Tag Archives: memoir

447. Lupe Revisited

Last Christmas, I told the story of Lupe in a world where Donald Trump was going to be President. Now he is President, and things have not gotten better. Here is Lupe’s story again.

Ramon came in, stamping the snow from his feet, and shook the snow from his jacket before closing the door. The sun was low in the eastern sky behind him as Lupe moved up and hugged his leg. He smelled of sweat and manure and soured milk, but she didn’t mind. She had hugged him this way every morning for as long as she could remember, and he always smelled the same. For Lupe, the smell was as familiar and welcome as his cold fingers on the top of her head.

Every morning Ramon rose before the sun was up, and left the house. His daughter greeted him when he returned hours later, and saw him off again in the afternoon. She was usually asleep when he came home at night.

It is hard work milking cattle twice a day, and the pay is low. The cattle march in from the muddy lots to take their turns in the stalls, where fast moving men attach the milking machines. The cattle resent the process and the workers have to move quickly to avoid having their hands caught against he stanchions. It goes on for hours, in heat or cold, beginning every morning before daylight, and continuing again every evening until long after dark.

Lupe stepped aside to make room for her mother. Today she seemed worried; her voice was unusually sharp as she asked, “What did he say?”

Ramon said, “I didn’t tell him.”

I translate, of course. Every word was in Spanish.

“You got your money for the week?”

Lupe’s father nodded, “I told him I needed it today, to buy things for Christmas. I was afraid to tell him the truth. He is a good man, but it seemed best that he should not know.”

Lupe’s sister came out of the single bedroom with a cardboard box in her arms, tied up with twine. Lupe looked up with interest. It was not wrapped in paper, but any box is interesting so close to Christmas. Carmella put the box down on the floor and returned a moment later with blankets and bedding, also rolled up and also tied up with twine. Lupe asked what she was doing, but Carmella ignored her.

Her father carried the box and roll outside. Her mother came out of kitchen with a box of food, and that began a procession of boxes, coming from various parts of the house and out to the car. Lupe’s mother and sister had gathered their possessions during the pre-dawn, while Lupe slept.

Now Lupe dragged at her mothers leg asking questions, but she was ignored until Carmella pulled her aside and said, “We are going away.”

“Where?”

“I wish I knew Lupita. I wish I knew.”

“But why?”

“It’s only a month until he becomes President. Everyone here knows who we are. We have to go away, somewhere where people don’t know us.”

“But why? I was born here. This is home.”

“So was I, Lupe, but mother and father were not.”

When they pulled out an hour later, Lupe stared back at the little house where she had spent her whole, short life, until it disappeared around a bend. Then she looked out the windshield, past her mother and father’s silent heads. It was a long road, wet with melted snow. Her father would not leave the house tonight before the sun went down and go to the cows. There would be no more money, no more warmth, no more little house. It would be again as it had been, before the job at the cows, before she was born. Lupe knew what that was like from hearing her parents talk. Now it would be like that again.

*          *          *

Is Lupe real? She was born from the hundreds of little Mexican-American girls I taught over twenty-seven years. How many were undocumented? I never knew. I never asked. I didn’t need to know.

Is she real? She is as real as heartache. She is as real as fear. She is as real as dislocation, cold, hunger, and injustice.

Symphony 58

                On October 30, 2015, I excerpted this part of Neil’s story for a post. Today it seems awkward to have a Halloween story coming at Christmas, but there was no way to coordinate what happens in Symphony with what is happening in 2017.
                I also made a ten post excerpt of the Christmas section of Symphony in December of 2015. Few people reading now were with me then, so when it comes up in late January, it should be new to most of you.
                I’ve said it before — writing a blog has many of the same paradoxes as time travel.

=========================

Halloween 1988

“What is Frankenstein’s favorite food?”  Lisa Cobb asked.

Neil looked up from his desk to see that she was in tutu, tights, and dancing shoes. She was taller than the average sixth grader with more maturity in her face but still flat chested, so she looked the part of a ballerina. For the last several weeks she had been coming in to spend the time before school in Neil’s room, but she rarely approached him. She just hung around with her friends Sabrina and Elanor.

Neil said, “I don’t know, what is Frankenstein’s favorite food?”

“Hallo-weenies.”

Neil grinned and she ran off, pleased with herself.

Not since May, when Neil had first come onto the campus, had it seemed so different from a high school. Most of the sixth graders were in Halloween costume, and the rest were carrying around paper sacks with costumes inside. Half of the seventh graders, and even a few of the eighth graders had followed suit. All of the periods had been shortened five minutes to allow for a half hour assembly at the end of the day when the children would vote on who had the best costumes.

All the preceding week, the children had been in a state of high and rising excitement.  It was the teachers’ misfortune that Halloween fell on a Monday this year. Little productive work would be done today, and for the rest of the week the children would be excitable and irritable until their hoards of candy ran out.

Neil didn’t care. He was high with the excitement of it himself. These children were alive to every moment.

He found that he did not miss the feigned world-weariness of his high school students at all.  He missed their conversations, and he missed the sense of camaraderie that came of teaching near-adults, but they were too staid. In their own way, following their own values, high school kids were as puritanical as any Pilgrim that ever rode on the Mayflower. Peer pressure was like the rule of the church patriarchs, looking over every shoulder, examining every action by the yardstick of current fashion. Everything not required is prohibited.

These children were in a different kind of transition. Their teachers encouraged them toward maturity, and most of the time they conformed. But on Halloween, they were all seven years old.

When the bell rang, the students came in reluctantly, and Neil chose to overlook their tardiness. He also raised his voice and spoke over their conversations while taking roll, rather than try to quiet them. Then, without announcing his intentions, he opened the book he had brought from home and began reading in rolling, sonorous cadences:

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore . . .

He carried The Raven through to the end, letting his voice rise and fall with the storyline, now harsh, now fearful, and falling away to near silence on the last nevermore. When he had finished, the class was silent for a moment, then broke into conversation.

The gist of the conversation was that they liked it. more tomorrow

Symphony 57

Interlude

Carmen had not been in San Francisco in nearly three months, and Neil had not been there for several years. It was early Friday evening; they had no school tomorrow and no deadlines tonight, and apparently Carmen had finally decided that she liked Neil. So they headed in.

It was rush hour and the commuters coming back from San Francisco were choking the lower level of the Bay Bridge, but the upper level was reasonably clear. Carmen slid skillfully through traffic, found the right lane and made the wide southward loop that would put them on Van Ness. The city lights were just beginning to come on, as the lowering sun turned the skyscrapers to brass.

They parked in the lot beside the Maritime Museum and walked out to look at the boat basin. Since Neil had been there last, the three master Balclutha had been acquired and moved in. She was silhouetted against the lights of Richmond. The Thayer was gone, but when he inquired of a passer-by, Neil found out that it was just in dry-dock for repairs.

Neil said, “I was worried there for a minute.”

“Why? What is the Thayer?”

“Haven’t you see her? She’s been tied up here for years.”

Carmen laughed. “If it has been here for years, then I have seen it, but one ship looks just like another to me.”

“How can you say that? That’s like saying when you’ve seen one woman, you’ve seen them all. Balclutha is all right; she’s pretty enough, but she has no real historical significance. The Thayer was a west coast lumber schooner. She was built on Humbolt Bay and sailed the coast of California bringing down the lumber that built this city. I think she is the only one of her kind left.”

“I think you may be the only one of your kind left,” Carmen laughed. “How did you get to be such an expert on ships?”

“My grandfather was in the herring fisheries out of Aberdeen in the twenties. When they went bust, he came to America with my grandmother, and my father in nappies. That’s diapers in American.”

“I know what nappies are. I watch PBS.”

“Anyway, my grandfather settled in Astoria, at the mouth of the Colombia, and took up salmon fishing. He was still working at it when he was seventy-five. My father grew up with the sea and hated it. He got a job as a carpenter, worked his way up to being a contractor, put me through college, and dropped dead of a heart attack at age fifty. My grandfather went to his funeral. He’s still alive, and tough as leather.”

Neil stopped talking and stared at the ships. He had said too much, too fast, and his voice had lost its lightness. He had not intended to talk about his father. It was too soon after his death to speak lightly of it and the flippancy he had tried to assume had turned to bile in his mouth.

Carmen put her hand on his and said, “I’m sorry.”

“I shouldn’t have brought it up. It just slipped out. I meant to just tell you about my grandfather.”

“When did your father die?”

“Two years ago.”

“It has been ten years since my father died,” Carmen said. “I can talk about him now, but I still have the pain. I suppose I always will.”

” ‘If it is cured by anything less than death, the chances are that it was not true sorrow.’ “

“Is that a quote?”

“Hemingway.”

“I’d rather hear McCrae.”

“I didn’t mean to be pretentious.”

“I never thought you were.”

They went up the sidewalk and around the museum to look at the shops in Ghirardelli Square. They did not hold hands because they were not lovers; but they were becoming friends. The old black guitarist with the raspy voice and the pictures of himself with the stars was playing his ragged blues as they passed by. They admired the paintings in the galleries on Beach Street. Neil like the semi-nude self portraits by Ruby Lee. Carmen thought they were self-indulgent. Neil agreed, and liked them anyway. Carmen wanted to know if he liked the art or the subject. Neil said, “Both.”

They took a cable car from the Hyde Street station and played tourist, riding the hills as the city turned on her multi-colored night face. Downtown they counted the couples, categorizing them him-her, him-him, and her-her, and found out that San Francisco was still basically a heterosexual city.

They went to Chinatown, side by side, hands in pockets; but where Neil walked, Carmen strode, heels clicking, soles twisting under the back thrust of her lean legs, with a motion that turned heads wherever they went. Neil had never seen her this way, free, relaxed, laughing, full of tasteless jokes and outrageous puns. She had shed her teacher persona. It was her night to howl.

They ended the night at the Plow and Stars, listening to Golden Bough, and caught the last cable car back to Fishermen’s Wharf. They made the long drive home in a companionable silence, broken by the sound of soft music on the radio and only occasionally by talk. Neil watched her profile in the light from the instrument panel and thought her beautiful. more tomorrow

445. Bait the Crazies

This post will be bitter, so I will also make it short.

Much of Symphony in a Minor Key is based closely on personal experience. The conference that Neil and Carmen attended is of that species. I attended the real conference on which this fictional one was based. Call it a close paraphrase, complete with the same opening exercise, although they used an excerpt from A Clockwork Orange instead of a Burns poem.

I have endured hundreds of these meetings. Some were after school, on our own campus. Some were away and multi-day. All of them cost the district money which was not well spent, and cost me time that could have been better spent shooting pool. Or sleeping. Or — I often thought at the end of a long day — shooting myself.

Some of the presenters were prophets of some new panacea. Some were just trying to do something they thought was useful. Some were shysters, plain and simple. Some were just trying to make a living. Some — I am convinced — had no training for anything but education, but had discovered they couldn’t stand kids, and had to do something else to make a living that justified the years they spent in college.

A few were competent. Very, very few.

A friend and fellow teacher told me, when I was just beginning, that the only job in education worth doing is teaching in the classroom. If you are thinking, “What else is there?”, you clearly have not experienced the phalanx of bureaucrats who make up a large part of the education community.

I thought she was right at the time, and thirty-plus years later, I am convinced of it.

Teaching, like any other profession, has its moments. Sometimes it is wonderful. Sometimes it is terrible, and never more so than at conferences where those who know little try to teach those who know better.

And yes, like Neil, when I couldn’t take it any more, I would raise my hand, smile innocently, and bait the crazies.

Truth be told, I did that a lot.

Symphony 56

 


Over in A Writing Life today, there is a post that gives the background for this part of Symphony.

==============

That uncorked the bottle. Neil leaned back with a bland look of false interest as Anne Marie Chang proceeded to pounce on his words and destroy his arguments to her own satisfaction. And, to judge from the sycophantic mutterings around the table, to the satisfaction of her friends. Her discomfort and anger paid him back a little for the morning he had had to endure, and he learned a great deal about Anne Marie and the shock troops for change that she represented. 

She had, as she herself said, unfinished business with the school system. She had been leveled when she was in elementary school and she had never quite forgiven her teachers for doing that to her. She felt that they had been saying to her that she was unworthy, and she was determined that no child would ever have to go through that again.

“But you did learn to read under that system,” Neil pointed out, baiting her further.

Yes, she had, but it had been boring and repetitious, and while she had been rote learning vocabulary, the children in the advanced classes had been reading stories that were meaningful and enjoyable.

Neil pointed out, “But if you had not done the hard, rote work, you would never have made it to and through college, would never have become a teacher, and would not be in a position to push your theories now.”

That was not the point. She could have learned just as well — better — some other way.

Maybe.

They were late returning from lunch, and Anne Marie had to hurry her afternoon presentation. Carmen remained very quiet through it, and Neil knew that she was angry with him. That could not be helped. He had come here to learn, and the argument at noon had taught him a lot about the hard reality behind the slick presentation.

# # #

After the meeting was over, Neil and Carmen walked quietly out to the car together. Before she started the motor, Carmen turned to him and said, “Why did you take on Anne Marie at lunch?”

“That’s a hard question, Carmen,” he said. “There were several reasons I was aware of and maybe some subconscious reasons as well. The simplest answer is that I couldn’t take it any more.”

“Couldn’t take what? Her?”

“Sort of. Her pretentiousness was irritating, but what I really couldn’t stand was the way her followers ate up every word without thinking about any of it. I can’t stand stupidity — particularly among the well educated.”

Carmen digested this for a moment, then said, “What did you think of Anne Marie herself?”

“Before lunch, I thought she was a monstrous, walking ego without a sense of perspective. Afterwards — I still didn’t have much respect for her, but at least it was clear that she really believed in what she said. And that she really cares for kids and wants what’s best for them. Knowing that, I couldn’t quite dislike her. But if she is going to set out to be a reformer, she have an obligation to be intelligent about it.”

“You didn’t find her intelligent?”

“No. A good politician, yes; within the limited scope of selling a product, she was very skillful. But her arguments were full of holes. Why did everyone buy them?”

Neil fell to musing and missed the laughter on Carmen’s face. She said, “Maybe the smart teachers don’t go to conferences?”

“We were here, weren’t we?” he said. Then he saw the grin on her face and suddenly the world was a better place to live in. more tomorrow

Symphony 55

Anne Marie reached over to shake his hand and said, “If you have been teaching literature in high school, then you should be right at home with what we will be doing in the elementary schools from now on. We are learning from you.”

Neil smiled and thought, “If I bag some of this, I can fertilize my garden with it.”

Anne Marie shifted her attention elsewhere, for which Neil was grateful. All of the others at the table were either her old friends or, like Carmen, were old acquaintances pretending to be friends. Since he had heard all he wanted to hear from Anne Marie already, Neil soon lost himself in his food, offering only an occasional “Oh” for politeness sake. Gradually, his attention was dragged back. The air of sycophantic attention to Anne Marie was ruining his appetite.

A heavy-set teacher named Dana was saying, “What was that poem, Anne Marie, and why was it so strange?” Anne Marie explained, and Dana went on, “That was brilliant! Now I know how my kids must feel sometimes!”

Neil winced inwardly.

The pale, skinny woman at Dana’s side said, “Can you give me some copies of that poem? I want to try that same exercise on the teachers at my school.”

Neil stopped chewing. This was just too much to take in silence.  He said, “I wasn’t impressed.”

Eight heads swiveled toward him, and Anne Marie said in a silky, poisonous voice, “Oh? Why not?”

“It was too fake. It might have impressed laymen, but not teachers who have had any experience.”

Dana gave him a look that made him wonder if he had suddenly sprouted horns and a forked tail. She said, “That is exactly what our children face. Maybe you don’t realize it because you have spent your time teaching high school, but it isn’t easy for younger kids.”

“I have noticed that,” he replied dryly. “I didn’t mean that the exercise of putting yourself in the students place was false, just unnecessary. Anyone with any imagination could do that without setting up such an artificial situation. My complaint is that your conclusions do not follow from your set-up. In fact, that exercise would make a better argument for leveling than for heterogeneous grouping.”

He felt Carmen kicking him under the table, but he didn’t care.

“Would you care to explain what you mean by that?” Anne Marie said. Her voice was level, but there was fire in her eyes. She did not like being disagreed with.

“Certainly,” Neil answered, unabashed, and pulled a folded copy of Address to the Deil out of his pocket. “Here, take a look at the first verse. There are ten words that the average English speaker of today might not know and six of them sound like modern English. The structure, allowing for the fact that it is poetry rather than prose, is the same as modern English. What a reader has to overcome here is simply vocabulary. For that all he had to do is read at a level where he does not become frustrated by guessing the meanings of too many words in one passage. That does not represent what a non-English speaker faces. That represents what an English speaking child faces as he learns new vocabulary. The answer to that particular problem is simply to give him new vocabulary at a rate he can absorb, by letting him read things that are a little hard, but not too hard. That is easily accomplished by leveling.”

That uncorked the bottle. Neil leaned back with a bland look of false interest as Anne Marie Chang proceeded to pounce on his words and destroy his arguments to her own satisfaction. But not his. more Monday

Symphony 54

“I can not only read it, I had to memorize it once. That is one tricky lady up there.”

The passage wasn’t in English, quite. It was tantalizingly familiar yet basically unreadable. It went:

Hear me, Auld Hangie, for a wee,
An’ let poor damned bodies be;
I’m sure sma’ pleasure it can gie,
               Ev’n to a deil,
To skelp an’ scaud poor dogs like me,
               An’ hear us squeel.

The piece consisted of the ten most difficult of the poem’s twenty-one verses.

Anne Marie announced, “You have only one minute left. Are you half finished?” The audience laughed uneasily.

Carmen said, “What is this?”

Neil whispered, “It’s a poem by Robert Burns, Address to the Deil.” When he pronounced deil correctly with a slight stop between syllables that told of the missing letter, Carmen recognized that it meant devil. “It’s half in Scots and half in antiquated English. Burns sometimes wrote in English, sometimes in his native tongue, and sometimes he mixed them up. My grandfather is a real fan of Burns. When I was growing up, he said that any Scotsman, even an expatriate, had to learn his Rabbie Burns. So I did.

“Hang on to your wallet, Carmen, this gal is going to start selling snake oil any minute.”

And, indeed, she did. After most of the teachers had confessed that they could make little out of the passage, she arranged them in groups and let them discuss the material. In that way, they were able to tease much of the sense out of it, though they were still wide of the mark on those words which were simply outside their experience. They could figure out from context that gie was give and hame was home, but no amount of reasoning could tell them that douce meant sweet. They took skelp to mean scalp, when it really meant to strike.

This, Anne Marie went on to say, was what was wrong with the teaching of reading in California by the old methods. The teachers had now experienced just the kind of frustration a Chicano, or Viet Namese, or Maung child feels when trying to read English. It was one thing to read when you knew most of the words, but when you know half or less than half, the frustration is immense. Her solution was group reading and discussion so that the strong readers could help the weak ones to understand.

By this time, Neil was drumming his fingers on the table and twitching in his seat. Carmen put her hand over his and said, “Shh. What’s wrong?”

“Can this woman be that stupid?” Neil whispered. “Can she really believe that she has proved anything?”

Carmen tried to hide a smile. Strangely, it was a breakthrough for them that she could laugh at him. She said, “Anne Marie’s a hard-sell artist, but listen to her. She has a lot of valuable things to say.”

“Maybe,” Neil thought, “but I doubt it.”

Eventually the morning wore away. Lunch was being provided and they all adjourned to a nearby banquet room. Carmen stopped half a dozen times on the way there to speak to friends from other schools. When they entered the banquet room and looked around for a place to sit, Anne Marie Chang motioned across the room to them. Carmen said something unladylike under her breath, added, “Now were stuck!”. She waved back brightly.

Carmen introduced Neil to Anne Marie and explained that he was taking Gina Wyatt’s place. “Neil has been teaching high school literature classes. This is his first time with sixth graders, so the framework is all new to him.” more tomorrow

Symphony 53

They parked at an underground garage at the hotel where the conference was being held.

Since Carmen had shown him only coldness from the first, Neil had tried to avoid thinking about her. He hadn’t had much success. She figured prominently in his erotic fantasies, and in spite of himself he always noticed what she was wearing and how she was wearing her hair. Now he studied her covertly while she took time to fluff up her shoulder length curls. Her eyes were deep brown in a cafe-au-lait face. Her nose was thin, her features were finely modeled, and her skin was smooth.

In the elevator, her perfume surrounded him. He felt sixteen years old. He felt foolish and elated at the same time.

The elevator door opened and Carmen stepped out. Neil came a bit behind, enjoying her trim figure. She wore a short, close fitting black skirt and a patterned silk blouse of many blues, with her hair loose on her shoulders and a yellow scarf at her throat. The high heels she wore exaggerated the motion of her hips. She had the look of a hot, chic, young Chicana on the prowl; and the fact that she seemed unaware of the effect she was having on Neil — and all of the other men she passed — only made her more desirable.

It was going to be hard to keep his mind on business.

# # #

The conference was titled Literature Based Learning: a New Approach to the Teaching of Reading. The hotel had set aside a long conference room with a speaker’s table at one end and rows of tables facing the front of the room. They had shoehorned nearly a hundred teachers into a space that would have comfortably held half that number. Neil and Carmen appropriated a spot near the front, then Carmen left to run some errands of her own. Neil stayed behind to listen in on the conversations around the room.

Neil liked to circulate before things started and get a feel for the crowd. That way he could pick out the dull and the pompous, and zero in on the interesting ones who remained in case he had to get into a group.

The conference was advertised for grades K through eight. All the conferences Neil had attended before had been only for high school teachers. The difference between this conference and those was striking. Those conferences had been seventy-five percent male; this one was ninety percent female. As Neil circulated, he found that most of the conversations were about other people. He heard, “He said . . .”, and “She did . . .”,  and “They went . . .”.  At the high school conferences he had mostly heard, “I said . . .”, and “I did . . .”, and “I went . . .”.

Carmen returned and they took their seats. The superintendent of a local district spoke briefly and then introduced the main speaker, Anne Marie Chang. Carmen whispered, “That is the woman who gave us a bad rating last year. Whatever you do, don’t tell her you’ve grouped your kids!”

The speaker did not look that formidable, but when she began talking it was clear that she had an axe to grind, and that she had had a lot of practice in grinding it. After a brief introduction to the new language arts framework, and a hint that she had had more than a small role in shaping it, Ms. Chang passed out xeroxed copies of something she wanted the participants to read. Once they were distributed, face down, she told everyone that they had two minutes to read the passage and then they should be prepared to discuss it. Neil and Carmen turned theirs over, and Neil chuckled. Carmen said, “What is this?” She sounded irritated. “Can you read this?” more tomorrow

442. Life is a Tunnel

Every once in a while, a phrase appears, demanding to be used. Sometimes it fits into whatever is being written at the time. Sometimes it hangs around for years before it fits. Sometimes, it just hangs around.

The phrase at the top came to me when I was considering a sequel to Raven’s Run. There were several stories on audition, and none were chosen. I don’t even remember which sequel this was supposed to go with. I do remember the scene it was to be part of.

Iain Gunn was looking out a second story window at an urban street. South San Francisco, I think. It was just beginning to rain. A girl with long black hair had just gotten out of a car. She was wearing a tight, short dress, and she was, of course, lovely. Gunn was waiting for someone to come along who was connected with the business he was just getting involved in, and this girl certainly was not that person, but she caught his attention.

She hunched her shoulders when the rain first hit her, but then she straightened her back and looked up. She raised her hands to the rain and smiled. No dancing around — she was a serious and sophisticated person — but she accepted the rain and appreciated the moment. She stood for a few more moments, facing Gunn but unaware of his presence. Her hair began to flatten against her head and Gunn could see beads of moisture trickling down her face. Then she turned and walked purposefully away. For her the moment was over, but it would remain with Gunn.

Life is a tunnel, three feet wide and seventy years long. The phrase hits Gunn (as it had hit me). She is just another of the million people he will nearly meet, nearly have some kind of relation with, one whom he could perhaps come to hate, or perhaps fall in love with. But he will never know.

If this were cliche #472 in the detective story handbook, he would meet her again and this would just be a foreshadowing of things to come. Meeting her again would be expected by the reader.

It is not meeting her that will make the incident meaningful. She will now become a symbol for all the things we miss as we live our random lives.

It’s not a new idea, and not the first time I’ve used it. These words in the opening paragraphs of Valley of the Menhir set the stage for what is to come:

Out there in the night that stretches away from us all — there where consciousness ends; where experience missed sets an iron boundary on our lives — there is a land of red sky and green sea, Poinaith, and another land where the gray sky leans down to lock hands with the sliver elfin forest.

Experience missed sets an iron boundary on our lives. Another phrase that jumped into my head, but in this case, just as I needed it.

We all live lives of found and missed opportunities. Our lives are a path from birth to death, as wide as our shoulders and as long as we last. We see so much, but if we were to turn three feet to either side, there are a thousand other lives we could live instead.

I’m satisfied with my life so far and I’m glad I was wrong about its length. I have more things to do, and more books to write. These last seventy years have been great, but I‘m not done.

Symphony 52

They rolled past Tracy and onto highway 580. For as far as the eye could see in every direction were windmills. Most of them were tall, slender, high-tech monstrosities. Seen in isolation, they might have a functional beauty, but here on these hills they were starkly out of place. Neil said, “I had read about these windmills, but I never guessed they could be so ugly.  How could they do this to the landscape?”

“I know,” Carmen replied bitterly, “and notice how few are turning.”

“Almost none of them.”

“Right. I’ve been watching this take place for a couple of years now. Every time I come through here there are more windmills, but I never see them turning. If we need wind energy so badly, why aren’t they making electricity instead of just standing there? If they don’t work, why are they building more of them? It makes you wonder if someone lining his pockets on government money?” see below

For a few minutes, the conversation lagged; then she said, “How do you like teaching sixth graders?” It was almost the same question she had asked thirty miles before, but this time it sounded real. Neil answered, telling her some of the feelings he had for his students, and explaining how different they were from high school students. Carmen warmed to him as he spoke. He could feel her relaxing.

Then he told her of his conversation with Pearl, and how he had grouped his readers. Carmen laughed and said, “Don’t let Bill Campbell hear about that.”

“Why?”

“Last year he caught hell during our Program Quality Review. They said we were tracking. We weren’t really, but one of the inspectors had an attitude problem. She was one of the new guard, and gung ho for literature based reading. Her report was so unfavorable that Bill had to do away with leveling even before we had anything to take its place.”

“I had wondered about that. You seemed to be out of synch with yourselves. You’re all set up for literature based reading, but the books aren’t literature — they’re horrible.”

“Yes, they are. We have some new materials ordered, but they haven’t come in yet.”

“Good.”

“No, I’m sorry. I didn’t mean to get your hopes up. Bill only had so much money, so he only ordered for Pearl and me. He said he would order literature for sixth grade next year when Gina was ready to come back.”

After a long silence, Neil asked, “Did he come to that decision before or after he knew who was going to replace her for the year?”

“Before,” Carmen said, but he was not sure he believed her.

Paranoid! Don’t let them make you paranoid, he told himself sternly. Then he had to laugh. Don’t let them make you paranoid? Them?

“What are you laughing at,” Carmen asked, but he couldn’t answer and she looked miffed. He thought, “Serves you right.”

The rest of the trip was friendly. Neil traded stories with Carmen, telling of his boyhood and youth in Oregon, and finding out more about what it was like to grow up as the daughter of a field worker. They dealt with surfaces and first insights, speaking as if their lives had been without pain. It was not intimacy, but it was a beginning.

It had been several years since Neil had been to the Bay Area, and he was shocked at its growth. It had spilled over the first range of the foothills to fill up the Livermore Valley. All the lovely hills and pasture lands were giving way to stucco and concrete. “People are even moving as far as Modesto to find affordable homes, and commuting to the Bay Area,” Carmen said. Neil could not imagine a seventy mile commute.

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Out of fairness, I have to add that the windmills did look like a big government hoax in 1988 when this was written, but today they provide much of the state’s energy. more tomorrow