Tag Archives: memoir

293. The Last Man on the Moon

600px-nasa_apollo_17_lunar_roving_vehicleOn one side is cynicism.

On the other, political correctness, a stiff upper lip, wearing your game face, or whatever is the most current version of refusing to acknowledge defeat or failure even while it is kicking your ass.

Somewhere in between is the truth.

I’ve been reading astronaut biographies for the last decade. You don’t really understand the American space program that made my youth so exciting until you have seen the same events through many different – sometimes sharply disagreeing – viewpoints. All of the biographies have been in that truthful middle ground, but some suffered from too much emotional distance and some from too much optimism. They all share bitterness at some contractors whose spacecraft were substandard, and ultimately deadly.

Of all these biographies, two stand out, Grissom’s Gemini (see 87. Gemini) and Cernan’s The Last Man on the Moon. I have long planned a post on Cernan’s book, but the timing of his death caught me tangled up in other matters and delayed it these last two weeks.

Cernan flew on Gemini 9, Apollo 10, and Apollo 17. He flew within 10 miles of the lunar surface, without landing on May 22, 1969. He landed the Apollo 17 craft three and a half years later, on December 11, 1972. When he stepped back aboard for the final time, he became the last man to walk on the moon, making the title of his memoir inevitable.

Unlike Glenn, Shepard, and Armstrong, Cernan didn’t become a household name, but he should have.

Cernan’s first flight was Gemini 9. Their first task was rendezvous and docking, which had been a pain in NASA’s side. Gemini 6 had been scrubbed when it docking target failed, and had flown later, using Gemini 7 as a rendezvous target, but without docking. Then Gemini 8 achieved rendezvous and docking with a subsequent Agena, only to be nearly torn apart by a thruster failure in the Gemini. Only Neil Armstrong’s skill saved the day.

When Cernan and Stafford on Gemini 9 rendezvoused with their Agena target vehicle they found that the shroud covering the docking target had only partially retracted. Docking was once again impossible. They succeeded in making three separate rendezvouses then set out to perform an ambitious EVA, or, as Cernan titled chapter 13 of his book, “The Spacewalk From Hell”.

I’ll save that story for later, when I give a full post of the trials of early spacewalks.

Three years later Stafford and Cernan were together again, along with John Young, on Apollo 10. When I taught the space program to eighth graders, I called this the most frustrating mission in the history of exploration. Leaving Young in the Command Module, Stafford and Cernan took their Lunar Lander down to about ten miles above the moon’s surface, did not land, and returned to lunar orbit to rendezvous with Young and return to Earth. Aside from de Sade level cruelty, it all seems so pointless from our perspective.

Of course, it was neither cruel nor pointless. It was necessary to calibrate the instruments which would calculate the vectors necessary to land accurately. It would be impossible to overemphasize how crude instruments were in 1969. Even with the help of Apollo 10, Apollo 11 did not land exactly where it was supposed to and nearly crashed in a rubble field.

By one number Stafford and Cernan missed being first on the moon. Stafford did not fly another mission until the Apollo-Soyusz mission of 1975. Cernan became commander of Apollo 17 which, because of funding cuts, became the last Apollo flight to land on the moon.

Back in Indiana, Purdue University holds bragging rights to having produced the first (Armstrong) and last (Cernan) astronauts to land on the moon.

268. Rick Brant Bibliography

Here is the list of the Rick Brant books I promised in last Thursday’s post. Numbers 1 through 18 were published by Grosset and Dunlap and widely distributed. They are hiding in thousands of dusty attics and can frequently be found in the children’s sections of used book stores, and used onlline through Amazon.

I have never seen books 19 through 24. although I’ve looked for them everywhere. According to Series Books numbers 19 through 23 were also published by G & D; I don’t dispute this, but clearly they were not well distributed. Also according to Series Books, number 24 was published by Manuscript Press. I have little to say about the last six books since I have not read them.

The list below is coded. KS (Kindle, single) means that the book is available for individual download to Kindle through Amazon. U (used) means the book is available used at reasonable prices, if you shop around or order through used bookstores carried by Amazon. $ (Egads!) means it is available used in the same way, but at ridiculous prices. I’ll buy these last six myself when I win the lottery.

GK (Gutenberg/Kindle) indicates an interesting phenomenon. These appear to be public domain works, and were made available for free through Project Gutenberg. Click to go to the Browse By Author:G page, then scroll down to Goodwin, Harold L.

I downloaded one novel into iBooks using EPUB format with images, and another into my desktop Kindle app using Kindle format with images. Both seem equally good. This was just a test for your sake; I still have treasured copies from my youth. While you are at Gutenberg, do yourself a favor and download the non-series SF novel Rip Foster —, under either variant title.

These Gutenberg books are also available from Amazon in the form of The Rick Brant Science-Adventure Series (Halcyon Classics). This Kindle download is a compendium of the eleven books available from Gutenberg. I had no reason to download it, but I have bought compendiums before and find them harder to navigate that individual titles. It’s your call.

KS  1.  The Rocket’s Shadow, 1947
KS  2.  The Lost City, 1947
KS  3.  Sea Gold, 1947
U    4.  100 Fathoms Under, 1947
U    5.  The Whispering Box Mystery, 1948
   6.  The Phantom Shark, 1949
GK  7.  Smugglers’ Reef, 1950
GK  8.  The Caves of Fear, 1951
U    9.   Stairway to Danger, 1952
GK 10. The Golden Skull, 1954
GK 11. The Wailing Octopus, 1956
GK 12. The Electronic Mind Reader, 1957
GK 13. The Scarlet Lake Mystery, 1958
GK 14. The Pirates of Shan, 1958
GK 15. The Blue Ghost Mystery, 1960
GK 16. The Egyptian Cat Mystery, 1961
GK 17. The Flaming Mountain, 1962
GK 18. The Flying Stingaree, 1963
$    19. The Ruby Ray Mystery, 1964
$    20. Veiled Raiders, 1965
$    21. Rocket Jumper, 1966
$    22. The Deadly Dutchman, 1967
$    23. Danger Below!, 1968
$    24. The Magic Talisman, 1990

I had considered doing a mini-review of each of the first 18, but I found a site that already has good mini-reviews of all 24. Go to http://tomswiftfanfiction.thehudsons.com/TS-Yahoo/author-TH-RickBrant.html . I’ve read these reviews and the eighteen I am familiar with are accurate, so I would trust the rest. This site also offers paperback (print on demand) versions of 19 – 24, but I can’t vouch for their legality regarding copyright issues.

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I have been in contact with the people at Gutenberg. Most of that institution’s work is done by volunteers, including volunteer proofreaders. I would like to do that job myself, but only on a work I already love. Proofreading a novel is not like reading a novel. The experience is both long lasting and intense.

Gutenberg’s copyright research is also by volunteers, so the person I contacted could not tell me if more of the novels were copyright free, and therefore available to be proofread for release by Gutenberg. There are ways of finding out, and I am pursuing them. If anything comes of this, I’ll keep you updated.

267. Books Under the Christmas Tree

DSCN3974This is a slight reworking of post 60. Thank You, Harold Goodwin

I have a December birthday, which worked out well as a kid since books were my favorite gifts, and winter is a prime time for reading. The books I got were locally sourced and cheap, mostly published by Grosset and Dunlap, Whitman, or Golden. For anything by a normal publisher, I depended on libraries.

Nobody, not even Heinlein, wrote better juveniles than Harold Goodwin, although the comparison is apples to oranges. Heinlein’s juveniles were set in space and used future science reasonably extrapolated from the present. Goodwin’s stories, with one exception, were set in the present and built on extant science.

If you’ve never heard of Goodwin, its largely because he worked under the pseudonyms Blake Savage and John Blaine. If he gets no respect, it’s largely because he was published by Grosset and Dunlap. That meant Goodwin’s Rick Brant books shared bookstore space with Tom Swift, Jr and the Hardy Boys – series that were written to outline by anonymous authors.

I read all three G & D lines as a kid. They taught me to read and to love reading. But when I try to reread Hardy Boys books today, they come off dull and dumb. Tom Swift, Jr. – well, I can’t force myself through them.

Rick Brant holds up. A few years ago I reread the whole series from start to finish and they were as good as I remembered them. The same was true of Goodwin’s single outer space adventure, sometimes titled Rip Foster Rides the Gray Planet and sometimes Assignment in Space with Rip Foster. You won’t find Rip in a used bookstore, although he shows up occasionally in antique stores, right next to the BB guns and old, rusted roller skates. (See Monday’s post for a source.)

Rick Brant lived the perfect life. I would have traded with him in a heartbeat. He had adventures, twenty-six eventually, which he shared with Scotty (Don Scott) who was the ideal older brother figure. They appeared to be seventeen and eighteen in the first book and were still the same age forty-three years later. That’s good work if you can get it.

Rick lived with his family on Spindrift Island where his father was the head of a diverse group of scientists. Each had a different specialty, allowing for a wide range of stories, and they formed a dozen of the best uncle figures any boy could imagine.

Rick was bright and a bit precocious, but he wasn’t a wunderkind. Elsewhere he might have seemed nerdy, but on Spindrift he simply seemed a bright young scientist among brilliant experienced older scientists. He was always learning. He often saved the day, but he never had to save the world. In short, he seemed real.

The same timeliness that made the Rick Brant series perfect for its time makes it seem a bit dated today. A kid with a smart phone is not likely to be impressed when Rick invents a miniature walkie talkie, and that’s too bad. However, if you have a kid with an e-reader, and you can’t keep him supplied with enough good books, Rick Brant is available on the internet. For fifteen minutes of your time and no dollars, you can send him to Spindrift. The experience might surprise both of you.

Or maybe you remember reading one or two of these books yourself and want to indulge in a little nostalgia. Christmas is a good time for that. I’ll give you the details tomorrow.

264. Last Christmas

DSCN1839Welcome to my favorite season.

Last Christmas, this blog was only a few months old, but I still enjoyed writing Christmas themed posts. I would have enjoyed it more if I had thought anyone was listening.

I could recycle, but that seems like cheating, and besides, I have new things to say. How about a compromise? Here are tags which will take you to six of last year’s posts, then tomorrow we will move on into the future.

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62. A Christmas Booklist – plenty of Christmas reading.

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63. ‘Twas the Season (post 1) – Christmas in Oklahoma during the fifties.  

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  64. ‘Twas the Season (post 2) – Christmas in Oklahoma during the fifties.

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66. Five by Dickens – Dickens wrote more than A Christmas Carol.

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67. ‘Twas the Night . . .  – the story of The Night Before Christmas, extended  version.

Dec 25th

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68. Nostalgia – some personal reflections on what Christmas means to me. 

259. Turkeys Under the Oak Tree


dscn0719dscn0693These birds were photographed on a spring drive through the foothills, about twenty miles from my house. The puffed up, greeting card version is what the males look like in season, when they are strutting their stuff and looking for love. The other bird is what most turkeys look like, most of the time.

You are reading this on Thanksgiving, but I am writing on September 27, about something that happened yesterday. My wife came to the door of the little building out back where I work and said, “Come here. Quietly.” There were ten wild turkeys eating bugs and acorns along the east side of the house.

We don’t get turkeys very often right up to the house, although seeing them in the neighborhood is a common occurrence. We stood for twenty minutes watching in the hundred degree heat of the tag end of summer before they casually wandered off.

Turkeys are the symbol of Thanksgiving, but I was thankful to see them because wild things fill my life with joy.

I grew up on a farm in Oklahoma in another century. I worked long hours when I was growing up, but I worked outdoors, so it might have well have been play. The music that filled my life was the churr of cicadas on summer evenings and the howl of coyotes echoing through the frosty night air in winter.

I left the farm for college, then spent my adult life in a small city, and moved to the foothills when I retired. Now my human neighbors are near enough for help in emergencies, but far enough away that I don’t hear them when they fight. I don’t even know if they fight.

Several times I have seen packs of coyotes running through my yard. Once a mother duck with nine ducklings following single file paraded through. Deer come in from time to time. They mostly prefer the low ground, and we live on a hill, but they come for water as the long days of summer dry out the last of their water holes. I keep water in bird baths for the birds, and water basins on the ground for everybody else.

The deer also have an uncanny knack of knowing when the tomatoes are ripe. Oh, well.

I see a bobcat about once a year, somewhere nearby. Twice they have come into our yard. Once I looked out the window to see a bobcat in the fenced back yard where stray cats stay out of reach of coyotes. My wife and I watched out the window as he sauntered along, unaware of us, then casually jumped the six foot fence without touching it.

We were even visited one holiday by the Christmas Pig. It was a three hundred pound porker who had obviously escaped from some farmer. I saw him several times after, so I’m maintaining hope that he was never found, and escaped becoming bacon and sausage.

So, happy Thanksgiving to you. And also to the turkeys and ducks and bobcats and raccoons and possums and the one lone pig.

In my house, Thanksgiving means turkey (from the supermarket, of course), stuffing, cranberries and pumpkin pie. Being thankful means looking out my window and never knowing what kind of critter might be looking back.

258. George Mackay Brown’s Seven Poets

Most of the people who read this blog are writers, or want to be writers. I know from visiting your websites that you range from beginner to professional, and many of your writings have impressed me.

Friends, I have something for you. I’ll give you details below, after the set-up.

I discovered George Mackay Brown in 1987 when my wife and I went to Europe for the first time. We started in England, then went to Scotland to see the land of my wife’s ancestors. Along the way, I visited bookstores to pick up reading material that I wouldn’t find at home and discovered Neil Gunn and George Mackay Brown, two Scottish authors who deeply enriched my life. Both write elegantly about their own experiences in Scotland and the Orkneys (technically part of Scotland but very different). I’m sure I’ll talk about them both from time to time in this blog, but today I just want to shill for one short piece by George Mackay Brown.

I recently had reason to flip through my George Mackay Brown collection, looking for a story I read years ago, and stumbled onto The Seven Poets, the final story in his collection The Sun’s Net. It is a post-apocalyptic story, but it is a fable, not science fiction.

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The world has reverted. After machines and cities swallowed up the earth, there was a revolution. Machines were banished. Cities were destroyed. Now there is a world wide agreement that no settlement can have more than 250 members. When a village grows beyond that, some are chosen to leave and form a new village.

(Now don’t tell me this wouldn’t work. I know it and GMB knew it. It’s a fable; a set-up to make a point about writing.)

The world is calm, serene, and boring; some men can’t abide that. They become wanderers, without a village, without a community, welcome everywhere for a brief stay, but welcome nowhere as permanent residents. Our narrator is such a man. He has wandered the whole world, through a long lifetime, staying with men of every occupation, but most usually, staying with poets.

Every village has a poet, who spends his year writing a masque for the midwinter festival. In Spain, such a poet told our narrator, “The world was created by one Word. Every poet makes, in his lifetime, a tiny fraction of one letter of that Word.” Another poet’s voice had deserted him. Another was a heretic to the new order who wrote of machines, but when his villagers performed his masque, their mocking turned the performance into a parody of his thoughts. In Siberia, a poet wrote in the inhuman language of roots and salmon and blizzards . . .

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I can’t begin to convey the depth of sensible weirdness of The Seven Poets. That would require exactly a many words as GMB took, exactly the same words, and in the same order. Prose written by poets can do that to people who try to paraphrase it. I can only say that his fable has captured beautifully the strangeness of trying to nail life to the page with words.

There doesn’t seem to be an online source for The Seven Poets, but it’s probably only fair that you’ll have to seek it out in print. I guarantee you a singular experience if you do.

257. Who Knows?

Who knows? Probably the internet.

The internet is science fiction at its best. Back in 1986, when I bought my first Mac, it came with a program called HyperCard. It was a crude, early version of what has now grown to be the internet. It allowed you to create mini-documents called cards and connect them via buttons so you could jump freely from one to another. I dreamed of creating a database of everything I wanted to keep at my fingertips. Then Newton came out – Newton was a proto-tablet that didn’t work very well – and I saw the pair of them as my own personal Tricorder.

Just dreams. Both hardware and software were too crude to be more than a tease, and even a tiny database takes a vast amount of time to create.

Today, the internet does what I dreamed of doing in the days of HyperCard and Newton. I use it to do research for this website. Sometimes I’m looking for things I don’t know, and it works fine for that. Primarily, however, I use it to check details on things I already know.

Here is an example. Years ago I wanted to look again at the Sherlock Holmes quote about furnishing your brain. If you don’t know what I’m talking about, here it is:

“You see,” (Holmes) explained, “I consider that a man’s brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things, so that he has difficulty laying his hands upon it. Now the skillful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.”

I thought this was in one of his middle stories. It wasn’t; it was in the first, A Study in Scarlet. To find it, I pulled down my complete Holmes in two volumes and spent an hour looking, but I couldn’t find it. I stumbled across it by accident months later.

So today I did an experiment. I went to my search engine and typed in “brain attic”. It returned a page with ten responses. Six of them referred to the Holmes quote. I opened one, copied and pasted into this post, and you just read it.

Here is another example of finding things I already knew. In my post on The Monkey’s Paw, I wanted to use a quatrain from the Rubaiyat. I knew it well, but not well enough to quote for publication. I didn’t want to spend time getting out my copy and reading through its pages, so I typed a fragment – “dId the hand of the potter shake” – into the search engine and up popped:

After a momentary silence spake
Some Vessel of a more ungainly Make;
“They sneer at me for leaning all awry:
What! did the Hand then of the Potter shake?

Notice that I scored a hit even though I had left out “then”.

Earlier today, I was writing about the Lord Darcy stories. I didn’t want to misspell Randall Garrett’s name (How many Ls, how many Rs, how many Ts?) so I typed it into the search engine and got my correct spelling along with a great deal of additional material that I didn’t need.

That I didn’t need at the moment, that is, but information that will be there when I do need it. Like I said at the top, the internet is science fiction at its best.

255. Fire

dscn2539For writers – or anyone who is leading a thoughtful life – every day brings experiences that add to our understanding of the world around us. For the last half decade, my tutor has been fire.

I took the photo at the top of this post a few years ago, while standing in my front yard. The smoke was only about three miles away and my first thought was, this is finally it. Fortunately, it was on the other side of a lake that lies in the valley between my house and its location. We drove to a vantage point and spent an hour watching a scoop-equipped helicopter dropping down to the lake for loads of water, and dropping them on the fire. It took several days to put it out, so for a week we could not open any windows because of the smell of burning.

There have been weeks in late summer almost every year recently, when the smell of burning kept us indoors. You could blame our long-running drought, but that isn’t it. When there is little winter rain, things become unnaturally dry, and there is fire. When there is abundant winter rain, the grass and weeds grow tall and lush, and there is more fuel for the fires that still come.

Arthur Clarke wrote a story called Report on Planet Three, in which Martians, observing Earth through telescopes, concluded that life could not survive here because the atmosphere was so rich in oxygen that Earth might have open fires as a natural phenomenon! When I first read the story as a youth in Oklahoma, I found it humorous. Now that I live in the foothills of California, I say, “Yep, Arthur, you got another one dead right.”

A few years ago, a target shooter started a fire that burned into Yosemite. Three years ago, north of here, an illegal campfire was the spark. Two years ago, east of a foothill town I visit frequently, it was untrimmed trees rubbing against a power line. This year, someone pulled off the road into dry grass and his hot muffler started a thousand acre burn just a few miles from my home. That was the fire that caused me to write this post.

dscn4753Here is one of my favorite places. It is a vernal pond; man made, but fleeting. Right now it is probably filling with water, as it does every fall. It will look this beautiful until spring – maybe.

In the coverage of the fire this year, a newscast showed a reporter standing on a black top road. One side was untouched; the other was fire blackened. It was the point at which the fire had started, and I recognized it as the place I park when I go to the pond. I couldn’t tell whether the reporter was facing north or south, so I don’t know if my favorite place was saved, or destroyed. I haven’t yet had the heart to drive up and find out.

In my writing, I have brought nuclear war to Earth in two different fictional universes. It’s easy. I don’t see many movies, but everyone sees their trailers on TV. Massive, ubiquitous destruction prevails. A kid with his own camera and computer could illegally produce his own apocalyptic vision, using FX stolen from Blue-ray. Washington and New York have each gone up a dozen times in the last few years. He would have an abundance of destruction to call upon.

Bringing massive destruction over there is easy and cathartic. Dealing with even small destructions right here is another matter. I had no problem blowing up the Earth, twice, but I dread driving up to see if my favorite pond is still there.

254. Legal at Last

Roughly a week ago, California legalized recreational marijuana, having legalized medical marijuana twenty years previously.

It was so much of a no brainer, that (time-travel-spoiler-alert) I am writing this post a week before it happens, with reasonable certainty that I would-will-did not have to eat my words before post date.

So why even bother to talk about it? For one thing, it is a tie in with Raven’s Run, now being presented over in Serial. In my fictional 1989, California State Senator Cabral has been trying for years to bring about legalization because he thinks prosecution itself is what has made marijuana profitable. Oddly enough, that is also my opinion; I came to that belief back in the sixties.

Ah, the sixties. There is a smoky haze of nostalgia about the era, and the smoke smells like pot. I remember it well, and one reason I remember so well is that I wasn’t partaking. It wasn’t a moral stance. I was going to college on a scholarship, and I was determined that nothing was going to stand between me and graduation. Most of the people I knew were smoking weed and popping various multicolored pills which promised multicolored results. Those were the early days when the law hadn’t caught up to the pharmacopeia. In Michigan, where I was going to school, possession of marijuana was a felony, but possession of LSD was still a misdemeanor.

My friends were reading Castaneda’s The Teachings of Don Juan as enlightenment and popping peyote. I read Don Juan as fantasy – second rate fantasy, by the way – and skipped the medicine.

They were also taking LSD. At least their supplier said it was LSD, but on the black market, who knows. I wasn’t interested. I already knew about LSD from my time as a Fleming Fellow, during high school. One of the doctors I encountered at the OMRF that summer had used LSD in an attempt to induce musth (a frenzied sexual state – think pon farr) in an elephant. It didn’t go well for the elephant, and I was in no mood to engage in unsupervised medical research in a college apartment.

I came away from the sixties disliking the idea of mind altering substances. Then someone very close to me, with a debilitating ailment, became hooked on prescription pain killers. That reinforced my feelings. Now I try to hold my intake to coffee and aspirin.

This does not give me reason to tell anyone else what to do, and the idea of a whiskey fueled police force jailing ragged people for smoking pot is beyond my comprehension. I have voted for legalization every chance I’ve had, even though I wouldn’t touch the stuff myself. It has taken the rest of society fifty years to catch up to that position.

To be fair, a lot of people have been part way there for some time. As one of my kindest, gentlest, most Christian and conservative friends said two decades ago, when the question of medical marijuana was on the ballot, “Doctors can prescribe codeine, cocaine, and heroin, but not marijuana. That’s just dumb.” I would have said it more forcefully, but I couldn’t have said it more accurately.

So, when it came time to write Raven’s Run, I made the mastermind in the background (not yet revealed in Serial, so you’ll just have to keep reading) a purveyor of pot with interests in keeping up the anti-pot laws that make his enterprise profitable. And waiting in the wings, also related to Raven’s Run, is another novel, not yet written, about the sixties drug culture and the role played by the CIA in making LSD America’s favorite abbreviation.

252. Leonard Cohen, an appreciation

A day or so ago, Leonard Cohen’s death was announced on a trailer at the bottom of a newscast about Trump. It was not much notice for one of the finest artists of the last century.

I went online to find a few articles, New York Times and Rolling Stone mostly, but they didn’t tell me much that I didn’t know. I’m not going to add anything to his bio in this post. If you want to know about Leonard Cohen, listen to his songs.

To sum up, briefly and without equivocation, Leonard Cohen meant more to my moral and ethical life, more to my writing, and expressed my personal feelings better than any writer of fiction ever did.

I don’t mean that I learned about life from him. I learned about life from life, and a harsh one at that. I was fully formed when I discovered him, but he spoke to me. Leonard Cohen had the ability to say in music what I was trying to say in text. In almost every song, there was someplace where, the first time I heard it, I shouted, “Yes, dammit. Yes!”

I discovered Cohen when I was in college, in the sixties. Then I graduated, got drafted, spent four years working in a military hospital, went back for an MA, and in 1975, settled down to write novels. I wrote more or less full time for most of the following decade.

My wife would leave for work, and I would sit down at the typewriter with music on the stereo. At that time, I needed emotionally charged music to set the mood and drown out other sounds – today I could write through a hurricane. I wore the grooves deeper in a lot of LPs, and nothing played as often as Leonard Cohen.

HIs music was like a drug, compounded of depression and hope. It was rich, complex, filled with both thought and emotion, but it was an acquired taste. Except for Susanne and Hallelujah, not many people took to him. He doesn’t come easily; you have to listen with both ears and your whole heart.

Leonard Cohen’s music suffuses everything I have written. I never met him, outside of his records, but I count him as a mentor.

If you want to go beyond Hallelujah, I have a suggestion. Find a copy of Alexandra Leaving ( from Ten New Songs) and listen to it repeatedly, asking yourself, “Who is speaking? Who is this man, and what is the woman to him?” Make it your personal koan.

If, after repeatedly listenings, you decide Leonard Cohen isn’t for you, fair enough. You will have saved yourself a lot of heart ache.

And missed a lot of joy.