The Number of the Beast is a novel by Robert Heinlein. I have referred to it several times, most recently on the January 13th post when I said that the first hundred pages are “my favorite thing to re-read, but the rest of the book is kinderdrivel”. Yep, that pretty much covers it, but it is a fascinating book to talk about because it generates so much hatred. For example, David Langford said of it:
My (fairly) humble view is that the book says nothing and says it very badly.
I like that — brief and to the point, with nothing held back. I don’t fully agree with it, but I don’t fully disagree with it either. There will be more below, after we put things into some perspective.
There is a long history of science fiction works that treat Christianity as fact, and derive either positive or negative results from that assumption. On the positive side is one of my favorite books from high school, Starship Through Space by Lee Corey (aka G. Harry Stein). Ninety percent of the book details the building of the first starship and its maiden voyage to Alpha Centauri. It was a wonderful book until they arrived to find American Indians reading Genesis waiting to greet them. Dumb! Massively, unforgivably dumb to end a great novel on such a note.
Also from my high school library were the Perelandra books by C. S. Lewis which were a kind of space faring John Bunyan. Not good; I got through them and never looked back. They were allegory and they were tedious, but I could at least respect them.
Most of the SF that sees religion in a negative light concentrates on the practitioners and leaves God himself out of the argument. A Canticle for Leibowitz comes to mind. That’s also what I’ve typically done.
The ones that take on God himself tend to be serious and usually angry. James Blish rewrites the outcome of the Revelation in his After Such Knowledge trilogy. (Doctor Mirabilis, Black Easter and The Day After Judgment.) Arthur C. Clarke’s The Star is disturbing and sad, but his The Nine Billion Names of God simply ends all creation in a mild and matter-of-fact way when Buddhist prophesy comes true.
Heinlein does it all differently. In The Number of the Beast he turns Revelation’s beast into an alien species and turns science fiction into a romp. Or a travesty in the eyes of many reviewers. I’ve read everything RAH wrote, save his first two juveniles, and I can attest that no other work is so completely lacking in seriousness.
For those who see him as a guru or a devil, this must be completely infuriating.
For me, I read the whole thing once and I’m glad I did. I’ve read the first hundred pages several times since, not because it is particularly good, but because it is a silly game, an unexpected vacation with old friends. Who? The Heinlein character, in four variations, making love to its/his/her/their self. If you can read between the lines, I’ll skip the “m” word. Since I’m a classy guy, I’ll just say inner directed and very self-admiring.
I grew up spending endless hours listening to my father and two of his brothers sitting around the kitchen table telling tales out of their childhoods, trying to outdo each other in hyperbole, and having a wonderful time laughing together. Heinlein, to me, is like another uncle. I love to listen to his stories because I love the way he tells them.
What else is there to like? His world building? Yes, if you look at his pre-war short stories, but the world building in his novels typically amounts to one or two pithy sentences per book. His characters? He only has one. His philosophy? Discounting solipsism as his joke on the world, he is a realist totally undercut by his own sentimentality. His political ideas? There are enough so that everyone can find something to hate.
David Langford, quoted above, spent a lot of ink taking The Number of the Beast apart at the seams, which totally missed the point. The Number of the Beast isn’t a novel; it’s post-Heinlein Heinlein. It’s the old man reminiscing about all the books he read as a kid, and all the books he wrote as a man (starring himself) in a relatively clever stroll down memory lane. And we get to go with him, which is why I liked it when I read it. But there is no meat, which is why I haven’t gone back.
If you hate it, you’re right. Heinlein doesn’t care. He’s having a wonderful time.