to his lover:

“Faith isn’t something you can turn off and on. When it’s gone, it’s just gone.”

Raven said, “I couldn’t live like that. Don’t you ever miss it – miss Him?”

I shuffled the words around in my mind to get them just right. It was something I didn’t want her to misunderstand.

“What I miss,” I said, “is like this: I go out in the evening and I’m alone and I see a beautiful sunset. The clouds are on fire and the sky is so blue it’s almost green. It is so beautiful it makes me hurt and I just want to look up and say, ‘Thank you.’ But there’s no one to say it to. That’s what I really miss. Having someone to say ‘thank you’ to.”

The truth is, I am as thankful today for the good things in my life as I was fifty-five years ago when I carried my Bible to school as a testimony to my faith. Now I direct that thanks to the people around me – most especially to my wife – with a little left over to send toward the (probably) empty sky.

50. Change of Venue

If you googled here to find out how to get your trial changed to another county, sorry about that. This is an entirely different subject.

In point of fact, this is the fiftieth post in A Writing Life, with about sixty posts in Serials on this same website. It is time to revisit some of the things I said in post number one.

Once upon a time I wanted to be a folk singer. It was 1966, and I was a college freshman. I bought a guitar and was getting pretty good when the Summer of Love hit, everybody formed psychedelic rock bands, and the coffee houses went the way of the dinosaur.

rolling sched...I had lost my venue. I wasn’t a Christian, so I couldn’t sing in church; I wasn’t a drunk, so I couldn’t sing in bars. And U-tube wasn’t even dreamed of.

When I started writing, the venue was clear. Books were published by publishers and sold in bookstores, or in bookstands, or by dumps in grocery stores. (Dumps are fold-up cardboard bookstands designed for temporary placement.) Literary agents facilitated the process. Later, agents became virtual guardians of the gates to publication.

There were always other routes to publication. I have a friend who wrote a cookbook for children and self-published. She still has a garage full of unsold books. Twenty years ago there were always stories of authors who had self-published and become rich and famous. Probably a few of them were true; probably for every success there were a thousand garages full of unsold books.

Publicity and distribution are the key issues, and the internet provides new venues for both. You can self-publish e-books, or go e-book with a traditional publishers, as with my novel Cyan coming out from Edge next year. In either case, it is up to the author to publicize his own books.

One could, for example, set up a website and offer free reads on a Serial blog, along with tidbits from forty years of A Writer’s Life. That might build readership for one’s novels.

It has worked so far – you’re here. Stay tuned to find out how it goes in the future.

47. Working

DSCN5109I think I was eleven. I remember the incident with complete clarity, but not the date. I was sitting at the kitchen table; it was five in the afternoon and my dad was heading out to the dairy barn for the evening milking. As he passed my mother, he said, “I’m taking the boy with me,” and jerked his head at me. I got up and followed him out the door.

From that moment, I was a working man. I still am; retirement didn’t change anything. I’ll still be writing something, or building something, or fixing something while they’re nailing down the lid on my coffin.

This story isn’t about going back to cave life. We didn’t milk the cows by hand. There were mechanical milkers, two of them, which my dad shifted manually from cow to cow. That was exciting, because the cows were half wild and he never knew when one of them would try to kick his head off.

As each cow finished, my dad would pour the milk into a bucket, then move on to the next cow. It was my job to carry the milk into the next room and pour it into the strainer on top of a milk can – and not spill any on penalty of “the look”. Since the bucket weighted about half as much as I did, and the strainer was chin high, I got strong fast.

Work on the farm was very physical, not because we were poor, but because it was a long time ago and there weren’t many labor saving devices around. Before we got our first grain auger, I scooped tons of grain by hand. We counted it a major innovation when we switched from heavy steel scoops to light aluminum ones.

There were lazy times, too. At harvest, I drove the truck. That meant moving up next to the combine every fifteen minutes for offloading. Three minutes of driving followed by twelve minutes of waiting for the combine to go around the field again, repeated hour after hour for several weeks. I had a straw hat, a ice cooler of water, a truck seat to lounge on, and a  stack of library books. It was heaven.

We were frequently broke, but never poor. My dad never balanced a checkbook in his life. During bad years, we borrowed from the bank when we ran out of money; during good years, we paid them back. As long as the good years outnumbered the bad, it all worked out in the end.

I didn’t leave the farm to get away from work. I liked the work. I left the farm so I could find a job that would utilize my brain as well as my body. I planned to be a scientist; I ended up a writer and a teacher, but I never stopped working.

So what lessons did I learn from all this? Work is its own reward, and it had better be, because its likely to be all the reward you get. There is no relationship between work and money. You work hard and carefully because you are supposed to; it’s what a man does. It doesn’t assure success.

You can see how useful all this had been for a writer.

46. Three Men Gone (2)

Last post, I told you about a man of faith. The other two men on my list are different.

The first was a profane man. He smoked and drank and chewed tobacco, and his speech was punctuated with oaths. He was the owner and operator of the local gas station. That’s what we called it, although no one ever bought gasoline there. Every farmer had a 500 gallon tank at his farm. You filled your tractor there, filled the out-of-service milk cans you used to carry gasoline to the fields, and filled your pickup.

You went to the gas station to get a tire repaired or buy a fan belt from the hundreds hanging high on the walls. The station operator would retrieve one of them using a ten foot pole with a hook on the end, which he manipulated one handed.

You see, he only had one arm, and that was a bigger deal in the fifties than it is today.

If you are young, you may never have seen a tire removed from its rim. If you are under fifty, chances you have never seen it done without a pneumatic breaker. This station operator had only a tire vice, a heavy rubber-faced hammer, and two or three levers shaped like blunt, curved chisels. When a tire needed repair, it was the signal for the start of a violent ballet with all the farmers gathering around to watch. He would drive the tire away from the rim with a dozen powerful blows from his overdeveloped right arm, drop the hammer and insert a lever, haul it back and brace it against the center stem of the tire vice, grab the hammer and drive it deeper, grab the free end of the lever and haul it mightily sideways clear around the perimeter until the tire popped free of the rim so he could reach the tube inside. It was fast and loud as he did with one arm what the onlooking farmers could not have done with two.

Today, because of helicopters and advances in medicine, fewer soldiers die within the first hour of being wounded. As an unintended consequence, limbless persons have become common. Add to that the generation old shame for the way returning Viet Nam vets were sometimes treated, and you end up with a culture which embraces its amputees.

This was not true in the fifties. The station owner’s lost limb could have been a war wound. He was of the right age to have lost it in WWII, but I never knew. No one talked about things like that back then. And no one provided special hospitals, advanced prosthetics, or support groups. A man made it on his own, or he didn’t, with very little help.

I was impressed. I still am.

*****

I never met the third man in this trio. His name was Nigger Eddie. I won’t clean that up. It would be as wrong as changing Injun Joe’s name to clean up Tom Sawyer.

There were no black people in my little town, but Nigger Eddie lived somewhere in the county. That was the name everybody called him by; I never knew his real one. We would see him driving down the main street, which was also a state highway, face forward in his pickup, never making eye contact. People would look up as he passed by and say, “There goes Nigger Eddie.” They never waved; he never looked up.

Nigger Eddie was respected by everybody because he kept to himself and never made trouble. He drove through our lives, but he was never a part of them. Apartheid was new in the fifties, even in South Africa, but my people fully understood its basic principles.

That’s all I know. Even as a child I wondered where he lived; was he married; did he have kids; what was that family’s life like? I will never know.

Within a decade, the civil rights movement opened my eyes and began to open the eyes of the nation. Here was a black man too old to reap the benefits of that change. I hope that his children and grandchildren did.

45. Three Men Gone (1)

There are three men from my childhood I would like to see again.

The first was the preacher at our church for about ten years. I can see him before me in memory, but I can’t remember his name.

Over the years I have known a lot of preachers. Some were weak men trying to do good; some weren’t worth much, no matter how hard you looked for goodness in them. The man I remember was what a preacher should be.

Our church was as tiny as our town, so we couldn’t afford a full time minister. This gentleman worked as a switchman on the railroad, in a yard in Tulsa, thirty-five miles away. He lived near his work and drove to our town every Sunday, come rain, sleet, snow, hail, or tornado. He preached the morning sermon, spent the day visiting church members, then preached again on Sunday night. Some church family invited him to dinner every Sunday after church, and that was about all the pay he got. The salary we gave him would barely cover his gasoline. Midweek, he drove up after work for prayer meeting.

Fifty years later, I still remember his sermons. They were hard, but they weren’t cold. He told of fire and Hell and the coming Armageddon in tones that would set your hair on fire, but his face was always full of kindness, sorrow, and forgiveness. When he said Christ would forgive, you could believe it when you looked into this man’s eyes.

One morning, he did not show up for Sunday service and word went around that there had been an accident. He worked between the cars, opening the couplers, and America’s rail yards have always been slaughterhouses. His hand had been caught between moving cars.

I was too young to visit him in the hospital, so I didn’t see him again until he returned weeks later. He had lost the outer half of his right hand, but he could still hold the Bible in it, and slap it down in emphasis on the pulpit. I was ten; I couldn’t take my eyes off it. I can still feel the bony oddness of it as we shook hands at the end of every service.

He preached a thousand sermons in that church, with one theme: surrender to the love of God or burn in Hell. I eventually surrendered, went down the aisle to where we sat side by side on the front pew with his arm around my shoulders while he prayed for my soul. It didn’t take, but if there were anything today that would make me change my mind about God, it would be that man’s unfaltering faith.

44. S. L. in Occupation

220px-Polish_kid_in_the_ruins_of_Warsaw_September_1939Last post was about my father in the closing days of WWII. After his wounds had healed, he was returned to his unit, now in occupied Bavaria.

How he felt about the German soldiers he fought, he never did say. In his stories, he never shot them – just scared them a bit. Somewhere along the line he had ditched his M1 Garand for a Thompson sub-machine gun with a broken stock. He carried it (he said) one handed by the pistol grip; in combat he pulled the trigger and recoil sent the muzzle swinging up and to the left, with a spray of bullets that sent the enemy sprinting for cover.

It was a good, clean story for the wife and kid, but once he almost slipped in the middle of telling it. Comfort and humor almost got swamped by blood and truth. He changed the subject. There is no doubt in my mind that, like a million other WWII veterans, he only told what his audience could bear to hear.

His feelings about German civilians were quite clear; these were his kind of people. Bavaria was a long way from the seats of power, and these were farmers and poor shopkeepers. He hated Nazis, and German generals, and politicians, but he liked the local people and they liked him. So did their daughters.

My father was handsome young man, full of life, full of fun, and he had money. The young German men were gone. They had gone to war and were now dead or in Allied POW camps. The German civilians were hungry. As I read between the lines of his stories, my father kept several families fed, in exactly the same way my grandfather kept several families of out of work townsmen fed with produce from his farm during the depression.

My father’s feelings for his Bavarian Germans were conditioned by his childhood. These were working people, like his own family and friends, and like the German settlers that lived around Owasso, Oklahoma where he was raised.

He fell in love with a German girl and they planned marriage, but he discovered that to marry her, he would have to reenlist and remain in Germany two more years. He was a homesick farm boy, ready to feel the Oklahoma dirt beneath his feet again, so he left his German girlfriend and came home. A year later he married. A year after that, I was born.